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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ADD88 it is the complementary color #B52277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ADD88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ADD88 shade: #4FDD83, #60EF96, #71FFA9, #82FFBC and #93FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ADD88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ADD88 shade: #4ADD88, #39CB75, #28B962, #17A74F and #06953C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ADD88 shade: #4BDC88, #4BDC61, #5CDC4B, #83DC4B and #AADC4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ADD88 shade: #4BDC88, #4BDCAF, #4BDCD7, #4BBBDC and #4B93DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ADD88 shade matches the following richer shades: #4BDC88 and #39EE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ADD88 shade: #4BDC88, #5CCB8B, #6DBA8D, #7FA890 and #909793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ADD88 shade: #5CDC4B, #4BDC60, #4BDC87, #4BDCAE and #4BDCD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ADD88 shade: #22B35F, #28D571, #4BDC88, #6DE39F and #90E9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ADD88 shade: #4ADD88, #4B82DC and #DC4D4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ADD88 shade: #4ADD88, #874BDC and #DC874B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ADD88 shade: #4ADD88, #4B82DC, #DC4BA0 and #DCA44B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ADD88 shade: #4ADD88, #4B57DC, #DC4BA0 and #DCD04B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

Complementary color

CMYK 0 / 81 / 34 / 29

HEX #B52277

RGB 181 34 119

HSL 325.31, 0.68%, 0.42%

LAB 41.69, 62.73, -11.54

 

CMYK 64 / 0 / 41 / 13

HEX #4FDD83

RGB 79 221 131

HSL 141.97, 0.68%, 0.59%

LAB 79.05, -57.64, 33.24

 

CMYK 60 / 0 / 37 / 6

HEX #60EF96

RGB 96 239 150

HSL 142.66, 0.82%, 0.66%

LAB 85.21, -57.86, 31.86

 

CMYK 56 / 0 / 34 / 0

HEX #71FFA9

RGB 113 255 169

HSL 143.66, 1%, 0.72%

LAB 90.73, -57.15, 29.77

 

CMYK 49 / 0 / 26 / 0

HEX #82FFBC

RGB 130 255 188

HSL 147.84, 1%, 0.75%

LAB 91.64, -49.73, 21.48

 

CMYK 42 / 0 / 19 / 0

HEX #93FFCF

RGB 147 255 207

HSL 153.33, 1%, 0.79%

LAB 92.68, -41.77, 13.3

 

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

CMYK 72 / 0 / 42 / 20

HEX #39CB75

RGB 57 203 117

HSL 144.66, 0.58%, 0.51%

LAB 72.8, -57.15, 32.12

 

CMYK 78 / 0 / 47 / 27

HEX #28B962

RGB 40 185 98

HSL 144, 0.64%, 0.44%

LAB 66.54, -56.29, 33.71

 

CMYK 86 / 0 / 53 / 35

HEX #17A74F

RGB 23 167 79

HSL 143.33, 0.76%, 0.37%

LAB 60.23, -54.94, 35.4

 

CMYK 96 / 0 / 60 / 42

HEX #06953C

RGB 6 149 60

HSL 142.66, 0.92%, 0.3%

LAB 53.88, -52.91, 37.13

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC88

RGB 75 220 136

HSL 145.24, 0.67%, 0.58%

LAB 78.73, -57.11, 30.26

 

CMYK 66 / 0 / 56 / 14

HEX #4BDC61

RGB 75 220 97

HSL 129.1, 0.67%, 0.58%

LAB 78.2, -63.13, 48.66

 

CMYK 58 / 0 / 66 / 14

HEX #5CDC4B

RGB 92 220 75

HSL 112.97, 0.67%, 0.58%

LAB 78.44, -61.89, 58.57

 

CMYK 40 / 0 / 66 / 14

HEX #83DC4B

RGB 131 220 75

HSL 96.83, 0.67%, 0.58%

LAB 79.91, -50.89, 60.58

 

CMYK 23 / 0 / 66 / 14

HEX #AADC4B

RGB 170 220 75

HSL 80.69, 0.67%, 0.58%

LAB 81.97, -37.14, 63.38

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC88

RGB 75 220 136

HSL 145.24, 0.67%, 0.58%

LAB 78.73, -57.11, 30.26

 

CMYK 66 / 0 / 20 / 14

HEX #4BDCAF

RGB 75 220 175

HSL 161.38, 0.67%, 0.58%

LAB 79.49, -49.04, 10.94

 

CMYK 66 / 0 / 2 / 14

HEX #4BDCD7

RGB 75 220 215

HSL 177.93, 0.67%, 0.58%

LAB 80.51, -38.93, -8.86

 

CMYK 66 / 15 / 0 / 14

HEX #4BBBDC

RGB 75 187 220

HSL 193.66, 0.67%, 0.58%

LAB 71.01, -21.54, -25.89

 

CMYK 66 / 33 / 0 / 14

HEX #4B93DC

RGB 75 147 220

HSL 210.21, 0.67%, 0.58%

LAB 59.46, 0.36, -43.84

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC88

RGB 75 220 136

HSL 145.24, 0.67%, 0.58%

LAB 78.73, -57.11, 30.26

 

CMYK 76 / 0 / 44 / 7

HEX #39EE85

RGB 57 238 133

HSL 145.19, 0.84%, 0.58%

LAB 83.82, -66.82, 38.35

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC88

RGB 75 220 136

HSL 145.24, 0.67%, 0.58%

LAB 78.73, -57.11, 30.26

 

CMYK 55 / 0 / 32 / 20

HEX #5CCB8B

RGB 92 203 139

HSL 145.41, 0.52%, 0.58%

LAB 74.09, -46.29, 22.55

 

CMYK 41 / 0 / 24 / 27

HEX #6DBA8D

RGB 109 186 141

HSL 144.94, 0.36%, 0.58%

LAB 69.68, -33.96, 15.49

 

CMYK 24 / 0 / 14 / 34

HEX #7FA890

RGB 127 168 144

HSL 144.88, 0.19%, 0.58%

LAB 65.38, -18.93, 7.92

 

CMYK 5 / 0 / 3 / 41

HEX #909793

RGB 144 151 147

HSL 145.71, 0.03%, 0.58%

LAB 61.8, -3.31, 1.22

 

CMYK 58 / 0 / 66 / 14

HEX #5CDC4B

RGB 92 220 75

HSL 112.97, 0.67%, 0.58%

LAB 78.44, -61.89, 58.57

 

CMYK 66 / 0 / 56 / 14

HEX #4BDC60

RGB 75 220 96

HSL 128.69, 0.67%, 0.58%

LAB 78.18, -63.26, 49.11

 

CMYK 66 / 0 / 39 / 14

HEX #4BDC87

RGB 75 220 135

HSL 144.83, 0.67%, 0.58%

LAB 78.71, -57.29, 30.75

 

CMYK 66 / 0 / 21 / 14

HEX #4BDCAE

RGB 75 220 174

HSL 160.97, 0.67%, 0.58%

LAB 79.46, -49.27, 11.44

 

CMYK 66 / 0 / 3 / 14

HEX #4BDCD5

RGB 75 220 213

HSL 177.1, 0.67%, 0.58%

LAB 80.45, -39.48, -7.87

 

CMYK 81 / 0 / 47 / 30

HEX #22B35F

RGB 34 179 95

HSL 145.24, 0.68%, 0.42%

LAB 64.49, -55.38, 32.62

 

CMYK 81 / 0 / 47 / 16

HEX #28D571

RGB 40 213 113

HSL 145.32, 0.68%, 0.5%

LAB 75.6, -63.51, 37.67

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC88

RGB 75 220 136

HSL 145.24, 0.67%, 0.58%

LAB 78.73, -57.11, 30.26

 

CMYK 52 / 0 / 30 / 11

HEX #6DE39F

RGB 109 227 159

HSL 145.42, 0.68%, 0.66%

LAB 82.21, -48.53, 23.28

 

CMYK 38 / 0 / 22 / 9

HEX #90E9B6

RGB 144 233 182

HSL 145.62, 0.67%, 0.74%

LAB 85.8, -37.64, 16.51

 

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

CMYK 66 / 41 / 0 / 14

HEX #4B82DC

RGB 75 130 220

HSL 217.24, 0.67%, 0.58%

LAB 54.69, 10.47, -51.41

 

CMYK 0 / 65 / 66 / 14

HEX #DC4D4B

RGB 220 77 75

HSL 0.83, 0.67%, 0.58%

LAB 52.98, 55.63, 31.97

 

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

CMYK 39 / 66 / 0 / 14

HEX #874BDC

RGB 135 75 220

HSL 264.83, 0.67%, 0.58%

LAB 46.11, 54.45, -64.98

 

CMYK 0 / 39 / 66 / 14

HEX #DC874B

RGB 220 135 75

HSL 24.83, 0.67%, 0.58%

LAB 64.2, 27.27, 45.25

 

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

CMYK 66 / 41 / 0 / 14

HEX #4B82DC

RGB 75 130 220

HSL 217.24, 0.67%, 0.58%

LAB 54.69, 10.47, -51.41

 

CMYK 0 / 66 / 27 / 14

HEX #DC4BA0

RGB 220 75 160

HSL 324.83, 0.67%, 0.58%

LAB 54.85, 64.16, -15.67

 

CMYK 0 / 25 / 66 / 14

HEX #DCA44B

RGB 220 164 75

HSL 36.83, 0.67%, 0.58%

LAB 71.06, 11.71, 52.92

 

CMYK 67 / 0 / 38 / 13

HEX #4ADD88

RGB 74 221 136

HSL 145.31, 0.68%, 0.58%

LAB 79.01, -57.66, 30.63

 

CMYK 66 / 60 / 0 / 14

HEX #4B57DC

RGB 75 87 220

HSL 235.03, 0.67%, 0.58%

LAB 43.48, 37.15, -69.49

 

CMYK 0 / 66 / 27 / 14

HEX #DC4BA0

RGB 220 75 160

HSL 324.83, 0.67%, 0.58%

LAB 54.85, 64.16, -15.67

 

CMYK 0 / 5 / 66 / 14

HEX #DCD04B

RGB 220 208 75

HSL 55.03, 0.67%, 0.58%

LAB 82.29, -11.24, 64.84

 

Description

Color code: HEX #4ADD88 | qconv.com Color code: HEX #4ADD88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 221 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 221 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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