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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C13E7 it is the complementary color #B3EC18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C13E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C13E7 shade: #5113E2, #6225F5, #7337FF, #8449FF and #955BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C13E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C13E7 shade: #4C13E7, #3B01D4, #2A00C1, #1900AE and #08009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C13E7 shade: #4B12E7, #8512E7, #BE12E7, #E712D6 and #E7129D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C13E7 shade: #4B12E7 and #1212E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C13E7 shade matches the following richer shades: #4B12E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C13E7 shade: #4B12E7, #5526D2, #5E3BBE, #674FAA and #716396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C13E7 shade: #124BE7, #1212E7, #4B12E7, #8412E7 and #BC12E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C13E7 shade: #320C9A, #3F0FC0, #4B12E7, #6634EE and #835AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C13E7 shade: #4C13E7, #E71284 and #2FE712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C13E7 shade: #4C13E7, #E74B12 and #12E74B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C13E7 shade: #4C13E7, #E71284, #AEE712 and #12E775

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C13E7 shade: #4C13E7, #E71244, #AEE712 and #12E7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

Complementary color

CMYK 24 / 0 / 90 / 7

HEX #B3EC18

RGB 179 236 24

HSL 76.13, 0.85%, 0.51%

LAB 86.82, -42.95, 82.09

 

CMYK 64 / 92 / 0 / 11

HEX #5113E2

RGB 81 19 226

HSL 257.97, 0.84%, 0.48%

LAB 33.36, 70.88, -89.56

 

CMYK 60 / 85 / 0 / 4

HEX #6225F5

RGB 98 37 245

HSL 257.6, 0.91%, 0.55%

LAB 38.75, 71.85, -91.37

 

CMYK 55 / 78 / 0 / 0

HEX #7337FF

RGB 115 55 255

HSL 258, 1%, 0.61%

LAB 43.65, 69.48, -88.83

 

CMYK 48 / 71 / 0 / 0

HEX #8449FF

RGB 132 73 255

HSL 259.45, 1%, 0.64%

LAB 48.12, 63.85, -81.42

 

CMYK 42 / 64 / 0 / 0

HEX #955BFF

RGB 149 91 255

HSL 261.22, 1%, 0.68%

LAB 53.05, 57.95, -73.31

 

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

CMYK 72 / 100 / 0 / 17

HEX #3B01D4

RGB 59 1 212

HSL 256.49, 0.99%, 0.42%

LAB 28.66, 69.67, -89.37

 

CMYK 78 / 100 / 0 / 24

HEX #2A00C1

RGB 42 0 193

HSL 253.06, 1%, 0.38%

LAB 24.77, 64.78, -84.75

 

CMYK 86 / 100 / 0 / 32

HEX #1900AE

RGB 25 0 174

HSL 248.62, 1%, 0.34%

LAB 21.07, 59.73, -79.63

 

CMYK 95 / 100 / 0 / 39

HEX #08009B

RGB 8 0 155

HSL 243.1, 1%, 0.3%

LAB 17.54, 54.68, -73.96

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 42 / 92 / 0 / 9

HEX #8512E7

RGB 133 18 231

HSL 272.39, 0.86%, 0.49%

LAB 39.9, 76.46, -81.41

 

CMYK 18 / 92 / 0 / 9

HEX #BE12E7

RGB 190 18 231

HSL 288.45, 0.86%, 0.49%

LAB 48.45, 83.55, -67.09

 

CMYK 0 / 92 / 7 / 9

HEX #E712D6

RGB 231 18 214

HSL 304.79, 0.86%, 0.49%

LAB 54.32, 87.49, -47.62

 

CMYK 0 / 92 / 32 / 9

HEX #E7129D

RGB 231 18 157

HSL 320.85, 0.86%, 0.49%

LAB 51.67, 80.66, -18.56

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 92 / 92 / 0 / 9

HEX #1212E7

RGB 18 18 231

HSL 240, 0.86%, 0.49%

LAB 30.23, 70.26, -97.73

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 60 / 82 / 0 / 18

HEX #5526D2

RGB 85 38 210

HSL 256.4, 0.69%, 0.49%

LAB 33.92, 61.31, -79.4

 

CMYK 51 / 69 / 0 / 25

HEX #5E3BBE

RGB 94 59 190

HSL 256.03, 0.53%, 0.49%

LAB 36.41, 47.1, -63.6

 

CMYK 39 / 54 / 0 / 33

HEX #674FAA

RGB 103 79 170

HSL 255.82, 0.37%, 0.49%

LAB 40.21, 31.74, -45.61

 

CMYK 25 / 34 / 0 / 41

HEX #716396

RGB 113 99 150

HSL 256.47, 0.2%, 0.49%

LAB 45.13, 16.97, -25.88

 

CMYK 92 / 68 / 0 / 9

HEX #124BE7

RGB 18 75 231

HSL 223.94, 0.86%, 0.49%

LAB 39.46, 43.69, -82.41

 

CMYK 92 / 92 / 0 / 9

HEX #1212E7

RGB 18 18 231

HSL 240, 0.86%, 0.49%

LAB 30.23, 70.26, -97.73

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 43 / 92 / 0 / 9

HEX #8412E7

RGB 132 18 231

HSL 272.11, 0.86%, 0.49%

LAB 39.76, 76.36, -81.64

 

CMYK 19 / 92 / 0 / 9

HEX #BC12E7

RGB 188 18 231

HSL 287.89, 0.86%, 0.49%

LAB 48.13, 83.27, -67.62

 

CMYK 68 / 92 / 0 / 40

HEX #320C9A

RGB 50 12 154

HSL 256.06, 0.86%, 0.33%

LAB 21.11, 52.38, -67.33

 

CMYK 67 / 92 / 0 / 25

HEX #3F0FC0

RGB 63 15 192

HSL 256.27, 0.86%, 0.41%

LAB 27.31, 62.3, -79.89

 

CMYK 68 / 92 / 0 / 9

HEX #4B12E7

RGB 75 18 231

HSL 256.06, 0.86%, 0.49%

LAB 33.35, 71.98, -92.46

 

CMYK 57 / 78 / 0 / 7

HEX #6634EE

RGB 102 52 238

HSL 256.13, 0.85%, 0.57%

LAB 40.33, 64.82, -84.78

 

CMYK 46 / 63 / 0 / 5

HEX #835AF1

RGB 131 90 241

HSL 256.29, 0.84%, 0.65%

LAB 50.08, 51.35, -70.41

 

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

CMYK 0 / 92 / 43 / 9

HEX #E71284

RGB 231 18 132

HSL 327.89, 0.86%, 0.49%

LAB 50.79, 78.3, -4.89

 

CMYK 80 / 0 / 92 / 9

HEX #2FE712

RGB 47 231 18

HSL 111.83, 0.86%, 0.49%

LAB 80.63, -76.61, 75.9

 

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

CMYK 0 / 68 / 92 / 9

HEX #E74B12

RGB 231 75 18

HSL 16.06, 0.86%, 0.49%

LAB 54.1, 58.22, 60.75

 

CMYK 92 / 0 / 68 / 9

HEX #12E74B

RGB 18 231 75

HSL 136.06, 0.86%, 0.49%

LAB 80.62, -75.68, 60.56

 

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

CMYK 0 / 92 / 43 / 9

HEX #E71284

RGB 231 18 132

HSL 327.89, 0.86%, 0.49%

LAB 50.79, 78.3, -4.89

 

CMYK 25 / 0 / 92 / 9

HEX #AEE712

RGB 174 231 18

HSL 76.06, 0.86%, 0.49%

LAB 85.1, -42.79, 81.39

 

CMYK 92 / 0 / 49 / 9

HEX #12E775

RGB 18 231 117

HSL 147.89, 0.86%, 0.49%

LAB 81.05, -70.36, 42.55

 

CMYK 67 / 92 / 0 / 9

HEX #4C13E7

RGB 76 19 231

HSL 256.13, 0.85%, 0.49%

LAB 33.5, 71.81, -92.19

 

CMYK 0 / 92 / 71 / 9

HEX #E71244

RGB 231 18 68

HSL 345.92, 0.86%, 0.49%

LAB 49.3, 74.22, 32.05

 

CMYK 25 / 0 / 92 / 9

HEX #AEE712

RGB 174 231 18

HSL 76.06, 0.86%, 0.49%

LAB 85.1, -42.79, 81.39

 

CMYK 92 / 0 / 22 / 9

HEX #12E7B5

RGB 18 231 181

HSL 165.92, 0.86%, 0.49%

LAB 82.17, -57.53, 11.48

 

Description

Color code: HEX #4C13E7 | qconv.com Color code: HEX #4C13E7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 19 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 19 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 92 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 92% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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