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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B0C82 it is the complementary color #B4F37D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B0C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B0C82 shade: #500C7D, #611E90, #7230A3, #8342B6 and #9454C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B0C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B0C82 shade: #4B0C82, #3A006F, #29005C, #180049 and #070036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B0C82 shade: #4B0C82, #6B0C82, #820C79, #820C5A and #820C3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B0C82 shade: #4B0C82, #2B0C82 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B0C82 shade matches the following richer shades: #4B0C82 and #4C008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B0C82 shade: #4B0C82, #4A1777, #49236B, #492E60 and #483A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B0C82 shade: #0C0C82, #2B0C82, #4B0C82, #6A0C82 and #820C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B0C82 shade: #1F0537, #35085C, #4B0C82, #610FA8 and #7613CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B0C82 shade: #4B0C82, #820C2B and #0C821B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B0C82 shade: #4B0C82, #824B0C and #0C824B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B0C82 shade: #4B0C82, #820C2B, #43820C and #0C8263

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B0C82 shade: #4B0C82, #82100C, #43820C and #0C7E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

Complementary color

CMYK 26 / 0 / 49 / 5

HEX #B4F37D

RGB 180 243 125

HSL 92.03, 0.83%, 0.72%

LAB 89.53, -39.28, 50.29

 

CMYK 36 / 90 / 0 / 51

HEX #500C7D

RGB 80 12 125

HSL 276.11, 0.82%, 0.27%

LAB 21.76, 48.23, -48

 

CMYK 33 / 79 / 0 / 44

HEX #611E90

RGB 97 30 144

HSL 275.26, 0.66%, 0.34%

LAB 28.07, 49.41, -49.5

 

CMYK 30 / 71 / 0 / 36

HEX #7230A3

RGB 114 48 163

HSL 274.43, 0.55%, 0.41%

LAB 34.67, 49.41, -50.27

 

CMYK 28 / 64 / 0 / 29

HEX #8342B6

RGB 131 66 182

HSL 273.62, 0.47%, 0.49%

LAB 41.37, 48.86, -50.66

 

CMYK 26 / 58 / 0 / 21

HEX #9454C9

RGB 148 84 201

HSL 272.82, 0.52%, 0.56%

LAB 48.08, 48.08, -50.85

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 48 / 100 / 0 / 56

HEX #3A006F

RGB 58 0 111

HSL 271.35, 1%, 0.22%

LAB 15.73, 45.62, -49.02

 

CMYK 55 / 100 / 0 / 64

HEX #29005C

RGB 41 0 92

HSL 266.74, 1%, 0.18%

LAB 10.88, 39.41, -44.54

 

CMYK 67 / 100 / 0 / 71

HEX #180049

RGB 24 0 73

HSL 259.73, 1%, 0.14%

LAB 6.1, 32.33, -39.46

 

CMYK 87 / 100 / 0 / 79

HEX #070036

RGB 7 0 54

HSL 247.78, 1%, 0.11%

LAB 2.81, 18.74, -31.22

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 18 / 91 / 0 / 49

HEX #6B0C82

RGB 107 12 130

HSL 288.31, 0.83%, 0.28%

LAB 26.74, 53.59, -42.86

 

CMYK 0 / 91 / 7 / 49

HEX #820C79

RGB 130 12 121

HSL 304.58, 0.83%, 0.28%

LAB 30.37, 56.32, -31.11

 

CMYK 0 / 91 / 31 / 49

HEX #820C5A

RGB 130 12 90

HSL 320.34, 0.83%, 0.28%

LAB 28.76, 52.05, -13.63

 

CMYK 0 / 91 / 55 / 49

HEX #820C3A

RGB 130 12 58

HSL 336.61, 0.83%, 0.28%

LAB 27.61, 48.85, 6.06

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 67 / 91 / 0 / 49

HEX #2B0C82

RGB 43 12 130

HSL 255.76, 0.83%, 0.28%

LAB 17.41, 45.3, -58.52

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 46 / 100 / 0 / 44

HEX #4C008E

RGB 76 0 142

HSL 272.11, 1%, 0.28%

LAB 21.91, 54.47, -58.49

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 38 / 81 / 0 / 53

HEX #4A1777

RGB 74 23 119

HSL 271.88, 0.68%, 0.28%

LAB 21.58, 42.06, -44.5

 

CMYK 32 / 67 / 0 / 58

HEX #49236B

RGB 73 35 107

HSL 271.67, 0.51%, 0.28%

LAB 22.58, 32.8, -35.15

 

CMYK 24 / 52 / 0 / 62

HEX #492E60

RGB 73 46 96

HSL 272.4, 0.35%, 0.28%

LAB 24.37, 23.25, -25.13

 

CMYK 14 / 31 / 0 / 67

HEX #483A54

RGB 72 58 84

HSL 272.31, 0.18%, 0.28%

LAB 26.86, 11.95, -13.41

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 67 / 91 / 0 / 49

HEX #2B0C82

RGB 43 12 130

HSL 255.76, 0.83%, 0.28%

LAB 17.41, 45.3, -58.52

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 18 / 91 / 0 / 49

HEX #6A0C82

RGB 106 12 130

HSL 287.8, 0.83%, 0.28%

LAB 26.56, 53.42, -43.16

 

CMYK 0 / 91 / 6 / 49

HEX #820C7A

RGB 130 12 122

HSL 304.07, 0.83%, 0.28%

LAB 30.43, 56.48, -31.65

 

CMYK 44 / 91 / 0 / 78

HEX #1F0537

RGB 31 5 55

HSL 271.2, 0.83%, 0.12%

LAB 6.1, 24.57, -26.53

 

CMYK 42 / 91 / 0 / 64

HEX #35085C

RGB 53 8 92

HSL 272.14, 0.84%, 0.2%

LAB 13.85, 37.49, -39.58

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 42 / 91 / 0 / 34

HEX #610FA8

RGB 97 15 168

HSL 272.16, 0.84%, 0.36%

LAB 28.67, 59.46, -63.18

 

CMYK 43 / 91 / 0 / 19

HEX #7613CE

RGB 118 19 206

HSL 271.76, 0.83%, 0.44%

LAB 35.54, 69.38, -74.27

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 91 / 0 / 79 / 49

HEX #0C821B

RGB 12 130 27

HSL 127.63, 0.83%, 0.28%

LAB 47.13, -50.02, 44.02

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 0 / 42 / 91 / 49

HEX #824B0C

RGB 130 75 12

HSL 32.03, 0.83%, 0.28%

LAB 37.49, 18.79, 43.04

 

CMYK 91 / 0 / 42 / 49

HEX #0C824B

RGB 12 130 75

HSL 152.03, 0.83%, 0.28%

LAB 47.69, -43.27, 21.56

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 0 / 91 / 67 / 49

HEX #820C2B

RGB 130 12 43

HSL 344.24, 0.83%, 0.28%

LAB 27.25, 47.82, 15.74

 

CMYK 48 / 0 / 91 / 49

HEX #43820C

RGB 67 130 12

HSL 92.03, 0.83%, 0.28%

LAB 48.49, -39.11, 50

 

CMYK 91 / 0 / 24 / 49

HEX #0C8263

RGB 12 130 99

HSL 164.24, 0.83%, 0.28%

LAB 48.19, -37.64, 8.47

 

CMYK 42 / 91 / 0 / 49

HEX #4B0C82

RGB 75 12 130

HSL 272.03, 0.83%, 0.28%

LAB 21.47, 48.69, -51.67

 

CMYK 0 / 88 / 91 / 49

HEX #82100C

RGB 130 16 12

HSL 2.03, 0.83%, 0.28%

LAB 27.14, 45.75, 34.75

 

CMYK 48 / 0 / 91 / 49

HEX #43820C

RGB 67 130 12

HSL 92.03, 0.83%, 0.28%

LAB 48.49, -39.11, 50

 

CMYK 91 / 3 / 0 / 49

HEX #0C7E82

RGB 12 126 130

HSL 182.03, 0.83%, 0.28%

LAB 47.77, -26.55, -10.38

 

Description

Color code: HEX #4B0C82 | qconv.com Color code: HEX #4B0C82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 12 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 12 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 91 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 91% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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