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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ABF0E it is the complementary color #B540F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ABF0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ABF0E shade: #4FBF09, #60D11C, #71E32F, #82F542 and #93FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ABF0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ABF0E shade: #4ABF0E, #39AD00, #289B00, #178900 and #067700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ABF0E shade: #49BD0E, #79BD0E, #A8BD0E, #BDA30E and #BD740E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ABF0E shade: #49BD0E, #1ABD0E, #0EBD31, #0EBD60 and #0EBD90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ABF0E shade matches the following richer shades: #49BD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ABF0E shade: #49BD0E, #4FAD1E, #549C2F, #598C3F and #5F7B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ABF0E shade: #A9BD0E, #7ABD0E, #4BBD0E, #1CBD0E and #0EBD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ABF0E shade: #2B7008, #3A970B, #49BD0E, #58E411 and #70EF2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ABF0E shade: #4ABF0E, #0EBDA3 and #BD0E91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ABF0E shade: #4ABF0E, #0E4BBD and #BD0E4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ABF0E shade: #4ABF0E, #0EBDA3, #800EBD and #BD0E28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ABF0E shade: #4ABF0E, #0EA3BD, #800EBD and #BD280E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

Complementary color

CMYK 25 / 73 / 0 / 5

HEX #B540F1

RGB 181 64 241

HSL 279.66, 0.86%, 0.6%

LAB 51.66, 72.69, -67.58

 

CMYK 59 / 0 / 95 / 25

HEX #4FBF09

RGB 79 191 9

HSL 96.92, 0.91%, 0.39%

LAB 68.71, -58.58, 67.41

 

CMYK 54 / 0 / 87 / 18

HEX #60D11C

RGB 96 209 28

HSL 97.46, 0.76%, 0.46%

LAB 74.93, -59.92, 69.89

 

CMYK 50 / 0 / 79 / 11

HEX #71E32F

RGB 113 227 47

HSL 98, 0.76%, 0.54%

LAB 81.1, -60.87, 71.06

 

CMYK 47 / 0 / 73 / 4

HEX #82F542

RGB 130 245 66

HSL 98.55, 0.9%, 0.61%

LAB 87.21, -61.52, 71.34

 

CMYK 42 / 0 / 67 / 0

HEX #93FF55

RGB 147 255 85

HSL 98.12, 1%, 0.67%

LAB 90.95, -58.91, 68.63

 

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

CMYK 67 / 0 / 100 / 32

HEX #39AD00

RGB 57 173 0

HSL 100.23, 1%, 0.34%

LAB 62.3, -57.85, 63.1

 

CMYK 74 / 0 / 100 / 39

HEX #289B00

RGB 40 155 0

HSL 104.52, 1%, 0.3%

LAB 55.98, -55.34, 57.91

 

CMYK 83 / 0 / 100 / 46

HEX #178900

RGB 23 137 0

HSL 109.93, 1%, 0.27%

LAB 49.59, -52.3, 52.68

 

CMYK 95 / 0 / 100 / 53

HEX #067700

RGB 6 119 0

HSL 116.97, 1%, 0.23%

LAB 43.11, -48.53, 47.42

 

CMYK 61 / 0 / 93 / 26

HEX #49BD0E

RGB 73 189 14

HSL 99.77, 0.86%, 0.4%

LAB 67.91, -59.27, 66.05

 

CMYK 36 / 0 / 93 / 26

HEX #79BD0E

RGB 121 189 14

HSL 83.31, 0.86%, 0.4%

LAB 69.82, -44.66, 68.41

 

CMYK 11 / 0 / 93 / 26

HEX #A8BD0E

RGB 168 189 14

HSL 67.2, 0.86%, 0.4%

LAB 72.73, -26.04, 71.96

 

CMYK 0 / 14 / 93 / 26

HEX #BDA30E

RGB 189 163 14

HSL 51.09, 0.86%, 0.4%

LAB 67.31, -3.6, 68.54

 

CMYK 0 / 39 / 93 / 26

HEX #BD740E

RGB 189 116 14

HSL 34.97, 0.86%, 0.4%

LAB 55.42, 22.09, 59.66

 

CMYK 61 / 0 / 93 / 26

HEX #49BD0E

RGB 73 189 14

HSL 99.77, 0.86%, 0.4%

LAB 67.91, -59.27, 66.05

 

CMYK 86 / 0 / 93 / 26

HEX #1ABD0E

RGB 26 189 14

HSL 115.89, 0.86%, 0.4%

LAB 67.01, -66.98, 64.94

 

CMYK 93 / 0 / 74 / 26

HEX #0EBD31

RGB 14 189 49

HSL 132, 0.86%, 0.4%

LAB 67.06, -66, 56.1

 

CMYK 93 / 0 / 49 / 26

HEX #0EBD60

RGB 14 189 96

HSL 148.11, 0.86%, 0.4%

LAB 67.53, -60.22, 35.91

 

CMYK 93 / 0 / 24 / 26

HEX #0EBD90

RGB 14 189 144

HSL 164.57, 0.86%, 0.4%

LAB 68.39, -50.32, 11.72

 

CMYK 61 / 0 / 93 / 26

HEX #49BD0E

RGB 73 189 14

HSL 99.77, 0.86%, 0.4%

LAB 67.91, -59.27, 66.05

 

CMYK 61 / 0 / 93 / 26

HEX #49BD0E

RGB 73 189 14

HSL 99.77, 0.86%, 0.4%

LAB 67.91, -59.27, 66.05

 

CMYK 54 / 0 / 83 / 32

HEX #4FAD1E

RGB 79 173 30

HSL 99.44, 0.7%, 0.4%

LAB 63.05, -51.46, 58.66

 

CMYK 46 / 0 / 70 / 39

HEX #549C2F

RGB 84 156 47

HSL 99.63, 0.54%, 0.4%

LAB 57.91, -42.17, 47.94

 

CMYK 36 / 0 / 55 / 45

HEX #598C3F

RGB 89 140 63

HSL 99.74, 0.38%, 0.4%

LAB 53.21, -31.8, 35.41

 

CMYK 23 / 0 / 35 / 52

HEX #5F7B50

RGB 95 123 80

HSL 99.07, 0.21%, 0.4%

LAB 48.48, -18.69, 20.33

 

CMYK 11 / 0 / 93 / 26

HEX #A9BD0E

RGB 169 189 14

HSL 66.86, 0.86%, 0.4%

LAB 72.8, -25.62, 72.05

 

CMYK 35 / 0 / 93 / 26

HEX #7ABD0E

RGB 122 189 14

HSL 82.97, 0.86%, 0.4%

LAB 69.87, -44.3, 68.47

 

CMYK 60 / 0 / 93 / 26

HEX #4BBD0E

RGB 75 189 14

HSL 99.09, 0.86%, 0.4%

LAB 67.96, -58.79, 66.13

 

CMYK 85 / 0 / 93 / 26

HEX #1CBD0E

RGB 28 189 14

HSL 115.2, 0.86%, 0.4%

LAB 67.03, -66.8, 64.97

 

CMYK 93 / 0 / 76 / 26

HEX #0EBD2E

RGB 14 189 46

HSL 130.97, 0.86%, 0.4%

LAB 67.04, -66.24, 57.13

 

CMYK 62 / 0 / 93 / 56

HEX #2B7008

RGB 43 112 8

HSL 99.81, 0.87%, 0.24%

LAB 41.41, -39.52, 44.43

 

CMYK 62 / 0 / 93 / 41

HEX #3A970B

RGB 58 151 11

HSL 99.86, 0.86%, 0.32%

LAB 55.13, -49.83, 55.67

 

CMYK 61 / 0 / 93 / 26

HEX #49BD0E

RGB 73 189 14

HSL 99.77, 0.86%, 0.4%

LAB 67.91, -59.27, 66.05

 

CMYK 61 / 0 / 93 / 11

HEX #58E411

RGB 88 228 17

HSL 99.81, 0.86%, 0.48%

LAB 80.52, -68.66, 76.27

 

CMYK 53 / 0 / 80 / 6

HEX #70EF2F

RGB 112 239 47

HSL 99.69, 0.86%, 0.56%

LAB 84.68, -65.43, 74.34

 

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

CMYK 93 / 0 / 14 / 26

HEX #0EBDA3

RGB 14 189 163

HSL 171.09, 0.86%, 0.4%

LAB 68.85, -45.41, 2

 

CMYK 0 / 93 / 23 / 26

HEX #BD0E91

RGB 189 14 145

HSL 315.09, 0.86%, 0.4%

LAB 43.03, 71.19, -25.33

 

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

CMYK 93 / 60 / 0 / 26

HEX #0E4BBD

RGB 14 75 189

HSL 219.09, 0.86%, 0.4%

LAB 35.6, 27.62, -64.53

 

CMYK 0 / 93 / 60 / 26

HEX #BD0E4B

RGB 189 14 75

HSL 339.09, 0.86%, 0.4%

LAB 40.64, 64.77, 14.87

 

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

CMYK 93 / 0 / 14 / 26

HEX #0EBDA3

RGB 14 189 163

HSL 171.09, 0.86%, 0.4%

LAB 68.85, -45.41, 2

 

CMYK 32 / 93 / 0 / 26

HEX #800EBD

RGB 128 14 189

HSL 279.09, 0.86%, 0.4%

LAB 35.16, 67.92, -64.89

 

CMYK 0 / 93 / 79 / 26

HEX #BD0E28

RGB 189 14 40

HSL 351.09, 0.86%, 0.4%

LAB 40.06, 63.15, 35.9

 

CMYK 61 / 0 / 93 / 25

HEX #4ABF0E

RGB 74 191 14

HSL 99.66, 0.86%, 0.4%

LAB 68.57, -59.71, 66.62

 

CMYK 93 / 14 / 0 / 26

HEX #0EA3BD

RGB 14 163 189

HSL 188.91, 0.86%, 0.4%

LAB 61.62, -25.44, -23.24

 

CMYK 32 / 93 / 0 / 26

HEX #800EBD

RGB 128 14 189

HSL 279.09, 0.86%, 0.4%

LAB 35.16, 67.92, -64.89

 

CMYK 0 / 79 / 93 / 26

HEX #BD280E

RGB 189 40 14

HSL 8.91, 0.86%, 0.4%

LAB 41.8, 57.06, 50.13

 

Description

Color code: HEX #4ABF0E | qconv.com Color code: HEX #4ABF0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 191 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 191 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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