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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C4D58 it is the complementary color #B3B2A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C4D58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C4D58 shade: #514D53, #625F66, #737179, #84838C and #95959F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C4D58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C4D58 shade: #4C4D58, #3B3B45, #2A2932, #19171F and #08050C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C4D58 shade: #4B4C57, #4E4B57, #514B57, #544B57 and #574B57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C4D58 shade: #4B4C57 and #4B4B57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C4D58 shade matches the following richer shades: #4B4C57, #3E4164, #313671, #242B7E and #17208C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C4D58 shade: #4B4C57, #59574A, #66623C, #736D2F and #807822

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C4D58 shade: #4B5257, #4B4F57, #4B4C57, #4D4B57 and #514B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C4D58 shade: #25252B, #383941, #4B4C57, #5F606D and #727383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C4D58 shade: #4C4D58, #574B55 and #51574B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C4D58 shade: #4C4D58, #574B4C and #4C574B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C4D58 shade: #4C4D58, #574B55, #57564B and #4B574D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C4D58 shade: #4C4D58, #574B52, #57564B and #4B5750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

Complementary color

CMYK 0 / 1 / 7 / 30

HEX #B3B2A7

RGB 179 178 167

HSL 55, 0.07%, 0.68%

LAB 72.37, -1.63, 5.74

 

CMYK 2 / 7 / 0 / 67

HEX #514D53

RGB 81 77 83

HSL 280, 0.04%, 0.31%

LAB 33.31, 2.94, -2.95

 

CMYK 4 / 7 / 0 / 60

HEX #625F66

RGB 98 95 102

HSL 265.71, 0.04%, 0.39%

LAB 40.8, 2.67, -3.56

 

CMYK 5 / 7 / 0 / 53

HEX #737179

RGB 115 113 121

HSL 255, 0.03%, 0.46%

LAB 48.05, 2.42, -4.14

 

CMYK 6 / 6 / 0 / 45

HEX #84838C

RGB 132 131 140

HSL 246.67, 0.04%, 0.53%

LAB 55.1, 2.2, -4.71

 

CMYK 6 / 6 / 0 / 38

HEX #95959F

RGB 149 149 159

HSL 240, 0.05%, 0.6%

LAB 61.99, 2, -5.25

 

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

CMYK 14 / 14 / 0 / 73

HEX #3B3B45

RGB 59 59 69

HSL 240, 0.08%, 0.25%

LAB 25.22, 2.42, -6.13

 

CMYK 16 / 18 / 0 / 80

HEX #2A2932

RGB 42 41 50

HSL 246.67, 0.1%, 0.18%

LAB 17.03, 2.75, -5.67

 

CMYK 19 / 26 / 0 / 88

HEX #19171F

RGB 25 23 31

HSL 255, 0.15%, 0.11%

LAB 8.29, 3.17, -5.23

 

CMYK 33 / 58 / 0 / 95

HEX #08050C

RGB 8 5 12

HSL 265.71, 0.41%, 0.03%

LAB 1.69, 1.77, -2.42

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 10 / 14 / 0 / 66

HEX #4E4B57

RGB 78 75 87

HSL 255, 0.07%, 0.32%

LAB 32.57, 3.94, -6.63

 

CMYK 7 / 14 / 0 / 66

HEX #514B57

RGB 81 75 87

HSL 270, 0.07%, 0.32%

LAB 32.85, 5.12, -6.18

 

CMYK 3 / 14 / 0 / 66

HEX #544B57

RGB 84 75 87

HSL 285, 0.07%, 0.32%

LAB 33.15, 6.3, -5.71

 

CMYK 0 / 14 / 0 / 66

HEX #574B57

RGB 87 75 87

HSL 300, 0.07%, 0.32%

LAB 33.45, 7.49, -5.22

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 14 / 14 / 0 / 66

HEX #4B4B57

RGB 75 75 87

HSL 240, 0.07%, 0.32%

LAB 32.29, 2.79, -7.07

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 38 / 35 / 0 / 61

HEX #3E4164

RGB 62 65 100

HSL 235.26, 0.23%, 0.32%

LAB 28.71, 8.32, -20.98

 

CMYK 57 / 52 / 0 / 56

HEX #313671

RGB 49 54 113

HSL 235.31, 0.4%, 0.32%

LAB 25.21, 16.54, -34.92

 

CMYK 71 / 66 / 0 / 51

HEX #242B7E

RGB 36 43 126

HSL 235.33, 0.56%, 0.32%

LAB 22.33, 26.47, -47.88

 

CMYK 84 / 77 / 0 / 45

HEX #17208C

RGB 23 32 140

HSL 235.38, 0.72%, 0.32%

LAB 20.47, 37.39, -59.77

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 0 / 2 / 17 / 65

HEX #59574A

RGB 89 87 74

HSL 52, 0.09%, 0.32%

LAB 36.81, -1.73, 7.85

 

CMYK 0 / 4 / 41 / 60

HEX #66623C

RGB 102 98 60

HSL 54.29, 0.26%, 0.32%

LAB 41.03, -4.69, 22.2

 

CMYK 0 / 5 / 59 / 55

HEX #736D2F

RGB 115 109 47

HSL 54.71, 0.42%, 0.32%

LAB 45.34, -6.45, 34.84

 

CMYK 0 / 6 / 73 / 50

HEX #807822

RGB 128 120 34

HSL 54.89, 0.58%, 0.32%

LAB 49.66, -7.49, 45.76

 

CMYK 14 / 6 / 0 / 66

HEX #4B5257

RGB 75 82 87

HSL 205, 0.07%, 0.32%

LAB 34.43, -1.61, -3.88

 

CMYK 14 / 9 / 0 / 66

HEX #4B4F57

RGB 75 79 87

HSL 220, 0.07%, 0.32%

LAB 33.51, 0.26, -5.25

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 11 / 14 / 0 / 66

HEX #4D4B57

RGB 77 75 87

HSL 250, 0.07%, 0.32%

LAB 32.48, 3.56, -6.78

 

CMYK 7 / 14 / 0 / 66

HEX #514B57

RGB 81 75 87

HSL 270, 0.07%, 0.32%

LAB 32.85, 5.12, -6.18

 

CMYK 14 / 14 / 0 / 83

HEX #25252B

RGB 37 37 43

HSL 240, 0.08%, 0.16%

LAB 14.9, 1.55, -3.96

 

CMYK 14 / 12 / 0 / 75

HEX #383941

RGB 56 57 65

HSL 233.33, 0.07%, 0.24%

LAB 24.16, 1.52, -5.09

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 13 / 12 / 0 / 57

HEX #5F606D

RGB 95 96 109

HSL 235.71, 0.07%, 0.4%

LAB 41.06, 2.51, -7.49

 

CMYK 13 / 12 / 0 / 49

HEX #727383

RGB 114 115 131

HSL 236.47, 0.07%, 0.48%

LAB 48.86, 3.08, -8.89

 

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

CMYK 0 / 14 / 2 / 66

HEX #574B55

RGB 87 75 85

HSL 310, 0.07%, 0.32%

LAB 33.38, 7.06, -4.05

 

CMYK 7 / 0 / 14 / 66

HEX #51574B

RGB 81 87 75

HSL 90, 0.07%, 0.32%

LAB 36.13, -4.91, 6.17

 

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

CMYK 0 / 14 / 13 / 66

HEX #574B4C

RGB 87 75 76

HSL 355, 0.07%, 0.32%

LAB 33.09, 5.22, 1.25

 

CMYK 13 / 0 / 14 / 66

HEX #4C574B

RGB 76 87 75

HSL 115, 0.07%, 0.32%

LAB 35.72, -6.95, 5.53

 

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

CMYK 0 / 14 / 2 / 66

HEX #574B55

RGB 87 75 85

HSL 310, 0.07%, 0.32%

LAB 33.38, 7.06, -4.05

 

CMYK 0 / 1 / 14 / 66

HEX #57564B

RGB 87 86 75

HSL 55, 0.07%, 0.32%

LAB 36.35, -1.79, 6.55

 

CMYK 14 / 0 / 11 / 66

HEX #4B574D

RGB 75 87 77

HSL 130, 0.07%, 0.32%

LAB 35.69, -6.93, 4.23

 

CMYK 14 / 13 / 0 / 65

HEX #4C4D58

RGB 76 77 88

HSL 235, 0.07%, 0.32%

LAB 33.03, 2.15, -6.6

 

CMYK 0 / 14 / 6 / 66

HEX #574B52

RGB 87 75 82

HSL 325, 0.07%, 0.32%

LAB 33.28, 6.43, -2.29

 

CMYK 0 / 1 / 14 / 66

HEX #57564B

RGB 87 86 75

HSL 55, 0.07%, 0.32%

LAB 36.35, -1.79, 6.55

 

CMYK 14 / 0 / 8 / 66

HEX #4B5750

RGB 75 87 80

HSL 145, 0.07%, 0.32%

LAB 35.77, -6.28, 2.48

 

Description

Color code: HEX #4C4D58 | qconv.com Color code: HEX #4C4D58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 77 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 77 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 13 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 13% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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