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Color name
HEX #4C4E8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C4E8E it is the complementary color #B3B171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C4E8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C4E8E shade: #514E89, #62609C, #7372AF, #8484C2 and #9596D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C4E8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C4E8E shade: #4C4E8E, #3B3C7B, #2A2A68, #191855 and #080642

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C4E8E shade: #4C4E8E, #5C4C8E, #6E4C8E, #7F4C8E and #8E4C8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C4E8E shade: #4C4E8E and #4C4C8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C4E8E shade matches the following richer shades: #4C4E8E, #3B3EA0, #292DB2, #171CC3 and #050CD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C4E8E shade: #4C4E8E, #5E5F7C, #70706B, #818059 and #939147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C4E8E shade: #4C728E, #4C608E, #4C4E8E, #5C4C8E and #6D4C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C4E8E shade: #2F3158, #3E3F73, #4C4E8E, #5C5FA7 and #7779B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C4E8E shade: #4C4E8E, #8E4C83 and #698E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C4E8E shade: #4C4E8E, #8E4C4E and #4E8E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C4E8E shade: #4C4E8E, #8E4C83, #8E8C4C and #4C8E57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C4E8E shade: #4C4E8E, #8E4C6F, #8E8C4C and #4C8E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

Complementary color

CMYK 0 / 1 / 37 / 30

HEX #B3B171

RGB 179 177 113

HSL 58.18, 0.3%, 0.57%

LAB 71.02, -9.05, 33.02

 

CMYK 41 / 43 / 0 / 46

HEX #514E89

RGB 81 78 137

HSL 243.05, 0.27%, 0.42%

LAB 35.99, 16.82, -32.57

 

CMYK 37 / 38 / 0 / 39

HEX #62609C

RGB 98 96 156

HSL 242, 0.24%, 0.49%

LAB 43.3, 15.9, -32.4

 

CMYK 34 / 35 / 0 / 31

HEX #7372AF

RGB 115 114 175

HSL 240.98, 0.28%, 0.57%

LAB 50.42, 15.13, -32.31

 

CMYK 32 / 32 / 0 / 24

HEX #8484C2

RGB 132 132 194

HSL 240, 0.34%, 0.64%

LAB 57.37, 14.47, -32.27

 

CMYK 30 / 30 / 0 / 16

HEX #9596D5

RGB 149 150 213

HSL 239.06, 0.43%, 0.71%

LAB 64.17, 13.9, -32.28

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 52 / 51 / 0 / 52

HEX #3B3C7B

RGB 59 60 123

HSL 239.06, 0.35%, 0.36%

LAB 28.36, 18.33, -36.16

 

CMYK 60 / 60 / 0 / 59

HEX #2A2A68

RGB 42 42 104

HSL 240, 0.42%, 0.29%

LAB 20.63, 20.04, -36.53

 

CMYK 71 / 72 / 0 / 67

HEX #191855

RGB 25 24 85

HSL 240.98, 0.56%, 0.21%

LAB 12.71, 22.27, -36.85

 

CMYK 88 / 91 / 0 / 74

HEX #080642

RGB 8 6 66

HSL 242, 0.83%, 0.14%

LAB 5.2, 23.38, -36.04

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 35 / 46 / 0 / 44

HEX #5C4C8E

RGB 92 76 142

HSL 254.55, 0.3%, 0.43%

LAB 36.74, 22.68, -34.38

 

CMYK 23 / 46 / 0 / 44

HEX #6E4C8E

RGB 110 76 142

HSL 270.91, 0.3%, 0.43%

LAB 38.62, 28, -31.29

 

CMYK 11 / 46 / 0 / 44

HEX #7F4C8E

RGB 127 76 142

HSL 286.36, 0.3%, 0.43%

LAB 40.63, 33.25, -27.99

 

CMYK 0 / 46 / 2 / 44

HEX #8E4C8B

RGB 142 76 139

HSL 302.73, 0.3%, 0.43%

LAB 42.44, 37.37, -23.21

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 46 / 46 / 0 / 44

HEX #4C4C8E

RGB 76 76 142

HSL 240, 0.3%, 0.43%

LAB 35.32, 18.31, -36.72

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 63 / 61 / 0 / 37

HEX #3B3EA0

RGB 59 62 160

HSL 238.22, 0.46%, 0.43%

LAB 31.61, 29.82, -53.7

 

CMYK 77 / 75 / 0 / 30

HEX #292DB2

RGB 41 45 178

HSL 238.25, 0.63%, 0.43%

LAB 28.28, 44.3, -70.01

 

CMYK 88 / 86 / 0 / 24

HEX #171CC3

RGB 23 28 195

HSL 238.26, 0.79%, 0.43%

LAB 26.6, 57.2, -82.91

 

CMYK 98 / 94 / 0 / 16

HEX #050CD5

RGB 5 12 213

HSL 237.98, 0.95%, 0.43%

LAB 27.02, 66.84, -92.75

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 24 / 23 / 0 / 51

HEX #5E5F7C

RGB 94 95 124

HSL 238, 0.14%, 0.43%

LAB 41.25, 6.47, -16.37

 

CMYK 0 / 0 / 4 / 56

HEX #70706B

RGB 112 112 107

HSL 60, 0.02%, 0.43%

LAB 47.1, -1, 2.77

 

CMYK 0 / 1 / 31 / 49

HEX #818059

RGB 129 128 89

HSL 58.5, 0.18%, 0.43%

LAB 52.76, -6.22, 21.37

 

CMYK 0 / 1 / 52 / 42

HEX #939147

RGB 147 145 71

HSL 58.42, 0.35%, 0.43%

LAB 58.89, -9.9, 39.1

 

CMYK 46 / 20 / 0 / 44

HEX #4C728E

RGB 76 114 142

HSL 205.45, 0.3%, 0.43%

LAB 46.34, -5.42, -19.48

 

CMYK 46 / 32 / 0 / 44

HEX #4C608E

RGB 76 96 142

HSL 221.82, 0.3%, 0.43%

LAB 40.99, 5.53, -27.78

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 35 / 46 / 0 / 44

HEX #5C4C8E

RGB 92 76 142

HSL 254.55, 0.3%, 0.43%

LAB 36.74, 22.68, -34.38

 

CMYK 23 / 46 / 0 / 44

HEX #6D4C8E

RGB 109 76 142

HSL 270, 0.3%, 0.43%

LAB 38.5, 27.7, -31.47

 

CMYK 47 / 44 / 0 / 65

HEX #2F3158

RGB 47 49 88

HSL 237.07, 0.3%, 0.26%

LAB 21.96, 10.74, -23.86

 

CMYK 46 / 45 / 0 / 55

HEX #3E3F73

RGB 62 63 115

HSL 238.87, 0.3%, 0.35%

LAB 28.95, 14.43, -30.16

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 45 / 43 / 0 / 35

HEX #5C5FA7

RGB 92 95 167

HSL 237.6, 0.3%, 0.51%

LAB 43.14, 18.16, -39.22

 

CMYK 35 / 34 / 0 / 29

HEX #7779B6

RGB 119 121 182

HSL 238.1, 0.3%, 0.59%

LAB 52.92, 14, -32.43

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 0 / 46 / 8 / 44

HEX #8E4C83

RGB 142 76 131

HSL 310, 0.3%, 0.43%

LAB 42.09, 35.87, -18.88

 

CMYK 26 / 0 / 46 / 44

HEX #698E4C

RGB 105 142 76

HSL 93.64, 0.3%, 0.43%

LAB 54.94, -25.15, 30.98

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 0 / 46 / 45 / 44

HEX #8E4C4E

RGB 142 76 78

HSL 358.18, 0.3%, 0.43%

LAB 40.36, 27.96, 11.28

 

CMYK 45 / 0 / 46 / 44

HEX #4E8E4C

RGB 78 142 76

HSL 118.18, 0.3%, 0.43%

LAB 53.48, -34.67, 28.84

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 0 / 46 / 8 / 44

HEX #8E4C83

RGB 142 76 131

HSL 310, 0.3%, 0.43%

LAB 42.09, 35.87, -18.88

 

CMYK 0 / 1 / 46 / 44

HEX #8E8C4C

RGB 142 140 76

HSL 58.18, 0.3%, 0.43%

LAB 57.1, -8.86, 34.27

 

CMYK 46 / 0 / 39 / 44

HEX #4C8E57

RGB 76 142 87

HSL 130, 0.3%, 0.43%

LAB 53.57, -33.48, 22.94

 

CMYK 46 / 45 / 0 / 44

HEX #4C4E8E

RGB 76 78 142

HSL 238.18, 0.3%, 0.43%

LAB 35.87, 17.02, -35.85

 

CMYK 0 / 46 / 22 / 44

HEX #8E4C6F

RGB 142 76 111

HSL 328.18, 0.3%, 0.43%

LAB 41.32, 32.45, -7.78

 

CMYK 0 / 1 / 46 / 44

HEX #8E8C4C

RGB 142 140 76

HSL 58.18, 0.3%, 0.43%

LAB 57.1, -8.86, 34.27

 

CMYK 46 / 0 / 25 / 44

HEX #4C8E6B

RGB 76 142 107

HSL 148.18, 0.3%, 0.43%

LAB 53.97, -29.55, 12.23

 

Description

Color code: HEX #4C4E8E | qconv.com Color code: HEX #4C4E8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 78 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 78 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 45 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 45% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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