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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AF7A8 it is the complementary color #B50857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AF7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AF7A8 shade: #4FF7A3, #60FFB6, #71FFC9, #82FFDC and #93FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AF7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AF7A8 shade: #4AF7A8, #39E595, #28D382, #17C16F and #06AF5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AF7A8 shade: #49F7A8, #49F779, #49F74A, #77F749 and #A6F749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AF7A8 shade: #49F7A8, #49F7D6, #49E9F7, #49BAF7 and #498BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AF7A8 shade matches the following richer shades: #49F7A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AF7A8 shade: #49F7A8, #59E8A6, #68D8A5, #77C9A4 and #86BAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AF7A8 shade: #49F749, #49F778, #49F7A6, #49F7D4 and #49EBF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AF7A8 shade: #09E580, #22F595, #49F7A8, #71F9BB and #99FACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AF7A8 shade: #4AF7A8, #4978F7 and #F76049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AF7A8 shade: #4AF7A8, #A649F7 and #F7A649

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AF7A8 shade: #4AF7A8, #4978F7, #F7499A and #F7C949

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AF7A8 shade: #4AF7A8, #4F49F7, #F7499A and #F1F749

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

Complementary color

CMYK 0 / 96 / 52 / 29

HEX #B50857

RGB 181 8 87

HSL 332.6, 0.92%, 0.37%

LAB 39.05, 64.35, 4.73

 

CMYK 68 / 0 / 34 / 3

HEX #4FF7A3

RGB 79 247 163

HSL 150, 0.91%, 0.64%

LAB 87.4, -61.57, 28.15

 

CMYK 62 / 0 / 29 / 0

HEX #60FFB6

RGB 96 255 182

HSL 152.45, 1%, 0.69%

LAB 90.5, -58.05, 22.8

 

CMYK 56 / 0 / 21 / 0

HEX #71FFC9

RGB 113 255 201

HSL 157.18, 1%, 0.72%

LAB 91.35, -50.86, 14.33

 

CMYK 49 / 0 / 14 / 0

HEX #82FFDC

RGB 130 255 220

HSL 163.2, 1%, 0.75%

LAB 92.32, -43.1, 6.01

 

CMYK 42 / 0 / 6 / 0

HEX #93FFEF

RGB 147 255 239

HSL 171.11, 1%, 0.79%

LAB 93.43, -34.88, -2.12

 

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

CMYK 75 / 0 / 35 / 10

HEX #39E595

RGB 57 229 149

HSL 152.09, 0.77%, 0.56%

LAB 81.33, -60.72, 27.03

 

CMYK 81 / 0 / 38 / 17

HEX #28D382

RGB 40 211 130

HSL 151.58, 0.68%, 0.49%

LAB 75.23, -59.77, 28.59

 

CMYK 88 / 0 / 42 / 24

HEX #17C16F

RGB 23 193 111

HSL 151.06, 0.79%, 0.42%

LAB 69.09, -58.42, 30.28

 

CMYK 97 / 0 / 47 / 31

HEX #06AF5C

RGB 6 175 92

HSL 150.53, 0.93%, 0.35%

LAB 62.9, -56.54, 32.09

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A8

RGB 73 247 168

HSL 152.76, 0.92%, 0.63%

LAB 87.37, -61.5, 25.55

 

CMYK 70 / 0 / 51 / 3

HEX #49F779

RGB 73 247 121

HSL 136.55, 0.92%, 0.63%

LAB 86.66, -69.51, 47.75

 

CMYK 70 / 0 / 70 / 3

HEX #49F74A

RGB 73 247 74

HSL 120.34, 0.92%, 0.63%

LAB 86.22, -74.73, 67.04

 

CMYK 52 / 0 / 70 / 3

HEX #77F749

RGB 119 247 73

HSL 104.14, 0.92%, 0.63%

LAB 87.45, -64.85, 69.05

 

CMYK 33 / 0 / 70 / 3

HEX #A6F749

RGB 166 247 73

HSL 87.93, 0.92%, 0.63%

LAB 89.44, -50.37, 71.72

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A8

RGB 73 247 168

HSL 152.76, 0.92%, 0.63%

LAB 87.37, -61.5, 25.55

 

CMYK 70 / 0 / 13 / 3

HEX #49F7D6

RGB 73 247 214

HSL 168.62, 0.92%, 0.63%

LAB 88.35, -51.2, 3.18

 

CMYK 70 / 6 / 0 / 3

HEX #49E9F7

RGB 73 233 247

HSL 184.83, 0.92%, 0.63%

LAB 85.2, -36.2, -18.77

 

CMYK 70 / 25 / 0 / 3

HEX #49BAF7

RGB 73 186 247

HSL 201.03, 0.92%, 0.63%

LAB 71.72, -12.73, -39.45

 

CMYK 70 / 44 / 0 / 3

HEX #498BF7

RGB 73 139 247

HSL 217.24, 0.92%, 0.63%

LAB 58.6, 14.16, -60.19

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A8

RGB 73 247 168

HSL 152.76, 0.92%, 0.63%

LAB 87.37, -61.5, 25.55

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A8

RGB 73 247 168

HSL 152.76, 0.92%, 0.63%

LAB 87.37, -61.5, 25.55

 

CMYK 62 / 0 / 28 / 9

HEX #59E8A6

RGB 89 232 166

HSL 152.31, 0.76%, 0.63%

LAB 83.23, -53.44, 20.95

 

CMYK 52 / 0 / 24 / 15

HEX #68D8A5

RGB 104 216 165

HSL 152.68, 0.59%, 0.63%

LAB 78.91, -43.82, 15.53

 

CMYK 41 / 0 / 18 / 21

HEX #77C9A4

RGB 119 201 164

HSL 152.93, 0.43%, 0.63%

LAB 75.06, -33.46, 10.72

 

CMYK 28 / 0 / 13 / 27

HEX #86BAA2

RGB 134 186 162

HSL 152.31, 0.27%, 0.63%

LAB 71.42, -22.16, 6.7

 

CMYK 70 / 0 / 70 / 3

HEX #49F749

RGB 73 247 73

HSL 120, 0.92%, 0.63%

LAB 86.22, -74.81, 67.39

 

CMYK 70 / 0 / 51 / 3

HEX #49F778

RGB 73 247 120

HSL 136.21, 0.92%, 0.63%

LAB 86.65, -69.65, 48.2

 

CMYK 70 / 0 / 33 / 3

HEX #49F7A6

RGB 73 247 166

HSL 152.07, 0.92%, 0.63%

LAB 87.33, -61.9, 26.52

 

CMYK 70 / 0 / 14 / 3

HEX #49F7D4

RGB 73 247 212

HSL 167.93, 0.92%, 0.63%

LAB 88.3, -51.7, 4.15

 

CMYK 70 / 5 / 0 / 3

HEX #49EBF7

RGB 73 235 247

HSL 184.14, 0.92%, 0.63%

LAB 85.78, -37.12, -17.91

 

CMYK 96 / 0 / 44 / 10

HEX #09E580

RGB 9 229 128

HSL 152.45, 0.92%, 0.47%

LAB 80.55, -68.21, 36.52

 

CMYK 86 / 0 / 39 / 4

HEX #22F595

RGB 34 245 149

HSL 152.7, 0.91%, 0.55%

LAB 85.91, -68.58, 33.1

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A8

RGB 73 247 168

HSL 152.76, 0.92%, 0.63%

LAB 87.37, -61.5, 25.55

 

CMYK 55 / 0 / 25 / 2

HEX #71F9BB

RGB 113 249 187

HSL 152.65, 0.92%, 0.71%

LAB 89.32, -51.28, 18.68

 

CMYK 39 / 0 / 18 / 2

HEX #99FACE

RGB 153 250 206

HSL 152.78, 0.91%, 0.79%

LAB 91.5, -38.16, 12.19

 

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

CMYK 70 / 51 / 0 / 3

HEX #4978F7

RGB 73 120 247

HSL 223.79, 0.92%, 0.63%

LAB 53.56, 25.79, -68.3

 

CMYK 0 / 61 / 70 / 3

HEX #F76049

RGB 247 96 73

HSL 7.93, 0.92%, 0.63%

LAB 60.45, 56.53, 43.03

 

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

CMYK 33 / 70 / 0 / 3

HEX #A649F7

RGB 166 73 247

HSL 272.07, 0.92%, 0.63%

LAB 51.37, 67.65, -71.5

 

CMYK 0 / 33 / 70 / 3

HEX #F7A649

RGB 247 166 73

HSL 32.07, 0.92%, 0.63%

LAB 74.53, 21.85, 58.43

 

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

CMYK 70 / 51 / 0 / 3

HEX #4978F7

RGB 73 120 247

HSL 223.79, 0.92%, 0.63%

LAB 53.56, 25.79, -68.3

 

CMYK 0 / 70 / 38 / 3

HEX #F7499A

RGB 247 73 154

HSL 332.07, 0.92%, 0.63%

LAB 58.86, 71.53, -5.69

 

CMYK 0 / 19 / 70 / 3

HEX #F7C949

RGB 247 201 73

HSL 44.14, 0.92%, 0.63%

LAB 82.93, 3.56, 67.07

 

CMYK 70 / 0 / 32 / 3

HEX #4AF7A8

RGB 74 247 168

HSL 152.6, 0.92%, 0.63%

LAB 87.39, -61.36, 25.58

 

CMYK 68 / 70 / 0 / 3

HEX #4F49F7

RGB 79 73 247

HSL 242.07, 0.92%, 0.63%

LAB 42.98, 54.61, -85.56

 

CMYK 0 / 70 / 38 / 3

HEX #F7499A

RGB 247 73 154

HSL 332.07, 0.92%, 0.63%

LAB 58.86, 71.53, -5.69

 

CMYK 2 / 0 / 70 / 3

HEX #F1F749

RGB 241 247 73

HSL 62.07, 0.92%, 0.63%

LAB 94.19, -21.82, 77.98

 

Description

Color code: HEX #4AF7A8 | qconv.com Color code: HEX #4AF7A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 247 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 247 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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