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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE167 it is the complementary color #B41E98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE167 shade: #50E162, #61F375, #72FF88, #83FF9B and #94FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE167 shade: #4BE167, #3ACF54, #29BD41, #18AB2E and #07991B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE167 shade: #4CE067, #58E04C, #80E04C, #A8E04C and #D0E04C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE167 shade: #4CE067, #4CE08F, #4CE0B8, #4CE0E0 and #4CB9E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE167 shade matches the following richer shades: #4CE067 and #3BF15D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE167 shade: #4CE067, #5DCF72, #6EBE7D, #7EAD87 and #8F9D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE167 shade: #80E04C, #58E04C, #4CE067, #4CE08F and #4CE0B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE167 shade: #1FBA3C, #28DA4A, #4CE067, #6FE685 and #92ECA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE167 shade: #4BE167, #4CA7E0 and #E04C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE167 shade: #4BE167, #674CE0 and #E0674C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE167 shade: #4BE167, #4CA7E0, #E04CC5 and #E0854C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE167 shade: #4BE167, #4C7BE0, #E04CC5 and #E0B14C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

Complementary color

CMYK 0 / 83 / 16 / 29

HEX #B41E98

RGB 180 30 152

HSL 311.2, 0.71%, 0.41%

LAB 42.61, 67.53, -30.35

 

CMYK 64 / 0 / 56 / 12

HEX #50E162

RGB 80 225 98

HSL 127.45, 0.71%, 0.6%

LAB 79.86, -63.78, 50.21

 

CMYK 60 / 0 / 52 / 5

HEX #61F375

RGB 97 243 117

HSL 128.22, 0.86%, 0.67%

LAB 85.97, -64.23, 48.9

 

CMYK 55 / 0 / 47 / 0

HEX #72FF88

RGB 114 255 136

HSL 129.36, 1%, 0.72%

LAB 90.26, -62.25, 45.37

 

CMYK 49 / 0 / 39 / 0

HEX #83FF9B

RGB 131 255 155

HSL 131.61, 1%, 0.76%

LAB 91.1, -55.26, 37.35

 

CMYK 42 / 0 / 32 / 0

HEX #94FFAE

RGB 148 255 174

HSL 134.58, 1%, 0.79%

LAB 92.07, -47.64, 29.28

 

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

CMYK 72 / 0 / 59 / 19

HEX #3ACF54

RGB 58 207 84

HSL 130.47, 0.61%, 0.52%

LAB 73.65, -63.29, 49.15

 

CMYK 78 / 0 / 66 / 26

HEX #29BD41

RGB 41 189 65

HSL 129.73, 0.64%, 0.45%

LAB 67.46, -62.03, 50.38

 

CMYK 86 / 0 / 73 / 33

HEX #18AB2E

RGB 24 171 46

HSL 128.98, 0.75%, 0.38%

LAB 61.24, -60.14, 51.29

 

CMYK 95 / 0 / 82 / 40

HEX #07991B

RGB 7 153 27

HSL 128.22, 0.91%, 0.31%

LAB 54.98, -57.37, 51.51

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 61 / 0 / 66 / 12

HEX #58E04C

RGB 88 224 76

HSL 115.14, 0.7%, 0.59%

LAB 79.56, -64.12, 59.35

 

CMYK 43 / 0 / 66 / 12

HEX #80E04C

RGB 128 224 76

HSL 98.92, 0.7%, 0.59%

LAB 80.97, -53.36, 61.28

 

CMYK 25 / 0 / 66 / 12

HEX #A8E04C

RGB 168 224 76

HSL 82.7, 0.7%, 0.59%

LAB 83, -39.61, 64.03

 

CMYK 7 / 0 / 66 / 12

HEX #D0E04C

RGB 208 224 76

HSL 66.49, 0.7%, 0.59%

LAB 85.63, -24, 67.58

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 66 / 0 / 36 / 12

HEX #4CE08F

RGB 76 224 143

HSL 147.16, 0.7%, 0.59%

LAB 80.08, -57.17, 28.49

 

CMYK 66 / 0 / 18 / 12

HEX #4CE0B8

RGB 76 224 184

HSL 163.78, 0.7%, 0.59%

LAB 80.91, -48.45, 8.21

 

CMYK 66 / 0 / 0 / 12

HEX #4CE0E0

RGB 76 224 224

HSL 180, 0.7%, 0.59%

LAB 81.96, -38.15, -11.48

 

CMYK 66 / 17 / 0 / 12

HEX #4CB9E0

RGB 76 185 224

HSL 195.81, 0.7%, 0.59%

LAB 70.61, -19.12, -28.69

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 76 / 0 / 61 / 5

HEX #3BF15D

RGB 59 241 93

HSL 131.21, 0.87%, 0.59%

LAB 84.29, -73.12, 57.41

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 55 / 0 / 45 / 19

HEX #5DCF72

RGB 93 207 114

HSL 131.05, 0.54%, 0.59%

LAB 74.93, -52.02, 36.57

 

CMYK 42 / 0 / 34 / 25

HEX #6EBE7D

RGB 110 190 125

HSL 131.25, 0.38%, 0.59%

LAB 70.61, -38.48, 25.36

 

CMYK 27 / 0 / 22 / 32

HEX #7EAD87

RGB 126 173 135

HSL 131.49, 0.22%, 0.59%

LAB 66.57, -23.55, 14.57

 

CMYK 9 / 0 / 7 / 38

HEX #8F9D92

RGB 143 157 146

HSL 132.86, 0.07%, 0.59%

LAB 63.37, -7.15, 4.05

 

CMYK 43 / 0 / 66 / 12

HEX #80E04C

RGB 128 224 76

HSL 98.92, 0.7%, 0.59%

LAB 80.97, -53.36, 61.28

 

CMYK 61 / 0 / 66 / 12

HEX #58E04C

RGB 88 224 76

HSL 115.14, 0.7%, 0.59%

LAB 79.56, -64.12, 59.35

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 66 / 0 / 36 / 12

HEX #4CE08F

RGB 76 224 143

HSL 147.16, 0.7%, 0.59%

LAB 80.08, -57.17, 28.49

 

CMYK 66 / 0 / 19 / 12

HEX #4CE0B6

RGB 76 224 182

HSL 162.97, 0.7%, 0.59%

LAB 80.86, -48.92, 9.2

 

CMYK 83 / 0 / 68 / 27

HEX #1FBA3C

RGB 31 186 60

HSL 131.23, 0.71%, 0.43%

LAB 66.32, -62.77, 51.17

 

CMYK 82 / 0 / 66 / 15

HEX #28DA4A

RGB 40 218 74

HSL 131.46, 0.71%, 0.51%

LAB 76.73, -70.29, 56.8

 

CMYK 66 / 0 / 54 / 12

HEX #4CE067

RGB 76 224 103

HSL 130.95, 0.7%, 0.59%

LAB 79.52, -63.56, 47.47

 

CMYK 52 / 0 / 42 / 10

HEX #6FE685

RGB 111 230 133

HSL 131.09, 0.7%, 0.67%

LAB 82.74, -53.77, 37.22

 

CMYK 38 / 0 / 31 / 7

HEX #92ECA3

RGB 146 236 163

HSL 131.33, 0.7%, 0.75%

LAB 86.38, -41.84, 27.14

 

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

CMYK 66 / 25 / 0 / 12

HEX #4CA7E0

RGB 76 167 224

HSL 203.11, 0.7%, 0.59%

LAB 65.4, -9.48, -36.75

 

CMYK 0 / 66 / 52 / 12

HEX #E04C6C

RGB 224 76 108

HSL 347.03, 0.7%, 0.59%

LAB 54.13, 59.58, 14.17

 

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

CMYK 54 / 66 / 0 / 12

HEX #674CE0

RGB 103 76 224

HSL 250.95, 0.7%, 0.59%

LAB 43.41, 49.2, -71.79

 

CMYK 0 / 54 / 66 / 12

HEX #E0674C

RGB 224 103 76

HSL 10.95, 0.7%, 0.59%

LAB 58.1, 45.33, 37.76

 

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

CMYK 66 / 25 / 0 / 12

HEX #4CA7E0

RGB 76 167 224

HSL 203.11, 0.7%, 0.59%

LAB 65.4, -9.48, -36.75

 

CMYK 0 / 66 / 12 / 12

HEX #E04CC5

RGB 224 76 197

HSL 310.95, 0.7%, 0.59%

LAB 57.12, 69.85, -33.57

 

CMYK 0 / 41 / 66 / 12

HEX #E0854C

RGB 224 133 76

HSL 23.11, 0.7%, 0.59%

LAB 64.28, 30.02, 44.97

 

CMYK 67 / 0 / 54 / 12

HEX #4BE167

RGB 75 225 103

HSL 131.2, 0.71%, 0.59%

LAB 79.8, -64.1, 47.81

 

CMYK 66 / 45 / 0 / 12

HEX #4C7BE0

RGB 76 123 224

HSL 220.95, 0.7%, 0.59%

LAB 53.04, 16.31, -56.29

 

CMYK 0 / 66 / 12 / 12

HEX #E04CC5

RGB 224 76 197

HSL 310.95, 0.7%, 0.59%

LAB 57.12, 69.85, -33.57

 

CMYK 0 / 21 / 66 / 12

HEX #E0B14C

RGB 224 177 76

HSL 40.95, 0.7%, 0.59%

LAB 74.71, 6.55, 56.54

 

Description

Color code: HEX #4BE167 | qconv.com Color code: HEX #4BE167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 225 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 225 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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