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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C6D9E it is the complementary color #B39261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C6D9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C6D9E shade: #516D99, #627FAC, #7391BF, #84A3D2 and #95B5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C6D9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C6D9E shade: #4C6D9E, #3B5B8B, #2A4978, #193765 and #082552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C6D9E shade: #4C6D9E, #4C579E, #574C9E, #6D4C9E and #834C9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C6D9E shade: #4C6D9E, #4C579E and #4C4C9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C6D9E shade matches the following richer shades: #4C6D9E, #3969B1, #2665C4, #1362D7 and #005EEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C6D9E shade: #4C6D9E, #5F708B, #727478, #857865 and #987C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C6D9E shade: #4C9A9E, #4C849E, #4C6E9E, #4C589E and #554C9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C6D9E shade: #314666, #3E5A82, #4C6D9E, #6081B2 and #7C97C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C6D9E shade: #4C6D9E, #8C4C9E and #8F9E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C6D9E shade: #4C6D9E, #9E4C6E and #6E9E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C6D9E shade: #4C6D9E, #8C4C9E, #9E7C4C and #5E9E4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C6D9E shade: #4C6D9E, #9E4C97, #9E7C4C and #4C9E53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

Complementary color

CMYK 0 / 18 / 46 / 30

HEX #B39261

RGB 179 146 97

HSL 35.85, 0.35%, 0.54%

LAB 62.51, 5.86, 30.58

 

CMYK 47 / 29 / 0 / 40

HEX #516D99

RGB 81 109 153

HSL 216.67, 0.31%, 0.46%

LAB 45.62, 2.26, -27.1

 

CMYK 43 / 26 / 0 / 33

HEX #627FAC

RGB 98 127 172

HSL 216.49, 0.31%, 0.53%

LAB 52.68, 1.72, -27.15

 

CMYK 40 / 24 / 0 / 25

HEX #7391BF

RGB 115 145 191

HSL 216.32, 0.37%, 0.6%

LAB 59.58, 1.28, -27.24

 

CMYK 37 / 22 / 0 / 18

HEX #84A3D2

RGB 132 163 210

HSL 216.15, 0.46%, 0.67%

LAB 66.33, 0.92, -27.37

 

CMYK 35 / 21 / 0 / 10

HEX #95B5E5

RGB 149 181 229

HSL 216, 0.61%, 0.74%

LAB 72.95, 0.6, -27.52

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 58 / 35 / 0 / 45

HEX #3B5B8B

RGB 59 91 139

HSL 216, 0.4%, 0.39%

LAB 38.33, 3.45, -30.2

 

CMYK 65 / 39 / 0 / 53

HEX #2A4978

RGB 42 73 120

HSL 216.15, 0.48%, 0.32%

LAB 30.91, 4.63, -30.27

 

CMYK 75 / 46 / 0 / 60

HEX #193765

RGB 25 55 101

HSL 216.32, 0.6%, 0.25%

LAB 23.27, 6.33, -30.39

 

CMYK 90 / 55 / 0 / 68

HEX #082552

RGB 8 37 82

HSL 216.49, 0.82%, 0.18%

LAB 15.4, 8.94, -30.47

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 52 / 45 / 0 / 38

HEX #4C579E

RGB 76 87 158

HSL 231.95, 0.35%, 0.46%

LAB 39.28, 16.41, -40.08

 

CMYK 45 / 52 / 0 / 38

HEX #574C9E

RGB 87 76 158

HSL 248.05, 0.35%, 0.46%

LAB 37.23, 26.08, -43.3

 

CMYK 31 / 52 / 0 / 38

HEX #6D4C9E

RGB 109 76 158

HSL 264.15, 0.35%, 0.46%

LAB 39.39, 31.82, -39.72

 

CMYK 17 / 52 / 0 / 38

HEX #834C9E

RGB 131 76 158

HSL 280.24, 0.35%, 0.46%

LAB 41.94, 38, -35.52

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 52 / 45 / 0 / 38

HEX #4C579E

RGB 76 87 158

HSL 231.95, 0.35%, 0.46%

LAB 39.28, 16.41, -40.08

 

CMYK 52 / 52 / 0 / 38

HEX #4C4C9E

RGB 76 76 158

HSL 240, 0.35%, 0.46%

LAB 36.32, 23.48, -44.82

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 68 / 41 / 0 / 31

HEX #3969B1

RGB 57 105 177

HSL 216, 0.51%, 0.46%

LAB 44.44, 7.7, -43.15

 

CMYK 81 / 48 / 0 / 23

HEX #2665C4

RGB 38 101 196

HSL 216.08, 0.68%, 0.46%

LAB 43.81, 14.89, -55.25

 

CMYK 91 / 54 / 0 / 16

HEX #1362D7

RGB 19 98 215

HSL 215.82, 0.84%, 0.46%

LAB 43.92, 22.91, -66.01

 

CMYK 100 / 60 / 0 / 8

HEX #005EEA

RGB 0 94 234

HSL 215.9, 1%, 0.46%

LAB 44.16, 32.31, -76.41

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 32 / 19 / 0 / 45

HEX #5F708B

RGB 95 112 139

HSL 216.82, 0.19%, 0.46%

LAB 46.82, 0.45, -16.86

 

CMYK 5 / 3 / 0 / 53

HEX #727478

RGB 114 116 120

HSL 220, 0.03%, 0.46%

LAB 48.79, 0.08, -2.47

 

CMYK 0 / 10 / 24 / 48

HEX #857865

RGB 133 120 101

HSL 35.63, 0.14%, 0.46%

LAB 51.1, 1.76, 12.26

 

CMYK 0 / 18 / 46 / 40

HEX #987C52

RGB 152 124 82

HSL 36, 0.3%, 0.46%

LAB 53.71, 5.04, 26.96

 

CMYK 52 / 3 / 0 / 38

HEX #4C9A9E

RGB 76 154 158

HSL 182.93, 0.35%, 0.46%

LAB 59.08, -22.77, -9.47

 

CMYK 52 / 16 / 0 / 38

HEX #4C849E

RGB 76 132 158

HSL 199.02, 0.35%, 0.46%

LAB 52.41, -10.93, -19.57

 

CMYK 52 / 30 / 0 / 38

HEX #4C6E9E

RGB 76 110 158

HSL 215.12, 0.35%, 0.46%

LAB 45.85, 1.97, -29.71

 

CMYK 52 / 44 / 0 / 38

HEX #4C589E

RGB 76 88 158

HSL 231.22, 0.35%, 0.46%

LAB 39.55, 15.77, -39.64

 

CMYK 46 / 52 / 0 / 38

HEX #554C9E

RGB 85 76 158

HSL 246.59, 0.35%, 0.46%

LAB 37.06, 25.59, -43.59

 

CMYK 52 / 31 / 0 / 60

HEX #314666

RGB 49 70 102

HSL 216.23, 0.35%, 0.3%

LAB 29.39, 1.81, -21.26

 

CMYK 52 / 31 / 0 / 49

HEX #3E5A82

RGB 62 90 130

HSL 215.29, 0.35%, 0.38%

LAB 37.75, 1.76, -25.62

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 46 / 28 / 0 / 30

HEX #6081B2

RGB 96 129 178

HSL 215.85, 0.35%, 0.54%

LAB 53.39, 1.79, -29.52

 

CMYK 35 / 21 / 0 / 25

HEX #7C97C0

RGB 124 151 192

HSL 216.18, 0.35%, 0.62%

LAB 61.85, 0.65, -24.27

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 11 / 52 / 0 / 38

HEX #8C4C9E

RGB 140 76 158

HSL 286.83, 0.35%, 0.46%

LAB 43.08, 40.59, -33.64

 

CMYK 9 / 0 / 52 / 38

HEX #8F9E4C

RGB 143 158 76

HSL 70.98, 0.35%, 0.46%

LAB 62.35, -17.97, 40.62

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 0 / 52 / 30 / 38

HEX #9E4C6E

RGB 158 76 110

HSL 335.12, 0.35%, 0.46%

LAB 43.6, 37.99, -3.53

 

CMYK 30 / 0 / 52 / 38

HEX #6E9E4C

RGB 110 158 76

HSL 95.12, 0.35%, 0.46%

LAB 60.15, -31.03, 37.46

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 11 / 52 / 0 / 38

HEX #8C4C9E

RGB 140 76 158

HSL 286.83, 0.35%, 0.46%

LAB 43.08, 40.59, -33.64

 

CMYK 0 / 22 / 52 / 38

HEX #9E7C4C

RGB 158 124 76

HSL 35.12, 0.35%, 0.46%

LAB 54.25, 7.04, 31.08

 

CMYK 41 / 0 / 52 / 38

HEX #5E9E4C

RGB 94 158 76

HSL 106.83, 0.35%, 0.46%

LAB 59.3, -36.66, 36.23

 

CMYK 52 / 31 / 0 / 38

HEX #4C6D9E

RGB 76 109 158

HSL 215.85, 0.35%, 0.46%

LAB 45.56, 2.58, -30.17

 

CMYK 0 / 52 / 4 / 38

HEX #9E4C97

RGB 158 76 151

HSL 305.12, 0.35%, 0.46%

LAB 45.18, 44.53, -26

 

CMYK 0 / 22 / 52 / 38

HEX #9E7C4C

RGB 158 124 76

HSL 35.12, 0.35%, 0.46%

LAB 54.25, 7.04, 31.08

 

CMYK 52 / 0 / 47 / 38

HEX #4C9E53

RGB 76 158 83

HSL 125.12, 0.35%, 0.46%

LAB 58.62, -41.19, 31.61

 

Description

Color code: HEX #4C6D9E | qconv.com Color code: HEX #4C6D9E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 109 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 109 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 31 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 31% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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