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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BD2BB it is the complementary color #B42D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BD2BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BD2BB shade: #50D2B6, #61E4C9, #72F6DC, #83FFEF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BD2BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BD2BB shade: #4BD2BB, #3AC0A8, #29AE95, #189C82 and #078A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BD2BB shade: #4BD2BB, #4BD296, #4BD272, #4BD24E and #6DD24B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BD2BB shade: #4BD2BB, #4BC4D2, #4BA0D2, #4B7CD2 and #4B57D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BD2BB shade matches the following richer shades: #4BD2BB, #39E4C7 and #27F6D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BD2BB shade: #4BD2BB, #5DBFAF, #6FADA3, #819B97 and #94898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BD2BB shade: #4BD271, #4BD295, #4BD2B9, #4BC6D2 and #4BA2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BD2BB shade: #28A28D, #30C3AA, #4BD2BB, #6CDAC7 and #8DE2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BD2BB shade: #4BD2BB, #4D4BD2 and #D2834B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BD2BB shade: #4BD2BB, #B94BD2 and #D2B94B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BD2BB shade: #4BD2BB, #4D4BD2, #D24B64 and #CFD24B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BD2BB shade: #4BD2BB, #764BD2, #D24B64 and #A7D24B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

Complementary color

CMYK 0 / 75 / 62 / 29

HEX #B42D44

RGB 180 45 68

HSL 349.78, 0.6%, 0.44%

LAB 41.21, 54.73, 19.73

 

CMYK 62 / 0 / 13 / 18

HEX #50D2B6

RGB 80 210 182

HSL 167.08, 0.59%, 0.57%

LAB 76.79, -42.24, 3.34

 

CMYK 57 / 0 / 12 / 11

HEX #61E4C9

RGB 97 228 201

HSL 167.63, 0.71%, 0.64%

LAB 83.04, -42.43, 2.37

 

CMYK 54 / 0 / 11 / 4

HEX #72F6DC

RGB 114 246 220

HSL 168.18, 0.88%, 0.71%

LAB 89.23, -42.52, 1.46

 

CMYK 49 / 0 / 6 / 0

HEX #83FFEF

RGB 131 255 239

HSL 172.26, 1%, 0.76%

LAB 92.83, -38.51, -3.07

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 70 / 0 / 13 / 25

HEX #3AC0A8

RGB 58 192 168

HSL 169.25, 0.54%, 0.49%

LAB 70.47, -41.38, 1.7

 

CMYK 76 / 0 / 14 / 32

HEX #29AE95

RGB 41 174 149

HSL 168.72, 0.62%, 0.42%

LAB 64.09, -40.68, 2.86

 

CMYK 85 / 0 / 17 / 39

HEX #189C82

RGB 24 156 130

HSL 168.18, 0.73%, 0.35%

LAB 57.64, -39.65, 4.17

 

CMYK 95 / 0 / 20 / 46

HEX #078A6F

RGB 7 138 111

HSL 167.63, 0.9%, 0.28%

LAB 51.12, -38.15, 5.66

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 64 / 0 / 29 / 18

HEX #4BD296

RGB 75 210 150

HSL 153.33, 0.6%, 0.56%

LAB 75.94, -50.45, 19.2

 

CMYK 64 / 0 / 46 / 18

HEX #4BD272

RGB 75 210 114

HSL 137.33, 0.6%, 0.56%

LAB 75.33, -57.11, 36.97

 

CMYK 64 / 0 / 63 / 18

HEX #4BD24E

RGB 75 210 78

HSL 121.33, 0.6%, 0.56%

LAB 74.91, -61.87, 53.32

 

CMYK 48 / 0 / 64 / 18

HEX #6DD24B

RGB 109 210 75

HSL 104.89, 0.6%, 0.56%

LAB 75.98, -53.69, 56.06

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 64 / 7 / 0 / 18

HEX #4BC4D2

RGB 75 196 210

HSL 186.22, 0.6%, 0.56%

LAB 73.3, -29.04, -16.96

 

CMYK 64 / 24 / 0 / 18

HEX #4BA0D2

RGB 75 160 210

HSL 202.22, 0.6%, 0.56%

LAB 62.75, -10.34, -33.13

 

CMYK 64 / 41 / 0 / 18

HEX #4B7CD2

RGB 75 124 210

HSL 218.22, 0.6%, 0.56%

LAB 52.47, 10.66, -49.31

 

CMYK 64 / 59 / 0 / 18

HEX #4B57D2

RGB 75 87 210

HSL 234.67, 0.6%, 0.56%

LAB 42.71, 33.76, -65.02

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 75 / 0 / 13 / 11

HEX #39E4C7

RGB 57 228 199

HSL 169.82, 0.76%, 0.56%

LAB 82.1, -48.96, 1.94

 

CMYK 84 / 0 / 14 / 4

HEX #27F6D3

RGB 39 246 211

HSL 169.86, 0.92%, 0.56%

LAB 87.51, -54.87, 3.46

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 51 / 0 / 8 / 25

HEX #5DBFAF

RGB 93 191 175

HSL 170.2, 0.43%, 0.56%

LAB 71.34, -32.73, -0.74

 

CMYK 36 / 0 / 6 / 32

HEX #6FADA3

RGB 111 173 163

HSL 170.32, 0.27%, 0.56%

LAB 66.45, -22.27, -1.2

 

CMYK 17 / 0 / 3 / 39

HEX #819B97

RGB 129 155 151

HSL 170.77, 0.12%, 0.56%

LAB 61.95, -9.92, -0.95

 

CMYK 0 / 7 / 6 / 42

HEX #94898B

RGB 148 137 139

HSL 349.09, 0.05%, 0.56%

LAB 58.09, 4.48, 0.41

 

CMYK 64 / 0 / 46 / 18

HEX #4BD271

RGB 75 210 113

HSL 136.89, 0.6%, 0.56%

LAB 75.32, -57.27, 37.45

 

CMYK 64 / 0 / 29 / 18

HEX #4BD295

RGB 75 210 149

HSL 152.89, 0.6%, 0.56%

LAB 75.92, -50.66, 19.7

 

CMYK 64 / 0 / 12 / 18

HEX #4BD2B9

RGB 75 210 185

HSL 168.89, 0.6%, 0.56%

LAB 76.73, -42.34, 1.64

 

CMYK 64 / 6 / 0 / 18

HEX #4BC6D2

RGB 75 198 210

HSL 185.33, 0.6%, 0.56%

LAB 73.89, -30.02, -16.07

 

CMYK 64 / 23 / 0 / 18

HEX #4BA2D2

RGB 75 162 210

HSL 201.33, 0.6%, 0.56%

LAB 63.33, -11.44, -32.22

 

CMYK 75 / 0 / 13 / 36

HEX #28A28D

RGB 40 162 141

HSL 169.67, 0.6%, 0.4%

LAB 60.08, -37.64, 1.52

 

CMYK 75 / 0 / 13 / 24

HEX #30C3AA

RGB 48 195 170

HSL 169.8, 0.6%, 0.48%

LAB 71.26, -43.45, 1.72

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 50 / 0 / 9 / 15

HEX #6CDAC7

RGB 108 218 199

HSL 169.64, 0.6%, 0.64%

LAB 80.43, -36.15, -0.33

 

CMYK 38 / 0 / 6 / 11

HEX #8DE2D4

RGB 141 226 212

HSL 170.12, 0.59%, 0.72%

LAB 84.39, -28.89, -1.29

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 63 / 64 / 0 / 18

HEX #4D4BD2

RGB 77 75 210

HSL 240.89, 0.6%, 0.56%

LAB 40.02, 41.4, -69.4

 

CMYK 0 / 38 / 64 / 18

HEX #D2834B

RGB 210 131 75

HSL 24.89, 0.6%, 0.56%

LAB 62.03, 25.29, 42.43

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 12 / 64 / 0 / 18

HEX #B94BD2

RGB 185 75 210

HSL 288.89, 0.6%, 0.56%

LAB 51.84, 63.08, -49.73

 

CMYK 0 / 12 / 64 / 18

HEX #D2B94B

RGB 210 185 75

HSL 48.89, 0.6%, 0.56%

LAB 75.39, -3.67, 57.32

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 63 / 64 / 0 / 18

HEX #4D4BD2

RGB 77 75 210

HSL 240.89, 0.6%, 0.56%

LAB 40.02, 41.4, -69.4

 

CMYK 0 / 64 / 52 / 18

HEX #D24B64

RGB 210 75 100

HSL 348.89, 0.6%, 0.56%

LAB 51.44, 54.92, 14.87

 

CMYK 1 / 0 / 64 / 18

HEX #CFD24B

RGB 207 210 75

HSL 61.33, 0.6%, 0.56%

LAB 81.77, -17.65, 63.97

 

CMYK 64 / 0 / 11 / 18

HEX #4BD2BB

RGB 75 210 187

HSL 169.78, 0.6%, 0.56%

LAB 76.79, -41.84, 0.65

 

CMYK 44 / 64 / 0 / 18

HEX #764BD2

RGB 118 75 210

HSL 259.11, 0.6%, 0.56%

LAB 43.56, 48.49, -63.48

 

CMYK 0 / 64 / 52 / 18

HEX #D24B64

RGB 210 75 100

HSL 348.89, 0.6%, 0.56%

LAB 51.44, 54.92, 14.87

 

CMYK 20 / 0 / 64 / 18

HEX #A7D24B

RGB 167 210 75

HSL 79.11, 0.6%, 0.56%

LAB 78.94, -33.72, 60.12

 

Description

Color code: HEX #4BD2BB | qconv.com Color code: HEX #4BD2BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 210 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 210 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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