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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB747 it is the complementary color #B548B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB747 shade: #4FB742, #60C955, #71DB68, #82ED7B and #93FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB747 shade: #4AB747, #39A534, #289321, #17810E and #066F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB747 shade: #4AB747, #68B747, #86B747, #A5B747 and #B7AB47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB747 shade: #4AB747, #47B762, #47B780, #47B79F and #47B1B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB747 shade matches the following richer shades: #4AB747, #36CC32, #23E01E and #0FF509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB747 shade: #4AB747, #5DA25C, #718E70, #847985 and #986599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB747 shade: #86B747, #69B747, #4BB747, #47B761 and #47B77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB747 shade: #327C30, #3E993B, #4AB747, #67C365 and #84CE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB747 shade: #4AB747, #47A4B7 and #B74778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB747 shade: #4AB747, #474BB7 and #B7474B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB747 shade: #4AB747, #47A4B7, #B347B7 and #B75A47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB747 shade: #4AB747, #4783B7, #B347B7 and #B77B47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

Complementary color

CMYK 2 / 61 / 0 / 28

HEX #B548B8

RGB 181 72 184

HSL 298.39, 0.44%, 0.5%

LAB 49.4, 58.64, -38.63

 

CMYK 57 / 0 / 64 / 28

HEX #4FB742

RGB 79 183 66

HSL 113.33, 0.47%, 0.49%

LAB 66.46, -52.49, 49.1

 

CMYK 52 / 0 / 58 / 21

HEX #60C955

RGB 96 201 85

HSL 114.31, 0.52%, 0.56%

LAB 72.84, -52.82, 48.02

 

CMYK 48 / 0 / 53 / 14

HEX #71DB68

RGB 113 219 104

HSL 115.3, 0.61%, 0.63%

LAB 79.14, -52.94, 46.82

 

CMYK 45 / 0 / 48 / 7

HEX #82ED7B

RGB 130 237 123

HSL 116.32, 0.76%, 0.71%

LAB 85.37, -52.93, 45.59

 

CMYK 42 / 0 / 44 / 0

HEX #93FF8E

RGB 147 255 142

HSL 117.35, 1%, 0.78%

LAB 91.54, -52.83, 44.36

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 65 / 0 / 68 / 35

HEX #39A534

RGB 57 165 52

HSL 117.35, 0.52%, 0.43%

LAB 59.91, -52.51, 47.72

 

CMYK 73 / 0 / 78 / 42

HEX #289321

RGB 40 147 33

HSL 116.32, 0.63%, 0.35%

LAB 53.42, -51.31, 48.23

 

CMYK 82 / 0 / 89 / 49

HEX #17810E

RGB 23 129 14

HSL 115.3, 0.8%, 0.28%

LAB 46.86, -49.28, 47.64

 

CMYK 95 / 0 / 100 / 56

HEX #066F00

RGB 6 111 0

HSL 116.76, 1%, 0.22%

LAB 40.26, -46.1, 45.14

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 43 / 0 / 61 / 28

HEX #68B747

RGB 104 183 71

HSL 102.32, 0.44%, 0.5%

LAB 67.48, -44.75, 48.3

 

CMYK 27 / 0 / 61 / 28

HEX #86B747

RGB 134 183 71

HSL 86.25, 0.44%, 0.5%

LAB 69.03, -34.22, 50.47

 

CMYK 10 / 0 / 61 / 28

HEX #A5B747

RGB 165 183 71

HSL 69.64, 0.44%, 0.5%

LAB 71.09, -21.9, 53.32

 

CMYK 0 / 7 / 61 / 28

HEX #B7AB47

RGB 183 171 71

HSL 53.57, 0.44%, 0.5%

LAB 69.22, -8.16, 51.69

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 61 / 0 / 46 / 28

HEX #47B762

RGB 71 183 98

HSL 134.46, 0.44%, 0.5%

LAB 66.59, -50.22, 33.91

 

CMYK 61 / 0 / 30 / 28

HEX #47B780

RGB 71 183 128

HSL 150.54, 0.44%, 0.5%

LAB 67.1, -44.69, 18.75

 

CMYK 61 / 0 / 13 / 28

HEX #47B79F

RGB 71 183 159

HSL 167.14, 0.44%, 0.5%

LAB 67.81, -37.53, 2.8

 

CMYK 61 / 3 / 0 / 28

HEX #47B1B7

RGB 71 177 183

HSL 183.21, 0.44%, 0.5%

LAB 66.67, -28.21, -12.14

HEX #47B1B7

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 74 / 0 / 75 / 20

HEX #36CC32

RGB 54 204 50

HSL 118.44, 0.61%, 0.5%

LAB 72.36, -66.21, 61.22

 

CMYK 84 / 0 / 87 / 12

HEX #23E01E

RGB 35 224 30

HSL 118.45, 0.76%, 0.5%

LAB 78.32, -75.53, 71.94

 

CMYK 94 / 0 / 96 / 4

HEX #0FF509

RGB 15 245 9

HSL 118.47, 0.93%, 0.5%

LAB 84.7, -83, 80.05

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 43 / 0 / 43 / 36

HEX #5DA25C

RGB 93 162 92

HSL 119.14, 0.28%, 0.5%

LAB 60.73, -36.51, 29.71

 

CMYK 20 / 0 / 21 / 44

HEX #718E70

RGB 113 142 112

HSL 118, 0.12%, 0.5%

LAB 56.11, -16.41, 12.68

 

CMYK 1 / 9 / 0 / 48

HEX #847985

RGB 132 121 133

HSL 295, 0.05%, 0.5%

LAB 52.15, 6.55, -5.01

 

CMYK 1 / 34 / 0 / 40

HEX #986599

RGB 152 101 153

HSL 298.85, 0.2%, 0.5%

LAB 49.84, 29.38, -20.06

 

CMYK 27 / 0 / 61 / 28

HEX #86B747

RGB 134 183 71

HSL 86.25, 0.44%, 0.5%

LAB 69.03, -34.22, 50.47

 

CMYK 43 / 0 / 61 / 28

HEX #69B747

RGB 105 183 71

HSL 101.79, 0.44%, 0.5%

LAB 67.52, -44.43, 48.36

 

CMYK 59 / 0 / 61 / 28

HEX #4BB747

RGB 75 183 71

HSL 117.86, 0.44%, 0.5%

LAB 66.38, -52.95, 46.76

 

CMYK 61 / 0 / 47 / 28

HEX #47B761

RGB 71 183 97

HSL 133.93, 0.44%, 0.5%

LAB 66.57, -50.37, 34.4

 

CMYK 61 / 0 / 31 / 28

HEX #47B77F

RGB 71 183 127

HSL 150, 0.44%, 0.5%

LAB 67.08, -44.9, 19.26

 

CMYK 60 / 0 / 61 / 51

HEX #327C30

RGB 50 124 48

HSL 118.42, 0.44%, 0.34%

LAB 46.05, -39.09, 34.08

 

CMYK 59 / 0 / 61 / 40

HEX #3E993B

RGB 62 153 59

HSL 118.09, 0.44%, 0.42%

LAB 56.21, -46.14, 40.57

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 47 / 0 / 48 / 24

HEX #67C365

RGB 103 195 101

HSL 118.72, 0.44%, 0.58%

LAB 71.46, -46.43, 38.76

 

CMYK 36 / 0 / 37 / 19

HEX #84CE82

RGB 132 206 130

HSL 118.42, 0.44%, 0.66%

LAB 76.47, -38.11, 30.73

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 61 / 10 / 0 / 28

HEX #47A4B7

RGB 71 164 183

HSL 190.18, 0.44%, 0.5%

LAB 62.77, -21.65, -18.04

 

CMYK 0 / 61 / 34 / 28

HEX #B74778

RGB 183 71 120

HSL 333.75, 0.44%, 0.5%

LAB 46.88, 50.05, -4.35

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 61 / 59 / 0 / 28

HEX #474BB7

RGB 71 75 183

HSL 237.86, 0.44%, 0.5%

LAB 37.46, 31.47, -57.86

 

CMYK 0 / 61 / 59 / 28

HEX #B7474B

RGB 183 71 75

HSL 357.86, 0.44%, 0.5%

LAB 45.75, 45.66, 21.48

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 61 / 10 / 0 / 28

HEX #47A4B7

RGB 71 164 183

HSL 190.18, 0.44%, 0.5%

LAB 62.77, -21.65, -18.04

 

CMYK 2 / 61 / 0 / 28

HEX #B347B7

RGB 179 71 183

HSL 297.86, 0.44%, 0.5%

LAB 48.9, 58.39, -38.86

 

CMYK 0 / 51 / 61 / 28

HEX #B75A47

RGB 183 90 71

HSL 10.18, 0.44%, 0.5%

LAB 49.29, 35.99, 28.39

 

CMYK 60 / 0 / 61 / 28

HEX #4AB747

RGB 74 183 71

HSL 118.39, 0.44%, 0.5%

LAB 66.35, -53.19, 46.72

 

CMYK 61 / 28 / 0 / 28

HEX #4783B7

RGB 71 131 183

HSL 207.86, 0.44%, 0.5%

LAB 52.94, -3.46, -33.18

 

CMYK 2 / 61 / 0 / 28

HEX #B347B7

RGB 179 71 183

HSL 297.86, 0.44%, 0.5%

LAB 48.9, 58.39, -38.86

 

CMYK 0 / 33 / 61 / 28

HEX #B77B47

RGB 183 123 71

HSL 27.86, 0.44%, 0.5%

LAB 56.77, 18.03, 37.5

 

Description

Color code: HEX #4AB747 | qconv.com Color code: HEX #4AB747 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 183 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 183 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 61 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 61% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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