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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB940 it is the complementary color #B546BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB940 shade: #4FB93B, #60CB4E, #71DD61, #82EF74 and #93FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB940 shade: #4AB940, #39A72D, #28951A, #178307 and #067100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB940 shade: #49BA3F, #6ABA3F, #8BBA3F, #ACBA3F and #BAA63F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB940 shade: #49BA3F, #3FBA56, #3FBA77, #3FBA98 and #3FBAB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB940 shade matches the following richer shades: #49BA3F, #38CE2B, #28E217 and #17F603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB940 shade: #49BA3F, #5AA553, #6B9168, #7C7D7C and #8D6990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB940 shade: #8BBA3F, #6ABA3F, #49BA3F, #3FBA56 and #3FBA76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB940 shade: #317C2A, #3D9B35, #49BA3F, #64C75B and #81D17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB940 shade: #4AB940, #3FABBA and #BA3F7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB940 shade: #4AB940, #3F49BA and #BA3F49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB940 shade: #4AB940, #3FABBA, #AF3FBA and #BA4E3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB940 shade: #4AB940, #3F87BA, #AF3FBA and #BA723F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

Complementary color

CMYK 5 / 63 / 0 / 25

HEX #B546BF

RGB 181 70 191

HSL 295.04, 0.49%, 0.51%

LAB 49.45, 60.74, -42.61

 

CMYK 57 / 0 / 68 / 27

HEX #4FB93B

RGB 79 185 59

HSL 110.48, 0.52%, 0.48%

LAB 67.03, -53.9, 52.65

 

CMYK 53 / 0 / 62 / 20

HEX #60CB4E

RGB 96 203 78

HSL 111.36, 0.55%, 0.55%

LAB 73.38, -54.35, 51.77

 

CMYK 49 / 0 / 56 / 13

HEX #71DD61

RGB 113 221 97

HSL 112.26, 0.65%, 0.62%

LAB 79.66, -54.56, 50.68

 

CMYK 46 / 0 / 51 / 6

HEX #82EF74

RGB 130 239 116

HSL 113.17, 0.79%, 0.7%

LAB 85.88, -54.62, 49.5

 

CMYK 42 / 0 / 47 / 0

HEX #93FF87

RGB 147 255 135

HSL 114, 1%, 0.76%

LAB 91.45, -53.76, 47.59

 

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

CMYK 66 / 0 / 73 / 35

HEX #39A72D

RGB 57 167 45

HSL 114.1, 0.58%, 0.42%

LAB 60.51, -53.84, 51.12

 

CMYK 73 / 0 / 83 / 42

HEX #28951A

RGB 40 149 26

HSL 113.17, 0.7%, 0.34%

LAB 54.05, -52.44, 51.09

 

CMYK 82 / 0 / 95 / 49

HEX #178307

RGB 23 131 7

HSL 112.26, 0.9%, 0.27%

LAB 47.53, -50.19, 49.65

 

CMYK 95 / 0 / 100 / 56

HEX #067100

RGB 6 113 0

HSL 116.81, 1%, 0.22%

LAB 40.98, -46.71, 45.71

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 43 / 0 / 66 / 27

HEX #6ABA3F

RGB 106 186 63

HSL 99.02, 0.49%, 0.49%

LAB 68.42, -46.09, 52.81

 

CMYK 25 / 0 / 66 / 27

HEX #8BBA3F

RGB 139 186 63

HSL 82.93, 0.49%, 0.49%

LAB 70.15, -34.34, 55.18

 

CMYK 8 / 0 / 66 / 27

HEX #ACBA3F

RGB 172 186 63

HSL 66.83, 0.49%, 0.49%

LAB 72.39, -21.03, 58.21

 

CMYK 0 / 11 / 66 / 27

HEX #BAA63F

RGB 186 166 63

HSL 50.24, 0.49%, 0.49%

LAB 68.07, -4.74, 54.07

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 66 / 0 / 54 / 27

HEX #3FBA56

RGB 63 186 86

HSL 131.22, 0.49%, 0.49%

LAB 67.16, -54.81, 40.56

 

CMYK 66 / 0 / 36 / 27

HEX #3FBA77

RGB 63 186 119

HSL 147.32, 0.49%, 0.49%

LAB 67.66, -49.28, 24.29

 

CMYK 66 / 0 / 18 / 27

HEX #3FBA98

RGB 63 186 152

HSL 163.41, 0.49%, 0.49%

LAB 68.34, -42.02, 7.39

 

CMYK 66 / 0 / 1 / 27

HEX #3FBAB9

RGB 63 186 185

HSL 179.51, 0.49%, 0.49%

LAB 69.24, -33.27, -9.43

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 73 / 0 / 79 / 19

HEX #38CE2B

RGB 56 206 43

HSL 115.21, 0.65%, 0.49%

LAB 73, -66.97, 64.03

 

CMYK 82 / 0 / 90 / 11

HEX #28E217

RGB 40 226 23

HSL 114.98, 0.82%, 0.49%

LAB 78.99, -75.84, 73.77

 

CMYK 91 / 0 / 99 / 4

HEX #17F603

RGB 23 246 3

HSL 115.06, 0.98%, 0.49%

LAB 85.05, -82.98, 80.82

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 45 / 0 / 50 / 35

HEX #5AA553

RGB 90 165 83

HSL 114.88, 0.33%, 0.49%

LAB 61.4, -40.09, 35.21

 

CMYK 26 / 0 / 28 / 43

HEX #6B9168

RGB 107 145 104

HSL 115.61, 0.16%, 0.49%

LAB 56.46, -21.6, 17.63

 

CMYK 1 / 0 / 1 / 51

HEX #7C7D7C

RGB 124 125 124

HSL 120, 0%, 0.49%

LAB 52.29, -0.57, 0.41

 

CMYK 2 / 27 / 0 / 44

HEX #8D6990

RGB 141 105 144

HSL 295.38, 0.16%, 0.49%

LAB 49.23, 21.45, -15.78

 

CMYK 25 / 0 / 66 / 27

HEX #8BBA3F

RGB 139 186 63

HSL 82.93, 0.49%, 0.49%

LAB 70.15, -34.34, 55.18

 

CMYK 43 / 0 / 66 / 27

HEX #6ABA3F

RGB 106 186 63

HSL 99.02, 0.49%, 0.49%

LAB 68.42, -46.09, 52.81

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 66 / 0 / 54 / 27

HEX #3FBA56

RGB 63 186 86

HSL 131.22, 0.49%, 0.49%

LAB 67.16, -54.81, 40.56

 

CMYK 66 / 0 / 37 / 27

HEX #3FBA76

RGB 63 186 118

HSL 146.83, 0.49%, 0.49%

LAB 67.64, -49.48, 24.8

 

CMYK 60 / 0 / 66 / 51

HEX #317C2A

RGB 49 124 42

HSL 114.88, 0.49%, 0.33%

LAB 45.95, -40.06, 36.85

 

CMYK 61 / 0 / 66 / 39

HEX #3D9B35

RGB 61 155 53

HSL 115.29, 0.49%, 0.41%

LAB 56.77, -47.82, 43.92

 

CMYK 61 / 0 / 66 / 27

HEX #49BA3F

RGB 73 186 63

HSL 115.12, 0.49%, 0.49%

LAB 67.2, -55.36, 51.13

 

CMYK 50 / 0 / 54 / 22

HEX #64C75B

RGB 100 199 91

HSL 115, 0.49%, 0.57%

LAB 72.44, -50.22, 44.79

 

CMYK 38 / 0 / 42 / 18

HEX #81D17A

RGB 129 209 122

HSL 115.17, 0.49%, 0.65%

LAB 77.09, -41.6, 35.59

 

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

CMYK 66 / 8 / 0 / 27

HEX #3FABBA

RGB 63 171 186

HSL 187.32, 0.49%, 0.49%

LAB 64.75, -25.66, -16.73

 

CMYK 0 / 66 / 34 / 27

HEX #BA3F7A

RGB 186 63 122

HSL 331.22, 0.49%, 0.49%

LAB 46.18, 54.65, -6.56

 

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

CMYK 66 / 61 / 0 / 27

HEX #3F49BA

RGB 63 73 186

HSL 235.12, 0.49%, 0.49%

LAB 36.68, 32.48, -60.92

 

CMYK 0 / 66 / 61 / 27

HEX #BA3F49

RGB 186 63 73

HSL 355.12, 0.49%, 0.49%

LAB 44.91, 50.08, 21.69

 

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

CMYK 66 / 8 / 0 / 27

HEX #3FABBA

RGB 63 171 186

HSL 187.32, 0.49%, 0.49%

LAB 64.75, -25.66, -16.73

 

CMYK 6 / 66 / 0 / 27

HEX #AF3FBA

RGB 175 63 186

HSL 294.63, 0.49%, 0.49%

LAB 47.25, 61.31, -43.25

 

CMYK 0 / 58 / 66 / 27

HEX #BA4E3F

RGB 186 78 63

HSL 7.32, 0.49%, 0.49%

LAB 47.3, 42.63, 30.65

 

CMYK 60 / 0 / 65 / 27

HEX #4AB940

RGB 74 185 64

HSL 115.04, 0.49%, 0.49%

LAB 66.92, -54.66, 50.42

 

CMYK 66 / 27 / 0 / 27

HEX #3F87BA

RGB 63 135 186

HSL 204.88, 0.49%, 0.49%

LAB 53.95, -6.24, -33.34

 

CMYK 6 / 66 / 0 / 27

HEX #AF3FBA

RGB 175 63 186

HSL 294.63, 0.49%, 0.49%

LAB 47.25, 61.31, -43.25

 

CMYK 0 / 39 / 66 / 27

HEX #BA723F

RGB 186 114 63

HSL 24.88, 0.49%, 0.49%

LAB 54.9, 23.75, 39.61

 

Description

Color code: HEX #4AB940 | qconv.com Color code: HEX #4AB940 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 185 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 185 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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