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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BD9F8 it is the complementary color #B42607. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BD9F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BD9F8 shade: #50D9F3, #61EBFF, #72FDFF, #83FFFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BD9F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BD9F8 shade: #4BD9F8, #3AC7E5, #29B5D2, #18A3BF and #0791AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BD9F8 shade: #48D8F8, #48A9F8, #487AF8, #484AF8 and #7648F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BD9F8 shade: #48D8F8, #48A9F8, #487AF8, #484AF8 and #4848F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BD9F8 shade matches the following richer shades: #48D8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BD9F8 shade: #48D8F8, #58CFE9, #67C5D9, #76BBCA and #85B1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BD9F8 shade: #48F8B8, #48F8E6, #48DBF8, #48ACF8 and #487DF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BD9F8 shade: #08BEE6, #21D0F6, #48D8F8, #70E1F9 and #98E9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BD9F8 shade: #4BD9F8, #8948F8 and #F8CF48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BD9F8 shade: #4BD9F8, #F848DB and #DBF848

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BD9F8 shade: #4BD9F8, #8948F8, #F86648 and #B8F848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BD9F8 shade: #4BD9F8, #BD48F8, #F86648 and #83F848

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

Complementary color

CMYK 0 / 79 / 96 / 29

HEX #B42607

RGB 180 38 7

HSL 10.75, 0.93%, 0.37%

LAB 39.76, 54.84, 50.26

 

CMYK 67 / 11 / 0 / 5

HEX #50D9F3

RGB 80 217 243

HSL 189.57, 0.87%, 0.63%

LAB 80.63, -28.84, -23.58

 

CMYK 62 / 8 / 0 / 0

HEX #61EBFF

RGB 97 235 255

HSL 187.59, 1%, 0.69%

LAB 86.59, -31.47, -20.83

 

CMYK 55 / 1 / 0 / 0

HEX #72FDFF

RGB 114 253 255

HSL 180.85, 1%, 0.72%

LAB 92.15, -36.99, -12.42

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

CMYK 75 / 13 / 0 / 10

HEX #3AC7E5

RGB 58 199 229

HSL 190.53, 0.77%, 0.56%

LAB 74.45, -27.06, -25.55

 

CMYK 80 / 14 / 0 / 18

HEX #29B5D2

RGB 41 181 210

HSL 190.3, 0.67%, 0.49%

LAB 68.15, -25.82, -24.87

 

CMYK 87 / 15 / 0 / 25

HEX #18A3BF

RGB 24 163 191

HSL 190.06, 0.78%, 0.42%

LAB 61.78, -24.25, -24.11

 

CMYK 96 / 16 / 0 / 33

HEX #0791AC

RGB 7 145 172

HSL 189.82, 0.92%, 0.35%

LAB 55.35, -22.25, -23.24

 

CMYK 71 / 13 / 0 / 3

HEX #48D8F8

RGB 72 216 248

HSL 190.91, 0.93%, 0.63%

LAB 80.33, -27.92, -26.71

 

CMYK 71 / 32 / 0 / 3

HEX #48A9F8

RGB 72 169 248

HSL 206.93, 0.93%, 0.63%

LAB 66.92, -3.18, -47.52

 

CMYK 71 / 51 / 0 / 3

HEX #487AF8

RGB 72 122 248

HSL 222.95, 0.93%, 0.63%

LAB 54.11, 24.77, -67.98

 

CMYK 71 / 70 / 0 / 3

HEX #484AF8

RGB 72 74 248

HSL 239.32, 0.93%, 0.63%

LAB 42.84, 53.66, -86.36

 

CMYK 52 / 71 / 0 / 3

HEX #7648F8

RGB 118 72 248

HSL 255.68, 0.93%, 0.63%

LAB 45.99, 60.38, -81.05

 

CMYK 71 / 13 / 0 / 3

HEX #48D8F8

RGB 72 216 248

HSL 190.91, 0.93%, 0.63%

LAB 80.33, -27.92, -26.71

 

CMYK 71 / 32 / 0 / 3

HEX #48A9F8

RGB 72 169 248

HSL 206.93, 0.93%, 0.63%

LAB 66.92, -3.18, -47.52

 

CMYK 71 / 51 / 0 / 3

HEX #487AF8

RGB 72 122 248

HSL 222.95, 0.93%, 0.63%

LAB 54.11, 24.77, -67.98

 

CMYK 71 / 70 / 0 / 3

HEX #484AF8

RGB 72 74 248

HSL 239.32, 0.93%, 0.63%

LAB 42.84, 53.66, -86.36

 

CMYK 71 / 71 / 0 / 3

HEX #4848F8

RGB 72 72 248

HSL 240, 0.93%, 0.63%

LAB 42.44, 54.77, -87.01

 

CMYK 71 / 13 / 0 / 3

HEX #48D8F8

RGB 72 216 248

HSL 190.91, 0.93%, 0.63%

LAB 80.33, -27.92, -26.71

 

CMYK 71 / 13 / 0 / 3

HEX #48D8F8

RGB 72 216 248

HSL 190.91, 0.93%, 0.63%

LAB 80.33, -27.92, -26.71

 

CMYK 62 / 11 / 0 / 9

HEX #58CFE9

RGB 88 207 233

HSL 190.76, 0.77%, 0.63%

LAB 77.63, -25.64, -22.78

 

CMYK 53 / 9 / 0 / 15

HEX #67C5D9

RGB 103 197 217

HSL 190.53, 0.6%, 0.63%

LAB 74.71, -22.4, -18.54

 

CMYK 42 / 7 / 0 / 21

HEX #76BBCA

RGB 118 187 202

HSL 190.71, 0.44%, 0.63%

LAB 72, -17.87, -14.42

 

CMYK 29 / 5 / 0 / 27

HEX #85B1BB

RGB 133 177 187

HSL 191.11, 0.28%, 0.63%

LAB 69.48, -12.26, -9.87

 

CMYK 71 / 0 / 26 / 3

HEX #48F8B8

RGB 72 248 184

HSL 158.18, 0.93%, 0.63%

LAB 87.96, -58.7, 18.16

 

CMYK 71 / 0 / 7 / 3

HEX #48F8E6

RGB 72 248 230

HSL 173.86, 0.93%, 0.63%

LAB 89.03, -47.68, -4.17

 

CMYK 71 / 12 / 0 / 3

HEX #48DBF8

RGB 72 219 248

HSL 189.89, 0.93%, 0.63%

LAB 81.19, -29.38, -25.39

 

CMYK 71 / 31 / 0 / 3

HEX #48ACF8

RGB 72 172 248

HSL 205.91, 0.93%, 0.63%

LAB 67.77, -4.86, -46.19

 

CMYK 71 / 50 / 0 / 3

HEX #487DF8

RGB 72 125 248

HSL 221.93, 0.93%, 0.63%

LAB 54.89, 22.92, -66.71

 

CMYK 97 / 17 / 0 / 10

HEX #08BEE6

RGB 8 190 230

HSL 190.81, 0.93%, 0.47%

LAB 71.28, -25.5, -31.01

 

CMYK 87 / 15 / 0 / 4

HEX #21D0F6

RGB 33 208 246

HSL 190.7, 0.92%, 0.55%

LAB 77.33, -28.18, -30.29

 

CMYK 71 / 13 / 0 / 3

HEX #48D8F8

RGB 72 216 248

HSL 190.91, 0.93%, 0.63%

LAB 80.33, -27.92, -26.71

 

CMYK 55 / 10 / 0 / 2

HEX #70E1F9

RGB 112 225 249

HSL 190.51, 0.92%, 0.71%

LAB 84.04, -25.67, -21.49

 

CMYK 39 / 7 / 0 / 2

HEX #98E9FB

RGB 152 233 251

HSL 190.91, 0.93%, 0.79%

LAB 87.93, -20.25, -16.51

 

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

CMYK 45 / 71 / 0 / 3

HEX #8948F8

RGB 137 72 248

HSL 262.16, 0.93%, 0.63%

LAB 47.92, 63.31, -77.82

 

CMYK 0 / 17 / 71 / 3

HEX #F8CF48

RGB 248 207 72

HSL 46.02, 0.93%, 0.63%

LAB 84.51, 0.85, 69.07

 

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

CMYK 0 / 71 / 12 / 3

HEX #F848DB

RGB 248 72 219

HSL 309.89, 0.93%, 0.63%

LAB 61.4, 80.02, -39.1

 

CMYK 12 / 0 / 71 / 3

HEX #DBF848

RGB 219 248 72

HSL 69.89, 0.93%, 0.63%

LAB 92.87, -31.12, 76.5

 

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

CMYK 45 / 71 / 0 / 3

HEX #8948F8

RGB 137 72 248

HSL 262.16, 0.93%, 0.63%

LAB 47.92, 63.31, -77.82

 

CMYK 0 / 59 / 71 / 3

HEX #F86648

RGB 248 102 72

HSL 10.23, 0.93%, 0.63%

LAB 61.59, 54.19, 44.9

 

CMYK 26 / 0 / 71 / 3

HEX #B8F848

RGB 184 248 72

HSL 81.82, 0.93%, 0.63%

LAB 90.69, -44.45, 73.62

 

CMYK 70 / 13 / 0 / 3

HEX #4BD9F8

RGB 75 217 248

HSL 190.75, 0.93%, 0.63%

LAB 80.68, -28.03, -26.16

 

CMYK 24 / 71 / 0 / 3

HEX #BD48F8

RGB 189 72 248

HSL 279.89, 0.93%, 0.63%

LAB 54.27, 72.57, -67.22

 

CMYK 0 / 59 / 71 / 3

HEX #F86648

RGB 248 102 72

HSL 10.23, 0.93%, 0.63%

LAB 61.59, 54.19, 44.9

 

CMYK 47 / 0 / 71 / 3

HEX #83F848

RGB 131 248 72

HSL 99.89, 0.93%, 0.63%

LAB 88.17, -61.95, 70.28

 

Description

Color code: HEX #4BD9F8 | qconv.com Color code: HEX #4BD9F8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 217 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 217 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 13 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 13% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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