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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B77AD it is the complementary color #B48852. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B77AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B77AD shade: #5077A8, #6189BB, #729BCE, #83ADE1 and #94BFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B77AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B77AD shade: #4B77AD, #3A659A, #295387, #184174 and #072F61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B77AD shade: #4A77AE, #4A5CAE, #534AAE, #6E4AAE and #894AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B77AD shade: #4A77AE, #4A5CAE and #4A4AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B77AD shade matches the following richer shades: #4A77AE, #3675C3, #2273D7 and #0E71EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B77AD shade: #4A77AE, #5F799A, #737B86, #877E72 and #9B805E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B77AD shade: #4AADAE, #4A92AE, #4A77AE, #4A5DAE and #534AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B77AD shade: #325075, #3E6492, #4A77AE, #658DBD and #82A2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B77AD shade: #4B77AD, #954AAE and #9FAE4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B77AD shade: #4B77AD, #AE4A77 and #77AE4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B77AD shade: #4B77AD, #954AAE, #AE814A and #63AE4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B77AD shade: #4B77AD, #AE4AA9, #AE814A and #4AAE4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

Complementary color

CMYK 0 / 24 / 54 / 29

HEX #B48852

RGB 180 136 82

HSL 33.06, 0.4%, 0.51%

LAB 59.82, 10.39, 35.27

 

CMYK 52 / 29 / 0 / 34

HEX #5077A8

RGB 80 119 168

HSL 213.41, 0.35%, 0.49%

LAB 49.16, 0.69, -30.38

 

CMYK 48 / 27 / 0 / 27

HEX #6189BB

RGB 97 137 187

HSL 213.33, 0.4%, 0.56%

LAB 56.11, 0.06, -30.43

 

CMYK 45 / 25 / 0 / 19

HEX #729BCE

RGB 114 155 206

HSL 213.26, 0.48%, 0.63%

LAB 62.91, -0.44, -30.52

 

CMYK 42 / 23 / 0 / 12

HEX #83ADE1

RGB 131 173 225

HSL 213.19, 0.61%, 0.7%

LAB 69.58, -0.86, -30.63

 

CMYK 39 / 22 / 0 / 4

HEX #94BFF4

RGB 148 191 244

HSL 213.13, 0.81%, 0.77%

LAB 76.12, -1.21, -30.77

 

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

CMYK 62 / 34 / 0 / 40

HEX #3A659A

RGB 58 101 154

HSL 213.13, 0.45%, 0.42%

LAB 42.06, 2.17, -33.35

 

CMYK 70 / 39 / 0 / 47

HEX #295387

RGB 41 83 135

HSL 213.19, 0.53%, 0.35%

LAB 34.82, 3.51, -33.37

 

CMYK 79 / 44 / 0 / 55

HEX #184174

RGB 24 65 116

HSL 213.26, 0.66%, 0.27%

LAB 27.4, 5.39, -33.39

 

CMYK 93 / 52 / 0 / 62

HEX #072F61

RGB 7 47 97

HSL 213.33, 0.87%, 0.2%

LAB 19.81, 8.14, -33.36

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 57 / 47 / 0 / 32

HEX #4A5CAE

RGB 74 92 174

HSL 229.2, 0.4%, 0.49%

LAB 41.48, 18.12, -46.07

 

CMYK 52 / 57 / 0 / 32

HEX #534AAE

RGB 83 74 174

HSL 245.4, 0.4%, 0.49%

LAB 37.47, 31.41, -52.49

 

CMYK 37 / 57 / 0 / 32

HEX #6E4AAE

RGB 110 74 174

HSL 261.6, 0.4%, 0.49%

LAB 40.03, 37.53, -48.23

 

CMYK 21 / 57 / 0 / 32

HEX #894AAE

RGB 137 74 174

HSL 277.8, 0.4%, 0.49%

LAB 43.17, 44.35, -43.03

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 57 / 47 / 0 / 32

HEX #4A5CAE

RGB 74 92 174

HSL 229.2, 0.4%, 0.49%

LAB 41.48, 18.12, -46.07

 

CMYK 57 / 57 / 0 / 32

HEX #4A4AAE

RGB 74 74 174

HSL 240, 0.4%, 0.49%

LAB 36.76, 29.62, -53.67

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 72 / 40 / 0 / 24

HEX #3675C3

RGB 54 117 195

HSL 213.19, 0.57%, 0.49%

LAB 48.82, 6.32, -46.62

 

CMYK 84 / 47 / 0 / 16

HEX #2273D7

RGB 34 115 215

HSL 213.15, 0.73%, 0.49%

LAB 48.89, 12.93, -57.94

 

CMYK 94 / 52 / 0 / 8

HEX #0E71EB

RGB 14 113 235

HSL 213.12, 0.89%, 0.49%

LAB 49.38, 20.87, -68.46

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 38 / 21 / 0 / 40

HEX #5F799A

RGB 95 121 154

HSL 213.56, 0.24%, 0.49%

LAB 50.03, -0.75, -20.8

 

CMYK 14 / 8 / 0 / 47

HEX #737B86

RGB 115 123 134

HSL 214.74, 0.08%, 0.49%

LAB 51.3, -0.57, -7

 

CMYK 0 / 7 / 16 / 47

HEX #877E72

RGB 135 126 114

HSL 34.29, 0.08%, 0.49%

LAB 53.26, 1.26, 7.76

 

CMYK 0 / 17 / 39 / 39

HEX #9B805E

RGB 155 128 94

HSL 33.44, 0.24%, 0.49%

LAB 55.29, 5.44, 22.35

 

CMYK 57 / 1 / 0 / 32

HEX #4AADAE

RGB 74 173 174

HSL 180.6, 0.4%, 0.49%

LAB 65.28, -28.25, -9.22

 

CMYK 57 / 16 / 0 / 32

HEX #4A92AE

RGB 74 146 174

HSL 196.8, 0.4%, 0.49%

LAB 57.14, -14.24, -21.52

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 57 / 47 / 0 / 32

HEX #4A5DAE

RGB 74 93 174

HSL 228.6, 0.4%, 0.49%

LAB 41.75, 17.48, -45.63

 

CMYK 52 / 57 / 0 / 32

HEX #534AAE

RGB 83 74 174

HSL 245.4, 0.4%, 0.49%

LAB 37.47, 31.41, -52.49

 

CMYK 57 / 32 / 0 / 54

HEX #325075

RGB 50 80 117

HSL 213.13, 0.4%, 0.33%

LAB 33.35, 0.74, -24.53

 

CMYK 58 / 32 / 0 / 43

HEX #3E6492

RGB 62 100 146

HSL 212.86, 0.4%, 0.41%

LAB 41.55, 0.87, -29.35

 

CMYK 57 / 32 / 0 / 32

HEX #4A77AE

RGB 74 119 174

HSL 213, 0.4%, 0.49%

LAB 49.14, 1.29, -33.93

 

CMYK 47 / 25 / 0 / 26

HEX #658DBD

RGB 101 141 189

HSL 212.73, 0.4%, 0.57%

LAB 57.55, -0.66, -29.31

 

CMYK 35 / 19 / 0 / 21

HEX #82A2C9

RGB 130 162 201

HSL 212.96, 0.4%, 0.65%

LAB 65.6, -1.46, -23.52

 

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

CMYK 14 / 57 / 0 / 32

HEX #954AAE

RGB 149 74 174

HSL 285, 0.4%, 0.49%

LAB 44.72, 47.5, -40.47

 

CMYK 9 / 0 / 57 / 32

HEX #9FAE4A

RGB 159 174 74

HSL 69, 0.4%, 0.49%

LAB 68.12, -19.65, 48.56

 

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

CMYK 0 / 57 / 32 / 32

HEX #AE4A77

RGB 174 74 119

HSL 333, 0.4%, 0.49%

LAB 45.95, 45.63, -5.29

 

CMYK 32 / 0 / 57 / 32

HEX #77AE4A

RGB 119 174 74

HSL 93, 0.4%, 0.49%

LAB 65.51, -35.38, 44.88

 

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

CMYK 14 / 57 / 0 / 32

HEX #954AAE

RGB 149 74 174

HSL 285, 0.4%, 0.49%

LAB 44.72, 47.5, -40.47

 

CMYK 0 / 26 / 57 / 32

HEX #AE814A

RGB 174 129 74

HSL 33, 0.4%, 0.49%

LAB 57.26, 11.02, 36.25

 

CMYK 43 / 0 / 57 / 32

HEX #63AE4A

RGB 99 174 74

HSL 105, 0.4%, 0.49%

LAB 64.5, -42.24, 43.45

 

CMYK 57 / 31 / 0 / 32

HEX #4B77AD

RGB 75 119 173

HSL 213.06, 0.4%, 0.49%

LAB 49.14, 1.17, -33.34

 

CMYK 0 / 57 / 3 / 32

HEX #AE4AA9

RGB 174 74 169

HSL 303, 0.4%, 0.49%

LAB 47.96, 53.27, -32.18

 

CMYK 0 / 26 / 57 / 32

HEX #AE814A

RGB 174 129 74

HSL 33, 0.4%, 0.49%

LAB 57.26, 11.02, 36.25

 

CMYK 57 / 0 / 55 / 32

HEX #4AAE4F

RGB 74 174 79

HSL 123, 0.4%, 0.49%

LAB 63.58, -48.79, 39.73

 

Description

Color code: HEX #4B77AD | qconv.com Color code: HEX #4B77AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 119 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 119 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 31 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 31% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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