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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C8EF0 it is the complementary color #B3710F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C8EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C8EF0 shade: #518EEB, #62A0FE, #73B2FF, #84C4FF and #95D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C8EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C8EF0 shade: #4C8EF0, #3B7CDD, #2A6ACA, #1958B7 and #0846A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C8EF0 shade: #4B8EF0, #4B61F0, #624BF0, #8E4BF0 and #BB4BF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C8EF0 shade: #4B8EF0, #4B61F0 and #4B4BF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C8EF0 shade matches the following richer shades: #4B8EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C8EF0 shade: #4B8EF0, #5B91E0, #6B94D1, #7A97C1 and #8A9AB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C8EF0 shade: #4BE8F0, #4BBCF0, #4B90F0, #4B64F0 and #5E4BF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C8EF0 shade: #1161D8, #2575ED, #4B8EF0, #71A6F3 and #98BEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C8EF0 shade: #4C8EF0, #CC4BF0 and #D2F04B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C8EF0 shade: #4C8EF0, #F04B90 and #90F04B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C8EF0 shade: #4C8EF0, #CC4BF0, #F0AB4B and #6FF04B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C8EF0 shade: #4C8EF0, #F04BE2, #F0AB4B and #4BF059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

Complementary color

CMYK 0 / 37 / 92 / 30

HEX #B3710F

RGB 179 113 15

HSL 35.85, 0.85%, 0.38%

LAB 53.42, 19.36, 57.37

 

CMYK 66 / 40 / 0 / 8

HEX #518EEB

RGB 81 142 235

HSL 216.23, 0.79%, 0.62%

LAB 59.06, 9.4, -52.8

 

CMYK 61 / 37 / 0 / 0

HEX #62A0FE

RGB 98 160 254

HSL 216.15, 0.99%, 0.69%

LAB 65.67, 8.06, -52.71

 

CMYK 55 / 30 / 0 / 0

HEX #73B2FF

RGB 115 178 255

HSL 213, 1%, 0.73%

LAB 71.35, 1.39, -44.24

 

CMYK 48 / 23 / 0 / 0

HEX #84C4FF

RGB 132 196 255

HSL 208.78, 1%, 0.76%

LAB 77.04, -4.81, -35.32

 

CMYK 42 / 16 / 0 / 0

HEX #95D6FF

RGB 149 214 255

HSL 203.21, 1%, 0.79%

LAB 82.76, -10.3, -26.47

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

CMYK 73 / 44 / 0 / 13

HEX #3B7CDD

RGB 59 124 221

HSL 215.93, 0.7%, 0.55%

LAB 52.47, 12.15, -55.55

 

CMYK 79 / 48 / 0 / 21

HEX #2A6ACA

RGB 42 106 202

HSL 216, 0.66%, 0.48%

LAB 45.72, 14.39, -55.62

 

CMYK 86 / 52 / 0 / 28

HEX #1958B7

RGB 25 88 183

HSL 216.08, 0.76%, 0.41%

LAB 38.91, 17.18, -55.61

 

CMYK 95 / 57 / 0 / 36

HEX #0846A4

RGB 8 70 164

HSL 216.15, 0.91%, 0.34%

LAB 32.06, 20.66, -55.46

 

CMYK 69 / 41 / 0 / 6

HEX #4B8EF0

RGB 75 142 240

HSL 215.64, 0.85%, 0.62%

LAB 59.1, 10.19, -55.53

 

CMYK 69 / 60 / 0 / 6

HEX #4B61F0

RGB 75 97 240

HSL 232, 0.85%, 0.62%

LAB 47.41, 37.81, -74.38

 

CMYK 59 / 69 / 0 / 6

HEX #624BF0

RGB 98 75 240

HSL 248.36, 0.85%, 0.62%

LAB 44.12, 53.71, -79.7

 

CMYK 41 / 69 / 0 / 6

HEX #8E4BF0

RGB 142 75 240

HSL 264.36, 0.85%, 0.62%

LAB 48.35, 60.76, -72.61

 

CMYK 22 / 69 / 0 / 6

HEX #BB4BF0

RGB 187 75 240

HSL 280.73, 0.85%, 0.62%

LAB 53.91, 69.38, -63.35

 

CMYK 69 / 41 / 0 / 6

HEX #4B8EF0

RGB 75 142 240

HSL 215.64, 0.85%, 0.62%

LAB 59.1, 10.19, -55.53

 

CMYK 69 / 60 / 0 / 6

HEX #4B61F0

RGB 75 97 240

HSL 232, 0.85%, 0.62%

LAB 47.41, 37.81, -74.38

 

CMYK 69 / 69 / 0 / 6

HEX #4B4BF0

RGB 75 75 240

HSL 240, 0.85%, 0.62%

LAB 42.49, 50.86, -82.44

 

CMYK 69 / 41 / 0 / 6

HEX #4B8EF0

RGB 75 142 240

HSL 215.64, 0.85%, 0.62%

LAB 59.1, 10.19, -55.53

 

CMYK 69 / 41 / 0 / 6

HEX #4B8EF0

RGB 75 142 240

HSL 215.64, 0.85%, 0.62%

LAB 59.1, 10.19, -55.53

 

CMYK 59 / 35 / 0 / 12

HEX #5B91E0

RGB 91 145 224

HSL 215.64, 0.68%, 0.62%

LAB 59.76, 5.73, -45.56

 

CMYK 49 / 29 / 0 / 18

HEX #6B94D1

RGB 107 148 209

HSL 215.88, 0.53%, 0.62%

LAB 60.7, 2.72, -35.65

 

CMYK 37 / 22 / 0 / 24

HEX #7A97C1

RGB 122 151 193

HSL 215.49, 0.36%, 0.62%

LAB 61.76, 0.35, -24.98

 

CMYK 22 / 13 / 0 / 31

HEX #8A9AB1

RGB 138 154 177

HSL 215.38, 0.2%, 0.62%

LAB 63.08, -0.55, -13.86

 

CMYK 69 / 3 / 0 / 6

HEX #4BE8F0

RGB 75 232 240

HSL 182.91, 0.85%, 0.62%

LAB 84.74, -37.48, -15.78

 

CMYK 69 / 22 / 0 / 6

HEX #4BBCF0

RGB 75 188 240

HSL 198.91, 0.85%, 0.62%

LAB 72.06, -15.78, -35.13

 

CMYK 69 / 40 / 0 / 6

HEX #4B90F0

RGB 75 144 240

HSL 214.91, 0.85%, 0.62%

LAB 59.65, 9, -54.65

 

CMYK 69 / 58 / 0 / 6

HEX #4B64F0

RGB 75 100 240

HSL 230.91, 0.85%, 0.62%

LAB 48.14, 35.97, -73.2

 

CMYK 61 / 69 / 0 / 6

HEX #5E4BF0

RGB 94 75 240

HSL 246.91, 0.85%, 0.62%

LAB 43.8, 53.17, -80.23

 

CMYK 92 / 55 / 0 / 15

HEX #1161D8

RGB 17 97 216

HSL 215.88, 0.85%, 0.46%

LAB 43.69, 23.87, -66.94

 

CMYK 84 / 51 / 0 / 7

HEX #2575ED

RGB 37 117 237

HSL 216, 0.85%, 0.54%

LAB 50.96, 20.29, -67

 

CMYK 69 / 41 / 0 / 6

HEX #4B8EF0

RGB 75 142 240

HSL 215.64, 0.85%, 0.62%

LAB 59.1, 10.19, -55.53

 

CMYK 53 / 32 / 0 / 5

HEX #71A6F3

RGB 113 166 243

HSL 215.54, 0.84%, 0.7%

LAB 67.47, 4.07, -43.83

 

CMYK 38 / 23 / 0 / 4

HEX #98BEF6

RGB 152 190 246

HSL 215.74, 0.84%, 0.78%

LAB 76.16, 0.9, -31.76

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

CMYK 15 / 69 / 0 / 6

HEX #CC4BF0

RGB 204 75 240

HSL 286.91, 0.85%, 0.62%

LAB 56.25, 72.86, -59.46

 

CMYK 13 / 0 / 69 / 6

HEX #D2F04B

RGB 210 240 75

HSL 70.91, 0.85%, 0.62%

LAB 90.1, -30.81, 72.53

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

CMYK 0 / 69 / 40 / 6

HEX #F04B90

RGB 240 75 144

HSL 334.91, 0.85%, 0.62%

LAB 57.63, 67.92, -1.78

 

CMYK 40 / 0 / 69 / 6

HEX #90F04B

RGB 144 240 75

HSL 94.91, 0.85%, 0.62%

LAB 86.38, -54.72, 67.55

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

CMYK 15 / 69 / 0 / 6

HEX #CC4BF0

RGB 204 75 240

HSL 286.91, 0.85%, 0.62%

LAB 56.25, 72.86, -59.46

 

CMYK 0 / 29 / 69 / 6

HEX #F0AB4B

RGB 240 171 75

HSL 34.91, 0.85%, 0.62%

LAB 74.93, 16.41, 57.72

 

CMYK 54 / 0 / 69 / 6

HEX #6FF04B

RGB 111 240 75

HSL 106.91, 0.85%, 0.62%

LAB 85.1, -64.29, 65.82

 

CMYK 68 / 41 / 0 / 6

HEX #4C8EF0

RGB 76 142 240

HSL 215.85, 0.85%, 0.62%

LAB 59.13, 10.34, -55.47

 

CMYK 0 / 69 / 6 / 6

HEX #F04BE2

RGB 240 75 226

HSL 305.09, 0.85%, 0.62%

LAB 60.82, 78.27, -44.02

 

CMYK 0 / 29 / 69 / 6

HEX #F0AB4B

RGB 240 171 75

HSL 34.91, 0.85%, 0.62%

LAB 74.93, 16.41, 57.72

 

CMYK 69 / 0 / 63 / 6

HEX #4BF059

RGB 75 240 89

HSL 125.09, 0.85%, 0.62%

LAB 84.24, -70.78, 59.11

 

Description

Color code: HEX #4C8EF0 | qconv.com Color code: HEX #4C8EF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 142 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 142 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 41 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 41% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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