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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BCADC it is the complementary color #B43523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BCADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BCADC shade: #50CAD7, #61DCEA, #72EEFD, #83FFFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BCADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BCADC shade: #4BCADC, #3AB8C9, #29A6B6, #1894A3 and #078290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BCADC shade: #4CC9DB, #4CA3DB, #4C7CDB, #4C55DB and #694CDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BCADC shade: #4CC9DB, #4CA3DB, #4C7CDB, #4C55DB and #4C4CDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BCADC shade matches the following richer shades: #4CC9DB, #3AD6EC and #29E3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BCADC shade: #4CC9DB, #5DBCCA, #6EAFB8, #80A2A7 and #919596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BCADC shade: #4CDB9F, #4CDBC6, #4CCADB, #4CA4DB and #4C7EDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BCADC shade: #23A0B2, #29BFD4, #4CC9DB, #6ED4E2 and #91DEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BCADC shade: #4BCADC, #794CDB and #DBB24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BCADC shade: #4BCADC, #DB4CCA and #CADB4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BCADC shade: #4BCADC, #794CDB, #DB5C4C and #AEDB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BCADC shade: #4BCADC, #A44CDB, #DB5C4C and #83DB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

Complementary color

CMYK 0 / 71 / 81 / 29

HEX #B43523

RGB 180 53 35

HSL 7.45, 0.67%, 0.42%

LAB 41.8, 50.22, 39.91

 

CMYK 63 / 6 / 0 / 16

HEX #50CAD7

RGB 80 202 215

HSL 185.78, 0.63%, 0.58%

LAB 75.36, -29.72, -16.55

 

CMYK 59 / 6 / 0 / 8

HEX #61DCEA

RGB 97 220 234

HSL 186.13, 0.77%, 0.65%

LAB 81.66, -30.16, -17.19

 

CMYK 55 / 6 / 0 / 1

HEX #72EEFD

RGB 114 238 253

HSL 186.47, 0.97%, 0.72%

LAB 87.88, -30.49, -17.78

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

CMYK 71 / 8 / 0 / 21

HEX #3AB8C9

RGB 58 184 201

HSL 187.13, 0.57%, 0.51%

LAB 69.04, -28.29, -18.54

 

CMYK 77 / 9 / 0 / 29

HEX #29A6B6

RGB 41 166 182

HSL 186.81, 0.63%, 0.44%

LAB 62.61, -27.28, -17.78

 

CMYK 85 / 9 / 0 / 36

HEX #1894A3

RGB 24 148 163

HSL 186.47, 0.74%, 0.37%

LAB 56.11, -25.94, -16.93

 

CMYK 95 / 10 / 0 / 44

HEX #078290

RGB 7 130 144

HSL 186.13, 0.91%, 0.3%

LAB 49.53, -24.13, -15.96

 

CMYK 65 / 8 / 0 / 14

HEX #4CC9DB

RGB 76 201 219

HSL 187.55, 0.67%, 0.58%

LAB 75.09, -28.7, -19.13

 

CMYK 65 / 26 / 0 / 14

HEX #4CA3DB

RGB 76 163 219

HSL 203.5, 0.67%, 0.58%

LAB 64.04, -8.9, -36.12

 

CMYK 65 / 43 / 0 / 14

HEX #4C7CDB

RGB 76 124 219

HSL 219.86, 0.67%, 0.58%

LAB 53.02, 13.95, -53.51

 

CMYK 65 / 61 / 0 / 14

HEX #4C55DB

RGB 76 85 219

HSL 236.22, 0.67%, 0.58%

LAB 42.99, 38.18, -69.72

 

CMYK 52 / 65 / 0 / 14

HEX #694CDB

RGB 105 76 219

HSL 252.17, 0.67%, 0.58%

LAB 43.19, 48.07, -69.29

 

CMYK 65 / 8 / 0 / 14

HEX #4CC9DB

RGB 76 201 219

HSL 187.55, 0.67%, 0.58%

LAB 75.09, -28.7, -19.13

 

CMYK 65 / 26 / 0 / 14

HEX #4CA3DB

RGB 76 163 219

HSL 203.5, 0.67%, 0.58%

LAB 64.04, -8.9, -36.12

 

CMYK 65 / 43 / 0 / 14

HEX #4C7CDB

RGB 76 124 219

HSL 219.86, 0.67%, 0.58%

LAB 53.02, 13.95, -53.51

 

CMYK 65 / 61 / 0 / 14

HEX #4C55DB

RGB 76 85 219

HSL 236.22, 0.67%, 0.58%

LAB 42.99, 38.18, -69.72

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDB

RGB 76 76 219

HSL 240, 0.67%, 0.58%

LAB 40.93, 43.61, -73.08

 

CMYK 65 / 8 / 0 / 14

HEX #4CC9DB

RGB 76 201 219

HSL 187.55, 0.67%, 0.58%

LAB 75.09, -28.7, -19.13

 

CMYK 75 / 9 / 0 / 7

HEX #3AD6EC

RGB 58 214 236

HSL 187.42, 0.82%, 0.58%

LAB 79.07, -32.2, -22.26

 

CMYK 84 / 11 / 0 / 0

HEX #29E3FE

RGB 41 227 254

HSL 187.61, 0.99%, 0.58%

LAB 83.21, -34.3, -25.53

 

CMYK 65 / 8 / 0 / 14

HEX #4CC9DB

RGB 76 201 219

HSL 187.55, 0.67%, 0.58%

LAB 75.09, -28.7, -19.13

 

CMYK 54 / 7 / 0 / 21

HEX #5DBCCA

RGB 93 188 202

HSL 187.71, 0.51%, 0.58%

LAB 71.25, -24.11, -15.64

 

CMYK 40 / 5 / 0 / 28

HEX #6EAFB8

RGB 110 175 184

HSL 187.3, 0.34%, 0.58%

LAB 67.6, -18.37, -11.15

 

CMYK 23 / 3 / 0 / 35

HEX #80A2A7

RGB 128 162 167

HSL 187.69, 0.18%, 0.58%

LAB 64.34, -10.47, -6.44

 

CMYK 3 / 1 / 0 / 41

HEX #919596

RGB 145 149 150

HSL 192, 0.02%, 0.58%

LAB 61.41, -1.25, -1.04

 

CMYK 65 / 0 / 27 / 14

HEX #4CDB9F

RGB 76 219 159

HSL 154.83, 0.67%, 0.58%

LAB 78.87, -52.01, 18.52

 

CMYK 65 / 0 / 10 / 14

HEX #4CDBC6

RGB 76 219 198

HSL 171.19, 0.67%, 0.58%

LAB 79.77, -42.84, -0.88

 

CMYK 65 / 8 / 0 / 14

HEX #4CCADB

RGB 76 202 219

HSL 187.13, 0.67%, 0.58%

LAB 75.38, -29.19, -18.69

 

CMYK 65 / 25 / 0 / 14

HEX #4CA4DB

RGB 76 164 219

HSL 203.08, 0.67%, 0.58%

LAB 64.32, -9.45, -35.67

 

CMYK 65 / 42 / 0 / 14

HEX #4C7EDB

RGB 76 126 219

HSL 219.02, 0.67%, 0.58%

LAB 53.57, 12.73, -52.63

 

CMYK 80 / 10 / 0 / 30

HEX #23A0B2

RGB 35 160 178

HSL 187.55, 0.67%, 0.42%

LAB 60.53, -26.16, -18.71

 

CMYK 81 / 10 / 0 / 17

HEX #29BFD4

RGB 41 191 212

HSL 187.37, 0.68%, 0.5%

LAB 71.21, -30.13, -21.29

 

CMYK 65 / 8 / 0 / 14

HEX #4CC9DB

RGB 76 201 219

HSL 187.55, 0.67%, 0.58%

LAB 75.09, -28.7, -19.13

 

CMYK 51 / 6 / 0 / 11

HEX #6ED4E2

RGB 110 212 226

HSL 187.24, 0.67%, 0.66%

LAB 79.55, -25.95, -16.05

 

CMYK 38 / 5 / 0 / 9

HEX #91DEE9

RGB 145 222 233

HSL 187.5, 0.67%, 0.74%

LAB 84.04, -20.95, -12.89

 

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

CMYK 45 / 65 / 0 / 14

HEX #794CDB

RGB 121 76 219

HSL 258.88, 0.67%, 0.58%

LAB 44.73, 50.97, -66.72

 

CMYK 0 / 19 / 65 / 14

HEX #DBB24C

RGB 219 178 76

HSL 42.8, 0.67%, 0.58%

LAB 74.46, 3.9, 56.13

 

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

CMYK 0 / 65 / 8 / 14

HEX #DB4CCA

RGB 219 76 202

HSL 307.13, 0.67%, 0.58%

LAB 56.58, 69.38, -37.33

 

CMYK 8 / 0 / 65 / 14

HEX #CADB4C

RGB 202 219 76

HSL 67.13, 0.67%, 0.58%

LAB 83.83, -24.02, 65.6

 

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

CMYK 45 / 65 / 0 / 14

HEX #794CDB

RGB 121 76 219

HSL 258.88, 0.67%, 0.58%

LAB 44.73, 50.97, -66.72

 

CMYK 0 / 58 / 65 / 14

HEX #DB5C4C

RGB 219 92 76

HSL 6.71, 0.67%, 0.58%

LAB 55.31, 48.74, 34.21

 

CMYK 21 / 0 / 65 / 14

HEX #AEDB4C

RGB 174 219 76

HSL 78.88, 0.67%, 0.58%

LAB 81.94, -35.09, 63.03

 

CMYK 66 / 8 / 0 / 14

HEX #4BCADC

RGB 75 202 220

HSL 187.45, 0.67%, 0.58%

LAB 75.39, -29.04, -19.22

 

CMYK 25 / 65 / 0 / 14

HEX #A44CDB

RGB 164 76 219

HSL 276.92, 0.67%, 0.58%

LAB 49.71, 59.76, -58.42

 

CMYK 0 / 58 / 65 / 14

HEX #DB5C4C

RGB 219 92 76

HSL 6.71, 0.67%, 0.58%

LAB 55.31, 48.74, 34.21

 

CMYK 40 / 0 / 65 / 14

HEX #83DB4C

RGB 131 219 76

HSL 96.92, 0.67%, 0.58%

LAB 79.62, -50.4, 59.87

 

Description

Color code: HEX #4BCADC | qconv.com Color code: HEX #4BCADC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 202 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 202 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 8 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 8% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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