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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9AB4 it is the complementary color #B4654B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9AB4 shade: #509AAF, #61ACC2, #72BED5, #83D0E8 and #94E2FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9AB4 shade: #4B9AB4, #3A88A1, #29768E, #18647B and #075268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9AB4 shade: #4B99B3, #4B7DB3, #4B61B3, #514BB3 and #6D4BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9AB4 shade: #4B99B3, #4B7DB3, #4B61B3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9AB4 shade matches the following richer shades: #4B99B3, #36A4C8, #21AEDD and #0DB9F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9AB4 shade: #4B99B3, #5F8F9F, #74858A, #897A75 and #9D7061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9AB4 shade: #4BB394, #4BB3B0, #4B9BB3, #4B7FB3 and #4B63B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9AB4 shade: #326879, #3F8096, #4B99B3, #68AABF and #85BACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9AB4 shade: #4B9AB4, #784BB3 and #B3A24B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9AB4 shade: #4B9AB4, #B34B9B and #9BB34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9AB4 shade: #4B9AB4, #784BB3, #B3634B and #86B34B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9AB4 shade: #4B9AB4, #974BB3, #B3634B and #67B34B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

Complementary color

CMYK 0 / 44 / 58 / 29

HEX #B4654B

RGB 180 101 75

HSL 14.86, 0.41%, 0.5%

LAB 51.29, 29.23, 28.51

 

CMYK 54 / 12 / 0 / 31

HEX #509AAF

RGB 80 154 175

HSL 193.26, 0.37%, 0.5%

LAB 59.81, -16.99, -18

 

CMYK 50 / 11 / 0 / 24

HEX #61ACC2

RGB 97 172 194

HSL 193.61, 0.44%, 0.57%

LAB 66.48, -17.27, -18.45

 

CMYK 46 / 11 / 0 / 16

HEX #72BED5

RGB 114 190 213

HSL 193.94, 0.54%, 0.64%

LAB 73.03, -17.47, -18.88

 

CMYK 44 / 10 / 0 / 9

HEX #83D0E8

RGB 131 208 232

HSL 194.26, 0.69%, 0.71%

LAB 79.48, -17.62, -19.29

 

CMYK 41 / 10 / 0 / 2

HEX #94E2FB

RGB 148 226 251

HSL 194.56, 0.93%, 0.78%

LAB 85.83, -17.73, -19.69

 

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

CMYK 64 / 16 / 0 / 37

HEX #3A88A1

RGB 58 136 161

HSL 194.56, 0.47%, 0.43%

LAB 53.04, -15.96, -20.4

 

CMYK 71 / 17 / 0 / 44

HEX #29768E

RGB 41 118 142

HSL 194.26, 0.55%, 0.36%

LAB 46.15, -15.16, -19.89

 

CMYK 80 / 19 / 0 / 52

HEX #18647B

RGB 24 100 123

HSL 193.94, 0.67%, 0.29%

LAB 39.14, -13.98, -19.31

 

CMYK 93 / 21 / 0 / 59

HEX #075268

RGB 7 82 104

HSL 193.61, 0.87%, 0.22%

LAB 31.99, -12.24, -18.61

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 58 / 30 / 0 / 30

HEX #4B7DB3

RGB 75 125 179

HSL 211.15, 0.41%, 0.5%

LAB 51.17, -0.44, -33.63

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 55 / 58 / 0 / 30

HEX #514BB3

RGB 81 75 179

HSL 243.46, 0.41%, 0.5%

LAB 37.91, 31.99, -54.75

 

CMYK 39 / 58 / 0 / 30

HEX #6D4BB3

RGB 109 75 179

HSL 259.62, 0.41%, 0.5%

LAB 40.47, 38.07, -50.48

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 58 / 30 / 0 / 30

HEX #4B7DB3

RGB 75 125 179

HSL 211.15, 0.41%, 0.5%

LAB 51.17, -0.44, -33.63

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 73 / 18 / 0 / 22

HEX #36A4C8

RGB 54 164 200

HSL 194.79, 0.57%, 0.5%

LAB 62.93, -18.92, -27.33

 

CMYK 85 / 21 / 0 / 13

HEX #21AEDD

RGB 33 174 221

HSL 195, 0.74%, 0.5%

LAB 66.38, -19.19, -33.65

 

CMYK 95 / 23 / 0 / 5

HEX #0DB9F1

RGB 13 185 241

HSL 194.74, 0.9%, 0.5%

LAB 70.27, -19.05, -38.54

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 40 / 10 / 0 / 38

HEX #5F8F9F

RGB 95 143 159

HSL 195, 0.25%, 0.5%

LAB 56.66, -11.9, -13.58

 

CMYK 16 / 4 / 0 / 46

HEX #74858A

RGB 116 133 138

HSL 193.64, 0.09%, 0.5%

LAB 54.37, -5.04, -4.77

 

CMYK 0 / 11 / 15 / 46

HEX #897A75

RGB 137 122 117

HSL 15, 0.08%, 0.5%

LAB 52.42, 4.87, 4.83

 

CMYK 0 / 29 / 38 / 38

HEX #9D7061

RGB 157 112 97

HSL 15, 0.24%, 0.5%

LAB 51.4, 15.79, 15.4

 

CMYK 58 / 0 / 17 / 30

HEX #4BB394

RGB 75 179 148

HSL 162.12, 0.41%, 0.5%

LAB 66.42, -37.64, 6.88

 

CMYK 58 / 0 / 2 / 30

HEX #4BB3B0

RGB 75 179 176

HSL 178.27, 0.41%, 0.5%

LAB 67.18, -30.43, -7.5

 

CMYK 58 / 13 / 0 / 30

HEX #4B9BB3

RGB 75 155 179

HSL 193.85, 0.41%, 0.5%

LAB 60.06, -17.37, -19.89

 

CMYK 58 / 29 / 0 / 30

HEX #4B7FB3

RGB 75 127 179

HSL 210, 0.41%, 0.5%

LAB 51.76, -1.63, -32.72

 

CMYK 58 / 45 / 0 / 30

HEX #4B63B3

RGB 75 99 179

HSL 226.15, 0.41%, 0.5%

LAB 43.76, 15.58, -45.35

 

CMYK 59 / 14 / 0 / 53

HEX #326879

RGB 50 104 121

HSL 194.37, 0.42%, 0.34%

LAB 41.15, -12.55, -14.94

 

CMYK 58 / 15 / 0 / 41

HEX #3F8096

RGB 63 128 150

HSL 195.17, 0.41%, 0.42%

LAB 50.33, -14.07, -18.13

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 46 / 11 / 0 / 25

HEX #68AABF

RGB 104 170 191

HSL 194.48, 0.4%, 0.58%

LAB 66.1, -15.4, -17.32

 

CMYK 35 / 9 / 0 / 20

HEX #85BACC

RGB 133 186 204

HSL 195.21, 0.41%, 0.66%

LAB 72.54, -12.86, -14.62

 

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

CMYK 33 / 58 / 0 / 30

HEX #784BB3

RGB 120 75 179

HSL 265.96, 0.41%, 0.5%

LAB 41.66, 40.71, -48.51

 

CMYK 0 / 9 / 58 / 30

HEX #B3A24B

RGB 179 162 75

HSL 50.19, 0.41%, 0.5%

LAB 66.47, -4.82, 46.66

 

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

CMYK 0 / 58 / 13 / 30

HEX #B34B9B

RGB 179 75 155

HSL 313.85, 0.41%, 0.5%

LAB 48.24, 51.89, -23.4

 

CMYK 13 / 0 / 58 / 30

HEX #9BB34B

RGB 155 179 75

HSL 73.85, 0.41%, 0.5%

LAB 69.27, -23.7, 49.31

 

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

CMYK 33 / 58 / 0 / 30

HEX #784BB3

RGB 120 75 179

HSL 265.96, 0.41%, 0.5%

LAB 41.66, 40.71, -48.51

 

CMYK 0 / 45 / 58 / 30

HEX #B3634B

RGB 179 99 75

HSL 13.85, 0.41%, 0.5%

LAB 50.71, 29.92, 27.74

 

CMYK 25 / 0 / 58 / 30

HEX #86B34B

RGB 134 179 75

HSL 85.96, 0.41%, 0.5%

LAB 67.89, -31.99, 47.37

 

CMYK 58 / 14 / 0 / 29

HEX #4B9AB4

RGB 75 154 180

HSL 194.86, 0.41%, 0.5%

LAB 59.8, -16.53, -20.86

 

CMYK 16 / 58 / 0 / 30

HEX #974BB3

RGB 151 75 179

HSL 283.85, 0.41%, 0.5%

LAB 45.45, 48.57, -42.23

 

CMYK 0 / 45 / 58 / 30

HEX #B3634B

RGB 179 99 75

HSL 13.85, 0.41%, 0.5%

LAB 50.71, 29.92, 27.74

 

CMYK 42 / 0 / 58 / 30

HEX #67B34B

RGB 103 179 75

HSL 103.85, 0.41%, 0.5%

LAB 66.24, -42.97, 45.05

 

Description

Color code: HEX #4B9AB4 | qconv.com Color code: HEX #4B9AB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 154 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 154 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 14 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 14% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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