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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C3F37 it is the complementary color #B3C0C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C3F37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C3F37 shade: #513F32, #625145, #736358, #84756B and #95877E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C3F37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C3F37 shade: #4C3F37, #3B2D24, #2A1B11, #190900 and #080000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C3F37 shade: #4C3F37, #4C3A37 and #4C3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C3F37 shade: #4C3F37, #4C4537, #4C4B37, #484C37 and #434C37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C3F37 shade matches the following richer shades: #4C3F37, #573D2C, #623A22, #6D3817 and #77350C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C3F37 shade: #4C3F37, #424242, #37444D, #2C4757 and #214962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C3F37 shade: #4C373B, #4C3937, #4C3F37, #4C4537 and #4C4A37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C3F37 shade: #1D1815, #342B26, #4C3F37, #645349 and #7C675A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C3F37 shade: #4C3F37, #404C37 and #37384C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C3F37 shade: #4C3F37, #374C3F and #3F374C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C3F37 shade: #4C3F37, #404C37, #37454C and #43374C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C3F37 shade: #4C3F37, #3A4C37, #37454C and #4A374C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

Complementary color

CMYK 11 / 4 / 0 / 22

HEX #B3C0C8

RGB 179 192 200

HSL 202.86, 0.16%, 0.74%

LAB 76.95, -2.86, -5.55

 

CMYK 0 / 22 / 38 / 68

HEX #513F32

RGB 81 63 50

HSL 25.16, 0.24%, 0.26%

LAB 28.21, 5.7, 10.96

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 14 / 23 / 55

HEX #736358

RGB 115 99 88

HSL 24.44, 0.13%, 0.4%

LAB 43.17, 4.49, 8.61

 

CMYK 0 / 11 / 19 / 48

HEX #84756B

RGB 132 117 107

HSL 24, 0.1%, 0.47%

LAB 50.32, 4.06, 7.63

 

CMYK 0 / 9 / 15 / 42

HEX #95877E

RGB 149 135 126

HSL 23.48, 0.1%, 0.54%

LAB 57.29, 3.69, 6.74

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 24 / 39 / 77

HEX #3B2D24

RGB 59 45 36

HSL 23.48, 0.24%, 0.19%

LAB 19.78, 4.86, 8.27

 

CMYK 0 / 36 / 60 / 84

HEX #2A1B11

RGB 42 27 17

HSL 24, 0.42%, 0.12%

LAB 11.39, 5.88, 9.51

 

CMYK 0 / 64 / 100 / 90

HEX #190900

RGB 25 9 0

HSL 21.6, 1%, 0.05%

LAB 3.63, 4.77, 5.53

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 24 / 28 / 70

HEX #4C3A37

RGB 76 58 55

HSL 8.57, 0.16%, 0.26%

LAB 26.27, 7.41, 4.9

 

CMYK 0 / 28 / 28 / 70

HEX #4C3737

RGB 76 55 55

HSL 0, 0.16%, 0.26%

LAB 25.4, 9.37, 3.66

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 9 / 28 / 70

HEX #4C4537

RGB 76 69 55

HSL 40, 0.16%, 0.26%

LAB 29.58, 0.34, 9.55

 

CMYK 0 / 1 / 28 / 70

HEX #4C4B37

RGB 76 75 55

HSL 57.14, 0.16%, 0.26%

LAB 31.45, -3.4, 12.11

 

CMYK 5 / 0 / 28 / 70

HEX #484C37

RGB 72 76 55

HSL 71.43, 0.16%, 0.26%

LAB 31.4, -5.81, 11.98

 

CMYK 12 / 0 / 28 / 70

HEX #434C37

RGB 67 76 55

HSL 85.71, 0.16%, 0.26%

LAB 30.97, -8.02, 11.32

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 30 / 49 / 66

HEX #573D2C

RGB 87 61 44

HSL 23.72, 0.33%, 0.26%

LAB 28.24, 9.01, 14.97

 

CMYK 0 / 41 / 65 / 62

HEX #623A22

RGB 98 58 34

HSL 22.5, 0.48%, 0.26%

LAB 28.74, 15.11, 22.17

 

CMYK 0 / 49 / 79 / 57

HEX #6D3817

RGB 109 56 23

HSL 23.02, 0.65%, 0.26%

LAB 29.77, 20.71, 30.12

 

CMYK 0 / 55 / 90 / 53

HEX #77350C

RGB 119 53 12

HSL 22.99, 0.82%, 0.26%

LAB 30.63, 26.47, 36.77

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 29 / 12 / 0 / 70

HEX #37444D

RGB 55 68 77

HSL 204.55, 0.17%, 0.26%

LAB 28.07, -2.82, -7.15

 

CMYK 49 / 18 / 0 / 66

HEX #2C4757

RGB 44 71 87

HSL 202.33, 0.33%, 0.26%

LAB 28.72, -5.26, -12.7

 

CMYK 66 / 26 / 0 / 62

HEX #214962

RGB 33 73 98

HSL 203.08, 0.5%, 0.26%

LAB 29.34, -5.43, -18.86

 

CMYK 0 / 28 / 22 / 70

HEX #4C373B

RGB 76 55 59

HSL 348.57, 0.16%, 0.26%

LAB 25.52, 10.08, 1.17

 

CMYK 0 / 25 / 28 / 70

HEX #4C3937

RGB 76 57 55

HSL 5.71, 0.16%, 0.26%

LAB 25.98, 8.06, 4.49

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 9 / 28 / 70

HEX #4C4537

RGB 76 69 55

HSL 40, 0.16%, 0.26%

LAB 29.58, 0.34, 9.55

 

CMYK 0 / 3 / 28 / 70

HEX #4C4A37

RGB 76 74 55

HSL 54.29, 0.16%, 0.26%

LAB 31.14, -2.79, 11.68

 

CMYK 0 / 17 / 28 / 89

HEX #1D1815

RGB 29 24 21

HSL 22.5, 0.16%, 0.1%

LAB 8.73, 1.82, 2.96

 

CMYK 0 / 17 / 27 / 80

HEX #342B26

RGB 52 43 38

HSL 21.43, 0.16%, 0.18%

LAB 18.36, 3.15, 4.79

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 0 / 17 / 27 / 61

HEX #645349

RGB 100 83 73

HSL 22.22, 0.16%, 0.34%

LAB 36.7, 5.3, 8.48

 

CMYK 0 / 17 / 27 / 51

HEX #7C675A

RGB 124 103 90

HSL 22.94, 0.16%, 0.42%

LAB 45.25, 6.23, 10.46

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 16 / 0 / 28 / 70

HEX #404C37

RGB 64 76 55

HSL 94.29, 0.16%, 0.26%

LAB 30.72, -9.32, 10.94

 

CMYK 28 / 26 / 0 / 70

HEX #37384C

RGB 55 56 76

HSL 237.14, 0.16%, 0.26%

LAB 24.2, 4.8, -12.36

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 28 / 0 / 17 / 70

HEX #374C3F

RGB 55 76 63

HSL 142.86, 0.16%, 0.26%

LAB 30.25, -11.31, 5.11

 

CMYK 17 / 28 / 0 / 70

HEX #3F374C

RGB 63 55 76

HSL 262.86, 0.16%, 0.26%

LAB 24.67, 8.47, -11.57

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 16 / 0 / 28 / 70

HEX #404C37

RGB 64 76 55

HSL 94.29, 0.16%, 0.26%

LAB 30.72, -9.32, 10.94

 

CMYK 28 / 9 / 0 / 70

HEX #37454C

RGB 55 69 76

HSL 200, 0.16%, 0.26%

LAB 28.35, -3.73, -6.06

 

CMYK 12 / 28 / 0 / 70

HEX #43374C

RGB 67 55 76

HSL 274.29, 0.16%, 0.26%

LAB 25.1, 10.02, -10.88

 

CMYK 0 / 17 / 28 / 70

HEX #4C3F37

RGB 76 63 55

HSL 22.86, 0.16%, 0.26%

LAB 27.76, 4.17, 7

 

CMYK 24 / 0 / 28 / 70

HEX #3A4C37

RGB 58 76 55

HSL 111.43, 0.16%, 0.26%

LAB 30.26, -11.83, 10.24

 

CMYK 28 / 9 / 0 / 70

HEX #37454C

RGB 55 69 76

HSL 200, 0.16%, 0.26%

LAB 28.35, -3.73, -6.06

 

CMYK 3 / 28 / 0 / 70

HEX #4A374C

RGB 74 55 76

HSL 294.29, 0.16%, 0.26%

LAB 25.89, 12.76, -9.6

 

Description

Color code: HEX #4C3F37 | qconv.com Color code: HEX #4C3F37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 63 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 63 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 28 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 28% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Portfolio
Link: http://curiadesign.net

19% - Sono Millenium: Sono...
Link: http://sono1000etnium.free.fr

22% - Corriere della Sera
Link: http://www.corriere.it

37% - VOLANDO品牌介紹,精品單車,自行車...
Link: http://www.volando.com.tw

16% - Zwicker Präzisionsme...
Link: http://wordpress.zwicker-ag.ch

26% - Home-Pramati | Ideas...
Link: http://pramati.com

59% - Toni Vilches Fotogra...
Link: http://tonivilches.com

23% - Home - Harmonic Arts...
Link: http://harmonicarts.ca

39% - RMB | Traditional va...
Link: http://www.rmb.co.za

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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