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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6FAB it is the complementary color #B49054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6FAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6FAB shade: #506FA6, #6181B9, #7293CC, #83A5DF and #94B7F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6FAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6FAB shade: #4B6FAB, #3A5D98, #294B85, #183972 and #07275F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6FAB shade: #4A6EAA, #4A54AA, #5A4AAA, #744AAA and #8D4AAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6FAB shade: #4A6EAA, #4A54AA and #4A4AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6FAB shade matches the following richer shades: #4A6EAA, #3669BD, #2364D1 and #0F5FE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6FAB shade: #4A6EAA, #5E7396, #727882, #867D6E and #99825A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6FAB shade: #4AA2AA, #4A88AA, #4A6FAA, #4A55AA and #584AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6FAB shade: #314970, #3E5B8D, #4A6EAA, #6384BA and #809AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6FAB shade: #4B6FAB, #984AAA and #95AA4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6FAB shade: #4B6FAB, #AA4A6F and #6FAA4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6FAB shade: #4B6FAB, #984AAA, #AA854A and #5CAA4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6FAB shade: #4B6FAB, #AA4A9E, #AA854A and #4AAA55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

Complementary color

CMYK 0 / 20 / 53 / 29

HEX #B49054

RGB 180 144 84

HSL 37.5, 0.39%, 0.52%

LAB 61.9, 6.13, 36.77

 

CMYK 52 / 33 / 0 / 35

HEX #506FA6

RGB 80 111 166

HSL 218.37, 0.35%, 0.48%

LAB 46.75, 4.9, -32.99

 

CMYK 48 / 30 / 0 / 27

HEX #6181B9

RGB 97 129 185

HSL 218.18, 0.39%, 0.55%

LAB 53.76, 4.16, -32.96

 

CMYK 44 / 28 / 0 / 20

HEX #7293CC

RGB 114 147 204

HSL 218, 0.47%, 0.62%

LAB 60.61, 3.56, -32.97

 

CMYK 41 / 26 / 0 / 13

HEX #83A5DF

RGB 131 165 223

HSL 217.83, 0.59%, 0.69%

LAB 67.32, 3.06, -33.02

 

CMYK 39 / 24 / 0 / 5

HEX #94B7F2

RGB 148 183 242

HSL 217.66, 0.78%, 0.76%

LAB 73.92, 2.63, -33.09

 

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

CMYK 62 / 39 / 0 / 40

HEX #3A5D98

RGB 58 93 152

HSL 217.66, 0.45%, 0.41%

LAB 39.57, 6.51, -36.08

 

CMYK 69 / 44 / 0 / 48

HEX #294B85

RGB 41 75 133

HSL 217.83, 0.53%, 0.34%

LAB 32.25, 8.03, -36.22

 

CMYK 79 / 50 / 0 / 55

HEX #183972

RGB 24 57 114

HSL 218, 0.65%, 0.27%

LAB 24.75, 10.15, -36.37

 

CMYK 93 / 59 / 0 / 63

HEX #07275F

RGB 7 39 95

HSL 218.18, 0.86%, 0.2%

LAB 17.1, 13.2, -36.43

 

CMYK 56 / 35 / 0 / 33

HEX #4A6EAA

RGB 74 110 170

HSL 217.5, 0.39%, 0.48%

LAB 46.32, 5.44, -36.02

 

CMYK 56 / 51 / 0 / 33

HEX #4A54AA

RGB 74 84 170

HSL 233.75, 0.39%, 0.48%

LAB 39.07, 21.89, -47.57

 

CMYK 47 / 56 / 0 / 33

HEX #5A4AAA

RGB 90 74 170

HSL 250, 0.39%, 0.48%

LAB 37.79, 31.69, -49.55

 

CMYK 32 / 56 / 0 / 33

HEX #744AAA

RGB 116 74 170

HSL 266.25, 0.39%, 0.48%

LAB 40.43, 37.96, -45.18

 

CMYK 17 / 56 / 0 / 33

HEX #8D4AAA

RGB 141 74 170

HSL 281.88, 0.39%, 0.48%

LAB 43.45, 44.51, -40.18

 

CMYK 56 / 35 / 0 / 33

HEX #4A6EAA

RGB 74 110 170

HSL 217.5, 0.39%, 0.48%

LAB 46.32, 5.44, -36.02

 

CMYK 56 / 51 / 0 / 33

HEX #4A54AA

RGB 74 84 170

HSL 233.75, 0.39%, 0.48%

LAB 39.07, 21.89, -47.57

 

CMYK 56 / 56 / 0 / 33

HEX #4A4AAA

RGB 74 74 170

HSL 240, 0.39%, 0.48%

LAB 36.47, 28.29, -51.76

 

CMYK 56 / 35 / 0 / 33

HEX #4A6EAA

RGB 74 110 170

HSL 217.5, 0.39%, 0.48%

LAB 46.32, 5.44, -36.02

 

CMYK 71 / 44 / 0 / 26

HEX #3669BD

RGB 54 105 189

HSL 217.33, 0.56%, 0.48%

LAB 45.03, 11.63, -49.21

 

CMYK 83 / 52 / 0 / 18

HEX #2364D1

RGB 35 100 209

HSL 217.59, 0.71%, 0.48%

LAB 44.34, 20.29, -61.87

 

CMYK 93 / 59 / 0 / 10

HEX #0F5FE5

RGB 15 95 229

HSL 217.57, 0.88%, 0.48%

LAB 44.15, 30.14, -73.58

 

CMYK 56 / 35 / 0 / 33

HEX #4A6EAA

RGB 74 110 170

HSL 217.5, 0.39%, 0.48%

LAB 46.32, 5.44, -36.02

 

CMYK 37 / 23 / 0 / 41

HEX #5E7396

RGB 94 115 150

HSL 217.5, 0.23%, 0.48%

LAB 48.06, 1.39, -21.47

 

CMYK 12 / 8 / 0 / 49

HEX #727882

RGB 114 120 130

HSL 217.5, 0.07%, 0.48%

LAB 50.24, -0.08, -6.23

 

CMYK 0 / 7 / 18 / 47

HEX #867D6E

RGB 134 125 110

HSL 37.5, 0.1%, 0.48%

LAB 52.8, 0.75, 9.41

 

CMYK 0 / 15 / 41 / 40

HEX #99825A

RGB 153 130 90

HSL 38.1, 0.26%, 0.48%

LAB 55.56, 2.98, 24.91

 

CMYK 56 / 5 / 0 / 33

HEX #4AA2AA

RGB 74 162 170

HSL 185, 0.39%, 0.48%

LAB 61.83, -23.88, -12.15

 

CMYK 56 / 20 / 0 / 33

HEX #4A88AA

RGB 74 136 170

HSL 201.25, 0.39%, 0.48%

LAB 53.99, -9.93, -24.07

 

CMYK 56 / 35 / 0 / 33

HEX #4A6FAA

RGB 74 111 170

HSL 216.88, 0.39%, 0.48%

LAB 46.61, 4.83, -35.56

 

CMYK 56 / 50 / 0 / 33

HEX #4A55AA

RGB 74 85 170

HSL 233.13, 0.39%, 0.48%

LAB 39.34, 21.25, -47.14

 

CMYK 48 / 56 / 0 / 33

HEX #584AAA

RGB 88 74 170

HSL 248.75, 0.39%, 0.48%

LAB 37.62, 31.24, -49.85

 

CMYK 56 / 35 / 0 / 56

HEX #314970

RGB 49 73 112

HSL 217.14, 0.39%, 0.32%

LAB 30.85, 3.3, -25.32

 

CMYK 56 / 35 / 0 / 45

HEX #3E5B8D

RGB 62 91 141

HSL 217.97, 0.39%, 0.4%

LAB 38.6, 4.83, -30.97

 

CMYK 56 / 35 / 0 / 33

HEX #4A6EAA

RGB 74 110 170

HSL 217.5, 0.39%, 0.48%

LAB 46.32, 5.44, -36.02

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 36 / 23 / 0 / 22

HEX #809AC7

RGB 128 154 199

HSL 218.03, 0.39%, 0.64%

LAB 63.2, 1.94, -26.09

 

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

CMYK 11 / 56 / 0 / 33

HEX #984AAA

RGB 152 74 170

HSL 288.75, 0.39%, 0.48%

LAB 44.91, 47.47, -37.79

 

CMYK 12 / 0 / 56 / 33

HEX #95AA4A

RGB 149 170 74

HSL 73.13, 0.39%, 0.48%

LAB 66.24, -21.76, 46.22

 

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

CMYK 0 / 56 / 35 / 33

HEX #AA4A6F

RGB 170 74 111

HSL 336.88, 0.39%, 0.48%

LAB 45.07, 43.28, -1.77

 

CMYK 35 / 0 / 56 / 33

HEX #6FAA4A

RGB 111 170 74

HSL 96.88, 0.39%, 0.48%

LAB 63.85, -36.43, 42.85

 

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

CMYK 11 / 56 / 0 / 33

HEX #984AAA

RGB 152 74 170

HSL 288.75, 0.39%, 0.48%

LAB 44.91, 47.47, -37.79

 

CMYK 0 / 22 / 56 / 33

HEX #AA854A

RGB 170 133 74

HSL 36.88, 0.39%, 0.48%

LAB 57.86, 7.04, 36.87

 

CMYK 46 / 0 / 56 / 33

HEX #5CAA4A

RGB 92 170 74

HSL 108.75, 0.39%, 0.48%

LAB 62.94, -42.76, 41.55

 

CMYK 56 / 35 / 0 / 33

HEX #4B6FAB

RGB 75 111 171

HSL 217.5, 0.39%, 0.48%

LAB 46.72, 5.38, -35.98

 

CMYK 0 / 56 / 7 / 33

HEX #AA4A9E

RGB 170 74 158

HSL 307.5, 0.39%, 0.48%

LAB 46.86, 50.26, -27.43

 

CMYK 0 / 22 / 56 / 33

HEX #AA854A

RGB 170 133 74

HSL 36.88, 0.39%, 0.48%

LAB 57.86, 7.04, 36.87

 

CMYK 56 / 0 / 50 / 33

HEX #4AAA55

RGB 74 170 85

HSL 126.88, 0.39%, 0.48%

LAB 62.39, -46.37, 35.28

 

Description

Color code: HEX #4B6FAB | qconv.com Color code: HEX #4B6FAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 111 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 111 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 35 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 35% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Бизнес-портал ivest....
Link: http://ivest.kz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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