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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDD3A it is the complementary color #B422C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDD3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDD3A shade: #50DD35, #61EF48, #72FF5B, #83FF6E and #94FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDD3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDD3A shade: #4BDD3A, #3ACB27, #29B914, #18A701 and #079500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDD3A shade: #4BDD3A, #77DD3A, #A3DD3A, #CFDD3A and #DDBF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDD3A shade: #4BDD3A, #3ADD55, #3ADD81, #3ADDAD and #3ADDD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDD3A shade matches the following richer shades: #4BDD3A and #3DF028

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDD3A shade: #4BDD3A, #5ACB4D, #69B85F, #77A672 and #869385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDD3A shade: #A4DD3A, #79DD3A, #4DDD3A, #3ADD53 and #3ADD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDD3A shade: #2BA91C, #34CC22, #4BDD3A, #6BE35E and #8CE981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDD3A shade: #4BDD3A, #3AD0DD and #DD3A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDD3A shade: #4BDD3A, #3A4DDD and #DD3A4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDD3A shade: #4BDD3A, #3AD0DD, #CA3ADD and #DD483A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDD3A shade: #4BDD3A, #3A9FDD, #CA3ADD and #DD793A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

Complementary color

CMYK 9 / 83 / 0 / 23

HEX #B422C5

RGB 180 34 197

HSL 293.74, 0.71%, 0.45%

LAB 45.47, 73.48, -52.47

 

CMYK 64 / 0 / 76 / 13

HEX #50DD35

RGB 80 221 53

HSL 110.36, 0.71%, 0.54%

LAB 78.27, -66.64, 66.23

 

CMYK 59 / 0 / 70 / 6

HEX #61EF48

RGB 97 239 72

HSL 111.02, 0.84%, 0.61%

LAB 84.35, -67.58, 66.01

 

CMYK 55 / 0 / 64 / 0

HEX #72FF5B

RGB 114 255 91

HSL 111.59, 1%, 0.68%

LAB 89.79, -67.49, 64.7

 

CMYK 49 / 0 / 57 / 0

HEX #83FF6E

RGB 131 255 110

HSL 111.31, 1%, 0.72%

LAB 90.54, -61.22, 57.76

 

CMYK 42 / 0 / 49 / 0

HEX #94FF81

RGB 148 255 129

HSL 110.95, 1%, 0.75%

LAB 91.42, -54.23, 50.37

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 71 / 0 / 81 / 20

HEX #3ACB27

RGB 58 203 39

HSL 113.05, 0.68%, 0.47%

LAB 72.07, -65.92, 64.3

 

CMYK 78 / 0 / 89 / 27

HEX #29B914

RGB 41 185 20

HSL 112.36, 0.8%, 0.4%

LAB 65.92, -63.91, 63.11

 

CMYK 86 / 0 / 99 / 35

HEX #18A701

RGB 24 167 1

HSL 111.69, 0.99%, 0.33%

LAB 59.74, -61.14, 60.66

 

CMYK 95 / 0 / 100 / 42

HEX #079500

RGB 7 149 0

HSL 117.18, 1%, 0.29%

LAB 53.54, -57.28, 55.78

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 46 / 0 / 74 / 13

HEX #77DD3A

RGB 119 221 58

HSL 97.55, 0.71%, 0.55%

LAB 79.58, -56.25, 66.32

 

CMYK 26 / 0 / 74 / 13

HEX #A3DD3A

RGB 163 221 58

HSL 81.35, 0.71%, 0.55%

LAB 81.73, -41.26, 69.15

 

CMYK 6 / 0 / 74 / 13

HEX #CFDD3A

RGB 207 221 58

HSL 65.15, 0.71%, 0.55%

LAB 84.63, -23.89, 72.93

 

CMYK 0 / 14 / 74 / 13

HEX #DDBF3A

RGB 221 191 58

HSL 48.96, 0.71%, 0.55%

LAB 77.84, -2.98, 66.9

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 74 / 0 / 62 / 13

HEX #3ADD55

RGB 58 221 85

HSL 129.94, 0.71%, 0.55%

LAB 78.03, -67.78, 53.73

 

CMYK 74 / 0 / 42 / 13

HEX #3ADD81

RGB 58 221 129

HSL 146.13, 0.71%, 0.55%

LAB 78.58, -61.41, 33.55

 

CMYK 74 / 0 / 22 / 13

HEX #3ADDAD

RGB 58 221 173

HSL 162.33, 0.71%, 0.55%

LAB 79.4, -52.34, 11.83

 

CMYK 74 / 0 / 2 / 13

HEX #3ADDD9

RGB 58 221 217

HSL 178.53, 0.71%, 0.55%

LAB 80.53, -40.98, -9.93

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 75 / 0 / 83 / 6

HEX #3DF028

RGB 61 240 40

HSL 113.7, 0.87%, 0.55%

LAB 83.69, -76.61, 74.69

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 56 / 0 / 62 / 20

HEX #5ACB4D

RGB 90 203 77

HSL 113.81, 0.55%, 0.55%

LAB 73.17, -56.02, 51.91

 

CMYK 43 / 0 / 48 / 28

HEX #69B85F

RGB 105 184 95

HSL 113.26, 0.39%, 0.55%

LAB 68.1, -42.01, 37.6

 

CMYK 28 / 0 / 31 / 35

HEX #77A672

RGB 119 166 114

HSL 114.23, 0.23%, 0.55%

LAB 63.68, -26.19, 22.02

 

CMYK 9 / 0 / 10 / 42

HEX #869385

RGB 134 147 133

HSL 115.71, 0.06%, 0.55%

LAB 59.55, -7.45, 5.81

 

CMYK 26 / 0 / 74 / 13

HEX #A4DD3A

RGB 164 221 58

HSL 80.98, 0.71%, 0.55%

LAB 81.79, -40.88, 69.23

 

CMYK 45 / 0 / 74 / 13

HEX #79DD3A

RGB 121 221 58

HSL 96.81, 0.71%, 0.55%

LAB 79.66, -55.65, 66.43

 

CMYK 65 / 0 / 74 / 13

HEX #4DDD3A

RGB 77 221 58

HSL 113.01, 0.71%, 0.55%

LAB 78.23, -66.92, 64.52

 

CMYK 74 / 0 / 62 / 13

HEX #3ADD53

RGB 58 221 83

HSL 129.2, 0.71%, 0.55%

LAB 78.01, -68, 54.56

 

CMYK 74 / 0 / 43 / 13

HEX #3ADD7E

RGB 58 221 126

HSL 145.03, 0.71%, 0.55%

LAB 78.53, -61.93, 35

 

CMYK 75 / 0 / 83 / 34

HEX #2BA91C

RGB 43 169 28

HSL 113.62, 0.72%, 0.39%

LAB 60.76, -58.31, 56.75

 

CMYK 75 / 0 / 83 / 20

HEX #34CC22

RGB 52 204 34

HSL 113.65, 0.71%, 0.47%

LAB 72.25, -67.47, 65.73

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 53 / 0 / 59 / 11

HEX #6BE35E

RGB 107 227 94

HSL 114.14, 0.7%, 0.63%

LAB 81.22, -58.8, 53.78

 

CMYK 40 / 0 / 45 / 9

HEX #8CE981

RGB 140 233 129

HSL 113.65, 0.7%, 0.71%

LAB 84.71, -47.55, 41.94

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 74 / 6 / 0 / 13

HEX #3AD0DD

RGB 58 208 221

HSL 184.79, 0.71%, 0.55%

LAB 76.82, -33.85, -17.63

 

CMYK 0 / 74 / 36 / 13

HEX #DD3A8E

RGB 221 58 142

HSL 329.08, 0.71%, 0.55%

LAB 52.23, 68.38, -8.95

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 74 / 65 / 0 / 13

HEX #3A4DDD

RGB 58 77 221

HSL 233.01, 0.71%, 0.55%

LAB 40.29, 41.54, -75.31

 

CMYK 0 / 74 / 65 / 13

HEX #DD3A4D

RGB 221 58 77

HSL 353.01, 0.71%, 0.55%

LAB 50.61, 63.14, 27.87

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 74 / 6 / 0 / 13

HEX #3AD0DD

RGB 58 208 221

HSL 184.79, 0.71%, 0.55%

LAB 76.82, -33.85, -17.63

 

CMYK 9 / 74 / 0 / 13

HEX #CA3ADD

RGB 202 58 221

HSL 293.01, 0.71%, 0.55%

LAB 52.73, 75.03, -54.41

 

CMYK 0 / 67 / 74 / 13

HEX #DD483A

RGB 221 72 58

HSL 5.15, 0.71%, 0.55%

LAB 52.19, 57.15, 40.67

 

CMYK 66 / 0 / 74 / 13

HEX #4BDD3A

RGB 75 221 58

HSL 113.74, 0.71%, 0.55%

LAB 78.18, -67.32, 64.46

 

CMYK 74 / 28 / 0 / 13

HEX #3A9FDD

RGB 58 159 221

HSL 202.82, 0.71%, 0.55%

LAB 62.44, -8.62, -39.76

 

CMYK 9 / 74 / 0 / 13

HEX #CA3ADD

RGB 202 58 221

HSL 293.01, 0.71%, 0.55%

LAB 52.73, 75.03, -54.41

 

CMYK 0 / 45 / 74 / 13

HEX #DD793A

RGB 221 121 58

HSL 23.19, 0.71%, 0.55%

LAB 61.09, 34.17, 50.22

 

Description

Color code: HEX #4BDD3A | qconv.com Color code: HEX #4BDD3A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 221 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 221 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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