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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AD874 it is the complementary color #B5278B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AD874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AD874 shade: #4FD86F, #60EA82, #71FC95, #82FFA8 and #93FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AD874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AD874 shade: #4AD874, #39C661, #28B44E, #17A23B and #069028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AD874 shade: #4AD874, #4AD84D, #6CD84A, #93D84A and #B9D84A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AD874 shade: #4AD874, #4AD89A, #4AD8C1, #4AC9D8 and #4AA3D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AD874 shade matches the following richer shades: #4AD874, #38EA6D and #26FC65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AD874 shade: #4AD874, #5BC67B, #6DB582, #7FA389 and #919191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AD874 shade: #6DD84A, #4AD84C, #4AD872, #4AD898 and #4AD8BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AD874 shade: #24AB4C, #2BCD5B, #4AD874, #6CDF8E and #8EE7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AD874 shade: #4AD874, #4A93D8 and #D84A5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AD874 shade: #4AD874, #724AD8 and #D8724A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AD874 shade: #4AD874, #4A93D8, #D84AB0 and #D88E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AD874 shade: #4AD874, #4A68D8, #D84AB0 and #D8B94A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

Complementary color

CMYK 0 / 78 / 23 / 29

HEX #B5278B

RGB 181 39 139

HSL 317.75, 0.65%, 0.43%

LAB 42.97, 63.77, -21.88

 

CMYK 63 / 0 / 49 / 15

HEX #4FD86F

RGB 79 216 111

HSL 134.01, 0.64%, 0.58%

LAB 77.23, -59, 40.87

 

CMYK 59 / 0 / 44 / 8

HEX #60EA82

RGB 96 234 130

HSL 134.78, 0.77%, 0.65%

LAB 83.41, -59.27, 39.48

 

CMYK 55 / 0 / 41 / 1

HEX #71FC95

RGB 113 252 149

HSL 135.54, 0.96%, 0.72%

LAB 89.53, -59.37, 38.13

 

CMYK 49 / 0 / 34 / 0

HEX #82FFA8

RGB 130 255 168

HSL 138.24, 1%, 0.75%

LAB 91.28, -53.37, 31.1

 

CMYK 42 / 0 / 27 / 0

HEX #93FFBB

RGB 147 255 187

HSL 142.22, 1%, 0.79%

LAB 92.27, -45.62, 22.96

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 71 / 0 / 51 / 22

HEX #39C661

RGB 57 198 97

HSL 137.02, 0.55%, 0.5%

LAB 70.95, -58.6, 39.81

 

CMYK 78 / 0 / 57 / 29

HEX #28B44E

RGB 40 180 78

HSL 136.29, 0.64%, 0.43%

LAB 64.68, -57.61, 41.32

 

CMYK 86 / 0 / 64 / 36

HEX #17A23B

RGB 23 162 59

HSL 135.54, 0.75%, 0.36%

LAB 58.36, -56.05, 42.79

 

CMYK 96 / 0 / 72 / 44

HEX #069028

RGB 6 144 40

HSL 134.78, 0.92%, 0.29%

LAB 51.99, -53.69, 44

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 66 / 0 / 64 / 15

HEX #4AD84D

RGB 74 216 77

HSL 121.27, 0.65%, 0.57%

LAB 76.74, -64.23, 55.76

 

CMYK 50 / 0 / 66 / 15

HEX #6CD84A

RGB 108 216 74

HSL 105.63, 0.65%, 0.57%

LAB 77.75, -56.36, 58.39

 

CMYK 32 / 0 / 66 / 15

HEX #93D84A

RGB 147 216 74

HSL 89.15, 0.65%, 0.57%

LAB 79.51, -43.89, 60.78

 

CMYK 14 / 0 / 66 / 15

HEX #B9D84A

RGB 185 216 74

HSL 73.1, 0.65%, 0.57%

LAB 81.79, -29.54, 63.89

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 66 / 0 / 29 / 15

HEX #4AD89A

RGB 74 216 154

HSL 153.8, 0.65%, 0.57%

LAB 77.82, -52.21, 19.68

 

CMYK 66 / 0 / 11 / 15

HEX #4AD8C1

RGB 74 216 193

HSL 170.28, 0.65%, 0.57%

LAB 78.7, -43.11, 0.23

 

CMYK 66 / 7 / 0 / 15

HEX #4AC9D8

RGB 74 201 216

HSL 186.34, 0.65%, 0.57%

LAB 74.94, -29.88, -17.74

 

CMYK 66 / 25 / 0 / 15

HEX #4AA3D8

RGB 74 163 216

HSL 202.39, 0.65%, 0.57%

LAB 63.84, -10.21, -34.76

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 76 / 0 / 53 / 8

HEX #38EA6D

RGB 56 234 109

HSL 137.87, 0.81%, 0.57%

LAB 82.27, -69.27, 47.91

 

CMYK 85 / 0 / 60 / 1

HEX #26FC65

RGB 38 252 101

HSL 137.66, 0.97%, 0.57%

LAB 87.47, -77.79, 57.57

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 54 / 0 / 38 / 22

HEX #5BC67B

RGB 91 198 123

HSL 137.94, 0.48%, 0.57%

LAB 72.26, -47.39, 28.47

 

CMYK 40 / 0 / 28 / 29

HEX #6DB582

RGB 109 181 130

HSL 137.5, 0.33%, 0.57%

LAB 67.95, -33.76, 19.07

 

CMYK 22 / 0 / 16 / 36

HEX #7FA389

RGB 127 163 137

HSL 136.67, 0.16%, 0.57%

LAB 63.76, -17.72, 9.51

 

CMYK 0 / 0 / 0 / 43

HEX #919191

RGB 145 145 145

HSL 0, 0%, 0.57%

LAB 60.17, 0, -0.01

 

CMYK 50 / 0 / 66 / 15

HEX #6DD84A

RGB 109 216 74

HSL 105.21, 0.65%, 0.57%

LAB 77.79, -56.08, 58.44

 

CMYK 66 / 0 / 65 / 15

HEX #4AD84C

RGB 74 216 76

HSL 120.85, 0.65%, 0.57%

LAB 76.73, -64.33, 56.16

 

CMYK 66 / 0 / 47 / 15

HEX #4AD872

RGB 74 216 114

HSL 136.9, 0.65%, 0.57%

LAB 77.15, -59.51, 39.27

 

CMYK 66 / 0 / 30 / 15

HEX #4AD898

RGB 74 216 152

HSL 152.96, 0.65%, 0.57%

LAB 77.78, -52.62, 20.67

 

CMYK 66 / 0 / 12 / 15

HEX #4AD8BE

RGB 74 216 190

HSL 169.01, 0.65%, 0.57%

LAB 78.63, -43.87, 1.72

 

CMYK 79 / 0 / 56 / 33

HEX #24AB4C

RGB 36 171 76

HSL 137.78, 0.65%, 0.41%

LAB 61.67, -55.34, 38.68

 

CMYK 79 / 0 / 56 / 20

HEX #2BCD5B

RGB 43 205 91

HSL 137.78, 0.65%, 0.49%

LAB 72.85, -63.82, 44.93

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 52 / 0 / 36 / 13

HEX #6CDF8E

RGB 108 223 142

HSL 137.74, 0.64%, 0.65%

LAB 80.69, -50.21, 29.97

 

CMYK 39 / 0 / 27 / 9

HEX #8EE7A8

RGB 142 231 168

HSL 137.53, 0.65%, 0.73%

LAB 84.86, -39.91, 22.46

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 66 / 32 / 0 / 15

HEX #4A93D8

RGB 74 147 216

HSL 209.15, 0.65%, 0.57%

LAB 59.23, -1.16, -41.97

 

CMYK 0 / 66 / 58 / 15

HEX #D84A5A

RGB 216 74 90

HSL 353.24, 0.65%, 0.57%

LAB 52.1, 56.5, 21.9

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 47 / 66 / 0 / 15

HEX #724AD8

RGB 114 74 216

HSL 256.9, 0.65%, 0.57%

LAB 43.41, 49.91, -67.18

 

CMYK 0 / 47 / 66 / 15

HEX #D8724A

RGB 216 114 74

HSL 16.9, 0.65%, 0.57%

LAB 59.09, 36.65, 39.72

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 66 / 32 / 0 / 15

HEX #4A93D8

RGB 74 147 216

HSL 209.15, 0.65%, 0.57%

LAB 59.23, -1.16, -41.97

 

CMYK 0 / 66 / 19 / 15

HEX #D84AB0

RGB 216 74 176

HSL 316.9, 0.65%, 0.57%

LAB 54.69, 65.58, -25.32

 

CMYK 0 / 34 / 66 / 15

HEX #D88E4A

RGB 216 142 74

HSL 28.73, 0.65%, 0.57%

LAB 65.31, 21.79, 46.88

 

CMYK 66 / 0 / 46 / 15

HEX #4AD874

RGB 74 216 116

HSL 137.75, 0.65%, 0.57%

LAB 77.18, -59.2, 38.32

 

CMYK 66 / 52 / 0 / 15

HEX #4A68D8

RGB 74 104 216

HSL 227.32, 0.65%, 0.57%

LAB 47.38, 25.02, -60.87

 

CMYK 0 / 66 / 19 / 15

HEX #D84AB0

RGB 216 74 176

HSL 316.9, 0.65%, 0.57%

LAB 54.69, 65.58, -25.32

 

CMYK 0 / 14 / 66 / 15

HEX #D8B94A

RGB 216 185 74

HSL 46.9, 0.65%, 0.57%

LAB 75.94, -1.18, 58.5

 

Description

Color code: HEX #4AD874 | qconv.com Color code: HEX #4AD874 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 216 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 216 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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