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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C593E it is the complementary color #B3A6C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C593E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C593E shade: #515939, #626B4C, #737D5F, #848F72 and #95A185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C593E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C593E shade: #4C593E, #3B472B, #2A3518, #192305 and #081100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C593E shade: #4D5A3E, #545A3E, #5A583E, #5A513E and #5A493E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C593E shade: #4D5A3E, #455A3E, #3E5A3F, #3E5A46 and #3E5A4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C593E shade matches the following richer shades: #4D5A3E, #4D6632, #4D7325, #4E7F19 and #4E8B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C593E shade: #4D5A3E, #4C4D4B, #4C4157, #4B3563 and #4B2870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C593E shade: #5A583E, #545A3E, #4D5A3E, #465A3E and #3E5A3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C593E shade: #23291C, #38412D, #4D5A3E, #61724F and #768A60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C593E shade: #4C593E, #3E5A51 and #5A3E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C593E shade: #4C593E, #3E4D5A and #5A3E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C593E shade: #4C593E, #3E5A51, #4B3E5A and #5A3E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C593E shade: #4C593E, #3E5A59, #4B3E5A and #5A3E3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

Complementary color

CMYK 7 / 14 / 0 / 24

HEX #B3A6C1

RGB 179 166 193

HSL 268.89, 0.18%, 0.7%

LAB 69.97, 9.83, -12.12

 

CMYK 9 / 0 / 36 / 65

HEX #515939

RGB 81 89 57

HSL 75, 0.22%, 0.29%

LAB 36.35, -9.24, 17.51

 

CMYK 8 / 0 / 29 / 58

HEX #626B4C

RGB 98 107 76

HSL 77.42, 0.17%, 0.36%

LAB 43.7, -9.33, 16.28

 

CMYK 8 / 0 / 24 / 51

HEX #737D5F

RGB 115 125 95

HSL 80, 0.14%, 0.43%

LAB 50.85, -9.39, 15.15

 

CMYK 8 / 0 / 20 / 44

HEX #848F72

RGB 132 143 114

HSL 82.76, 0.11%, 0.5%

LAB 57.81, -9.43, 14.12

 

CMYK 7 / 0 / 17 / 37

HEX #95A185

RGB 149 161 133

HSL 85.71, 0.13%, 0.58%

LAB 64.62, -9.46, 13.16

 

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

CMYK 17 / 0 / 39 / 72

HEX #3B472B

RGB 59 71 43

HSL 85.71, 0.25%, 0.22%

LAB 28.41, -10.63, 15.29

 

CMYK 21 / 0 / 55 / 79

HEX #2A3518

RGB 42 53 24

HSL 82.76, 0.38%, 0.15%

LAB 20.46, -10.6, 16.71

 

CMYK 29 / 0 / 86 / 86

HEX #192305

RGB 25 35 5

HSL 80, 0.75%, 0.08%

LAB 12.09, -10.45, 15.64

 

CMYK 53 / 0 / 100 / 93

HEX #081100

RGB 8 17 0

HSL 91.76, 1%, 0.03%

LAB 4.09, -5.31, 6.02

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 7 / 0 / 31 / 65

HEX #545A3E

RGB 84 90 62

HSL 72.86, 0.18%, 0.3%

LAB 37.01, -7.73, 15.43

 

CMYK 0 / 2 / 31 / 65

HEX #5A583E

RGB 90 88 62

HSL 55.71, 0.18%, 0.3%

LAB 36.93, -3.9, 15.41

 

CMYK 0 / 10 / 31 / 65

HEX #5A513E

RGB 90 81 62

HSL 40.71, 0.18%, 0.3%

LAB 34.82, 0.35, 12.55

 

CMYK 0 / 19 / 31 / 65

HEX #5A493E

RGB 90 73 62

HSL 23.57, 0.18%, 0.3%

LAB 32.45, 5.32, 9.29

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 23 / 0 / 31 / 65

HEX #455A3E

RGB 69 90 62

HSL 105, 0.18%, 0.3%

LAB 35.84, -14.07, 13.64

 

CMYK 31 / 0 / 30 / 65

HEX #3E5A3F

RGB 62 90 63

HSL 122.14, 0.18%, 0.3%

LAB 35.39, -16.63, 12.34

 

CMYK 31 / 0 / 22 / 65

HEX #3E5A46

RGB 62 90 70

HSL 137.14, 0.18%, 0.3%

LAB 35.55, -15.18, 8.26

 

CMYK 31 / 0 / 13 / 65

HEX #3E5A4E

RGB 62 90 78

HSL 154.29, 0.18%, 0.3%

LAB 35.76, -13.36, 3.6

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 25 / 0 / 51 / 60

HEX #4D6632

RGB 77 102 50

HSL 88.85, 0.34%, 0.3%

LAB 40.1, -19.2, 26.27

 

CMYK 33 / 0 / 68 / 55

HEX #4D7325

RGB 77 115 37

HSL 89.23, 0.51%, 0.3%

LAB 44.19, -27.21, 37.6

 

CMYK 39 / 0 / 80 / 50

HEX #4E7F19

RGB 78 127 25

HSL 88.82, 0.67%, 0.3%

LAB 48.09, -33.3, 46.31

 

CMYK 44 / 0 / 91 / 45

HEX #4E8B0D

RGB 78 139 13

HSL 89.05, 0.83%, 0.3%

LAB 51.97, -39.05, 52.95

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 1 / 0 / 3 / 70

HEX #4C4D4B

RGB 76 77 75

HSL 90, 0.01%, 0.3%

LAB 32.6, -0.84, 1.04

 

CMYK 13 / 25 / 0 / 66

HEX #4C4157

RGB 76 65 87

HSL 270, 0.14%, 0.3%

LAB 29.43, 9.62, -11.4

 

CMYK 24 / 46 / 0 / 61

HEX #4B3563

RGB 75 53 99

HSL 268.7, 0.3%, 0.3%

LAB 26.57, 20.2, -23.6

 

CMYK 33 / 64 / 0 / 56

HEX #4B2870

RGB 75 40 112

HSL 269.17, 0.47%, 0.3%

LAB 24.27, 31.79, -35.65

 

CMYK 0 / 2 / 31 / 65

HEX #5A583E

RGB 90 88 62

HSL 55.71, 0.18%, 0.3%

LAB 36.93, -3.9, 15.41

 

CMYK 7 / 0 / 31 / 65

HEX #545A3E

RGB 84 90 62

HSL 72.86, 0.18%, 0.3%

LAB 37.01, -7.73, 15.43

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 22 / 0 / 31 / 65

HEX #465A3E

RGB 70 90 62

HSL 102.86, 0.18%, 0.3%

LAB 35.91, -13.66, 13.75

 

CMYK 31 / 0 / 31 / 65

HEX #3E5A3E

RGB 62 90 62

HSL 120, 0.18%, 0.3%

LAB 35.37, -16.82, 12.93

 

CMYK 15 / 0 / 32 / 84

HEX #23291C

RGB 35 41 28

HSL 87.69, 0.19%, 0.14%

LAB 15.63, -5.68, 7.67

 

CMYK 14 / 0 / 31 / 75

HEX #38412D

RGB 56 65 45

HSL 87, 0.18%, 0.22%

LAB 26.19, -8.01, 11.02

 

CMYK 14 / 0 / 31 / 65

HEX #4D5A3E

RGB 77 90 62

HSL 87.86, 0.18%, 0.3%

LAB 36.44, -10.75, 14.56

 

CMYK 15 / 0 / 31 / 55

HEX #61724F

RGB 97 114 79

HSL 89.14, 0.18%, 0.38%

LAB 45.83, -13.19, 17.37

 

CMYK 14 / 0 / 30 / 46

HEX #768A60

RGB 118 138 96

HSL 88.57, 0.18%, 0.46%

LAB 54.94, -15.13, 20.19

 

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

CMYK 31 / 0 / 10 / 65

HEX #3E5A51

RGB 62 90 81

HSL 160.71, 0.18%, 0.3%

LAB 35.85, -12.64, 1.85

 

CMYK 0 / 31 / 2 / 65

HEX #5A3E58

RGB 90 62 88

HSL 304.29, 0.18%, 0.3%

LAB 30.21, 17.15, -10.7

 

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

CMYK 31 / 14 / 0 / 65

HEX #3E4D5A

RGB 62 77 90

HSL 207.86, 0.18%, 0.3%

LAB 31.97, -2.43, -9.58

 

CMYK 0 / 31 / 14 / 65

HEX #5A3E4D

RGB 90 62 77

HSL 327.86, 0.18%, 0.3%

LAB 29.8, 14.92, -4.19

 

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

CMYK 31 / 0 / 10 / 65

HEX #3E5A51

RGB 62 90 81

HSL 160.71, 0.18%, 0.3%

LAB 35.85, -12.64, 1.85

 

CMYK 17 / 31 / 0 / 65

HEX #4B3E5A

RGB 75 62 90

HSL 267.86, 0.18%, 0.3%

LAB 28.59, 11.96, -14.63

 

CMYK 0 / 31 / 21 / 65

HEX #5A3E47

RGB 90 62 71

HSL 340.71, 0.18%, 0.3%

LAB 29.6, 13.8, -0.58

 

CMYK 15 / 0 / 30 / 65

HEX #4C593E

RGB 76 89 62

HSL 88.89, 0.18%, 0.3%

LAB 36.04, -10.59, 14

 

CMYK 31 / 0 / 1 / 65

HEX #3E5A59

RGB 62 90 89

HSL 177.86, 0.18%, 0.3%

LAB 36.1, -10.61, -2.78

 

CMYK 17 / 31 / 0 / 65

HEX #4B3E5A

RGB 75 62 90

HSL 267.86, 0.18%, 0.3%

LAB 28.59, 11.96, -14.63

 

CMYK 0 / 31 / 30 / 65

HEX #5A3E3F

RGB 90 62 63

HSL 357.86, 0.18%, 0.3%

LAB 29.36, 12.43, 4.29

 

Description

Color code: HEX #4C593E | qconv.com Color code: HEX #4C593E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 89 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 89 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 30 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 30% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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