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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BCE70 it is the complementary color #B4318F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BCE70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BCE70 shade: #50CE6B, #61E07E, #72F291, #83FFA4 and #94FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BCE70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BCE70 shade: #4BCE70, #3ABC5D, #29AA4A, #189837 and #078624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BCE70 shade: #4ACD6F, #4ACD4C, #6CCD4A, #8FCD4A and #B2CD4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BCE70 shade: #4ACD6F, #4ACD93, #4ACDB6, #4AC1CD and #4A9ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BCE70 shade matches the following richer shades: #4ACD6F, #38E067 and #25F25F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BCE70 shade: #4ACD6F, #5DBB77, #6FA87F, #829588 and #958390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BCE70 shade: #6DCD4A, #4ACD4A, #4ACD6D, #4ACD90 and #4ACDB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BCE70 shade: #2A9B4A, #33BB59, #4ACD6F, #6BD689 and #8BDFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BCE70 shade: #4BCE70, #4A90CD and #CD4A5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BCE70 shade: #4BCE70, #6D4ACD and #CD6D4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BCE70 shade: #4BCE70, #4A90CD, #CD4AAA and #CD874A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BCE70 shade: #4BCE70, #4A69CD, #CD4AAA and #CDAF4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

Complementary color

CMYK 0 / 73 / 21 / 29

HEX #B4318F

RGB 180 49 143

HSL 316.95, 0.57%, 0.45%

LAB 44.06, 60.94, -22.64

 

CMYK 61 / 0 / 48 / 19

HEX #50CE6B

RGB 80 206 107

HSL 132.86, 0.56%, 0.56%

LAB 74.13, -55.67, 38.96

 

CMYK 57 / 0 / 44 / 12

HEX #61E07E

RGB 97 224 126

HSL 133.7, 0.67%, 0.63%

LAB 80.38, -55.86, 37.57

 

CMYK 53 / 0 / 40 / 5

HEX #72F291

RGB 114 242 145

HSL 134.53, 0.83%, 0.7%

LAB 86.57, -55.89, 36.25

 

CMYK 49 / 0 / 36 / 0

HEX #83FFA4

RGB 131 255 164

HSL 135.97, 1%, 0.76%

LAB 91.25, -53.8, 33.07

 

CMYK 42 / 0 / 28 / 0

HEX #94FFB7

RGB 148 255 183

HSL 139.63, 1%, 0.79%

LAB 92.24, -46.07, 24.95

 

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

CMYK 69 / 0 / 51 / 26

HEX #3ABC5D

RGB 58 188 93

HSL 136.15, 0.53%, 0.48%

LAB 67.77, -55.45, 37.84

 

CMYK 76 / 0 / 56 / 33

HEX #29AA4A

RGB 41 170 74

HSL 135.35, 0.61%, 0.41%

LAB 61.41, -54.59, 39.35

 

CMYK 84 / 0 / 64 / 40

HEX #189837

RGB 24 152 55

HSL 134.53, 0.73%, 0.35%

LAB 55, -53.15, 40.82

 

CMYK 95 / 0 / 73 / 47

HEX #078624

RGB 7 134 36

HSL 133.7, 0.9%, 0.28%

LAB 48.54, -50.87, 42.01

 

CMYK 64 / 0 / 46 / 20

HEX #4ACD6F

RGB 74 205 111

HSL 136.95, 0.57%, 0.55%

LAB 73.72, -55.92, 36.41

 

CMYK 64 / 0 / 63 / 20

HEX #4ACD4C

RGB 74 205 76

HSL 120.92, 0.57%, 0.55%

LAB 73.31, -60.56, 52.37

 

CMYK 47 / 0 / 64 / 20

HEX #6CCD4A

RGB 108 205 74

HSL 104.43, 0.57%, 0.55%

LAB 74.41, -52.12, 54.75

 

CMYK 30 / 0 / 64 / 20

HEX #8FCD4A

RGB 143 205 74

HSL 88.4, 0.57%, 0.55%

LAB 76.07, -40.54, 57.04

 

CMYK 13 / 0 / 64 / 20

HEX #B2CD4A

RGB 178 205 74

HSL 72.37, 0.57%, 0.55%

LAB 78.24, -27.11, 60.01

 

CMYK 64 / 0 / 46 / 20

HEX #4ACD6F

RGB 74 205 111

HSL 136.95, 0.57%, 0.55%

LAB 73.72, -55.92, 36.41

 

CMYK 64 / 0 / 28 / 20

HEX #4ACD93

RGB 74 205 147

HSL 153.44, 0.57%, 0.55%

LAB 74.33, -49.23, 18.56

 

CMYK 64 / 0 / 11 / 20

HEX #4ACDB6

RGB 74 205 182

HSL 169.47, 0.57%, 0.55%

LAB 75.14, -41.06, 0.93

 

CMYK 64 / 6 / 0 / 20

HEX #4AC1CD

RGB 74 193 205

HSL 185.5, 0.57%, 0.55%

LAB 72.23, -29.19, -15.86

 

CMYK 64 / 23 / 0 / 20

HEX #4A9ECD

RGB 74 158 205

HSL 201.53, 0.57%, 0.55%

LAB 61.93, -11.03, -31.62

 

CMYK 64 / 0 / 46 / 20

HEX #4ACD6F

RGB 74 205 111

HSL 136.95, 0.57%, 0.55%

LAB 73.72, -55.92, 36.41

 

CMYK 75 / 0 / 54 / 12

HEX #38E067

RGB 56 224 103

HSL 136.79, 0.73%, 0.55%

LAB 79.12, -66.8, 46.9

 

CMYK 85 / 0 / 61 / 5

HEX #25F25F

RGB 37 242 95

HSL 136.98, 0.89%, 0.55%

LAB 84.34, -75.56, 56.54

 

CMYK 64 / 0 / 46 / 20

HEX #4ACD6F

RGB 74 205 111

HSL 136.95, 0.57%, 0.55%

LAB 73.72, -55.92, 36.41

 

CMYK 50 / 0 / 36 / 27

HEX #5DBB77

RGB 93 187 119

HSL 136.6, 0.41%, 0.55%

LAB 68.9, -42.97, 26.12

 

CMYK 34 / 0 / 24 / 34

HEX #6FA87F

RGB 111 168 127

HSL 136.84, 0.25%, 0.55%

LAB 64.09, -27.5, 15.39

 

CMYK 13 / 0 / 9 / 42

HEX #829588

RGB 130 149 136

HSL 138.95, 0.08%, 0.55%

LAB 59.91, -9.41, 4.58

 

CMYK 0 / 12 / 3 / 42

HEX #958390

RGB 149 131 144

HSL 316.67, 0.08%, 0.55%

LAB 56.72, 9.23, -4.47

 

CMYK 47 / 0 / 64 / 20

HEX #6DCD4A

RGB 109 205 74

HSL 103.97, 0.57%, 0.55%

LAB 74.45, -51.82, 54.81

 

CMYK 64 / 0 / 64 / 20

HEX #4ACD4A

RGB 74 205 74

HSL 120, 0.57%, 0.55%

LAB 73.29, -60.76, 53.21

 

CMYK 64 / 0 / 47 / 20

HEX #4ACD6D

RGB 74 205 109

HSL 136.03, 0.57%, 0.55%

LAB 73.69, -56.23, 37.38

 

CMYK 64 / 0 / 30 / 20

HEX #4ACD90

RGB 74 205 144

HSL 152.06, 0.57%, 0.55%

LAB 74.27, -49.86, 20.07

 

CMYK 64 / 0 / 13 / 20

HEX #4ACDB3

RGB 74 205 179

HSL 168.09, 0.57%, 0.55%

LAB 75.06, -41.82, 2.44

 

CMYK 73 / 0 / 52 / 39

HEX #2A9B4A

RGB 42 155 74

HSL 136.99, 0.57%, 0.39%

LAB 56.52, -49.06, 33.43

 

CMYK 73 / 0 / 52 / 27

HEX #33BB59

RGB 51 187 89

HSL 136.76, 0.57%, 0.47%

LAB 67.25, -56.86, 39.15

 

CMYK 64 / 0 / 46 / 20

HEX #4ACD6F

RGB 74 205 111

HSL 136.95, 0.57%, 0.55%

LAB 73.72, -55.92, 36.41

 

CMYK 50 / 0 / 36 / 16

HEX #6BD689

RGB 107 214 137

HSL 136.82, 0.57%, 0.63%

LAB 77.89, -47.6, 28.8

 

CMYK 38 / 0 / 27 / 13

HEX #8BDFA3

RGB 139 223 163

HSL 137.14, 0.57%, 0.71%

LAB 82.33, -38.09, 21.55

 

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

CMYK 64 / 30 / 0 / 20

HEX #4A90CD

RGB 74 144 205

HSL 207.94, 0.57%, 0.55%

LAB 57.86, -3.12, -37.97

 

CMYK 0 / 64 / 55 / 20

HEX #CD4A5C

RGB 205 74 92

HSL 351.76, 0.57%, 0.55%

LAB 50.27, 53.08, 17.93

 

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

CMYK 47 / 64 / 0 / 20

HEX #6D4ACD

RGB 109 74 205

HSL 256.03, 0.57%, 0.55%

LAB 42.09, 45.9, -63.03

 

CMYK 0 / 47 / 64 / 20

HEX #CD6D4A

RGB 205 109 74

HSL 16.03, 0.57%, 0.55%

LAB 56.5, 34.92, 36.26

 

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

CMYK 64 / 30 / 0 / 20

HEX #4A90CD

RGB 74 144 205

HSL 207.94, 0.57%, 0.55%

LAB 57.86, -3.12, -37.97

 

CMYK 0 / 64 / 17 / 20

HEX #CD4AAA

RGB 205 74 170

HSL 316.03, 0.57%, 0.55%

LAB 52.71, 61.83, -25.02

 

CMYK 0 / 34 / 64 / 20

HEX #CD874A

RGB 205 135 74

HSL 27.94, 0.57%, 0.55%

LAB 62.34, 20.97, 43.14

 

CMYK 64 / 0 / 46 / 19

HEX #4BCE70

RGB 75 206 112

HSL 136.95, 0.57%, 0.55%

LAB 74.07, -55.93, 36.36

 

CMYK 64 / 49 / 0 / 20

HEX #4A69CD

RGB 74 105 205

HSL 225.8, 0.57%, 0.55%

LAB 46.93, 20.56, -55.32

 

CMYK 0 / 64 / 17 / 20

HEX #CD4AAA

RGB 205 74 170

HSL 316.03, 0.57%, 0.55%

LAB 52.71, 61.83, -25.02

 

CMYK 0 / 15 / 64 / 20

HEX #CDAF4A

RGB 205 175 74

HSL 46.26, 0.57%, 0.55%

LAB 72.32, -0.62, 54.3

 

Description

Color code: HEX #4BCE70 | qconv.com Color code: HEX #4BCE70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 206 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 206 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 46 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 46% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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