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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AEBC6 it is the complementary color #B51439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AEBC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AEBC6 shade: #4FEBC1, #60FDD4, #71FFE7, #82FFFA and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AEBC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AEBC6 shade: #4AEBC6, #39D9B3, #28C7A0, #17B58D and #06A37A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AEBC6 shade: #4BEBC6, #4BEB9B, #4BEB70, #52EB4B and #7DEB4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AEBC6 shade: #4BEBC6, #4BE4EB, #4BB9EB, #4B8EEB and #4B64EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AEBC6 shade matches the following richer shades: #4BEBC6 and #3BFBCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AEBC6 shade: #4BEBC6, #5CDBBD, #6CCAB5, #7CBAAC and #8CAAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AEBC6 shade: #4BEB71, #4BEB9B, #4BEBC5, #4BE5EB and #4BBBEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AEBC6 shade: #16CDA3, #26E6BA, #4BEBC6, #71EFD2 and #96F3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AEBC6 shade: #4AEBC6, #4B51EB and #EB864B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AEBC6 shade: #4AEBC6, #C54BEB and #EBC54B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AEBC6 shade: #4AEBC6, #4B51EB, #EB4B71 and #EBE54B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AEBC6 shade: #4AEBC6, #764BEB, #EB4B71 and #C0EB4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

Complementary color

CMYK 0 / 89 / 69 / 29

HEX #B51439

RGB 181 20 57

HSL 346.21, 0.8%, 0.39%

LAB 38.93, 60.84, 23.75

 

CMYK 66 / 0 / 18 / 8

HEX #4FEBC1

RGB 79 235 193

HSL 163.85, 0.8%, 0.62%

LAB 84.45, -50.44, 8.54

 

CMYK 62 / 0 / 16 / 1

HEX #60FDD4

RGB 96 253 212

HSL 164.33, 0.98%, 0.68%

LAB 90.55, -50.75, 7.46

 

CMYK 56 / 0 / 9 / 0

HEX #71FFE7

RGB 113 255 231

HSL 169.86, 1%, 0.72%

LAB 92.04, -44.07, -0.15

 

CMYK 49 / 0 / 2 / 0

HEX #82FFFA

RGB 130 255 250

HSL 177.6, 1%, 0.75%

LAB 93.09, -36.06, -8.39

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

CMYK 74 / 0 / 18 / 15

HEX #39D9B3

RGB 57 217 179

HSL 165.75, 0.68%, 0.54%

LAB 78.32, -49.4, 7.09

 

CMYK 80 / 0 / 20 / 22

HEX #28C7A0

RGB 40 199 160

HSL 165.28, 0.67%, 0.47%

LAB 72.12, -48.55, 8.38

 

CMYK 87 / 0 / 22 / 29

HEX #17B58D

RGB 23 181 141

HSL 164.81, 0.77%, 0.4%

LAB 65.87, -47.36, 9.8

 

CMYK 96 / 0 / 25 / 36

HEX #06A37A

RGB 6 163 122

HSL 164.33, 0.93%, 0.33%

LAB 59.56, -45.73, 11.39

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC6

RGB 75 235 198

HSL 166.13, 0.8%, 0.61%

LAB 84.48, -49.85, 5.95

 

CMYK 68 / 0 / 34 / 8

HEX #4BEB9B

RGB 75 235 155

HSL 150, 0.8%, 0.61%

LAB 83.59, -59.23, 27.05

 

CMYK 68 / 0 / 52 / 8

HEX #4BEB70

RGB 75 235 112

HSL 133.88, 0.8%, 0.61%

LAB 82.96, -66.34, 47.43

 

CMYK 65 / 0 / 68 / 8

HEX #52EB4B

RGB 82 235 75

HSL 117.38, 0.8%, 0.61%

LAB 82.76, -69.18, 63.11

 

CMYK 47 / 0 / 68 / 8

HEX #7DEB4B

RGB 125 235 75

HSL 101.25, 0.8%, 0.61%

LAB 84.11, -58.6, 64.94

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC6

RGB 75 235 198

HSL 166.13, 0.8%, 0.61%

LAB 84.48, -49.85, 5.95

 

CMYK 68 / 3 / 0 / 8

HEX #4BE4EB

RGB 75 228 235

HSL 182.63, 0.8%, 0.61%

LAB 83.43, -37.05, -15.11

 

CMYK 68 / 21 / 0 / 8

HEX #4BB9EB

RGB 75 185 235

HSL 198.75, 0.8%, 0.61%

LAB 71, -15.79, -34.07

 

CMYK 68 / 40 / 0 / 8

HEX #4B8EEB

RGB 75 142 235

HSL 214.88, 0.8%, 0.61%

LAB 58.83, 8.46, -53.19

 

CMYK 68 / 57 / 0 / 8

HEX #4B64EB

RGB 75 100 235

HSL 230.63, 0.8%, 0.61%

LAB 47.76, 34.25, -71

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC6

RGB 75 235 198

HSL 166.13, 0.8%, 0.61%

LAB 84.48, -49.85, 5.95

 

CMYK 76 / 0 / 18 / 2

HEX #3BFBCF

RGB 59 251 207

HSL 166.25, 0.96%, 0.61%

LAB 89.12, -56.16, 7.91

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC6

RGB 75 235 198

HSL 166.13, 0.8%, 0.61%

LAB 84.48, -49.85, 5.95

 

CMYK 58 / 0 / 14 / 14

HEX #5CDBBD

RGB 92 219 189

HSL 165.83, 0.64%, 0.61%

LAB 79.96, -42.3, 4.24

 

CMYK 47 / 0 / 10 / 21

HEX #6CCAB5

RGB 108 202 181

HSL 166.6, 0.47%, 0.61%

LAB 75.31, -32.99, 1.85

 

CMYK 33 / 0 / 8 / 27

HEX #7CBAAC

RGB 124 186 172

HSL 166.45, 0.31%, 0.61%

LAB 71.13, -23.03, 0.75

 

CMYK 18 / 0 / 4 / 33

HEX #8CAAA3

RGB 140 170 163

HSL 166, 0.15%, 0.61%

LAB 67.25, -11.74, 0.17

 

CMYK 68 / 0 / 52 / 8

HEX #4BEB71

RGB 75 235 113

HSL 134.25, 0.8%, 0.61%

LAB 82.97, -66.2, 46.98

 

CMYK 68 / 0 / 34 / 8

HEX #4BEB9B

RGB 75 235 155

HSL 150, 0.8%, 0.61%

LAB 83.59, -59.23, 27.05

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC5

RGB 75 235 197

HSL 165.75, 0.8%, 0.61%

LAB 84.45, -50.09, 6.44

 

CMYK 68 / 3 / 0 / 8

HEX #4BE5EB

RGB 75 229 235

HSL 182.25, 0.8%, 0.61%

LAB 83.72, -37.51, -14.67

 

CMYK 68 / 20 / 0 / 8

HEX #4BBBEB

RGB 75 187 235

HSL 198, 0.8%, 0.61%

LAB 71.58, -16.85, -33.17

 

CMYK 89 / 0 / 20 / 20

HEX #16CDA3

RGB 22 205 163

HSL 166.23, 0.81%, 0.45%

LAB 73.85, -51.58, 9.21

 

CMYK 83 / 0 / 19 / 10

HEX #26E6BA

RGB 38 230 186

HSL 166.25, 0.79%, 0.53%

LAB 82.14, -54.79, 8.83

 

CMYK 68 / 0 / 16 / 8

HEX #4BEBC6

RGB 75 235 198

HSL 166.13, 0.8%, 0.61%

LAB 84.48, -49.85, 5.95

 

CMYK 53 / 0 / 12 / 6

HEX #71EFD2

RGB 113 239 210

HSL 166.19, 0.8%, 0.69%

LAB 86.95, -41.97, 3.36

 

CMYK 38 / 0 / 9 / 5

HEX #96F3DD

RGB 150 243 221

HSL 165.81, 0.79%, 0.77%

LAB 89.77, -32.59, 1.89

 

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

CMYK 68 / 66 / 0 / 8

HEX #4B51EB

RGB 75 81 235

HSL 237.75, 0.8%, 0.61%

LAB 43.33, 45.77, -78.24

 

CMYK 0 / 43 / 68 / 8

HEX #EB864B

RGB 235 134 75

HSL 22.13, 0.8%, 0.61%

LAB 65.92, 33.85, 47.72

 

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

CMYK 16 / 68 / 0 / 8

HEX #C54BEB

RGB 197 75 235

HSL 285.75, 0.8%, 0.61%

LAB 54.97, 70.46, -58.77

 

CMYK 0 / 16 / 68 / 8

HEX #EBC54B

RGB 235 197 75

HSL 45.75, 0.8%, 0.61%

LAB 80.8, 0.68, 63.72

 

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

CMYK 68 / 66 / 0 / 8

HEX #4B51EB

RGB 75 81 235

HSL 237.75, 0.8%, 0.61%

LAB 43.33, 45.77, -78.24

 

CMYK 0 / 68 / 52 / 8

HEX #EB4B71

RGB 235 75 113

HSL 345.75, 0.8%, 0.61%

LAB 55.97, 63.7, 14.05

 

CMYK 0 / 3 / 68 / 8

HEX #EBE54B

RGB 235 229 75

HSL 57.75, 0.8%, 0.61%

LAB 89.02, -15.46, 72.06

 

CMYK 69 / 0 / 16 / 8

HEX #4AEBC6

RGB 74 235 198

HSL 166.21, 0.8%, 0.61%

LAB 84.46, -49.99, 5.92

 

CMYK 50 / 68 / 0 / 8

HEX #764BEB

RGB 118 75 235

HSL 256.13, 0.8%, 0.61%

LAB 45.47, 55.32, -74.6

 

CMYK 0 / 68 / 52 / 8

HEX #EB4B71

RGB 235 75 113

HSL 345.75, 0.8%, 0.61%

LAB 55.97, 63.7, 14.05

 

CMYK 18 / 0 / 68 / 8

HEX #C0EB4B

RGB 192 235 75

HSL 76.13, 0.8%, 0.61%

LAB 87.55, -35.52, 69.57

 

Description

Color code: HEX #4AEBC6 | qconv.com Color code: HEX #4AEBC6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 235 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 235 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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