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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3D3F it is the complementary color #B4C2C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3D3F shade: #503D3A, #614F4D, #726160, #837373 and #948586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3D3F shade: #4B3D3F, #3A2B2C, #291919, #180706 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3D3F shade: #4B3D3F and #4B3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3D3F shade: #4B3D3F, #4B3D43, #4B3D47, #4B3D4B and #483D4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3D3F shade matches the following richer shades: #4B3D3F, #563237, #622730, #6D1C28 and #781120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3D3F shade: #4B3D3F, #404947, #35544F, #2A5F57 and #1F6A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3D3F shade: #4B3D47, #4B3D43, #4B3D40, #4B3F3D and #4B433D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3D3F shade: #1E1819, #352B2C, #4B3D3F, #625053 and #796366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3D3F shade: #4B3D3F, #4B4B3D and #3D454B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3D3F shade: #4B3D3F, #404B3D and #3D404B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3D3F shade: #4B3D3F, #4B4B3D, #3D4B49 and #3E3D4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3D3F shade: #4B3D3F, #464B3D, #3D4B49 and #423D4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

Complementary color

CMYK 7 / 0 / 1 / 24

HEX #B4C2C0

RGB 180 194 192

HSL 171.43, 0.1%, 0.73%

LAB 77.34, -5.17, -0.65

 

CMYK 0 / 24 / 28 / 69

HEX #503D3A

RGB 80 61 58

HSL 8.18, 0.16%, 0.27%

LAB 27.71, 7.79, 5.03

 

CMYK 0 / 19 / 21 / 62

HEX #614F4D

RGB 97 79 77

HSL 6, 0.11%, 0.34%

LAB 35.34, 7.16, 4

 

CMYK 0 / 15 / 16 / 55

HEX #726160

RGB 114 97 96

HSL 3.33, 0.09%, 0.41%

LAB 42.72, 6.64, 3.09

 

CMYK 0 / 12 / 12 / 49

HEX #837373

RGB 131 115 115

HSL 0, 0.07%, 0.48%

LAB 49.89, 6.21, 2.28

 

CMYK 0 / 10 / 9 / 42

HEX #948586

RGB 148 133 134

HSL 356, 0.07%, 0.55%

LAB 56.87, 5.84, 1.52

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 26 / 24 / 77

HEX #3A2B2C

RGB 58 43 44

HSL 356, 0.15%, 0.2%

LAB 19.26, 7.13, 2.02

 

CMYK 0 / 39 / 39 / 84

HEX #291919

RGB 41 25 25

HSL 0, 0.24%, 0.13%

LAB 10.83, 8.02, 3.25

 

CMYK 0 / 71 / 75 / 91

HEX #180706

RGB 24 7 6

HSL 3.33, 0.6%, 0.06%

LAB 3.25, 5.9, 2.51

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 19 / 19 / 71

HEX #4B3D3D

RGB 75 61 61

HSL 0, 0.1%, 0.27%

LAB 27.21, 6.1, 2.28

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 19 / 11 / 71

HEX #4B3D43

RGB 75 61 67

HSL 334.29, 0.1%, 0.27%

LAB 27.4, 7.28, -1.39

 

CMYK 0 / 19 / 5 / 71

HEX #4B3D47

RGB 75 61 71

HSL 317.14, 0.1%, 0.27%

LAB 27.54, 8.12, -3.81

 

CMYK 0 / 19 / 0 / 71

HEX #4B3D4B

RGB 75 61 75

HSL 300, 0.1%, 0.27%

LAB 27.69, 9, -6.22

 

CMYK 4 / 19 / 0 / 71

HEX #483D4B

RGB 72 61 75

HSL 287.14, 0.1%, 0.27%

LAB 27.36, 7.79, -6.74

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 42 / 36 / 66

HEX #563237

RGB 86 50 55

HSL 351.67, 0.26%, 0.27%

LAB 25.37, 17.03, 3.8

 

CMYK 0 / 60 / 51 / 62

HEX #622730

RGB 98 39 48

HSL 350.85, 0.43%, 0.27%

LAB 24.52, 27.67, 7.58

 

CMYK 0 / 74 / 63 / 57

HEX #6D1C28

RGB 109 28 40

HSL 351.11, 0.59%, 0.27%

LAB 24.43, 36.34, 13.25

 

CMYK 0 / 86 / 73 / 53

HEX #781120

RGB 120 17 32

HSL 351.26, 0.75%, 0.27%

LAB 25.25, 43.17, 20.16

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 12 / 0 / 3 / 71

HEX #404947

RGB 64 73 71

HSL 166.67, 0.07%, 0.27%

LAB 30.18, -4.1, -0.05

 

CMYK 37 / 0 / 6 / 67

HEX #35544F

RGB 53 84 79

HSL 170.32, 0.23%, 0.27%

LAB 33.27, -12.73, -0.72

 

CMYK 56 / 0 / 8 / 63

HEX #2A5F57

RGB 42 95 87

HSL 170.94, 0.39%, 0.27%

LAB 36.68, -19.82, -0.8

 

CMYK 71 / 0 / 10 / 58

HEX #1F6A5F

RGB 31 106 95

HSL 171.2, 0.55%, 0.27%

LAB 40.29, -25.48, -0.47

 

CMYK 0 / 19 / 5 / 71

HEX #4B3D47

RGB 75 61 71

HSL 317.14, 0.1%, 0.27%

LAB 27.54, 8.12, -3.81

 

CMYK 0 / 19 / 11 / 71

HEX #4B3D43

RGB 75 61 67

HSL 334.29, 0.1%, 0.27%

LAB 27.4, 7.28, -1.39

 

CMYK 0 / 19 / 15 / 71

HEX #4B3D40

RGB 75 61 64

HSL 347.14, 0.1%, 0.27%

LAB 27.31, 6.68, 0.44

 

CMYK 0 / 16 / 19 / 71

HEX #4B3F3D

RGB 75 63 61

HSL 8.57, 0.1%, 0.27%

LAB 27.81, 4.8, 3.14

 

CMYK 0 / 11 / 19 / 71

HEX #4B433D

RGB 75 67 61

HSL 25.71, 0.1%, 0.27%

LAB 29.02, 2.23, 4.88

 

CMYK 0 / 20 / 17 / 88

HEX #1E1819

RGB 30 24 25

HSL 350, 0.11%, 0.11%

LAB 8.99, 3.21, 0.4

 

CMYK 0 / 19 / 17 / 79

HEX #352B2C

RGB 53 43 44

HSL 354, 0.1%, 0.19%

LAB 18.66, 4.8, 1.07

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 18 / 15 / 62

HEX #625053

RGB 98 80 83

HSL 350, 0.1%, 0.35%

LAB 35.9, 8.05, 1.05

 

CMYK 0 / 18 / 16 / 53

HEX #796366

RGB 121 99 102

HSL 351.82, 0.1%, 0.43%

LAB 44.16, 9.36, 1.62

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 0 / 19 / 71

HEX #4B4B3D

RGB 75 75 61

HSL 60, 0.1%, 0.27%

LAB 31.5, -2.81, 8.37

 

CMYK 19 / 8 / 0 / 71

HEX #3D454B

RGB 61 69 75

HSL 205.71, 0.1%, 0.27%

LAB 28.79, -1.76, -4.71

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 15 / 0 / 19 / 71

HEX #404B3D

RGB 64 75 61

HSL 107.14, 0.1%, 0.27%

LAB 30.54, -7.54, 6.89

 

CMYK 19 / 15 / 0 / 71

HEX #3D404B

RGB 61 64 75

HSL 227.14, 0.1%, 0.27%

LAB 27.21, 1.47, -7.09

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 0 / 0 / 19 / 71

HEX #4B4B3D

RGB 75 75 61

HSL 60, 0.1%, 0.27%

LAB 31.5, -2.81, 8.37

 

CMYK 19 / 0 / 3 / 71

HEX #3D4B49

RGB 61 75 73

HSL 171.43, 0.1%, 0.27%

LAB 30.65, -6.03, -0.67

 

CMYK 17 / 19 / 0 / 71

HEX #3E3D4B

RGB 62 61 75

HSL 244.29, 0.1%, 0.27%

LAB 26.36, 3.82, -8.35

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 7 / 0 / 19 / 71

HEX #464B3D

RGB 70 75 61

HSL 81.43, 0.1%, 0.27%

LAB 31.05, -4.99, 7.67

 

CMYK 19 / 0 / 3 / 71

HEX #3D4B49

RGB 61 75 73

HSL 171.43, 0.1%, 0.27%

LAB 30.65, -6.03, -0.67

 

CMYK 12 / 19 / 0 / 71

HEX #423D4B

RGB 66 61 75

HSL 261.43, 0.1%, 0.27%

LAB 26.75, 5.39, -7.73

 

Description

Color code: HEX #4B3D3F | qconv.com Color code: HEX #4B3D3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 61 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 61 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 16 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 16% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - WebGurus | Web Desig...
Link: http://www.webgurus.biz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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