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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B7318 it is the complementary color #B48CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B7318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B7318 shade: #507313, #618526, #729739, #83A94C and #94BB5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B7318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B7318 shade: #4B7318, #3A6105, #294F00, #183D00 and #072B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B7318 shade: #4A7118, #627118, #716818, #715018 and #713818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B7318 shade: #4A7118, #327118, #197118, #18712E and #187146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B7318 shade matches the following richer shades: #4A7118, #4B7C0C and #4C8701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B7318 shade: #4A7118, #486623, #475B2E, #465039 and #444544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B7318 shade: #716818, #627118, #4A7118, #327118 and #1B7118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B7318 shade: #1D2D09, #344F10, #4A7118, #60931F and #76B526

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B7318 shade: #4B7318, #187150 and #71186E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B7318 shade: #4B7318, #184A71 and #71184A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B7318 shade: #4B7318, #187150, #3E1871 and #711838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B7318 shade: #4B7318, #18716B, #3E1871 and #71181E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

Complementary color

CMYK 22 / 39 / 0 / 9

HEX #B48CE7

RGB 180 140 231

HSL 266.37, 0.65%, 0.73%

LAB 65.14, 32.96, -40.54

 

CMYK 30 / 0 / 83 / 55

HEX #507313

RGB 80 115 19

HSL 81.88, 0.72%, 0.26%

LAB 44.25, -27.21, 44.73

 

CMYK 27 / 0 / 71 / 48

HEX #618526

RGB 97 133 38

HSL 82.74, 0.56%, 0.34%

LAB 51.22, -27.78, 44.9

 

CMYK 25 / 0 / 62 / 41

HEX #729739

RGB 114 151 57

HSL 83.62, 0.45%, 0.41%

LAB 58.04, -28.11, 44.23

 

CMYK 22 / 0 / 55 / 34

HEX #83A94C

RGB 131 169 76

HSL 84.52, 0.38%, 0.48%

LAB 64.74, -28.3, 43.22

 

CMYK 21 / 0 / 49 / 27

HEX #94BB5F

RGB 148 187 95

HSL 85.43, 0.4%, 0.55%

LAB 71.33, -28.39, 42.09

 

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

CMYK 40 / 0 / 95 / 62

HEX #3A6105

RGB 58 97 5

HSL 85.43, 0.9%, 0.2%

LAB 36.86, -28.22, 41.63

 

CMYK 48 / 0 / 100 / 69

HEX #294F00

RGB 41 79 0

HSL 88.86, 1%, 0.15%

LAB 29.57, -26.81, 37.04

 

CMYK 61 / 0 / 100 / 76

HEX #183D00

RGB 24 61 0

HSL 96.39, 1%, 0.12%

LAB 22.06, -24.97, 29.82

 

CMYK 84 / 0 / 100 / 83

HEX #072B00

RGB 7 43 0

HSL 110.23, 1%, 0.08%

LAB 14.25, -22.62, 20.39

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 13 / 0 / 79 / 56

HEX #627118

RGB 98 113 24

HSL 70.11, 0.65%, 0.27%

LAB 44.9, -18.07, 44.12

 

CMYK 0 / 8 / 79 / 56

HEX #716818

RGB 113 104 24

HSL 53.93, 0.65%, 0.27%

LAB 43.47, -6.04, 43.25

 

CMYK 0 / 29 / 79 / 56

HEX #715018

RGB 113 80 24

HSL 37.75, 0.65%, 0.27%

LAB 36.58, 8.16, 36.66

 

CMYK 0 / 50 / 79 / 56

HEX #713818

RGB 113 56 24

HSL 21.57, 0.65%, 0.27%

LAB 30.41, 22.57, 30.45

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 56 / 0 / 79 / 56

HEX #327118

RGB 50 113 24

HSL 102.47, 0.65%, 0.27%

LAB 42.08, -37, 40.43

 

CMYK 78 / 0 / 79 / 56

HEX #197118

RGB 25 113 24

HSL 119.33, 0.65%, 0.27%

LAB 41.35, -43.02, 39.46

 

CMYK 79 / 0 / 59 / 56

HEX #18712E

RGB 24 113 46

HSL 134.83, 0.65%, 0.27%

LAB 41.53, -40.68, 29.63

 

CMYK 79 / 0 / 38 / 56

HEX #187146

RGB 24 113 70

HSL 151.01, 0.65%, 0.27%

LAB 41.92, -36.26, 16.77

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 40 / 0 / 90 / 51

HEX #4B7C0C

RGB 75 124 12

HSL 86.25, 0.82%, 0.27%

LAB 46.89, -33.67, 48.79

 

CMYK 44 / 0 / 99 / 47

HEX #4C8701

RGB 76 135 1

HSL 86.42, 0.99%, 0.27%

LAB 50.53, -38.4, 53.93

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 29 / 0 / 66 / 60

HEX #486623

RGB 72 102 35

HSL 86.87, 0.49%, 0.27%

LAB 39.58, -22.98, 33.44

 

CMYK 22 / 0 / 49 / 64

HEX #475B2E

RGB 71 91 46

HSL 86.67, 0.33%, 0.27%

LAB 36.02, -16.33, 23.4

 

CMYK 13 / 0 / 29 / 69

HEX #465039

RGB 70 80 57

HSL 86.09, 0.17%, 0.27%

LAB 32.56, -8.75, 12.27

 

CMYK 1 / 0 / 1 / 73

HEX #444544

RGB 68 69 68

HSL 120, 0.01%, 0.27%

LAB 29.17, -0.64, 0.45

 

CMYK 0 / 8 / 79 / 56

HEX #716818

RGB 113 104 24

HSL 53.93, 0.65%, 0.27%

LAB 43.47, -6.04, 43.25

 

CMYK 13 / 0 / 79 / 56

HEX #627118

RGB 98 113 24

HSL 70.11, 0.65%, 0.27%

LAB 44.9, -18.07, 44.12

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 56 / 0 / 79 / 56

HEX #327118

RGB 50 113 24

HSL 102.47, 0.65%, 0.27%

LAB 42.08, -37, 40.43

 

CMYK 76 / 0 / 79 / 56

HEX #1B7118

RGB 27 113 24

HSL 117.98, 0.65%, 0.27%

LAB 41.39, -42.67, 39.51

 

CMYK 36 / 0 / 80 / 82

HEX #1D2D09

RGB 29 45 9

HSL 86.67, 0.67%, 0.11%

LAB 16.29, -13.94, 19.57

 

CMYK 34 / 0 / 80 / 69

HEX #344F10

RGB 52 79 16

HSL 85.71, 0.66%, 0.19%

LAB 30.3, -21.34, 31.98

 

CMYK 35 / 0 / 79 / 56

HEX #4A7118

RGB 74 113 24

HSL 86.29, 0.65%, 0.27%

LAB 43.26, -28.43, 41.98

 

CMYK 35 / 0 / 79 / 42

HEX #60931F

RGB 96 147 31

HSL 86.38, 0.65%, 0.35%

LAB 55.54, -35.15, 51.69

 

CMYK 35 / 0 / 79 / 29

HEX #76B526

RGB 118 181 38

HSL 86.43, 0.65%, 0.43%

LAB 67.31, -41.54, 60.93

 

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

CMYK 79 / 0 / 29 / 56

HEX #187150

RGB 24 113 80

HSL 157.75, 0.65%, 0.27%

LAB 42.13, -33.93, 11.17

 

CMYK 0 / 79 / 3 / 56

HEX #71186E

RGB 113 24 110

HSL 302.02, 0.65%, 0.27%

LAB 27.54, 47.96, -28.78

 

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

CMYK 79 / 35 / 0 / 56

HEX #184A71

RGB 24 74 113

HSL 206.29, 0.65%, 0.27%

LAB 30.12, -1.87, -27.18

 

CMYK 0 / 79 / 35 / 56

HEX #71184A

RGB 113 24 74

HSL 326.29, 0.65%, 0.27%

LAB 25.74, 42.57, -7.91

 

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

CMYK 79 / 0 / 29 / 56

HEX #187150

RGB 24 113 80

HSL 157.75, 0.65%, 0.27%

LAB 42.13, -33.93, 11.17

 

CMYK 45 / 79 / 0 / 56

HEX #3E1871

RGB 62 24 113

HSL 265.62, 0.65%, 0.27%

LAB 19.51, 37.87, -44.08

 

CMYK 0 / 79 / 50 / 56

HEX #711838

RGB 113 24 56

HSL 338.43, 0.65%, 0.27%

LAB 25.11, 40.57, 3.37

 

CMYK 35 / 0 / 79 / 55

HEX #4B7318

RGB 75 115 24

HSL 86.37, 0.65%, 0.27%

LAB 43.98, -28.98, 42.69

 

CMYK 79 / 0 / 5 / 56

HEX #18716B

RGB 24 113 107

HSL 175.96, 0.65%, 0.27%

LAB 42.86, -26.37, -3.97

 

CMYK 45 / 79 / 0 / 56

HEX #3E1871

RGB 62 24 113

HSL 265.62, 0.65%, 0.27%

LAB 19.51, 37.87, -44.08

 

CMYK 0 / 79 / 73 / 56

HEX #71181E

RGB 113 24 30

HSL 355.96, 0.65%, 0.27%

LAB 24.51, 38.63, 20.23

 

Description

Color code: HEX #4B7318 | qconv.com Color code: HEX #4B7318 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 115 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 115 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 79 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 79% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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