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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B426B it is the complementary color #B4BD94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B426B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B426B shade: #504266, #615479, #72668C, #83789F and #948AB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B426B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B426B shade: #4B426B, #3A3058, #291E45, #180C32 and #07001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B426B shade: #4B416B, #56416B, #61416B, #6B416A and #6B415F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B426B shade: #4B416B and #41416B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B426B shade matches the following richer shades: #4B416B, #433379, #3B2587, #331795 and #2B09A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B426B shade: #4B416B, #524F5D, #5A5D4F, #626B41 and #6A7A33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B426B shade: #414F6B, #41436B, #4A416B, #56416B and #61416B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B426B shade: #272238, #393251, #4B416B, #5C5185 and #6E619E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B426B shade: #4B426B, #6B415A and #496B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B426B shade: #4B426B, #6B4A41 and #416B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B426B shade: #4B426B, #6B415A, #626B41 and #416B53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B426B shade: #4B426B, #6B414D, #626B41 and #416B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

Complementary color

CMYK 5 / 0 / 22 / 26

HEX #B4BD94

RGB 180 189 148

HSL 73.17, 0.24%, 0.66%

LAB 74.97, -10.19, 19.72

 

CMYK 22 / 35 / 0 / 60

HEX #504266

RGB 80 66 102

HSL 263.33, 0.21%, 0.33%

LAB 30.79, 14.26, -18.9

 

CMYK 20 / 31 / 0 / 53

HEX #615479

RGB 97 84 121

HSL 261.08, 0.18%, 0.4%

LAB 38.31, 13.57, -19.02

 

CMYK 19 / 27 / 0 / 45

HEX #72668C

RGB 114 102 140

HSL 258.95, 0.16%, 0.47%

LAB 45.6, 12.99, -19.19

 

CMYK 18 / 25 / 0 / 38

HEX #83789F

RGB 131 120 159

HSL 256.92, 0.17%, 0.55%

LAB 52.69, 12.48, -19.4

 

CMYK 17 / 22 / 0 / 30

HEX #948AB2

RGB 148 138 178

HSL 255, 0.21%, 0.62%

LAB 59.61, 12.02, -19.63

 

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

CMYK 34 / 45 / 0 / 65

HEX #3A3058

RGB 58 48 88

HSL 255, 0.29%, 0.27%

LAB 22.72, 14.85, -22.6

 

CMYK 41 / 57 / 0 / 73

HEX #291E45

RGB 41 30 69

HSL 256.92, 0.39%, 0.19%

LAB 14.57, 16.01, -22.78

 

CMYK 52 / 76 / 0 / 80

HEX #180C32

RGB 24 12 50

HSL 258.95, 0.61%, 0.12%

LAB 6.21, 16.81, -22.73

 

CMYK 77 / 100 / 0 / 88

HEX #07001F

RGB 7 0 31

HSL 253.55, 1%, 0.06%

LAB 1.3, 8.11, -15.96

 

CMYK 30 / 39 / 0 / 58

HEX #4B416B

RGB 75 65 107

HSL 254.29, 0.24%, 0.34%

LAB 30.25, 14.59, -22.95

 

CMYK 20 / 39 / 0 / 58

HEX #56416B

RGB 86 65 107

HSL 270, 0.24%, 0.34%

LAB 31.39, 18.27, -21.08

 

CMYK 9 / 39 / 0 / 58

HEX #61416B

RGB 97 65 107

HSL 285.71, 0.24%, 0.34%

LAB 32.66, 22.07, -19.01

 

CMYK 0 / 39 / 1 / 58

HEX #6B416A

RGB 107 65 106

HSL 301.43, 0.24%, 0.34%

LAB 33.87, 25.37, -16.41

 

CMYK 0 / 39 / 11 / 58

HEX #6B415F

RGB 107 65 95

HSL 317.14, 0.24%, 0.34%

LAB 33.42, 23.18, -10.12

 

CMYK 30 / 39 / 0 / 58

HEX #4B416B

RGB 75 65 107

HSL 254.29, 0.24%, 0.34%

LAB 30.25, 14.59, -22.95

 

CMYK 39 / 39 / 0 / 58

HEX #41416B

RGB 65 65 107

HSL 240, 0.24%, 0.34%

LAB 29.33, 11.42, -24.47

 

CMYK 30 / 39 / 0 / 58

HEX #4B416B

RGB 75 65 107

HSL 254.29, 0.24%, 0.34%

LAB 30.25, 14.59, -22.95

 

CMYK 45 / 58 / 0 / 53

HEX #433379

RGB 67 51 121

HSL 253.71, 0.41%, 0.34%

LAB 26.57, 25.6, -37.73

 

CMYK 56 / 73 / 0 / 47

HEX #3B2587

RGB 59 37 135

HSL 253.47, 0.57%, 0.34%

LAB 23.68, 36.93, -51.27

 

CMYK 66 / 85 / 0 / 42

HEX #331795

RGB 51 23 149

HSL 253.33, 0.73%, 0.34%

LAB 21.9, 47.2, -62.95

 

CMYK 74 / 94 / 0 / 36

HEX #2B09A3

RGB 43 9 163

HSL 253.25, 0.9%, 0.34%

LAB 21.41, 55.16, -72.37

 

CMYK 30 / 39 / 0 / 58

HEX #4B416B

RGB 75 65 107

HSL 254.29, 0.24%, 0.34%

LAB 30.25, 14.59, -22.95

 

CMYK 12 / 15 / 0 / 64

HEX #524F5D

RGB 82 79 93

HSL 252.86, 0.08%, 0.34%

LAB 34.35, 4.38, -7.73

 

CMYK 3 / 0 / 15 / 64

HEX #5A5D4F

RGB 90 93 79

HSL 72.86, 0.08%, 0.34%

LAB 38.84, -4, 7.65

 

CMYK 8 / 0 / 39 / 58

HEX #626B41

RGB 98 107 65

HSL 72.86, 0.24%, 0.34%

LAB 43.5, -10.97, 22.41

 

CMYK 13 / 0 / 58 / 52

HEX #6A7A33

RGB 106 122 51

HSL 73.52, 0.41%, 0.34%

LAB 48.54, -17.3, 36.26

 

CMYK 39 / 26 / 0 / 58

HEX #414F6B

RGB 65 79 107

HSL 220, 0.24%, 0.34%

LAB 33.51, 2.26, -17.94

 

CMYK 39 / 37 / 0 / 58

HEX #41436B

RGB 65 67 107

HSL 237.14, 0.24%, 0.34%

LAB 29.91, 10.09, -23.55

 

CMYK 31 / 39 / 0 / 58

HEX #4A416B

RGB 74 65 107

HSL 252.86, 0.24%, 0.34%

LAB 30.15, 14.26, -23.11

 

CMYK 20 / 39 / 0 / 58

HEX #56416B

RGB 86 65 107

HSL 270, 0.24%, 0.34%

LAB 31.39, 18.27, -21.08

 

CMYK 9 / 39 / 0 / 58

HEX #61416B

RGB 97 65 107

HSL 285.71, 0.24%, 0.34%

LAB 32.66, 22.07, -19.01

 

CMYK 30 / 39 / 0 / 78

HEX #272238

RGB 39 34 56

HSL 253.64, 0.24%, 0.18%

LAB 14.74, 8.3, -13.42

 

CMYK 30 / 38 / 0 / 68

HEX #393251

RGB 57 50 81

HSL 253.55, 0.24%, 0.26%

LAB 22.81, 11.06, -17.82

 

CMYK 30 / 39 / 0 / 58

HEX #4B416B

RGB 75 65 107

HSL 254.29, 0.24%, 0.34%

LAB 30.25, 14.59, -22.95

 

CMYK 31 / 39 / 0 / 48

HEX #5C5185

RGB 92 81 133

HSL 252.69, 0.24%, 0.42%

LAB 37.58, 17, -27.56

 

CMYK 30 / 39 / 0 / 38

HEX #6E619E

RGB 110 97 158

HSL 252.79, 0.24%, 0.5%

LAB 44.71, 19.36, -31.32

 

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

CMYK 0 / 39 / 16 / 58

HEX #6B415A

RGB 107 65 90

HSL 324.29, 0.24%, 0.34%

LAB 33.23, 22.25, -7.22

 

CMYK 32 / 0 / 39 / 58

HEX #496B41

RGB 73 107 65

HSL 108.57, 0.24%, 0.34%

LAB 41.71, -21.2, 19.74

 

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

CMYK 0 / 31 / 39 / 58

HEX #6B4A41

RGB 107 74 65

HSL 12.86, 0.24%, 0.34%

LAB 34.81, 12.75, 10.98

 

CMYK 39 / 0 / 31 / 58

HEX #416B4A

RGB 65 107 74

HSL 132.86, 0.24%, 0.34%

LAB 41.43, -22.42, 14

 

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

CMYK 0 / 39 / 16 / 58

HEX #6B415A

RGB 107 65 90

HSL 324.29, 0.24%, 0.34%

LAB 33.23, 22.25, -7.22

 

CMYK 8 / 0 / 39 / 58

HEX #626B41

RGB 98 107 65

HSL 72.86, 0.24%, 0.34%

LAB 43.5, -10.97, 22.41

 

CMYK 39 / 0 / 22 / 58

HEX #416B53

RGB 65 107 83

HSL 145.71, 0.24%, 0.34%

LAB 41.63, -20.53, 8.9

 

CMYK 30 / 38 / 0 / 58

HEX #4B426B

RGB 75 66 107

HSL 253.17, 0.24%, 0.34%

LAB 30.53, 13.94, -22.52

 

CMYK 0 / 39 / 28 / 58

HEX #6B414D

RGB 107 65 77

HSL 342.86, 0.24%, 0.34%

LAB 32.79, 20.03, 0.47

 

CMYK 8 / 0 / 39 / 58

HEX #626B41

RGB 98 107 65

HSL 72.86, 0.24%, 0.34%

LAB 43.5, -10.97, 22.41

 

CMYK 39 / 0 / 11 / 58

HEX #416B5F

RGB 65 107 95

HSL 162.86, 0.24%, 0.34%

LAB 41.95, -17.7, 2.11

 

Description

Color code: HEX #4B426B | qconv.com Color code: HEX #4B426B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 66 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 66 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 38 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 38% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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