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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB0F8 it is the complementary color #B54F07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB0F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB0F8 shade: #4FB0F3, #60C2FF, #71D4FF, #82E6FF and #93F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB0F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB0F8 shade: #4AB0F8, #399EE5, #288CD2, #177ABF and #0668AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB0F8 shade: #48AFF8, #4880F8, #4851F8, #7048F8 and #9F48F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB0F8 shade: #48AFF8, #4880F8, #4851F8 and #4848F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB0F8 shade matches the following richer shades: #48AFF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB0F8 shade: #48AFF8, #58ADE9, #67AAD9, #76A7CA and #85A5BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB0F8 shade: #48F8E0, #48E0F8, #48B2F8, #4883F8 and #4854F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB0F8 shade: #088AE6, #219EF6, #48AFF8, #70C1F9 and #98D2FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB0F8 shade: #4AB0F8, #B248F8 and #F8F848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB0F8 shade: #4AB0F8, #F848B2 and #B2F848

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB0F8 shade: #4AB0F8, #B248F8, #F88F48 and #8FF848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB0F8 shade: #4AB0F8, #E648F8, #F88F48 and #5AF848

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

Complementary color

CMYK 0 / 56 / 96 / 29

HEX #B54F07

RGB 181 79 7

HSL 24.83, 0.93%, 0.37%

LAB 46.22, 38.3, 54.28

 

CMYK 67 / 28 / 0 / 5

HEX #4FB0F3

RGB 79 176 243

HSL 204.51, 0.87%, 0.63%

LAB 68.88, -7.75, -41.7

 

CMYK 62 / 24 / 0 / 0

HEX #60C2FF

RGB 96 194 255

HSL 203.02, 1%, 0.69%

LAB 75.01, -10.94, -38.6

 

CMYK 56 / 17 / 0 / 0

HEX #71D4FF

RGB 113 212 255

HSL 198.17, 1%, 0.72%

LAB 80.64, -17.26, -29.85

 

CMYK 49 / 10 / 0 / 0

HEX #82E6FF

RGB 130 230 255

HSL 192, 1%, 0.75%

LAB 86.29, -22.84, -21.18

 

CMYK 42 / 3 / 0 / 0

HEX #93F8FF

RGB 147 248 255

HSL 183.89, 1%, 0.79%

LAB 91.93, -27.79, -12.62

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

CMYK 75 / 31 / 0 / 10

HEX #399EE5

RGB 57 158 229

HSL 204.77, 0.77%, 0.56%

LAB 62.49, -5.41, -44.1

 

CMYK 81 / 33 / 0 / 18

HEX #288CD2

RGB 40 140 210

HSL 204.71, 0.68%, 0.49%

LAB 55.95, -3.66, -43.86

 

CMYK 88 / 36 / 0 / 25

HEX #177ABF

RGB 23 122 191

HSL 204.64, 0.79%, 0.42%

LAB 49.33, -1.45, -43.55

 

CMYK 97 / 40 / 0 / 33

HEX #0668AC

RGB 6 104 172

HSL 204.58, 0.93%, 0.35%

LAB 42.64, 1.32, -43.16

 

CMYK 71 / 29 / 0 / 3

HEX #48AFF8

RGB 72 175 248

HSL 204.89, 0.93%, 0.63%

LAB 68.62, -6.53, -44.85

 

CMYK 71 / 48 / 0 / 3

HEX #4880F8

RGB 72 128 248

HSL 220.91, 0.93%, 0.63%

LAB 55.68, 21.08, -65.44

 

CMYK 71 / 67 / 0 / 3

HEX #4851F8

RGB 72 81 248

HSL 236.93, 0.93%, 0.63%

LAB 44.29, 49.7, -83.98

 

CMYK 55 / 71 / 0 / 3

HEX #7048F8

RGB 112 72 248

HSL 253.64, 0.93%, 0.63%

LAB 45.44, 59.52, -81.98

 

CMYK 36 / 71 / 0 / 3

HEX #9F48F8

RGB 159 72 248

HSL 269.66, 0.93%, 0.63%

LAB 50.43, 67.05, -73.62

 

CMYK 71 / 29 / 0 / 3

HEX #48AFF8

RGB 72 175 248

HSL 204.89, 0.93%, 0.63%

LAB 68.62, -6.53, -44.85

 

CMYK 71 / 48 / 0 / 3

HEX #4880F8

RGB 72 128 248

HSL 220.91, 0.93%, 0.63%

LAB 55.68, 21.08, -65.44

 

CMYK 71 / 67 / 0 / 3

HEX #4851F8

RGB 72 81 248

HSL 236.93, 0.93%, 0.63%

LAB 44.29, 49.7, -83.98

 

CMYK 71 / 71 / 0 / 3

HEX #4848F8

RGB 72 72 248

HSL 240, 0.93%, 0.63%

LAB 42.44, 54.77, -87.01

 

CMYK 71 / 29 / 0 / 3

HEX #48AFF8

RGB 72 175 248

HSL 204.89, 0.93%, 0.63%

LAB 68.62, -6.53, -44.85

 

CMYK 71 / 29 / 0 / 3

HEX #48AFF8

RGB 72 175 248

HSL 204.89, 0.93%, 0.63%

LAB 68.62, -6.53, -44.85

 

CMYK 62 / 26 / 0 / 9

HEX #58ADE9

RGB 88 173 233

HSL 204.83, 0.77%, 0.63%

LAB 67.91, -7.86, -37.75

 

CMYK 53 / 22 / 0 / 15

HEX #67AAD9

RGB 103 170 217

HSL 204.74, 0.6%, 0.63%

LAB 67.01, -8.18, -30.32

 

CMYK 42 / 17 / 0 / 21

HEX #76A7CA

RGB 118 167 202

HSL 205, 0.44%, 0.63%

LAB 66.33, -7.22, -23.01

 

CMYK 29 / 12 / 0 / 27

HEX #85A5BB

RGB 133 165 187

HSL 204.44, 0.28%, 0.63%

LAB 66.12, -5.8, -14.91

 

CMYK 71 / 0 / 10 / 3

HEX #48F8E0

RGB 72 248 224

HSL 171.82, 0.93%, 0.63%

LAB 88.87, -49.23, -1.27

 

CMYK 71 / 10 / 0 / 3

HEX #48E0F8

RGB 72 224 248

HSL 188.18, 0.93%, 0.63%

LAB 82.63, -31.79, -23.2

 

CMYK 71 / 28 / 0 / 3

HEX #48B2F8

RGB 72 178 248

HSL 203.86, 0.93%, 0.63%

LAB 69.47, -8.19, -43.52

 

CMYK 71 / 47 / 0 / 3

HEX #4883F8

RGB 72 131 248

HSL 219.89, 0.93%, 0.63%

LAB 56.47, 19.24, -64.16

 

CMYK 71 / 66 / 0 / 3

HEX #4854F8

RGB 72 84 248

HSL 235.91, 0.93%, 0.63%

LAB 44.94, 47.96, -82.92

 

CMYK 97 / 40 / 0 / 10

HEX #088AE6

RGB 8 138 230

HSL 204.86, 0.93%, 0.47%

LAB 56.03, 3.22, -54.95

 

CMYK 87 / 36 / 0 / 4

HEX #219EF6

RGB 33 158 246

HSL 204.79, 0.92%, 0.55%

LAB 62.87, -1.47, -52.89

 

CMYK 71 / 29 / 0 / 3

HEX #48AFF8

RGB 72 175 248

HSL 204.89, 0.93%, 0.63%

LAB 68.62, -6.53, -44.85

 

CMYK 55 / 22 / 0 / 2

HEX #70C1F9

RGB 112 193 249

HSL 204.53, 0.92%, 0.71%

LAB 75.09, -9.24, -35.2

 

CMYK 39 / 16 / 0 / 2

HEX #98D2FB

RGB 152 210 251

HSL 204.85, 0.93%, 0.79%

LAB 81.69, -8.49, -25.96

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

CMYK 28 / 71 / 0 / 3

HEX #B248F8

RGB 178 72 248

HSL 276.14, 0.93%, 0.63%

LAB 52.81, 70.5, -69.64

 

CMYK 0 / 0 / 71 / 3

HEX #F8F848

RGB 248 248 72

HSL 60, 0.93%, 0.63%

LAB 94.98, -19.51, 79.26

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

CMYK 0 / 71 / 28 / 3

HEX #F848B2

RGB 248 72 178

HSL 323.86, 0.93%, 0.63%

LAB 59.71, 74.75, -18.33

 

CMYK 28 / 0 / 71 / 3

HEX #B2F848

RGB 178 248 72

HSL 83.86, 0.93%, 0.63%

LAB 90.35, -46.62, 73.18

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

CMYK 28 / 71 / 0 / 3

HEX #B248F8

RGB 178 72 248

HSL 276.14, 0.93%, 0.63%

LAB 52.81, 70.5, -69.64

 

CMYK 0 / 42 / 71 / 3

HEX #F88F48

RGB 248 143 72

HSL 24.2, 0.93%, 0.63%

LAB 69.52, 34.21, 53.61

 

CMYK 42 / 0 / 71 / 3

HEX #8FF848

RGB 143 248 72

HSL 95.8, 0.93%, 0.63%

LAB 88.66, -58.37, 70.93

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F8

RGB 74 176 248

HSL 204.83, 0.93%, 0.63%

LAB 68.96, -6.81, -44.32

 

CMYK 7 / 71 / 0 / 3

HEX #E648F8

RGB 230 72 248

HSL 293.86, 0.93%, 0.63%

LAB 60.1, 80.64, -57.54

 

CMYK 0 / 42 / 71 / 3

HEX #F88F48

RGB 248 143 72

HSL 24.2, 0.93%, 0.63%

LAB 69.52, 34.21, 53.61

 

CMYK 64 / 0 / 71 / 3

HEX #5AF848

RGB 90 248 72

HSL 113.86, 0.93%, 0.63%

LAB 86.89, -72.08, 68.56

 

Description

Color code: HEX #4AB0F8 | qconv.com Color code: HEX #4AB0F8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 176 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 176 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 29 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 29% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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