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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9CB9 it is the complementary color #B46346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9CB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9CB9 shade: #509CB4, #61AEC7, #72C0DA, #83D2ED and #94E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9CB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9CB9 shade: #4B9CB9, #3A8AA6, #297893, #186680 and #07546D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9CB9 shade: #4B9CB9, #4B7EB9, #4B60B9, #534BB9 and #704BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9CB9 shade: #4B9CB9, #4B7EB9, #4B60B9 and #4B4BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9CB9 shade matches the following richer shades: #4B9CB9, #36A5CD, #22AFE1 and #0EB8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9CB9 shade: #4B9CB9, #5F92A4, #738890, #877F7C and #9B7568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9CB9 shade: #4BB999, #4BB9B7, #4B9DB9, #4B80B9 and #4B62B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9CB9 shade: #316B7F, #3D849D, #4B9CB9, #68ACC4 and #86BCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9CB9 shade: #4B9CB9, #7C4BB9 and #B9A84B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9CB9 shade: #4B9CB9, #B94B9D and #9DB94B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9CB9 shade: #4B9CB9, #7C4BB9, #B9664B and #87B94B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9CB9 shade: #4B9CB9, #9D4BB9, #B9664B and #66B94B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

Complementary color

CMYK 0 / 45 / 61 / 29

HEX #B46346

RGB 180 99 70

HSL 15.82, 0.44%, 0.49%

LAB 50.77, 29.94, 30.69

 

CMYK 56 / 13 / 0 / 29

HEX #509CB4

RGB 80 156 180

HSL 194.4, 0.4%, 0.51%

LAB 60.58, -16.58, -19.64

 

CMYK 51 / 13 / 0 / 22

HEX #61AEC7

RGB 97 174 199

HSL 194.71, 0.48%, 0.58%

LAB 67.23, -16.91, -20.07

 

CMYK 48 / 12 / 0 / 15

HEX #72C0DA

RGB 114 192 218

HSL 195, 0.58%, 0.65%

LAB 73.76, -17.15, -20.48

 

CMYK 45 / 11 / 0 / 7

HEX #83D2ED

RGB 131 210 237

HSL 195.28, 0.75%, 0.72%

LAB 80.2, -17.33, -20.87

 

CMYK 42 / 11 / 0 / 0

HEX #94E4FF

RGB 148 228 255

HSL 195.14, 1%, 0.79%

LAB 86.51, -17.72, -20.78

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 65 / 17 / 0 / 35

HEX #3A8AA6

RGB 58 138 166

HSL 195.56, 0.48%, 0.44%

LAB 53.85, -15.44, -22.04

 

CMYK 72 / 18 / 0 / 42

HEX #297893

RGB 41 120 147

HSL 195.28, 0.56%, 0.37%

LAB 46.99, -14.57, -21.56

 

CMYK 81 / 20 / 0 / 50

HEX #186680

RGB 24 102 128

HSL 195, 0.68%, 0.3%

LAB 40.01, -13.31, -21.01

 

CMYK 94 / 23 / 0 / 57

HEX #07546D

RGB 7 84 109

HSL 194.71, 0.88%, 0.23%

LAB 32.9, -11.48, -20.34

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 59 / 32 / 0 / 27

HEX #4B7EB9

RGB 75 126 185

HSL 212.18, 0.44%, 0.51%

LAB 51.75, 0.95, -36.18

 

CMYK 59 / 48 / 0 / 27

HEX #4B60B9

RGB 75 96 185

HSL 228.55, 0.44%, 0.51%

LAB 43.31, 19.53, -49.58

 

CMYK 55 / 59 / 0 / 27

HEX #534BB9

RGB 83 75 185

HSL 244.36, 0.44%, 0.51%

LAB 38.51, 34.3, -57.3

 

CMYK 39 / 59 / 0 / 27

HEX #704BB9

RGB 112 75 185

HSL 260.18, 0.44%, 0.51%

LAB 41.18, 40.41, -52.84

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 59 / 32 / 0 / 27

HEX #4B7EB9

RGB 75 126 185

HSL 212.18, 0.44%, 0.51%

LAB 51.75, 0.95, -36.18

 

CMYK 59 / 48 / 0 / 27

HEX #4B60B9

RGB 75 96 185

HSL 228.55, 0.44%, 0.51%

LAB 43.31, 19.53, -49.58

 

CMYK 59 / 59 / 0 / 27

HEX #4B4BB9

RGB 75 75 185

HSL 240, 0.44%, 0.51%

LAB 37.9, 32.83, -58.32

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 74 / 20 / 0 / 20

HEX #36A5CD

RGB 54 165 205

HSL 195.89, 0.6%, 0.51%

LAB 63.43, -17.8, -29.35

 

CMYK 85 / 22 / 0 / 12

HEX #22AFE1

RGB 34 175 225

HSL 195.71, 0.76%, 0.51%

LAB 66.85, -18.28, -35.11

 

CMYK 94 / 25 / 0 / 4

HEX #0EB8F5

RGB 14 184 245

HSL 195.84, 0.92%, 0.51%

LAB 70.15, -17.1, -40.89

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 42 / 11 / 0 / 36

HEX #5F92A4

RGB 95 146 164

HSL 195.65, 0.27%, 0.51%

LAB 57.72, -12.18, -14.85

 

CMYK 20 / 6 / 0 / 44

HEX #738890

RGB 115 136 144

HSL 196.55, 0.12%, 0.51%

LAB 55.35, -5.69, -6.8

 

CMYK 0 / 6 / 8 / 47

HEX #877F7C

RGB 135 127 124

HSL 16.36, 0.04%, 0.51%

LAB 53.8, 2.47, 2.71

 

CMYK 0 / 25 / 33 / 39

HEX #9B7568

RGB 155 117 104

HSL 15.29, 0.2%, 0.51%

LAB 52.61, 13.01, 12.95

 

CMYK 59 / 0 / 17 / 27

HEX #4BB999

RGB 75 185 153

HSL 162.55, 0.44%, 0.51%

LAB 68.38, -39.14, 6.94

 

CMYK 59 / 0 / 1 / 27

HEX #4BB9B7

RGB 75 185 183

HSL 178.91, 0.44%, 0.51%

LAB 69.19, -31.39, -8.36

 

CMYK 59 / 15 / 0 / 27

HEX #4B9DB9

RGB 75 157 185

HSL 195.27, 0.44%, 0.51%

LAB 60.88, -16.61, -22.02

 

CMYK 59 / 31 / 0 / 27

HEX #4B80B9

RGB 75 128 185

HSL 211.09, 0.44%, 0.51%

LAB 52.33, -0.24, -35.27

 

CMYK 59 / 47 / 0 / 27

HEX #4B62B9

RGB 75 98 185

HSL 227.45, 0.44%, 0.51%

LAB 43.85, 18.26, -48.71

 

CMYK 61 / 16 / 0 / 50

HEX #316B7F

RGB 49 107 127

HSL 195.38, 0.44%, 0.35%

LAB 42.31, -12.53, -16.8

 

CMYK 61 / 16 / 0 / 38

HEX #3D849D

RGB 61 132 157

HSL 195.63, 0.44%, 0.43%

LAB 51.76, -14.48, -20.04

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 47 / 12 / 0 / 23

HEX #68ACC4

RGB 104 172 196

HSL 195.65, 0.44%, 0.59%

LAB 66.85, -15.08, -18.96

 

CMYK 36 / 10 / 0 / 18

HEX #86BCD0

RGB 134 188 208

HSL 196.22, 0.44%, 0.67%

LAB 73.28, -12.64, -15.68

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 33 / 59 / 0 / 27

HEX #7C4BB9

RGB 124 75 185

HSL 266.73, 0.44%, 0.51%

LAB 42.49, 43.21, -50.67

 

CMYK 0 / 9 / 59 / 27

HEX #B9A84B

RGB 185 168 75

HSL 50.73, 0.44%, 0.51%

LAB 68.63, -5.43, 49.25

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 0 / 59 / 15 / 27

HEX #B94B9D

RGB 185 75 157

HSL 315.27, 0.44%, 0.51%

LAB 49.23, 53.93, -22.99

 

CMYK 15 / 0 / 59 / 27

HEX #9DB94B

RGB 157 185 75

HSL 75.27, 0.44%, 0.51%

LAB 71.13, -25.83, 51.43

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 33 / 59 / 0 / 27

HEX #7C4BB9

RGB 124 75 185

HSL 266.73, 0.44%, 0.51%

LAB 42.49, 43.21, -50.67

 

CMYK 0 / 45 / 59 / 27

HEX #B9664B

RGB 185 102 75

HSL 14.73, 0.44%, 0.51%

LAB 52.2, 30.72, 29.8

 

CMYK 27 / 0 / 59 / 27

HEX #87B94B

RGB 135 185 75

HSL 87.27, 0.44%, 0.51%

LAB 69.72, -34.4, 49.47

 

CMYK 59 / 16 / 0 / 27

HEX #4B9CB9

RGB 75 156 185

HSL 195.82, 0.44%, 0.51%

LAB 60.58, -16.07, -22.48

 

CMYK 15 / 59 / 0 / 27

HEX #9D4BB9

RGB 157 75 185

HSL 284.73, 0.44%, 0.51%

LAB 46.58, 51.36, -43.89

 

CMYK 0 / 45 / 59 / 27

HEX #B9664B

RGB 185 102 75

HSL 14.73, 0.44%, 0.51%

LAB 52.2, 30.72, 29.8

 

CMYK 45 / 0 / 59 / 27

HEX #66B94B

RGB 102 185 75

HSL 105.27, 0.44%, 0.51%

LAB 68.04, -45.79, 47.11

 

Description

Color code: HEX #4B9CB9 | qconv.com Color code: HEX #4B9CB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 156 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 156 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 16 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 16% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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