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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC7B9 it is the complementary color #B53846. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC7B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC7B9 shade: #4FC7B4, #60D9C7, #71EBDA, #82FDED and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC7B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC7B9 shade: #4AC7B9, #39B5A6, #28A393, #179180 and #067F6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC7B9 shade: #4BC7B9, #4BC798, #4BC776, #4BC755 and #63C74B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC7B9 shade: #4BC7B9, #4BB4C7, #4B92C7, #4B71C7 and #4B4FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC7B9 shade matches the following richer shades: #4BC7B9, #38DAC8 and #25EDD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC7B9 shade: #4BC7B9, #5EB4AB, #71A19C, #848E8D and #977B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC7B9 shade: #4BC777, #4BC798, #4BC7B9, #4BB5C7 and #4B94C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC7B9 shade: #2D9388, #37B3A5, #4BC7B9, #6BD1C6 and #8ADBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC7B9 shade: #4AC7B9, #554BC7 and #C7874B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC7B9 shade: #4AC7B9, #B94BC7 and #C7B94B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC7B9 shade: #4AC7B9, #554BC7, #C74B5A and #BDC74B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC7B9 shade: #4AC7B9, #7B4BC7, #C74B5A and #98C74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

Complementary color

CMYK 0 / 69 / 61 / 29

HEX #B53846

RGB 181 56 70

HSL 353.28, 0.53%, 0.46%

LAB 42.9, 51.11, 20.74

 

CMYK 60 / 0 / 10 / 22

HEX #4FC7B4

RGB 79 199 180

HSL 170.5, 0.52%, 0.55%

LAB 73.42, -38, -0.48

 

CMYK 56 / 0 / 8 / 15

HEX #60D9C7

RGB 96 217 199

HSL 171.07, 0.61%, 0.61%

LAB 79.75, -38.18, -1.38

 

CMYK 52 / 0 / 7 / 8

HEX #71EBDA

RGB 113 235 218

HSL 171.64, 0.75%, 0.68%

LAB 86, -38.27, -2.21

 

CMYK 49 / 0 / 6 / 1

HEX #82FDED

RGB 130 253 237

HSL 172.2, 0.97%, 0.75%

LAB 92.18, -38.29, -2.99

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

CMYK 69 / 0 / 8 / 29

HEX #39B5A6

RGB 57 181 166

HSL 172.74, 0.52%, 0.47%

LAB 67.03, -37.12, -2.24

 

CMYK 75 / 0 / 10 / 36

HEX #28A393

RGB 40 163 147

HSL 172.2, 0.61%, 0.4%

LAB 60.56, -36.44, -1.16

 

CMYK 84 / 0 / 12 / 43

HEX #179180

RGB 23 145 128

HSL 171.64, 0.73%, 0.33%

LAB 54.02, -35.41, 0.06

 

CMYK 95 / 0 / 14 / 50

HEX #067F6D

RGB 6 127 109

HSL 171.07, 0.91%, 0.26%

LAB 47.39, -33.91, 1.46

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 62 / 0 / 24 / 22

HEX #4BC798

RGB 75 199 152

HSL 157.26, 0.53%, 0.54%

LAB 72.63, -45.47, 13.52

 

CMYK 62 / 0 / 41 / 22

HEX #4BC776

RGB 75 199 118

HSL 140.81, 0.53%, 0.54%

LAB 71.99, -52.25, 30.63

 

CMYK 62 / 0 / 57 / 22

HEX #4BC755

RGB 75 199 85

HSL 124.84, 0.53%, 0.54%

LAB 71.55, -57.18, 46.35

 

CMYK 50 / 0 / 62 / 22

HEX #63C74B

RGB 99 199 75

HSL 108.39, 0.53%, 0.54%

LAB 72.23, -52.29, 51.82

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 62 / 10 / 0 / 22

HEX #4BB4C7

RGB 75 180 199

HSL 189.19, 0.53%, 0.54%

LAB 68.21, -24.34, -18.65

 

CMYK 62 / 27 / 0 / 22

HEX #4B92C7

RGB 75 146 199

HSL 205.65, 0.53%, 0.54%

LAB 58.2, -6.08, -34.04

 

CMYK 62 / 43 / 0 / 22

HEX #4B71C7

RGB 75 113 199

HSL 221.61, 0.53%, 0.54%

LAB 48.8, 13.65, -48.89

 

CMYK 62 / 60 / 0 / 22

HEX #4B4FC7

RGB 75 79 199

HSL 238.06, 0.53%, 0.54%

LAB 39.93, 35.02, -63.18

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 74 / 0 / 8 / 15

HEX #38DAC8

RGB 56 218 200

HSL 173.33, 0.69%, 0.54%

LAB 79.13, -44.54, -2.93

 

CMYK 84 / 0 / 9 / 7

HEX #25EDD7

RGB 37 237 215

HSL 173.4, 0.85%, 0.54%

LAB 84.93, -50.27, -2.39

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 48 / 0 / 5 / 29

HEX #5EB4AB

RGB 94 180 171

HSL 173.72, 0.36%, 0.54%

LAB 67.99, -28.21, -3.46

 

CMYK 30 / 0 / 3 / 37

HEX #71A19C

RGB 113 161 156

HSL 173.75, 0.2%, 0.54%

LAB 62.84, -17.13, -2.57

 

CMYK 7 / 0 / 1 / 44

HEX #848E8D

RGB 132 142 141

HSL 174, 0.04%, 0.54%

LAB 58.2, -3.82, -0.72

 

CMYK 0 / 19 / 16 / 41

HEX #977B7F

RGB 151 123 127

HSL 351.43, 0.12%, 0.54%

LAB 54.32, 11.5, 1.91

 

CMYK 62 / 0 / 40 / 22

HEX #4BC777

RGB 75 199 119

HSL 141.29, 0.53%, 0.54%

LAB 72.01, -52.08, 30.13

 

CMYK 62 / 0 / 24 / 22

HEX #4BC798

RGB 75 199 152

HSL 157.26, 0.53%, 0.54%

LAB 72.63, -45.47, 13.52

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 62 / 9 / 0 / 22

HEX #4BB5C7

RGB 75 181 199

HSL 188.71, 0.53%, 0.54%

LAB 68.51, -24.84, -18.2

 

CMYK 62 / 26 / 0 / 22

HEX #4B94C7

RGB 75 148 199

HSL 204.68, 0.53%, 0.54%

LAB 58.79, -7.21, -33.14

 

CMYK 69 / 0 / 7 / 42

HEX #2D9388

RGB 45 147 136

HSL 173.53, 0.53%, 0.38%

LAB 55.28, -31.4, -2.64

 

CMYK 69 / 0 / 8 / 30

HEX #37B3A5

RGB 55 179 165

HSL 173.23, 0.53%, 0.46%

LAB 66.34, -36.77, -2.7

 

CMYK 62 / 0 / 7 / 22

HEX #4BC7B9

RGB 75 199 185

HSL 173.23, 0.53%, 0.54%

LAB 73.45, -37.41, -3.17

 

CMYK 49 / 0 / 5 / 18

HEX #6BD1C6

RGB 107 209 198

HSL 173.53, 0.53%, 0.62%

LAB 77.76, -32.41, -3.72

 

CMYK 37 / 0 / 4 / 14

HEX #8ADBD2

RGB 138 219 210

HSL 173.33, 0.53%, 0.7%

LAB 82.23, -26.76, -3.41

 

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

CMYK 57 / 62 / 0 / 22

HEX #554BC7

RGB 85 75 199

HSL 244.84, 0.53%, 0.54%

LAB 39.73, 39.12, -63.49

 

CMYK 0 / 32 / 62 / 22

HEX #C7874B

RGB 199 135 75

HSL 29.03, 0.53%, 0.54%

LAB 61.64, 18.51, 41.62

 

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

CMYK 7 / 62 / 0 / 22

HEX #B94BC7

RGB 185 75 199

HSL 293.23, 0.53%, 0.54%

LAB 51.23, 61.03, -44.38

 

CMYK 0 / 7 / 62 / 22

HEX #C7B94B

RGB 199 185 75

HSL 53.23, 0.53%, 0.54%

LAB 74.41, -8.35, 55.97

 

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

CMYK 57 / 62 / 0 / 22

HEX #554BC7

RGB 85 75 199

HSL 244.84, 0.53%, 0.54%

LAB 39.73, 39.12, -63.49

 

CMYK 0 / 62 / 55 / 22

HEX #C74B5A

RGB 199 75 90

HSL 352.74, 0.53%, 0.54%

LAB 49.39, 50.5, 17.77

 

CMYK 5 / 0 / 62 / 22

HEX #BDC74B

RGB 189 199 75

HSL 64.84, 0.53%, 0.54%

LAB 77.38, -19.64, 58.93

 

CMYK 63 / 0 / 7 / 22

HEX #4AC7B9

RGB 74 199 185

HSL 173.28, 0.53%, 0.54%

LAB 73.42, -37.58, -3.21

 

CMYK 38 / 62 / 0 / 22

HEX #7B4BC7

RGB 123 75 199

HSL 263.23, 0.53%, 0.54%

LAB 43.31, 46.59, -57.51

 

CMYK 0 / 62 / 55 / 22

HEX #C74B5A

RGB 199 75 90

HSL 352.74, 0.53%, 0.54%

LAB 49.39, 50.5, 17.77

 

CMYK 24 / 0 / 62 / 22

HEX #98C74B

RGB 152 199 75

HSL 82.74, 0.53%, 0.54%

LAB 74.84, -34.41, 55.44

 

Description

Color code: HEX #4AC7B9 | qconv.com Color code: HEX #4AC7B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 199 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 199 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 7% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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