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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B70AE it is the complementary color #B48F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B70AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B70AE shade: #5070A9, #6182BC, #7294CF, #83A6E2 and #94B8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B70AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B70AE shade: #4B70AE, #3A5E9B, #294C88, #183A75 and #072862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B70AE shade: #4A70AE, #4A55AE, #5B4AAE, #764AAE and #914AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B70AE shade: #4A70AE, #4A55AE and #4A4AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B70AE shade matches the following richer shades: #4A70AE, #366BC3, #2266D7 and #0E60EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B70AE shade: #4A70AE, #5F759A, #737A86, #877F72 and #9B845E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B70AE shade: #4AA6AE, #4A8BAE, #4A71AE, #4A56AE and #594AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B70AE shade: #324B75, #3E5D92, #4A70AE, #6586BD and #829DC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B70AE shade: #4B70AE, #9C4AAE and #99AE4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B70AE shade: #4B70AE, #AE4A71 and #71AE4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B70AE shade: #4B70AE, #9C4AAE, #AE884A and #5DAE4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B70AE shade: #4B70AE, #AE4AA3, #AE884A and #4AAE56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

Complementary color

CMYK 0 / 21 / 55 / 29

HEX #B48F51

RGB 180 143 81

HSL 37.58, 0.4%, 0.51%

LAB 61.6, 6.42, 37.98

 

CMYK 53 / 34 / 0 / 34

HEX #5070A9

RGB 80 112 169

HSL 218.43, 0.36%, 0.49%

LAB 47.18, 5.25, -34.06

 

CMYK 48 / 31 / 0 / 26

HEX #6182BC

RGB 97 130 188

HSL 218.24, 0.4%, 0.56%

LAB 54.17, 4.48, -34.02

 

CMYK 45 / 29 / 0 / 19

HEX #7294CF

RGB 114 148 207

HSL 218.06, 0.49%, 0.63%

LAB 61.01, 3.85, -34.02

 

CMYK 42 / 27 / 0 / 11

HEX #83A6E2

RGB 131 166 226

HSL 217.89, 0.62%, 0.7%

LAB 67.72, 3.33, -34.06

 

CMYK 40 / 25 / 0 / 4

HEX #94B8F5

RGB 148 184 245

HSL 217.73, 0.83%, 0.77%

LAB 74.3, 2.88, -34.12

 

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

CMYK 63 / 39 / 0 / 39

HEX #3A5E9B

RGB 58 94 155

HSL 217.73, 0.46%, 0.42%

LAB 40.03, 6.94, -37.15

 

CMYK 70 / 44 / 0 / 47

HEX #294C88

RGB 41 76 136

HSL 217.89, 0.54%, 0.35%

LAB 32.74, 8.51, -37.29

 

CMYK 79 / 50 / 0 / 54

HEX #183A75

RGB 24 58 117

HSL 218.06, 0.66%, 0.28%

LAB 25.27, 10.69, -37.43

 

CMYK 93 / 59 / 0 / 62

HEX #072862

RGB 7 40 98

HSL 218.24, 0.87%, 0.21%

LAB 17.67, 13.79, -37.49

 

CMYK 57 / 36 / 0 / 32

HEX #4A70AE

RGB 74 112 174

HSL 217.2, 0.4%, 0.49%

LAB 47.11, 5.55, -37.13

 

CMYK 57 / 51 / 0 / 32

HEX #4A55AE

RGB 74 85 174

HSL 233.4, 0.4%, 0.49%

LAB 39.6, 22.6, -49.09

 

CMYK 48 / 57 / 0 / 32

HEX #5B4AAE

RGB 91 74 174

HSL 250.2, 0.4%, 0.49%

LAB 38.16, 33.12, -51.34

 

CMYK 32 / 57 / 0 / 32

HEX #764AAE

RGB 118 74 174

HSL 266.4, 0.4%, 0.49%

LAB 40.9, 39.49, -46.78

 

CMYK 17 / 57 / 0 / 32

HEX #914AAE

RGB 145 74 174

HSL 282.6, 0.4%, 0.49%

LAB 44.19, 46.44, -41.33

 

CMYK 57 / 36 / 0 / 32

HEX #4A70AE

RGB 74 112 174

HSL 217.2, 0.4%, 0.49%

LAB 47.11, 5.55, -37.13

 

CMYK 57 / 51 / 0 / 32

HEX #4A55AE

RGB 74 85 174

HSL 233.4, 0.4%, 0.49%

LAB 39.6, 22.6, -49.09

 

CMYK 57 / 57 / 0 / 32

HEX #4A4AAE

RGB 74 74 174

HSL 240, 0.4%, 0.49%

LAB 36.76, 29.62, -53.67

 

CMYK 57 / 36 / 0 / 32

HEX #4A70AE

RGB 74 112 174

HSL 217.2, 0.4%, 0.49%

LAB 47.11, 5.55, -37.13

 

CMYK 72 / 45 / 0 / 24

HEX #366BC3

RGB 54 107 195

HSL 217.45, 0.57%, 0.49%

LAB 45.96, 12.58, -51.18

 

CMYK 84 / 53 / 0 / 16

HEX #2266D7

RGB 34 102 215

HSL 217.46, 0.73%, 0.49%

LAB 45.29, 21.23, -63.77

 

CMYK 94 / 59 / 0 / 8

HEX #0E60EB

RGB 14 96 235

HSL 217.74, 0.89%, 0.49%

LAB 44.88, 31.76, -75.78

 

CMYK 57 / 36 / 0 / 32

HEX #4A70AE

RGB 74 112 174

HSL 217.2, 0.4%, 0.49%

LAB 47.11, 5.55, -37.13

 

CMYK 38 / 24 / 0 / 40

HEX #5F759A

RGB 95 117 154

HSL 217.63, 0.24%, 0.49%

LAB 48.87, 1.62, -22.57

 

CMYK 14 / 9 / 0 / 47

HEX #737A86

RGB 115 122 134

HSL 217.89, 0.08%, 0.49%

LAB 51.02, 0.02, -7.42

 

CMYK 0 / 6 / 16 / 47

HEX #877F72

RGB 135 127 114

HSL 37.14, 0.08%, 0.49%

LAB 53.54, 0.69, 8.15

 

CMYK 0 / 15 / 39 / 39

HEX #9B845E

RGB 155 132 94

HSL 37.38, 0.24%, 0.49%

LAB 56.37, 3.18, 23.77

 

CMYK 57 / 5 / 0 / 32

HEX #4AA6AE

RGB 74 166 174

HSL 184.8, 0.4%, 0.49%

LAB 63.16, -24.76, -12.38

 

CMYK 57 / 20 / 0 / 32

HEX #4A8BAE

RGB 74 139 174

HSL 201, 0.4%, 0.49%

LAB 55.05, -10.36, -24.74

 

CMYK 57 / 35 / 0 / 32

HEX #4A71AE

RGB 74 113 174

HSL 216.6, 0.4%, 0.49%

LAB 47.39, 4.93, -36.67

 

CMYK 57 / 51 / 0 / 32

HEX #4A56AE

RGB 74 86 174

HSL 232.8, 0.4%, 0.49%

LAB 39.86, 21.96, -48.66

 

CMYK 49 / 57 / 0 / 32

HEX #594AAE

RGB 89 74 174

HSL 249, 0.4%, 0.49%

LAB 37.98, 32.69, -51.63

 

CMYK 57 / 36 / 0 / 54

HEX #324B75

RGB 50 75 117

HSL 217.61, 0.4%, 0.33%

LAB 31.79, 3.99, -26.97

 

CMYK 58 / 36 / 0 / 43

HEX #3E5D92

RGB 62 93 146

HSL 217.86, 0.4%, 0.41%

LAB 39.46, 5.27, -32.64

 

CMYK 57 / 36 / 0 / 32

HEX #4A70AE

RGB 74 112 174

HSL 217.2, 0.4%, 0.49%

LAB 47.11, 5.55, -37.13

 

CMYK 47 / 29 / 0 / 26

HEX #6586BD

RGB 101 134 189

HSL 217.5, 0.4%, 0.57%

LAB 55.57, 3.42, -32.39

 

CMYK 35 / 22 / 0 / 21

HEX #829DC9

RGB 130 157 201

HSL 217.18, 0.4%, 0.65%

LAB 64.22, 1.34, -25.62

 

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

CMYK 10 / 57 / 0 / 32

HEX #9C4AAE

RGB 156 74 174

HSL 289.2, 0.4%, 0.49%

LAB 45.66, 49.35, -38.91

 

CMYK 12 / 0 / 57 / 32

HEX #99AE4A

RGB 153 174 74

HSL 72.6, 0.4%, 0.49%

LAB 67.68, -22.12, 47.94

 

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

CMYK 0 / 57 / 35 / 32

HEX #AE4A71

RGB 174 74 113

HSL 336.6, 0.4%, 0.49%

LAB 45.76, 44.87, -1.91

 

CMYK 35 / 0 / 57 / 32

HEX #71AE4A

RGB 113 174 74

HSL 96.6, 0.4%, 0.49%

LAB 65.18, -37.52, 44.42

 

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

CMYK 10 / 57 / 0 / 32

HEX #9C4AAE

RGB 156 74 174

HSL 289.2, 0.4%, 0.49%

LAB 45.66, 49.35, -38.91

 

CMYK 0 / 22 / 57 / 32

HEX #AE884A

RGB 174 136 74

HSL 37.2, 0.4%, 0.49%

LAB 59.07, 7.11, 38.42

 

CMYK 47 / 0 / 57 / 32

HEX #5DAE4A

RGB 93 174 74

HSL 108.6, 0.4%, 0.49%

LAB 64.24, -44.12, 43.08

 

CMYK 57 / 36 / 0 / 32

HEX #4B70AE

RGB 75 112 174

HSL 217.58, 0.4%, 0.49%

LAB 47.16, 5.76, -37.04

 

CMYK 0 / 57 / 6 / 32

HEX #AE4AA3

RGB 174 74 163

HSL 306.6, 0.4%, 0.49%

LAB 47.68, 52.24, -29.08

 

CMYK 0 / 22 / 57 / 32

HEX #AE884A

RGB 174 136 74

HSL 37.2, 0.4%, 0.49%

LAB 59.07, 7.11, 38.42

 

CMYK 57 / 0 / 51 / 32

HEX #4AAE56

RGB 74 174 86

HSL 127.2, 0.4%, 0.49%

LAB 63.67, -47.81, 36.37

 

Description

Color code: HEX #4B70AE | qconv.com Color code: HEX #4B70AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 112 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 112 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 36 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 36% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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