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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3755 it is the complementary color #B4C8AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3755 shade: #503750, #614963, #725B76, #836D89 and #947F9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3755 shade: #4B3755, #3A2542, #29132F, #18011C and #070009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3755 shade: #493653, #513653, #53364D, #533645 and #53363D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3755 shade: #493653, #413653, #3A3653 and #363653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3755 shade matches the following richer shades: #493653, #4D2B5E, #512069, #541474 and #58097F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3755 shade: #493653, #454148, #424C3D, #3E5731 and #3A6226

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3755 shade: #3A3653, #413653, #493653, #513653 and #53364D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3755 shade: #1D1521, #33263A, #493653, #5F466C and #755685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3755 shade: #4B3755, #53363A and #36533E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3755 shade: #4B3755, #534936 and #365349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3755 shade: #4B3755, #53363A, #405336 and #36534F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3755 shade: #4B3755, #533B36, #405336 and #364E53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

Complementary color

CMYK 10 / 0 / 15 / 22

HEX #B4C8AA

RGB 180 200 170

HSL 100, 0.21%, 0.73%

LAB 78.41, -12.31, 12.74

 

CMYK 0 / 31 / 0 / 69

HEX #503750

RGB 80 55 80

HSL 300, 0.19%, 0.26%

LAB 26.78, 16.02, -10.82

 

CMYK 2 / 26 / 0 / 61

HEX #614963

RGB 97 73 99

HSL 295.38, 0.15%, 0.34%

LAB 34.41, 15.28, -11.27

 

CMYK 3 / 23 / 0 / 54

HEX #725B76

RGB 114 91 118

HSL 291.11, 0.13%, 0.41%

LAB 41.79, 14.63, -11.71

 

CMYK 4 / 20 / 0 / 46

HEX #836D89

RGB 131 109 137

HSL 287.14, 0.11%, 0.48%

LAB 48.97, 14.07, -12.13

 

CMYK 5 / 19 / 0 / 39

HEX #947F9C

RGB 148 127 156

HSL 283.45, 0.13%, 0.55%

LAB 55.96, 13.57, -12.54

 

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

CMYK 12 / 44 / 0 / 74

HEX #3A2542

RGB 58 37 66

HSL 283.45, 0.28%, 0.2%

LAB 18.44, 16.15, -14.47

 

CMYK 13 / 60 / 0 / 82

HEX #29132F

RGB 41 19 47

HSL 287.14, 0.42%, 0.13%

LAB 10.13, 17.13, -14.15

 

CMYK 14 / 96 / 0 / 89

HEX #18011C

RGB 24 1 28

HSL 291.11, 0.93%, 0.06%

LAB 2.71, 12.79, -11.31

 

CMYK 22 / 100 / 0 / 96

HEX #070009

RGB 7 0 9

HSL 286.67, 1%, 0.02%

LAB 0.59, 3.08, -2.76

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 2 / 35 / 0 / 67

HEX #513653

RGB 81 54 83

HSL 295.86, 0.21%, 0.27%

LAB 26.77, 17.72, -12.8

 

CMYK 0 / 35 / 7 / 67

HEX #53364D

RGB 83 54 77

HSL 312.41, 0.21%, 0.27%

LAB 26.77, 17.19, -8.82

 

CMYK 0 / 35 / 17 / 67

HEX #533645

RGB 83 54 69

HSL 328.97, 0.21%, 0.27%

LAB 26.47, 15.6, -3.98

 

CMYK 0 / 35 / 27 / 67

HEX #53363D

RGB 83 54 61

HSL 345.52, 0.21%, 0.27%

LAB 26.2, 14.15, 0.94

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 22 / 35 / 0 / 67

HEX #413653

RGB 65 54 83

HSL 262.76, 0.21%, 0.27%

LAB 24.91, 11.76, -15.82

 

CMYK 30 / 35 / 0 / 67

HEX #3A3653

RGB 58 54 83

HSL 248.28, 0.21%, 0.27%

LAB 24.2, 9.27, -16.97

 

CMYK 35 / 35 / 0 / 67

HEX #363653

RGB 54 54 83

HSL 240, 0.21%, 0.27%

LAB 23.83, 7.89, -17.58

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 18 / 54 / 0 / 63

HEX #4D2B5E

RGB 77 43 94

HSL 280, 0.37%, 0.27%

LAB 24.04, 25.87, -24.31

 

CMYK 23 / 70 / 0 / 59

HEX #512069

RGB 81 32 105

HSL 280.27, 0.53%, 0.27%

LAB 23.01, 35.91, -33.11

 

CMYK 28 / 83 / 0 / 55

HEX #541474

RGB 84 20 116

HSL 280, 0.71%, 0.27%

LAB 22.47, 44.37, -41.07

 

CMYK 31 / 93 / 0 / 50

HEX #58097F

RGB 88 9 127

HSL 280.17, 0.87%, 0.27%

LAB 23.01, 50.56, -47.18

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 4 / 10 / 0 / 72

HEX #454148

RGB 69 65 72

HSL 274.29, 0.05%, 0.27%

LAB 28.15, 3.26, -3.63

 

CMYK 13 / 0 / 20 / 70

HEX #424C3D

RGB 66 76 61

HSL 100, 0.11%, 0.27%

LAB 31.03, -7.31, 7.59

 

CMYK 29 / 0 / 44 / 66

HEX #3E5731

RGB 62 87 49

HSL 99.47, 0.28%, 0.27%

LAB 34.11, -17.48, 19.1

 

CMYK 41 / 0 / 61 / 62

HEX #3A6226

RGB 58 98 38

HSL 100, 0.44%, 0.27%

LAB 37.44, -26.25, 29.27

 

CMYK 30 / 35 / 0 / 67

HEX #3A3653

RGB 58 54 83

HSL 248.28, 0.21%, 0.27%

LAB 24.2, 9.27, -16.97

 

CMYK 22 / 35 / 0 / 67

HEX #413653

RGB 65 54 83

HSL 262.76, 0.21%, 0.27%

LAB 24.91, 11.76, -15.82

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 2 / 35 / 0 / 67

HEX #513653

RGB 81 54 83

HSL 295.86, 0.21%, 0.27%

LAB 26.77, 17.72, -12.8

 

CMYK 0 / 35 / 7 / 67

HEX #53364D

RGB 83 54 77

HSL 312.41, 0.21%, 0.27%

LAB 26.77, 17.19, -8.82

 

CMYK 12 / 36 / 0 / 87

HEX #1D1521

RGB 29 21 33

HSL 280, 0.22%, 0.11%

LAB 8.19, 7.05, -6.85

 

CMYK 12 / 34 / 0 / 77

HEX #33263A

RGB 51 38 58

HSL 279, 0.21%, 0.19%

LAB 17.44, 10.69, -10.54

 

CMYK 12 / 35 / 0 / 67

HEX #493653

RGB 73 54 83

HSL 279.31, 0.21%, 0.27%

LAB 25.8, 14.71, -14.37

 

CMYK 12 / 35 / 0 / 58

HEX #5F466C

RGB 95 70 108

HSL 279.47, 0.21%, 0.35%

LAB 33.77, 18.48, -17.96

 

CMYK 12 / 35 / 0 / 48

HEX #755685

RGB 117 86 133

HSL 279.57, 0.21%, 0.43%

LAB 41.42, 22.07, -21.38

 

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

CMYK 0 / 35 / 30 / 67

HEX #53363A

RGB 83 54 58

HSL 351.72, 0.21%, 0.27%

LAB 26.11, 13.64, 2.8

 

CMYK 35 / 0 / 25 / 67

HEX #36533E

RGB 54 83 62

HSL 136.55, 0.21%, 0.27%

LAB 32.52, -15.94, 8.92

 

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

CMYK 0 / 12 / 35 / 67

HEX #534936

RGB 83 73 54

HSL 39.31, 0.21%, 0.27%

LAB 31.51, 0.89, 12.93

 

CMYK 35 / 0 / 12 / 67

HEX #365349

RGB 54 83 73

HSL 159.31, 0.21%, 0.27%

LAB 32.81, -13.36, 2.42

 

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

CMYK 0 / 35 / 30 / 67

HEX #53363A

RGB 83 54 58

HSL 351.72, 0.21%, 0.27%

LAB 26.11, 13.64, 2.8

 

CMYK 23 / 0 / 35 / 67

HEX #405336

RGB 64 83 54

HSL 99.31, 0.21%, 0.27%

LAB 33.01, -13.58, 14.66

 

CMYK 35 / 0 / 5 / 67

HEX #36534F

RGB 54 83 79

HSL 171.72, 0.21%, 0.27%

LAB 33, -11.82, -1.12

 

CMYK 12 / 35 / 0 / 67

HEX #4B3755

RGB 75 55 85

HSL 280, 0.21%, 0.27%

LAB 26.4, 15.29, -14.74

 

CMYK 0 / 29 / 35 / 67

HEX #533B36

RGB 83 59 54

HSL 10.34, 0.21%, 0.27%

LAB 27.39, 9.79, 7.26

 

CMYK 23 / 0 / 35 / 67

HEX #405336

RGB 64 83 54

HSL 99.31, 0.21%, 0.27%

LAB 33.01, -13.58, 14.66

 

CMYK 35 / 6 / 0 / 67

HEX #364E53

RGB 54 78 83

HSL 190.34, 0.21%, 0.27%

LAB 31.48, -7.73, -5.9

 

Description

Color code: HEX #4B3755 | qconv.com Color code: HEX #4B3755 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 55 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 55 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 35 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 35% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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