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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B84D7 it is the complementary color #B47B28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B84D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B84D7 shade: #5084D2, #6196E5, #72A8F8, #83BAFF and #94CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B84D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B84D7 shade: #4B84D7, #3A72C4, #2960B1, #184E9E and #073C8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B84D7 shade: #4B84D7, #4B5ED7, #5D4BD7, #834BD7 and #A94BD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B84D7 shade: #4B84D7, #4B5ED7 and #4B4BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B84D7 shade matches the following richer shades: #4B84D7, #3981E9 and #277DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B84D7 shade: #4B84D7, #5C87C5, #6E8AB4, #808EA2 and #929190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B84D7 shade: #4BD0D7, #4BABD7, #4B85D7, #4B60D7 and #5B4BD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B84D7 shade: #255BAA, #2C6DCC, #4B84D7, #6D9BDE and #8EB2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B84D7 shade: #4B84D7, #B94BD7 and #BDD74B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B84D7 shade: #4B84D7, #D74B85 and #85D74B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B84D7 shade: #4B84D7, #B94BD7, #D79D4B and #69D74B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B84D7 shade: #4B84D7, #D74BCB, #D79D4B and #4BD756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

Complementary color

CMYK 0 / 32 / 78 / 29

HEX #B47B28

RGB 180 123 40

HSL 35.57, 0.64%, 0.43%

LAB 56.11, 14.95, 51.49

 

CMYK 62 / 37 / 0 / 18

HEX #5084D2

RGB 80 132 210

HSL 216, 0.59%, 0.57%

LAB 54.93, 6.72, -45.38

 

CMYK 58 / 34 / 0 / 10

HEX #6196E5

RGB 97 150 229

HSL 215.91, 0.72%, 0.64%

LAB 61.66, 5.59, -45.31

 

CMYK 54 / 32 / 0 / 3

HEX #72A8F8

RGB 114 168 248

HSL 215.82, 0.91%, 0.71%

LAB 68.29, 4.67, -45.26

 

CMYK 49 / 27 / 0 / 0

HEX #83BAFF

RGB 131 186 255

HSL 213.39, 1%, 0.76%

LAB 74.29, 0.41, -39.59

 

CMYK 42 / 20 / 0 / 0

HEX #94CCFF

RGB 148 204 255

HSL 208.6, 1%, 0.79%

LAB 80.01, -5.28, -30.68

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 70 / 42 / 0 / 23

HEX #3A72C4

RGB 58 114 196

HSL 215.65, 0.54%, 0.5%

LAB 48.16, 9.12, -48.23

 

CMYK 77 / 46 / 0 / 31

HEX #2960B1

RGB 41 96 177

HSL 215.74, 0.62%, 0.43%

LAB 41.23, 11.13, -48.31

 

CMYK 85 / 51 / 0 / 38

HEX #184E9E

RGB 24 78 158

HSL 215.82, 0.74%, 0.36%

LAB 34.21, 13.73, -48.34

 

CMYK 95 / 57 / 0 / 45

HEX #073C8B

RGB 7 60 139

HSL 215.91, 0.9%, 0.29%

LAB 27.13, 17.11, -48.24

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 65 / 56 / 0 / 16

HEX #4B5ED7

RGB 75 94 215

HSL 231.86, 0.64%, 0.57%

LAB 44.81, 31.1, -64.47

 

CMYK 57 / 65 / 0 / 16

HEX #5D4BD7

RGB 93 75 215

HSL 247.71, 0.64%, 0.57%

LAB 41.64, 45.44, -69.58

 

CMYK 39 / 65 / 0 / 16

HEX #834BD7

RGB 131 75 215

HSL 264, 0.64%, 0.57%

LAB 45.31, 52.39, -63.44

 

CMYK 21 / 65 / 0 / 16

HEX #A94BD7

RGB 169 75 215

HSL 280.29, 0.64%, 0.57%

LAB 49.95, 60.46, -55.73

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 65 / 56 / 0 / 16

HEX #4B5ED7

RGB 75 94 215

HSL 231.86, 0.64%, 0.57%

LAB 44.81, 31.1, -64.47

 

CMYK 65 / 65 / 0 / 16

HEX #4B4BD7

RGB 75 75 215

HSL 240, 0.64%, 0.57%

LAB 40.3, 42.76, -71.82

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 76 / 45 / 0 / 9

HEX #3981E9

RGB 57 129 233

HSL 215.45, 0.8%, 0.57%

LAB 54.5, 13.2, -59.02

 

CMYK 84 / 50 / 0 / 2

HEX #277DFB

RGB 39 125 251

HSL 215.66, 0.96%, 0.57%

LAB 54.09, 20.7, -69.7

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 53 / 31 / 0 / 23

HEX #5C87C5

RGB 92 135 197

HSL 215.43, 0.48%, 0.57%

LAB 55.72, 3.14, -36.74

 

CMYK 39 / 23 / 0 / 29

HEX #6E8AB4

RGB 110 138 180

HSL 216, 0.32%, 0.57%

LAB 56.87, 0.88, -25.21

 

CMYK 21 / 12 / 0 / 36

HEX #808EA2

RGB 128 142 162

HSL 215.29, 0.15%, 0.57%

LAB 58.55, -0.56, -12.26

 

CMYK 0 / 1 / 1 / 43

HEX #929190

RGB 146 145 144

HSL 30, 0.01%, 0.57%

LAB 60.23, 0.18, 0.65

 

CMYK 65 / 3 / 0 / 16

HEX #4BD0D7

RGB 75 208 215

HSL 183, 0.64%, 0.57%

LAB 76.99, -33.37, -14.11

 

CMYK 65 / 20 / 0 / 16

HEX #4BABD7

RGB 75 171 215

HSL 198.86, 0.64%, 0.57%

LAB 66.16, -14.72, -30.62

 

CMYK 65 / 38 / 0 / 16

HEX #4B85D7

RGB 75 133 215

HSL 215.14, 0.64%, 0.57%

LAB 55.25, 6.93, -47.7

 

CMYK 65 / 55 / 0 / 16

HEX #4B60D7

RGB 75 96 215

HSL 231, 0.64%, 0.57%

LAB 45.31, 29.85, -63.65

 

CMYK 58 / 65 / 0 / 16

HEX #5B4BD7

RGB 91 75 215

HSL 246.86, 0.64%, 0.57%

LAB 41.47, 45.12, -69.85

 

CMYK 78 / 46 / 0 / 33

HEX #255BAA

RGB 37 91 170

HSL 215.64, 0.64%, 0.41%

LAB 39.2, 11.2, -47.45

 

CMYK 78 / 47 / 0 / 20

HEX #2C6DCC

RGB 44 109 204

HSL 215.63, 0.65%, 0.49%

LAB 46.75, 13.45, -55.1

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 51 / 30 / 0 / 13

HEX #6D9BDE

RGB 109 155 222

HSL 215.58, 0.63%, 0.65%

LAB 63.32, 3.08, -38.8

 

CMYK 38 / 23 / 0 / 10

HEX #8EB2E6

RGB 142 178 230

HSL 215.45, 0.64%, 0.73%

LAB 71.76, 0.61, -29.94

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 14 / 65 / 0 / 16

HEX #B94BD7

RGB 185 75 215

HSL 287.14, 0.64%, 0.57%

LAB 52.12, 64.03, -52.12

 

CMYK 12 / 0 / 65 / 16

HEX #BDD74B

RGB 189 215 75

HSL 71.14, 0.64%, 0.57%

LAB 81.8, -27.41, 63.59

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 0 / 65 / 38 / 16

HEX #D74B85

RGB 215 75 133

HSL 335.14, 0.64%, 0.57%

LAB 53.14, 59.6, -2.35

 

CMYK 38 / 0 / 65 / 16

HEX #85D74B

RGB 133 215 75

HSL 95.14, 0.64%, 0.57%

LAB 78.52, -48.19, 59.12

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 14 / 65 / 0 / 16

HEX #B94BD7

RGB 185 75 215

HSL 287.14, 0.64%, 0.57%

LAB 52.12, 64.03, -52.12

 

CMYK 0 / 27 / 65 / 16

HEX #D79D4B

RGB 215 157 75

HSL 35.14, 0.64%, 0.57%

LAB 68.8, 13.34, 50.27

 

CMYK 51 / 0 / 65 / 16

HEX #69D74B

RGB 105 215 75

HSL 107.14, 0.64%, 0.57%

LAB 77.35, -56.73, 57.51

 

CMYK 65 / 39 / 0 / 16

HEX #4B84D7

RGB 75 132 215

HSL 215.57, 0.64%, 0.57%

LAB 54.97, 7.53, -48.15

 

CMYK 0 / 65 / 6 / 16

HEX #D74BCB

RGB 215 75 203

HSL 305.14, 0.64%, 0.57%

LAB 55.88, 68.95, -39.05

 

CMYK 0 / 27 / 65 / 16

HEX #D79D4B

RGB 215 157 75

HSL 35.14, 0.64%, 0.57%

LAB 68.8, 13.34, 50.27

 

CMYK 65 / 0 / 60 / 16

HEX #4BD756

RGB 75 215 86

HSL 124.71, 0.64%, 0.57%

LAB 76.54, -62.72, 51.68

 

Description

Color code: HEX #4B84D7 | qconv.com Color code: HEX #4B84D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 132 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 132 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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