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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BABFA it is the complementary color #B45405. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BABFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BABFA shade: #50ABF5, #61BDFF, #72CFFF, #83E1FF and #94F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BABFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BABFA shade: #4BABFA, #3A99E7, #2987D4, #1875C1 and #0763AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BABFA shade: #4BABFA, #4B7CFA, #4B4DFA, #794BFA and #A84BFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BABFA shade: #4BABFA, #4B7CFA, #4B4DFA and #4B4BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BABFA shade matches the following richer shades: #4BABFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BABFA shade: #4BABFA, #5AAAEB, #69A8DC, #78A7CD and #87A5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BABFA shade: #4BFAEB, #4BDAFA, #4BABFA, #4B7DFA and #4B4EFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BABFA shade: #0685ED, #2398F9, #4BABFA, #74BEFB and #9CD1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BABFA shade: #4BABFA, #BD4BFA and #F1FA4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BABFA shade: #4BABFA, #FA4BAB and #ABFA4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BABFA shade: #4BABFA, #BD4BFA, #FA9A4B and #89FA4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BABFA shade: #4BABFA, #F14BFA, #FA9A4B and #54FA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

Complementary color

CMYK 0 / 53 / 97 / 29

HEX #B45405

RGB 180 84 5

HSL 27.09, 0.95%, 0.36%

LAB 47.05, 35.34, 55.22

 

CMYK 67 / 30 / 0 / 4

HEX #50ABF5

RGB 80 171 245

HSL 206.91, 0.89%, 0.64%

LAB 67.59, -4.16, -44.81

 

CMYK 62 / 26 / 0 / 0

HEX #61BDFF

RGB 97 189 255

HSL 205.06, 1%, 0.69%

LAB 73.65, -8.07, -40.71

 

CMYK 55 / 19 / 0 / 0

HEX #72CFFF

RGB 114 207 255

HSL 200.43, 1%, 0.72%

LAB 79.28, -14.47, -31.93

 

CMYK 49 / 12 / 0 / 0

HEX #83E1FF

RGB 131 225 255

HSL 194.52, 1%, 0.76%

LAB 84.94, -20.13, -23.22

 

CMYK 42 / 5 / 0 / 0

HEX #94F3FF

RGB 148 243 255

HSL 186.73, 1%, 0.79%

LAB 90.6, -25.14, -14.61

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 75 / 34 / 0 / 9

HEX #3A99E7

RGB 58 153 231

HSL 207.05, 0.78%, 0.57%

LAB 61.18, -1.72, -47.28

 

CMYK 81 / 36 / 0 / 17

HEX #2987D4

RGB 41 135 212

HSL 207.02, 0.68%, 0.5%

LAB 54.61, 0.12, -47.1

 

CMYK 88 / 39 / 0 / 24

HEX #1875C1

RGB 24 117 193

HSL 206.98, 0.78%, 0.43%

LAB 47.97, 2.44, -46.87

 

CMYK 96 / 43 / 0 / 32

HEX #0763AE

RGB 7 99 174

HSL 206.95, 0.92%, 0.35%

LAB 41.26, 5.35, -46.55

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 70 / 50 / 0 / 2

HEX #4B7CFA

RGB 75 124 250

HSL 223.2, 0.95%, 0.64%

LAB 54.88, 24.64, -67.83

 

CMYK 70 / 69 / 0 / 2

HEX #4B4DFA

RGB 75 77 250

HSL 239.31, 0.95%, 0.64%

LAB 43.81, 52.93, -85.88

 

CMYK 52 / 70 / 0 / 2

HEX #794BFA

RGB 121 75 250

HSL 255.77, 0.95%, 0.64%

LAB 46.97, 59.89, -80.55

 

CMYK 33 / 70 / 0 / 2

HEX #A84BFA

RGB 168 75 250

HSL 271.89, 0.95%, 0.64%

LAB 52.13, 67.84, -71.93

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 70 / 50 / 0 / 2

HEX #4B7CFA

RGB 75 124 250

HSL 223.2, 0.95%, 0.64%

LAB 54.88, 24.64, -67.83

 

CMYK 70 / 69 / 0 / 2

HEX #4B4DFA

RGB 75 77 250

HSL 239.31, 0.95%, 0.64%

LAB 43.81, 52.93, -85.88

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 62 / 28 / 0 / 8

HEX #5AAAEB

RGB 90 170 235

HSL 206.9, 0.78%, 0.64%

LAB 67.22, -5.21, -39.92

 

CMYK 52 / 24 / 0 / 14

HEX #69A8DC

RGB 105 168 220

HSL 207.13, 0.62%, 0.64%

LAB 66.65, -5.75, -32.51

 

CMYK 41 / 19 / 0 / 20

HEX #78A7CD

RGB 120 167 205

HSL 206.82, 0.46%, 0.64%

LAB 66.55, -5.88, -24.33

 

CMYK 29 / 13 / 0 / 25

HEX #87A5BE

RGB 135 165 190

HSL 207.27, 0.3%, 0.64%

LAB 66.35, -4.46, -16.22

 

CMYK 70 / 0 / 6 / 2

HEX #4BFAEB

RGB 75 250 235

HSL 174.86, 0.95%, 0.64%

LAB 89.8, -46.87, -5.63

 

CMYK 70 / 13 / 0 / 2

HEX #4BDAFA

RGB 75 218 250

HSL 190.97, 0.95%, 0.64%

LAB 81.04, -27.91, -26.68

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 70 / 50 / 0 / 2

HEX #4B7DFA

RGB 75 125 250

HSL 222.86, 0.95%, 0.64%

LAB 55.14, 24.03, -67.41

 

CMYK 70 / 69 / 0 / 2

HEX #4B4EFA

RGB 75 78 250

HSL 238.97, 0.95%, 0.64%

LAB 44.01, 52.37, -85.55

 

CMYK 97 / 44 / 0 / 7

HEX #0685ED

RGB 6 133 237

HSL 207.01, 0.95%, 0.48%

LAB 55, 8.9, -60.5

 

CMYK 86 / 39 / 0 / 2

HEX #2398F9

RGB 35 152 249

HSL 207.2, 0.95%, 0.56%

LAB 61.35, 3.26, -56.94

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 54 / 24 / 0 / 2

HEX #74BEFB

RGB 116 190 251

HSL 207.11, 0.94%, 0.72%

LAB 74.51, -6.21, -37.16

 

CMYK 38 / 17 / 0 / 1

HEX #9CD1FC

RGB 156 209 252

HSL 206.88, 0.94%, 0.8%

LAB 81.67, -6.68, -26.5

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 24 / 70 / 0 / 2

HEX #BD4BFA

RGB 189 75 250

HSL 279.09, 0.95%, 0.64%

LAB 54.82, 71.8, -67.45

 

CMYK 4 / 0 / 70 / 2

HEX #F1FA4B

RGB 241 250 75

HSL 63.09, 0.95%, 0.64%

LAB 94.98, -23.15, 78.08

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 0 / 70 / 32 / 2

HEX #FA4BAB

RGB 250 75 171

HSL 327.09, 0.95%, 0.64%

LAB 60.16, 73.45, -13.58

 

CMYK 32 / 0 / 70 / 2

HEX #ABFA4B

RGB 171 250 75

HSL 87.09, 0.95%, 0.64%

LAB 90.57, -49.75, 72.23

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 24 / 70 / 0 / 2

HEX #BD4BFA

RGB 189 75 250

HSL 279.09, 0.95%, 0.64%

LAB 54.82, 71.8, -67.45

 

CMYK 0 / 38 / 70 / 2

HEX #FA9A4B

RGB 250 154 75

HSL 27.09, 0.95%, 0.64%

LAB 72.19, 29.46, 55.15

 

CMYK 45 / 0 / 70 / 2

HEX #89FA4B

RGB 137 250 75

HSL 98.74, 0.95%, 0.64%

LAB 89.02, -60.74, 70.16

 

CMYK 70 / 32 / 0 / 2

HEX #4BABFA

RGB 75 171 250

HSL 207.09, 0.95%, 0.64%

LAB 67.67, -3.22, -47.43

 

CMYK 4 / 70 / 0 / 2

HEX #F14BFA

RGB 241 75 250

HSL 296.91, 0.95%, 0.64%

LAB 62.2, 82.22, -55.21

 

CMYK 0 / 38 / 70 / 2

HEX #FA9A4B

RGB 250 154 75

HSL 27.09, 0.95%, 0.64%

LAB 72.19, 29.46, 55.15

 

CMYK 66 / 0 / 70 / 2

HEX #54FA4B

RGB 84 250 75

HSL 116.91, 0.95%, 0.64%

LAB 87.37, -73.66, 67.94

 

Description

Color code: HEX #4BABFA | qconv.com Color code: HEX #4BABFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 171 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 171 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 32 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 32% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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