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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AB4F2 it is the complementary color #B54B0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AB4F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AB4F2 shade: #4FB4ED, #60C6FF, #71D8FF, #82EAFF and #93FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AB4F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AB4F2 shade: #4AB4F2, #39A2DF, #2890CC, #177EB9 and #066CA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AB4F2 shade: #49B4F2, #4986F2, #4959F2, #6749F2 and #9549F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AB4F2 shade: #49B4F2, #4986F2, #4959F2 and #4949F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AB4F2 shade matches the following richer shades: #49B4F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AB4F2 shade: #49B4F2, #59B0E2, #69ABD3, #78A7C3 and #88A3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AB4F2 shade: #49F2D6, #49E1F2, #49B4F2, #4987F2 and #495AF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AB4F2 shade: #0F8FDA, #23A4EF, #49B4F2, #70C4F5 and #96D4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AB4F2 shade: #4AB4F2, #A949F2 and #F2EC49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AB4F2 shade: #4AB4F2, #F249B4 and #B4F249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AB4F2 shade: #4AB4F2, #A949F2, #F28749 and #92F249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AB4F2 shade: #4AB4F2, #DB49F2, #F28749 and #60F249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

Complementary color

CMYK 0 / 59 / 93 / 29

HEX #B54B0D

RGB 181 75 13

HSL 22.14, 0.87%, 0.38%

LAB 45.48, 40.35, 52.25

 

CMYK 67 / 24 / 0 / 7

HEX #4FB4ED

RGB 79 180 237

HSL 201.65, 0.81%, 0.62%

LAB 69.77, -11.88, -37.06

 

CMYK 62 / 22 / 0 / 0

HEX #60C6FF

RGB 96 198 255

HSL 201.51, 1%, 0.69%

LAB 76.13, -13.06, -36.86

 

CMYK 56 / 15 / 0 / 0

HEX #71D8FF

RGB 113 216 255

HSL 196.48, 1%, 0.72%

LAB 81.75, -19.3, -28.14

 

CMYK 49 / 8 / 0 / 0

HEX #82EAFF

RGB 130 234 255

HSL 190.08, 1%, 0.75%

LAB 87.39, -24.81, -19.51

 

CMYK 42 / 1 / 0 / 0

HEX #93FCFF

RGB 147 252 255

HSL 181.67, 1%, 0.79%

LAB 93.03, -29.7, -10.99

 

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

CMYK 74 / 27 / 0 / 13

HEX #39A2DF

RGB 57 162 223

HSL 202.05, 0.72%, 0.55%

LAB 63.37, -9.73, -39.4

 

CMYK 80 / 29 / 0 / 20

HEX #2890CC

RGB 40 144 204

HSL 201.95, 0.67%, 0.48%

LAB 56.84, -8.14, -39.07

 

CMYK 88 / 32 / 0 / 27

HEX #177EB9

RGB 23 126 185

HSL 201.85, 0.78%, 0.41%

LAB 50.22, -6.12, -38.69

 

CMYK 96 / 35 / 0 / 35

HEX #066CA6

RGB 6 108 166

HSL 201.75, 0.93%, 0.34%

LAB 43.53, -3.56, -38.21

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 70 / 45 / 0 / 5

HEX #4986F2

RGB 73 134 242

HSL 218.34, 0.87%, 0.62%

LAB 56.96, 15.43, -60.06

 

CMYK 70 / 63 / 0 / 5

HEX #4959F2

RGB 73 89 242

HSL 234.32, 0.87%, 0.62%

LAB 45.6, 43.1, -78.47

 

CMYK 57 / 70 / 0 / 5

HEX #6749F2

RGB 103 73 242

HSL 250.65, 0.87%, 0.62%

LAB 44.32, 56.05, -80.48

 

CMYK 38 / 70 / 0 / 5

HEX #9549F2

RGB 149 73 242

HSL 266.98, 0.87%, 0.62%

LAB 48.96, 63.43, -72.7

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 70 / 45 / 0 / 5

HEX #4986F2

RGB 73 134 242

HSL 218.34, 0.87%, 0.62%

LAB 56.96, 15.43, -60.06

 

CMYK 70 / 63 / 0 / 5

HEX #4959F2

RGB 73 89 242

HSL 234.32, 0.87%, 0.62%

LAB 45.6, 43.1, -78.47

 

CMYK 70 / 70 / 0 / 5

HEX #4949F2

RGB 73 73 242

HSL 240, 0.87%, 0.62%

LAB 42.14, 52.41, -84.14

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 61 / 22 / 0 / 11

HEX #59B0E2

RGB 89 176 226

HSL 201.9, 0.7%, 0.62%

LAB 68.51, -11.52, -32.99

 

CMYK 50 / 19 / 0 / 17

HEX #69ABD3

RGB 105 171 211

HSL 202.64, 0.55%, 0.62%

LAB 67.15, -10.04, -26.78

 

CMYK 38 / 14 / 0 / 24

HEX #78A7C3

RGB 120 167 195

HSL 202.4, 0.38%, 0.62%

LAB 66.19, -8.57, -19.33

 

CMYK 24 / 9 / 0 / 30

HEX #88A3B3

RGB 136 163 179

HSL 202.33, 0.22%, 0.62%

LAB 65.5, -5.7, -11.36

 

CMYK 70 / 0 / 12 / 5

HEX #49F2D6

RGB 73 242 214

HSL 170.06, 0.87%, 0.62%

LAB 86.89, -49.11, 1.05

 

CMYK 70 / 7 / 0 / 5

HEX #49E1F2

RGB 73 225 242

HSL 186.04, 0.87%, 0.62%

LAB 82.74, -33.9, -19.86

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 70 / 44 / 0 / 5

HEX #4987F2

RGB 73 135 242

HSL 217.99, 0.87%, 0.62%

LAB 57.23, 14.82, -59.63

 

CMYK 70 / 63 / 0 / 5

HEX #495AF2

RGB 73 90 242

HSL 233.96, 0.87%, 0.62%

LAB 45.82, 42.5, -78.1

 

CMYK 93 / 34 / 0 / 15

HEX #0F8FDA

RGB 15 143 218

HSL 202.17, 0.87%, 0.46%

LAB 56.89, -4.07, -46.88

 

CMYK 85 / 31 / 0 / 6

HEX #23A4EF

RGB 35 164 239

HSL 202.06, 0.86%, 0.54%

LAB 64.27, -7.29, -46.83

 

CMYK 70 / 26 / 0 / 5

HEX #49B4F2

RGB 73 180 242

HSL 202.01, 0.87%, 0.62%

LAB 69.8, -11.13, -39.74

 

CMYK 54 / 20 / 0 / 4

HEX #70C4F5

RGB 112 196 245

HSL 202.11, 0.87%, 0.7%

LAB 75.77, -12.02, -32

 

CMYK 39 / 14 / 0 / 3

HEX #96D4F7

RGB 150 212 247

HSL 201.65, 0.86%, 0.78%

LAB 81.99, -11.08, -23.38

 

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

CMYK 30 / 70 / 0 / 5

HEX #A949F2

RGB 169 73 242

HSL 274.08, 0.87%, 0.62%

LAB 51.39, 67.11, -68.65

 

CMYK 0 / 2 / 70 / 5

HEX #F2EC49

RGB 242 236 73

HSL 57.87, 0.87%, 0.62%

LAB 91.39, -16.11, 75.3

 

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

CMYK 0 / 70 / 26 / 5

HEX #F249B4

RGB 242 73 180

HSL 322.01, 0.87%, 0.62%

LAB 58.92, 73.14, -20.78

 

CMYK 26 / 0 / 70 / 5

HEX #B4F249

RGB 180 242 73

HSL 82.01, 0.87%, 0.62%

LAB 88.78, -43.26, 71.29

 

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

CMYK 30 / 70 / 0 / 5

HEX #A949F2

RGB 169 73 242

HSL 274.08, 0.87%, 0.62%

LAB 51.39, 67.11, -68.65

 

CMYK 0 / 44 / 70 / 5

HEX #F28749

RGB 242 135 73

HSL 22.01, 0.87%, 0.62%

LAB 67.04, 36, 50.21

 

CMYK 40 / 0 / 70 / 5

HEX #92F249

RGB 146 242 73

HSL 94.08, 0.87%, 0.62%

LAB 87.04, -55.01, 68.98

 

CMYK 69 / 26 / 0 / 5

HEX #4AB4F2

RGB 74 180 242

HSL 202.14, 0.87%, 0.62%

LAB 69.83, -10.99, -39.69

 

CMYK 10 / 70 / 0 / 5

HEX #DB49F2

RGB 219 73 242

HSL 291.83, 0.87%, 0.62%

LAB 58.26, 77.04, -57.24

 

CMYK 0 / 44 / 70 / 5

HEX #F28749

RGB 242 135 73

HSL 22.01, 0.87%, 0.62%

LAB 67.04, 36, 50.21

 

CMYK 60 / 0 / 70 / 5

HEX #60F249

RGB 96 242 73

HSL 111.83, 0.87%, 0.62%

LAB 85.24, -68.74, 66.55

 

Description

Color code: HEX #4AB4F2 | qconv.com Color code: HEX #4AB4F2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 180 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 180 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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