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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C3979 it is the complementary color #B3C686. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C3979. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C3979 shade: #513974, #624B87, #735D9A, #846FAD and #9581C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C3979. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C3979 shade: #4C3979, #3B2766, #2A1553, #190340 and #08002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C3979 shade: #4C3979, #5D3979, #6E3979, #793972 and #793961

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C3979 shade: #4C3979, #3A3979 and #393979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C3979 shade matches the following richer shades: #4C3979, #462A87, #401C96 and #3A0DA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C3979 shade: #4C3979, #52476A, #57565C, #5D644E and #63723F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C3979 shade: #394979, #3A3979, #4B3979, #5C3979 and #6D3979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C3979 shade: #281E41, #3A2B5D, #4C3979, #5D4695 and #7055AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C3979 shade: #4C3979, #79395A and #407939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C3979 shade: #4C3979, #794B39 and #39794B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C3979 shade: #4C3979, #79395A, #677939 and #397958

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C3979 shade: #4C3979, #793947, #677939 and #39796B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

Complementary color

CMYK 10 / 0 / 32 / 22

HEX #B3C686

RGB 179 198 134

HSL 77.81, 0.36%, 0.65%

LAB 77.1, -17.18, 29.99

 

CMYK 30 / 51 / 0 / 55

HEX #513974

RGB 81 57 116

HSL 264.41, 0.34%, 0.34%

LAB 29.25, 24.15, -30.19

 

CMYK 27 / 44 / 0 / 47

HEX #624B87

RGB 98 75 135

HSL 263, 0.29%, 0.41%

LAB 36.7, 23.15, -30.12

 

CMYK 25 / 40 / 0 / 40

HEX #735D9A

RGB 115 93 154

HSL 261.64, 0.25%, 0.48%

LAB 43.95, 22.28, -30.09

 

CMYK 24 / 36 / 0 / 32

HEX #846FAD

RGB 132 111 173

HSL 260.32, 0.27%, 0.56%

LAB 51.03, 21.51, -30.09

 

CMYK 22 / 33 / 0 / 25

HEX #9581C0

RGB 149 129 192

HSL 259.05, 0.33%, 0.63%

LAB 57.94, 20.82, -30.14

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 42 / 62 / 0 / 60

HEX #3B2766

RGB 59 39 102

HSL 259.05, 0.45%, 0.28%

LAB 21.36, 25.41, -33.96

 

CMYK 49 / 75 / 0 / 67

HEX #2A1553

RGB 42 21 83

HSL 260.32, 0.6%, 0.2%

LAB 13.55, 26.76, -34.04

 

CMYK 61 / 95 / 0 / 75

HEX #190340

RGB 25 3 64

HSL 261.64, 0.91%, 0.13%

LAB 5.8, 27.39, -33.57

 

CMYK 82 / 100 / 0 / 82

HEX #08002D

RGB 8 0 45

HSL 250.67, 1%, 0.09%

LAB 2.18, 14.12, -25.5

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 23 / 53 / 0 / 53

HEX #5D3979

RGB 93 57 121

HSL 273.75, 0.36%, 0.35%

LAB 30.96, 29.05, -30.55

 

CMYK 9 / 53 / 0 / 53

HEX #6E3979

RGB 110 57 121

HSL 289.69, 0.36%, 0.35%

LAB 33.18, 34.19, -26.89

 

CMYK 0 / 53 / 6 / 53

HEX #793972

RGB 121 57 114

HSL 306.56, 0.36%, 0.35%

LAB 34.41, 36.21, -20.47

 

CMYK 0 / 53 / 20 / 53

HEX #793961

RGB 121 57 97

HSL 322.5, 0.36%, 0.35%

LAB 33.68, 33.21, -10.82

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 52 / 53 / 0 / 53

HEX #3A3979

RGB 58 57 121

HSL 240.94, 0.36%, 0.35%

LAB 27.31, 19.43, -36.58

 

CMYK 53 / 53 / 0 / 53

HEX #393979

RGB 57 57 121

HSL 240, 0.36%, 0.35%

LAB 27.23, 19.18, -36.71

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 48 / 69 / 0 / 47

HEX #462A87

RGB 70 42 135

HSL 258.06, 0.53%, 0.35%

LAB 25.88, 36.07, -47.62

 

CMYK 57 / 81 / 0 / 41

HEX #401C96

RGB 64 28 150

HSL 257.7, 0.69%, 0.35%

LAB 24.07, 46.71, -59.92

 

CMYK 65 / 92 / 0 / 36

HEX #3A0DA4

RGB 58 13 164

HSL 257.88, 0.85%, 0.35%

LAB 23.23, 55.29, -69.91

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 23 / 33 / 0 / 58

HEX #52476A

RGB 82 71 106

HSL 258.86, 0.2%, 0.35%

LAB 32.57, 12.78, -18.66

 

CMYK 5 / 7 / 0 / 64

HEX #57565C

RGB 87 86 92

HSL 250, 0.03%, 0.35%

LAB 36.85, 1.71, -3.33

 

CMYK 7 / 0 / 22 / 61

HEX #5D644E

RGB 93 100 78

HSL 79.09, 0.12%, 0.35%

LAB 41.2, -7.06, 11.6

 

CMYK 13 / 0 / 45 / 55

HEX #63723F

RGB 99 114 63

HSL 77.65, 0.29%, 0.35%

LAB 45.7, -14.69, 26.36

 

CMYK 53 / 40 / 0 / 53

HEX #394979

RGB 57 73 121

HSL 225, 0.36%, 0.35%

LAB 31.84, 8.44, -29.37

 

CMYK 52 / 53 / 0 / 53

HEX #3A3979

RGB 58 57 121

HSL 240.94, 0.36%, 0.35%

LAB 27.31, 19.43, -36.58

 

CMYK 38 / 53 / 0 / 53

HEX #4B3979

RGB 75 57 121

HSL 256.88, 0.36%, 0.35%

LAB 28.91, 23.86, -33.93

 

CMYK 24 / 53 / 0 / 53

HEX #5C3979

RGB 92 57 121

HSL 272.81, 0.36%, 0.35%

LAB 30.84, 28.75, -30.75

 

CMYK 10 / 53 / 0 / 53

HEX #6D3979

RGB 109 57 121

HSL 288.75, 0.36%, 0.35%

LAB 33.04, 33.88, -27.12

 

CMYK 38 / 54 / 0 / 75

HEX #281E41

RGB 40 30 65

HSL 257.14, 0.37%, 0.19%

LAB 14.18, 14.39, -20.62

 

CMYK 38 / 54 / 0 / 64

HEX #3A2B5D

RGB 58 43 93

HSL 258, 0.37%, 0.27%

LAB 21.64, 19.75, -27.6

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 38 / 53 / 0 / 42

HEX #5D4695

RGB 93 70 149

HSL 257.47, 0.36%, 0.43%

LAB 35.75, 28.68, -40.21

 

CMYK 36 / 51 / 0 / 31

HEX #7055AF

RGB 112 85 175

HSL 258, 0.36%, 0.51%

LAB 42.82, 31.83, -44.34

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 0 / 53 / 26 / 53

HEX #79395A

RGB 121 57 90

HSL 329.06, 0.36%, 0.35%

LAB 33.41, 32.1, -6.74

 

CMYK 47 / 0 / 53 / 53

HEX #407939

RGB 64 121 57

HSL 113.44, 0.36%, 0.35%

LAB 45.72, -32.44, 29.19

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 0 / 38 / 53 / 53

HEX #794B39

RGB 121 75 57

HSL 16.88, 0.36%, 0.35%

LAB 36.73, 17.41, 18.83

 

CMYK 53 / 0 / 38 / 53

HEX #39794B

RGB 57 121 75

HSL 136.88, 0.36%, 0.35%

LAB 45.71, -31.56, 19.12

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 0 / 53 / 26 / 53

HEX #79395A

RGB 121 57 90

HSL 329.06, 0.36%, 0.35%

LAB 33.41, 32.1, -6.74

 

CMYK 15 / 0 / 53 / 53

HEX #677939

RGB 103 121 57

HSL 76.88, 0.36%, 0.35%

LAB 48.08, -17.46, 32.59

 

CMYK 53 / 0 / 27 / 53

HEX #397958

RGB 57 121 88

HSL 149.06, 0.36%, 0.35%

LAB 45.97, -28.85, 11.95

 

CMYK 37 / 53 / 0 / 53

HEX #4C3979

RGB 76 57 121

HSL 257.81, 0.36%, 0.35%

LAB 29.01, 24.13, -33.76

 

CMYK 0 / 53 / 41 / 53

HEX #793947

RGB 121 57 71

HSL 346.88, 0.36%, 0.35%

LAB 32.8, 29.45, 4.61

 

CMYK 15 / 0 / 53 / 53

HEX #677939

RGB 103 121 57

HSL 76.88, 0.36%, 0.35%

LAB 48.08, -17.46, 32.59

 

CMYK 53 / 0 / 12 / 53

HEX #39796B

RGB 57 121 107

HSL 166.88, 0.36%, 0.35%

LAB 46.45, -24.22, 1.41

 

Description

Color code: HEX #4C3979 | qconv.com Color code: HEX #4C3979 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 57 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 57 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 53 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 53% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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