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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AF1D1 it is the complementary color #B50E2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AF1D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AF1D1 shade: #4FF1CC, #60FFDF, #71FFF2, #82FFFF and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AF1D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AF1D1 shade: #4AF1D1, #39DFBE, #28CDAB, #17BB98 and #06A985

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AF1D1 shade: #4AF1D1, #4AF1A4, #4AF177, #4AF14A and #77F14A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AF1D1 shade: #4AF1D1, #4AE4F1, #4AB7F1, #4A8AF1 and #4A5DF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AF1D1 shade matches the following richer shades: #4AF1D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AF1D1 shade: #4AF1D1, #5AE1C7, #6AD2BE, #79C2B4 and #89B2AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AF1D1 shade: #4AF177, #4AF1A3, #4AF1D0, #4AE6F1 and #4AB9F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AF1D1 shade: #10D9B2, #24EEC7, #4AF1D1, #71F4DB and #97F7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AF1D1 shade: #4AF1D1, #4A4AF1 and #F18D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AF1D1 shade: #4AF1D1, #D04AF1 and #F1D04A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AF1D1 shade: #4AF1D1, #4A4AF1, #F14A6C and #F1F14A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AF1D1 shade: #4AF1D1, #7C4AF1, #F14A6C and #BFF14A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

Complementary color

CMYK 0 / 92 / 75 / 29

HEX #B50E2E

RGB 181 14 46

HSL 348.5, 0.86%, 0.38%

LAB 38.44, 61.29, 30.02

 

CMYK 67 / 0 / 15 / 5

HEX #4FF1CC

RGB 79 241 204

HSL 166.3, 0.85%, 0.63%

LAB 86.47, -50.32, 5.69

 

CMYK 62 / 0 / 13 / 0

HEX #60FFDF

RGB 96 255 223

HSL 167.92, 1%, 0.69%

LAB 91.39, -49, 2.98

 

CMYK 56 / 0 / 5 / 0

HEX #71FFF2

RGB 113 255 242

HSL 174.51, 1%, 0.72%

LAB 92.33, -41.38, -5.43

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 74 / 0 / 15 / 13

HEX #39DFBE

RGB 57 223 190

HSL 168.07, 0.72%, 0.55%

LAB 80.38, -49.15, 4.22

 

CMYK 80 / 0 / 17 / 20

HEX #28CDAB

RGB 40 205 171

HSL 167.64, 0.67%, 0.48%

LAB 74.22, -48.25, 5.46

 

CMYK 88 / 0 / 19 / 27

HEX #17BB98

RGB 23 187 152

HSL 167.2, 0.78%, 0.41%

LAB 68.01, -47.02, 6.83

 

CMYK 96 / 0 / 21 / 34

HEX #06A985

RGB 6 169 133

HSL 166.75, 0.93%, 0.34%

LAB 61.75, -45.37, 8.35

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 69 / 0 / 32 / 5

HEX #4AF1A4

RGB 74 241 164

HSL 152.34, 0.86%, 0.62%

LAB 85.53, -59.89, 25.08

 

CMYK 69 / 0 / 51 / 5

HEX #4AF177

RGB 74 241 119

HSL 136.17, 0.86%, 0.62%

LAB 84.84, -67.59, 46.45

 

CMYK 69 / 0 / 69 / 5

HEX #4AF14A

RGB 74 241 74

HSL 120, 0.86%, 0.62%

LAB 84.41, -72.68, 65.16

 

CMYK 51 / 0 / 69 / 5

HEX #77F14A

RGB 119 241 74

HSL 103.83, 0.86%, 0.62%

LAB 85.67, -62.6, 66.86

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 69 / 5 / 0 / 5

HEX #4AE4F1

RGB 74 228 241

HSL 184.67, 0.86%, 0.62%

LAB 83.6, -35.47, -18.03

 

CMYK 69 / 24 / 0 / 5

HEX #4AB7F1

RGB 74 183 241

HSL 200.84, 0.86%, 0.62%

LAB 70.65, -12.94, -37.88

 

CMYK 69 / 43 / 0 / 5

HEX #4A8AF1

RGB 74 138 241

HSL 217.01, 0.86%, 0.62%

LAB 58.02, 12.8, -57.8

 

CMYK 69 / 61 / 0 / 5

HEX #4A5DF1

RGB 74 93 241

HSL 233.17, 0.86%, 0.62%

LAB 46.49, 40.47, -76.44

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 60 / 0 / 12 / 12

HEX #5AE1C7

RGB 90 225 199

HSL 168.44, 0.69%, 0.62%

LAB 81.92, -42.89, 1.77

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BE

RGB 106 210 190

HSL 168.46, 0.54%, 0.62%

LAB 77.8, -35.06, 0.63

 

CMYK 38 / 0 / 7 / 24

HEX #79C2B4

RGB 121 194 180

HSL 168.49, 0.37%, 0.62%

LAB 73.51, -26.02, -0.16

 

CMYK 23 / 0 / 4 / 30

HEX #89B2AA

RGB 137 178 170

HSL 168.29, 0.21%, 0.62%

LAB 69.51, -15.43, -0.42

 

CMYK 69 / 0 / 51 / 5

HEX #4AF177

RGB 74 241 119

HSL 136.17, 0.86%, 0.62%

LAB 84.84, -67.59, 46.45

 

CMYK 69 / 0 / 32 / 5

HEX #4AF1A3

RGB 74 241 163

HSL 151.98, 0.86%, 0.62%

LAB 85.51, -60.09, 25.57

 

CMYK 69 / 0 / 14 / 5

HEX #4AF1D0

RGB 74 241 208

HSL 168.14, 0.86%, 0.62%

LAB 86.46, -50.05, 3.58

 

CMYK 69 / 5 / 0 / 5

HEX #4AE6F1

RGB 74 230 241

HSL 183.95, 0.86%, 0.62%

LAB 84.17, -36.4, -17.16

 

CMYK 69 / 23 / 0 / 5

HEX #4AB9F1

RGB 74 185 241

HSL 200.12, 0.86%, 0.62%

LAB 71.22, -14.01, -36.99

 

CMYK 93 / 0 / 18 / 15

HEX #10D9B2

RGB 16 217 178

HSL 168.36, 0.86%, 0.46%

LAB 77.85, -52.86, 6.89

 

CMYK 85 / 0 / 16 / 7

HEX #24EEC7

RGB 36 238 199

HSL 168.42, 0.86%, 0.54%

LAB 84.82, -54.9, 5.84

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 54 / 0 / 10 / 4

HEX #71F4DB

RGB 113 244 219

HSL 168.55, 0.86%, 0.7%

LAB 88.6, -42.08, 1.07

 

CMYK 39 / 0 / 8 / 3

HEX #97F7E4

RGB 151 247 228

HSL 168.13, 0.86%, 0.78%

LAB 91.1, -32.65, 0.19

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 0 / 41 / 69 / 5

HEX #F18D4A

RGB 241 141 74

HSL 24.07, 0.86%, 0.62%

LAB 68.2, 32.56, 50.96

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 14 / 69 / 0 / 5

HEX #D04AF1

RGB 208 74 241

HSL 288.14, 0.86%, 0.62%

LAB 56.74, 74.24, -59.2

 

CMYK 0 / 14 / 69 / 5

HEX #F1D04A

RGB 241 208 74

HSL 48.14, 0.86%, 0.62%

LAB 84.13, -2.5, 67.7

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 0 / 69 / 55 / 5

HEX #F14A6C

RGB 241 74 108

HSL 347.78, 0.86%, 0.62%

LAB 56.76, 65.48, 18.25

 

CMYK 0 / 0 / 69 / 5

HEX #F1F14A

RGB 241 241 74

HSL 60, 0.86%, 0.62%

LAB 92.62, -18.9, 76.12

 

CMYK 69 / 0 / 13 / 5

HEX #4AF1D1

RGB 74 241 209

HSL 168.5, 0.86%, 0.62%

LAB 86.49, -49.8, 3.09

 

CMYK 49 / 69 / 0 / 5

HEX #7C4AF1

RGB 124 74 241

HSL 257.96, 0.86%, 0.62%

LAB 46.36, 58.43, -76.51

 

CMYK 0 / 69 / 55 / 5

HEX #F14A6C

RGB 241 74 108

HSL 347.78, 0.86%, 0.62%

LAB 56.76, 65.48, 18.25

 

CMYK 21 / 0 / 69 / 5

HEX #BFF14A

RGB 191 241 74

HSL 77.96, 0.86%, 0.62%

LAB 89.15, -38.66, 71.53

 

Description

Color code: HEX #4AF1D1 | qconv.com Color code: HEX #4AF1D1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 241 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 241 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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