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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C2051 it is the complementary color #B3DFAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C2051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C2051 shade: #51204C, #62325F, #734472, #845685 and #956898

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C2051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C2051 shade: #4C2051, #3B0E3E, #2A002B, #190018 and #080005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C2051 shade: #4B1F50, #501F48, #501F3B, #501F2E and #501F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C2051 shade: #4B1F50, #3E1F50, #311F50, #241F50 and #1F1F50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C2051 shade matches the following richer shades: #4B1F50, #521659, #590D62 and #60046B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C2051 shade: #4B1F50, #442947, #3C323E, #353B34 and #2E442B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C2051 shade: #301F50, #3D1F50, #4A1F50, #501F48 and #501F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C2051 shade: #130815, #2F1432, #4B1F50, #662B6D and #82378B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C2051 shade: #4C2051, #50231F and #1F5037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C2051 shade: #4C2051, #504A1F and #1F504A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C2051 shade: #4C2051, #50231F, #25501F and #1F4C50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C2051 shade: #4C2051, #50321F, #25501F and #1F3D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

Complementary color

CMYK 20 / 0 / 22 / 13

HEX #B3DFAE

RGB 179 223 174

HSL 113.88, 0.43%, 0.78%

LAB 84.7, -23.49, 19.42

 

CMYK 0 / 60 / 6 / 68

HEX #51204C

RGB 81 32 76

HSL 306.12, 0.43%, 0.22%

LAB 21.22, 29.54, -16.7

 

CMYK 0 / 49 / 3 / 62

HEX #62325F

RGB 98 50 95

HSL 303.75, 0.32%, 0.29%

LAB 28.65, 28.85, -17.53

 

CMYK 0 / 41 / 1 / 55

HEX #734472

RGB 115 68 114

HSL 301.28, 0.26%, 0.36%

LAB 35.97, 28.02, -18.12

 

CMYK 1 / 35 / 0 / 48

HEX #845685

RGB 132 86 133

HSL 298.72, 0.21%, 0.43%

LAB 43.14, 27.21, -18.59

 

CMYK 2 / 32 / 0 / 40

HEX #956898

RGB 149 104 152

HSL 296.25, 0.19%, 0.5%

LAB 50.17, 26.44, -19

 

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

CMYK 5 / 77 / 0 / 76

HEX #3B0E3E

RGB 59 14 62

HSL 296.25, 0.63%, 0.15%

LAB 13.18, 29.2, -19.93

 

CMYK 2 / 100 / 0 / 83

HEX #2A002B

RGB 42 0 43

HSL 298.6, 1%, 0.08%

LAB 6.02, 27.38, -17.64

 

CMYK 0 / 100 / 4 / 90

HEX #190018

RGB 25 0 24

HSL 302.4, 1%, 0.05%

LAB 2.46, 12.56, -8.44

 

CMYK 0 / 100 / 37 / 97

HEX #080005

RGB 8 0 5

HSL 322.5, 1%, 0.02%

LAB 0.57, 2.79, -1.16

 

CMYK 6 / 61 / 0 / 69

HEX #4B1F50

RGB 75 31 80

HSL 293.88, 0.44%, 0.22%

LAB 20.26, 29.02, -20.98

 

CMYK 0 / 61 / 10 / 69

HEX #501F48

RGB 80 31 72

HSL 309.8, 0.44%, 0.22%

LAB 20.65, 28.98, -14.89

 

CMYK 0 / 61 / 26 / 69

HEX #501F3B

RGB 80 31 59

HSL 325.71, 0.44%, 0.22%

LAB 20.05, 26.67, -6.87

 

CMYK 0 / 61 / 43 / 69

HEX #501F2E

RGB 80 31 46

HSL 341.63, 0.44%, 0.22%

LAB 19.57, 24.73, 1.49

 

CMYK 0 / 61 / 59 / 69

HEX #501F21

RGB 80 31 33

HSL 357.55, 0.44%, 0.22%

LAB 19.2, 23.22, 10.09

 

CMYK 6 / 61 / 0 / 69

HEX #4B1F50

RGB 75 31 80

HSL 293.88, 0.44%, 0.22%

LAB 20.26, 29.02, -20.98

 

CMYK 23 / 61 / 0 / 69

HEX #3E1F50

RGB 62 31 80

HSL 277.96, 0.44%, 0.22%

LAB 18.29, 25.01, -24.23

 

CMYK 39 / 61 / 0 / 69

HEX #311F50

RGB 49 31 80

HSL 262.04, 0.44%, 0.22%

LAB 16.56, 21.17, -27.09

 

CMYK 55 / 61 / 0 / 69

HEX #241F50

RGB 36 31 80

HSL 246.12, 0.44%, 0.22%

LAB 15.14, 17.69, -29.46

 

CMYK 61 / 61 / 0 / 69

HEX #1F1F50

RGB 31 31 80

HSL 240, 0.44%, 0.22%

LAB 14.68, 16.51, -30.21

 

CMYK 6 / 61 / 0 / 69

HEX #4B1F50

RGB 75 31 80

HSL 293.88, 0.44%, 0.22%

LAB 20.26, 29.02, -20.98

 

CMYK 8 / 75 / 0 / 65

HEX #521659

RGB 82 22 89

HSL 293.73, 0.6%, 0.22%

LAB 20.4, 37.33, -26.74

 

CMYK 9 / 87 / 0 / 62

HEX #590D62

RGB 89 13 98

HSL 293.65, 0.77%, 0.22%

LAB 21.18, 43.87, -31.38

 

CMYK 10 / 96 / 0 / 58

HEX #60046B

RGB 96 4 107

HSL 293.59, 0.93%, 0.22%

LAB 22.43, 49.03, -35.21

 

CMYK 6 / 61 / 0 / 69

HEX #4B1F50

RGB 75 31 80

HSL 293.88, 0.44%, 0.22%

LAB 20.26, 29.02, -20.98

 

CMYK 4 / 42 / 0 / 72

HEX #442947

RGB 68 41 71

HSL 294, 0.27%, 0.22%

LAB 21.09, 18.47, -13.67

 

CMYK 3 / 19 / 0 / 76

HEX #3C323E

RGB 60 50 62

HSL 290, 0.11%, 0.22%

LAB 22.27, 7.13, -5.86

 

CMYK 10 / 0 / 12 / 77

HEX #353B34

RGB 53 59 52

HSL 111.43, 0.06%, 0.22%

LAB 24.11, -4.15, 3.48

 

CMYK 32 / 0 / 37 / 73

HEX #2E442B

RGB 46 68 43

HSL 112.8, 0.23%, 0.22%

LAB 26.42, -14.46, 12.47

 

CMYK 40 / 61 / 0 / 69

HEX #301F50

RGB 48 31 80

HSL 260.82, 0.44%, 0.22%

LAB 16.44, 20.89, -27.29

 

CMYK 24 / 61 / 0 / 69

HEX #3D1F50

RGB 61 31 80

HSL 276.73, 0.44%, 0.22%

LAB 18.15, 24.71, -24.46

 

CMYK 7 / 61 / 0 / 69

HEX #4A1F50

RGB 74 31 80

HSL 292.65, 0.44%, 0.22%

LAB 20.1, 28.71, -21.24

 

CMYK 0 / 61 / 10 / 69

HEX #501F48

RGB 80 31 72

HSL 309.8, 0.44%, 0.22%

LAB 20.65, 28.98, -14.89

 

CMYK 0 / 61 / 25 / 69

HEX #501F3C

RGB 80 31 60

HSL 324.49, 0.44%, 0.22%

LAB 20.09, 26.83, -7.5

 

CMYK 10 / 62 / 0 / 92

HEX #130815

RGB 19 8 21

HSL 290.77, 0.45%, 0.06%

LAB 3.31, 5.84, -5.08

 

CMYK 6 / 60 / 0 / 80

HEX #2F1432

RGB 47 20 50

HSL 294, 0.43%, 0.14%

LAB 11.52, 19.39, -14.08

 

CMYK 6 / 61 / 0 / 69

HEX #4B1F50

RGB 75 31 80

HSL 293.88, 0.44%, 0.22%

LAB 20.26, 29.02, -20.98

 

CMYK 6 / 61 / 0 / 57

HEX #662B6D

RGB 102 43 109

HSL 293.64, 0.43%, 0.3%

LAB 28.53, 36.83, -26.7

 

CMYK 6 / 60 / 0 / 45

HEX #82378B

RGB 130 55 139

HSL 293.57, 0.43%, 0.38%

LAB 36.64, 44.71, -32.41

 

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

CMYK 0 / 56 / 61 / 69

HEX #50231F

RGB 80 35 31

HSL 4.9, 0.44%, 0.22%

LAB 20.07, 20.69, 12.62

 

CMYK 61 / 0 / 31 / 69

HEX #1F5037

RGB 31 80 55

HSL 149.39, 0.44%, 0.22%

LAB 30.17, -23.31, 9.87

 

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

CMYK 0 / 7 / 61 / 69

HEX #504A1F

RGB 80 74 31

HSL 52.65, 0.44%, 0.22%

LAB 31.12, -3.96, 26.17

 

CMYK 61 / 0 / 7 / 69

HEX #1F504A

RGB 31 80 74

HSL 172.65, 0.44%, 0.22%

LAB 30.7, -18.15, -1.44

 

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

CMYK 0 / 56 / 61 / 69

HEX #50231F

RGB 80 35 31

HSL 4.9, 0.44%, 0.22%

LAB 20.07, 20.69, 12.62

 

CMYK 54 / 0 / 61 / 69

HEX #25501F

RGB 37 80 31

HSL 112.65, 0.44%, 0.22%

LAB 29.98, -26.06, 24.04

 

CMYK 61 / 5 / 0 / 69

HEX #1F4C50

RGB 31 76 80

HSL 184.9, 0.44%, 0.22%

LAB 29.51, -13.99, -7.05

 

CMYK 6 / 60 / 0 / 68

HEX #4C2051

RGB 76 32 81

HSL 293.88, 0.43%, 0.22%

LAB 20.69, 28.99, -20.97

 

CMYK 0 / 38 / 61 / 69

HEX #50321F

RGB 80 50 31

HSL 23.27, 0.44%, 0.22%

LAB 23.95, 11.26, 17.58

 

CMYK 54 / 0 / 61 / 69

HEX #25501F

RGB 37 80 31

HSL 112.65, 0.44%, 0.22%

LAB 29.98, -26.06, 24.04

 

CMYK 61 / 24 / 0 / 69

HEX #1F3D50

RGB 31 61 80

HSL 203.27, 0.44%, 0.22%

LAB 24.35, -4.73, -14.92

 

Description

Color code: HEX #4C2051 | qconv.com Color code: HEX #4C2051 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 32 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 32 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 60 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 60% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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