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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9C2A it is the complementary color #B463D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9C2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9C2A shade: #509C25, #61AE38, #72C04B, #83D25E and #94E471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9C2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9C2A shade: #4B9C2A, #3A8A17, #297804, #186600 and #075400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9C2A shade: #4B9D29, #6A9D29, #899D29, #9D9129 and #9D7229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9C2A shade: #4B9D29, #2C9D29, #299D46, #299D65 and #299D84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9C2A shade matches the following richer shades: #4B9D29, #44AD19 and #3DBD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9C2A shade: #4B9D29, #518D39, #587C49, #5F6C5A and #665C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9C2A shade: #899D29, #6B9D29, #4C9D29, #2D9D29 and #299D44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9C2A shade: #2B5B18, #3B7C21, #4B9D29, #5ABD32 and #70CE4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9C2A shade: #4B9C2A, #299D91 and #9D297A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9C2A shade: #4B9C2A, #294C9D and #9D294C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9C2A shade: #4B9C2A, #299D91, #7A299D and #9D2935

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9C2A shade: #4B9C2A, #29869D, #7A299D and #9D4029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

Complementary color

CMYK 15 / 54 / 0 / 16

HEX #B463D5

RGB 180 99 213

HSL 282.63, 0.58%, 0.61%

LAB 55.51, 51.14, -45.63

 

CMYK 49 / 0 / 76 / 39

HEX #509C25

RGB 80 156 37

HSL 98.32, 0.62%, 0.38%

LAB 57.67, -44.2, 51.44

 

CMYK 44 / 0 / 68 / 32

HEX #61AE38

RGB 97 174 56

HSL 99.15, 0.51%, 0.45%

LAB 64.24, -44.66, 51.11

 

CMYK 41 / 0 / 61 / 25

HEX #72C04B

RGB 114 192 75

HSL 100, 0.48%, 0.52%

LAB 70.72, -44.88, 50.3

 

CMYK 38 / 0 / 55 / 18

HEX #83D25E

RGB 131 210 94

HSL 100.86, 0.56%, 0.6%

LAB 77.12, -44.95, 49.26

 

CMYK 35 / 0 / 50 / 11

HEX #94E471

RGB 148 228 113

HSL 101.74, 0.68%, 0.67%

LAB 83.43, -44.93, 48.13

 

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

CMYK 58 / 0 / 83 / 46

HEX #3A8A17

RGB 58 138 23

HSL 101.74, 0.71%, 0.32%

LAB 50.85, -44.57, 49.19

 

CMYK 66 / 0 / 97 / 53

HEX #297804

RGB 41 120 4

HSL 100.86, 0.94%, 0.24%

LAB 44.11, -43.18, 47.58

 

CMYK 76 / 0 / 100 / 60

HEX #186600

RGB 24 102 0

HSL 105.88, 1%, 0.2%

LAB 37.29, -40.78, 42.88

 

CMYK 92 / 0 / 100 / 67

HEX #075400

RGB 7 84 0

HSL 115, 1%, 0.16%

LAB 30.37, -37.43, 37.22

 

CMYK 52 / 0 / 74 / 38

HEX #4B9D29

RGB 75 157 41

HSL 102.41, 0.59%, 0.39%

LAB 57.82, -45.84, 50.07

 

CMYK 32 / 0 / 74 / 38

HEX #6A9D29

RGB 106 157 41

HSL 86.38, 0.59%, 0.39%

LAB 59.29, -35.26, 52.02

 

CMYK 13 / 0 / 74 / 38

HEX #899D29

RGB 137 157 41

HSL 70.34, 0.59%, 0.39%

LAB 61.3, -22.64, 54.68

 

CMYK 0 / 8 / 74 / 38

HEX #9D9129

RGB 157 145 41

HSL 53.79, 0.59%, 0.39%

LAB 59.51, -7.55, 53.52

 

CMYK 0 / 27 / 74 / 38

HEX #9D7229

RGB 157 114 41

HSL 37.76, 0.59%, 0.39%

LAB 51.11, 9.72, 45.23

 

CMYK 52 / 0 / 74 / 38

HEX #4B9D29

RGB 75 157 41

HSL 102.41, 0.59%, 0.39%

LAB 57.82, -45.84, 50.07

 

CMYK 72 / 0 / 74 / 38

HEX #2C9D29

RGB 44 157 41

HSL 118.45, 0.59%, 0.39%

LAB 56.89, -53.33, 48.83

 

CMYK 74 / 0 / 55 / 38

HEX #299D46

RGB 41 157 70

HSL 135, 0.59%, 0.39%

LAB 57.1, -50.55, 36.16

 

CMYK 74 / 0 / 36 / 38

HEX #299D65

RGB 41 157 101

HSL 151.03, 0.59%, 0.39%

LAB 57.58, -45.06, 20.39

 

CMYK 74 / 0 / 16 / 38

HEX #299D84

RGB 41 157 132

HSL 167.07, 0.59%, 0.39%

LAB 58.27, -37.69, 3.99

 

CMYK 52 / 0 / 74 / 38

HEX #4B9D29

RGB 75 157 41

HSL 102.41, 0.59%, 0.39%

LAB 57.82, -45.84, 50.07

 

CMYK 61 / 0 / 86 / 32

HEX #44AD19

RGB 68 173 25

HSL 102.57, 0.75%, 0.39%

LAB 62.66, -54.61, 59.45

 

CMYK 68 / 0 / 95 / 26

HEX #3DBD09

RGB 61 189 9

HSL 102.67, 0.91%, 0.39%

LAB 67.58, -62.02, 66.28

 

CMYK 52 / 0 / 74 / 38

HEX #4B9D29

RGB 75 157 41

HSL 102.41, 0.59%, 0.39%

LAB 57.82, -45.84, 50.07

 

CMYK 43 / 0 / 60 / 45

HEX #518D39

RGB 81 141 57

HSL 102.86, 0.42%, 0.39%

LAB 53.05, -35.76, 38.1

 

CMYK 29 / 0 / 41 / 51

HEX #587C49

RGB 88 124 73

HSL 102.35, 0.26%, 0.39%

LAB 48.22, -23, 23.86

 

CMYK 12 / 0 / 17 / 58

HEX #5F6C5A

RGB 95 108 90

HSL 103.33, 0.09%, 0.39%

LAB 44.08, -8.66, 8.44

 

CMYK 4 / 13 / 0 / 58

HEX #665C6A

RGB 102 92 106

HSL 282.86, 0.07%, 0.39%

LAB 40.44, 6.91, -6.51

 

CMYK 13 / 0 / 74 / 38

HEX #899D29

RGB 137 157 41

HSL 70.34, 0.59%, 0.39%

LAB 61.3, -22.64, 54.68

 

CMYK 32 / 0 / 74 / 38

HEX #6B9D29

RGB 107 157 41

HSL 85.86, 0.59%, 0.39%

LAB 59.34, -34.88, 52.1

 

CMYK 52 / 0 / 74 / 38

HEX #4C9D29

RGB 76 157 41

HSL 101.9, 0.59%, 0.39%

LAB 57.86, -45.54, 50.12

 

CMYK 71 / 0 / 74 / 38

HEX #2D9D29

RGB 45 157 41

HSL 117.93, 0.59%, 0.39%

LAB 56.91, -53.14, 48.86

 

CMYK 74 / 0 / 57 / 38

HEX #299D44

RGB 41 157 68

HSL 133.97, 0.59%, 0.39%

LAB 57.08, -50.84, 37.12

 

CMYK 53 / 0 / 74 / 64

HEX #2B5B18

RGB 43 91 24

HSL 102.99, 0.58%, 0.23%

LAB 34.11, -29.88, 32.24

 

CMYK 52 / 0 / 73 / 51

HEX #3B7C21

RGB 59 124 33

HSL 102.86, 0.58%, 0.31%

LAB 46.25, -38.04, 41.22

 

CMYK 52 / 0 / 74 / 38

HEX #4B9D29

RGB 75 157 41

HSL 102.41, 0.59%, 0.39%

LAB 57.82, -45.84, 50.07

 

CMYK 52 / 0 / 74 / 26

HEX #5ABD32

RGB 90 189 50

HSL 102.73, 0.58%, 0.47%

LAB 68.61, -53.15, 57.81

 

CMYK 46 / 0 / 64 / 19

HEX #70CE4A

RGB 112 206 74

HSL 102.73, 0.57%, 0.55%

LAB 74.88, -51.32, 55.31

 

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

CMYK 74 / 0 / 8 / 38

HEX #299D91

RGB 41 157 145

HSL 173.79, 0.59%, 0.39%

LAB 58.63, -34.11, -2.86

 

CMYK 0 / 74 / 22 / 38

HEX #9D297A

RGB 157 41 122

HSL 318.1, 0.59%, 0.39%

LAB 38.13, 54.94, -19.25

 

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

CMYK 74 / 52 / 0 / 38

HEX #294C9D

RGB 41 76 157

HSL 221.9, 0.59%, 0.39%

LAB 34.14, 16.62, -47.83

 

CMYK 0 / 74 / 52 / 38

HEX #9D294C

RGB 157 41 76

HSL 341.9, 0.59%, 0.39%

LAB 36.51, 49.75, 7.53

 

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

CMYK 74 / 0 / 8 / 38

HEX #299D91

RGB 41 157 145

HSL 173.79, 0.59%, 0.39%

LAB 58.63, -34.11, -2.86

 

CMYK 22 / 74 / 0 / 38

HEX #7A299D

RGB 122 41 157

HSL 281.9, 0.59%, 0.39%

LAB 34.31, 52.78, -47.18

 

CMYK 0 / 74 / 66 / 38

HEX #9D2935

RGB 157 41 53

HSL 353.79, 0.59%, 0.39%

LAB 36.01, 48.07, 21.56

 

CMYK 52 / 0 / 73 / 39

HEX #4B9C2A

RGB 75 156 42

HSL 102.63, 0.58%, 0.39%

LAB 57.5, -45.37, 49.37

 

CMYK 74 / 15 / 0 / 38

HEX #29869D

RGB 41 134 157

HSL 191.9, 0.59%, 0.39%

LAB 51.79, -18.87, -20.04

 

CMYK 22 / 74 / 0 / 38

HEX #7A299D

RGB 122 41 157

HSL 281.9, 0.59%, 0.39%

LAB 34.31, 52.78, -47.18

 

CMYK 0 / 59 / 74 / 38

HEX #9D4029

RGB 157 64 41

HSL 11.9, 0.59%, 0.39%

LAB 39.57, 37.34, 33.02

 

Description

Color code: HEX #4B9C2A | qconv.com Color code: HEX #4B9C2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 156 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 156 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 73 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 73% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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