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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B0838 it is the complementary color #B4F7C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B0838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B0838 shade: #500833, #611A46, #722C59, #833E6C and #94507F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B0838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B0838 shade: #4B0838, #3A0025, #290012, #180000 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B0838 shade: #490737, #490725, #490713 and #490707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B0838 shade: #490737, #490748, #380749, #270749 and #150749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B0838 shade matches the following richer shades: #490737 and #500139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B0838 shade: #490737, #430E34, #3C1431, #361B2E and #2F222B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B0838 shade: #390749, #490748, #490737, #490725 and #490713

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B0838 shade: #4B0838, #492707 and #074942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B0838 shade: #4B0838, #374907 and #073749

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B0838 shade: #4B0838, #492707, #07491A and #072949

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B0838 shade: #4B0838, #493B07, #07491A and #071649

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

Complementary color

CMYK 27 / 0 / 19 / 3

HEX #B4F7C7

RGB 180 247 199

HSL 137.01, 0.81%, 0.84%

LAB 91.84, -30.29, 16.46

 

CMYK 0 / 90 / 36 / 69

HEX #500833

RGB 80 8 51

HSL 324.17, 0.82%, 0.17%

LAB 16.1, 35.47, -7.21

 

CMYK 0 / 73 / 28 / 62

HEX #611A46

RGB 97 26 70

HSL 322.82, 0.58%, 0.24%

LAB 22.73, 36.52, -10.06

 

CMYK 0 / 61 / 22 / 55

HEX #722C59

RGB 114 44 89

HSL 321.43, 0.44%, 0.31%

LAB 29.66, 36.38, -11.87

 

CMYK 0 / 53 / 18 / 49

HEX #833E6C

RGB 131 62 108

HSL 320, 0.36%, 0.38%

LAB 36.66, 35.76, -13.11

 

CMYK 0 / 46 / 14 / 42

HEX #94507F

RGB 148 80 127

HSL 318.53, 0.3%, 0.45%

LAB 43.6, 34.99, -14.06

 

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

CMYK 0 / 100 / 36 / 77

HEX #3A0025

RGB 58 0 37

HSL 321.72, 1%, 0.11%

LAB 9.26, 30.93, -7.77

 

CMYK 0 / 100 / 56 / 84

HEX #290012

RGB 41 0 18

HSL 333.66, 1%, 0.08%

LAB 4.65, 21.4, -0.81

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 90 / 25 / 71

HEX #490737

RGB 73 7 55

HSL 316.36, 0.83%, 0.16%

LAB 14.65, 34.45, -12.43

 

CMYK 0 / 90 / 49 / 71

HEX #490725

RGB 73 7 37

HSL 332.73, 0.83%, 0.16%

LAB 13.84, 32.12, -0.54

 

CMYK 0 / 90 / 74 / 71

HEX #490713

RGB 73 7 19

HSL 349.09, 0.83%, 0.16%

LAB 13.32, 30.58, 11.92

 

CMYK 0 / 90 / 90 / 71

HEX #490707

RGB 73 7 7

HSL 0, 0.83%, 0.16%

LAB 13.13, 29.99, 17.55

 

CMYK 0 / 90 / 25 / 71

HEX #490737

RGB 73 7 55

HSL 316.36, 0.83%, 0.16%

LAB 14.65, 34.45, -12.43

 

CMYK 0 / 90 / 1 / 71

HEX #490748

RGB 73 7 72

HSL 300.91, 0.83%, 0.16%

LAB 15.68, 37.28, -22.8

 

CMYK 23 / 90 / 0 / 71

HEX #380749

RGB 56 7 73

HSL 284.55, 0.83%, 0.16%

LAB 12.44, 33.82, -28.87

 

CMYK 47 / 90 / 0 / 71

HEX #270749

RGB 39 7 73

HSL 269.09, 0.83%, 0.16%

LAB 9.52, 30.66, -33.76

 

CMYK 71 / 90 / 0 / 71

HEX #150749

RGB 21 7 73

HSL 252.73, 0.83%, 0.16%

LAB 7.16, 28, -37.72

 

CMYK 0 / 90 / 25 / 71

HEX #490737

RGB 73 7 55

HSL 316.36, 0.83%, 0.16%

LAB 14.65, 34.45, -12.43

 

CMYK 0 / 99 / 29 / 69

HEX #500139

RGB 80 1 57

HSL 317.47, 0.98%, 0.16%

LAB 15.61, 38.52, -12.26

 

CMYK 0 / 90 / 25 / 71

HEX #490737

RGB 73 7 55

HSL 316.36, 0.83%, 0.16%

LAB 14.65, 34.45, -12.43

 

CMYK 0 / 79 / 22 / 74

HEX #430E34

RGB 67 14 52

HSL 316.98, 0.65%, 0.16%

LAB 14.15, 29.66, -11.15

 

CMYK 0 / 67 / 18 / 76

HEX #3C1431

RGB 60 20 49

HSL 316.5, 0.5%, 0.16%

LAB 13.73, 23.83, -9.75

 

CMYK 0 / 50 / 15 / 79

HEX #361B2E

RGB 54 27 46

HSL 317.78, 0.33%, 0.16%

LAB 14.2, 16.63, -6.95

 

CMYK 0 / 28 / 9 / 82

HEX #2F222B

RGB 47 34 43

HSL 318.46, 0.16%, 0.16%

LAB 15.08, 8.12, -3.58

 

CMYK 22 / 90 / 0 / 71

HEX #390749

RGB 57 7 73

HSL 285.45, 0.83%, 0.16%

LAB 12.63, 34.03, -28.56

 

CMYK 0 / 90 / 1 / 71

HEX #490748

RGB 73 7 72

HSL 300.91, 0.83%, 0.16%

LAB 15.68, 37.28, -22.8

 

CMYK 0 / 90 / 25 / 71

HEX #490737

RGB 73 7 55

HSL 316.36, 0.83%, 0.16%

LAB 14.65, 34.45, -12.43

 

CMYK 0 / 90 / 49 / 71

HEX #490725

RGB 73 7 37

HSL 332.73, 0.83%, 0.16%

LAB 13.84, 32.12, -0.54

 

CMYK 0 / 90 / 74 / 71

HEX #490713

RGB 73 7 19

HSL 349.09, 0.83%, 0.16%

LAB 13.32, 30.58, 11.92

 

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

CMYK 0 / 47 / 90 / 71

HEX #492707

RGB 73 39 7

HSL 29.09, 0.83%, 0.16%

LAB 19.57, 13.22, 25.55

 

CMYK 90 / 0 / 10 / 71

HEX #074942

RGB 7 73 66

HSL 173.64, 0.83%, 0.16%

LAB 27.31, -21.06, -1.34

 

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

CMYK 25 / 0 / 90 / 71

HEX #374907

RGB 55 73 7

HSL 76.36, 0.83%, 0.16%

LAB 28.36, -17.34, 33.65

 

CMYK 90 / 25 / 0 / 71

HEX #073749

RGB 7 55 73

HSL 196.36, 0.83%, 0.16%

LAB 21.05, -7.97, -15.44

 

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

CMYK 0 / 47 / 90 / 71

HEX #492707

RGB 73 39 7

HSL 29.09, 0.83%, 0.16%

LAB 19.57, 13.22, 25.55

 

CMYK 90 / 0 / 64 / 71

HEX #07491A

RGB 7 73 26

HSL 137.27, 0.83%, 0.16%

LAB 26.4, -31.04, 22.35

 

CMYK 90 / 44 / 0 / 71

HEX #072949

RGB 7 41 73

HSL 209.09, 0.83%, 0.16%

LAB 16.06, 1.72, -23.28

 

CMYK 0 / 89 / 25 / 71

HEX #4B0838

RGB 75 8 56

HSL 317.01, 0.81%, 0.16%

LAB 15.25, 34.8, -12.18

 

CMYK 0 / 19 / 90 / 71

HEX #493B07

RGB 73 59 7

HSL 47.27, 0.83%, 0.16%

LAB 25.44, 0.22, 31.68

 

CMYK 90 / 0 / 64 / 71

HEX #07491A

RGB 7 73 26

HSL 137.27, 0.83%, 0.16%

LAB 26.4, -31.04, 22.35

 

CMYK 90 / 70 / 0 / 71

HEX #071649

RGB 7 22 73

HSL 226.36, 0.83%, 0.16%

LAB 9.8, 16.33, -33.41

 

Description

Color code: HEX #4B0838 | qconv.com Color code: HEX #4B0838 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 8 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 8 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 25 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 25% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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