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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA14D it is the complementary color #B55EB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA14D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA14D shade: #4FA148, #60B35B, #71C56E, #82D781 and #93E994

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA14D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA14D shade: #4AA14D, #398F3A, #287D27, #176B14 and #065901

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA14D shade: #49A04C, #5EA049, #75A049, #8DA049 and #A09C49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA14D shade: #49A04C, #49A064, #49A07B, #49A093 and #4996A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA14D shade matches the following richer shades: #49A04C, #36B33B, #23C629 and #10D917

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA14D shade: #49A04C, #5C8D5E, #6F7A70, #826781 and #955493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA14D shade: #75A049, #5EA049, #49A04C, #49A063 and #49A07B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA14D shade: #2F6831, #3C843F, #49A04C, #5EB561 and #7AC27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA14D shade: #4AA14D, #498CA0 and #A04969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA14D shade: #4AA14D, #4C49A0 and #A04C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA14D shade: #4AA14D, #498CA0, #A0499D and #A05E49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA14D shade: #4AA14D, #4972A0, #A0499D and #A07849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

Complementary color

CMYK 0 / 48 / 2 / 29

HEX #B55EB2

RGB 181 94 178

HSL 302.07, 0.37%, 0.54%

LAB 53, 47.12, -29.51

 

CMYK 51 / 0 / 55 / 37

HEX #4FA148

RGB 79 161 72

HSL 115.28, 0.38%, 0.46%

LAB 59.54, -43.14, 38.36

 

CMYK 46 / 0 / 49 / 30

HEX #60B35B

RGB 96 179 91

HSL 116.59, 0.37%, 0.53%

LAB 66.12, -43.16, 37.07

 

CMYK 43 / 0 / 44 / 23

HEX #71C56E

RGB 113 197 110

HSL 117.93, 0.43%, 0.6%

LAB 72.61, -43.05, 35.78

 

CMYK 40 / 0 / 40 / 16

HEX #82D781

RGB 130 215 129

HSL 119.3, 0.52%, 0.67%

LAB 79, -42.87, 34.53

 

CMYK 37 / 0 / 36 / 9

HEX #93E994

RGB 147 233 148

HSL 120.7, 0.66%, 0.75%

LAB 85.31, -42.66, 33.34

 

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

CMYK 60 / 0 / 59 / 44

HEX #398F3A

RGB 57 143 58

HSL 120.7, 0.43%, 0.39%

LAB 52.75, -43.62, 37.01

 

CMYK 68 / 0 / 69 / 51

HEX #287D27

RGB 40 125 39

HSL 119.3, 0.52%, 0.32%

LAB 45.99, -42.97, 38.18

 

CMYK 79 / 0 / 81 / 58

HEX #176B14

RGB 23 107 20

HSL 117.93, 0.69%, 0.25%

LAB 39.15, -41.59, 38.75

 

CMYK 93 / 0 / 99 / 65

HEX #065901

RGB 6 89 1

HSL 116.59, 0.98%, 0.18%

LAB 32.23, -39.14, 38.36

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 41 / 0 / 54 / 37

HEX #5EA049

RGB 94 160 73

HSL 105.52, 0.37%, 0.46%

LAB 59.89, -37.93, 38.44

 

CMYK 27 / 0 / 54 / 37

HEX #75A049

RGB 117 160 73

HSL 89.66, 0.37%, 0.46%

LAB 61.14, -29.69, 40.23

 

CMYK 12 / 0 / 54 / 37

HEX #8DA049

RGB 141 160 73

HSL 73.1, 0.37%, 0.46%

LAB 62.75, -20.11, 42.52

 

CMYK 0 / 2 / 54 / 37

HEX #A09C49

RGB 160 156 73

HSL 57.24, 0.37%, 0.46%

LAB 63.12, -9.98, 43.34

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 54 / 0 / 38 / 37

HEX #49A064

RGB 73 160 100

HSL 138.62, 0.37%, 0.46%

LAB 59.41, -39.97, 23.54

 

CMYK 54 / 0 / 23 / 37

HEX #49A07B

RGB 73 160 123

HSL 154.48, 0.37%, 0.46%

LAB 59.88, -35.25, 11.46

 

CMYK 54 / 0 / 8 / 37

HEX #49A093

RGB 73 160 147

HSL 171.03, 0.37%, 0.46%

LAB 60.48, -29.41, -1.17

 

CMYK 54 / 6 / 0 / 37

HEX #4996A0

RGB 73 150 160

HSL 186.9, 0.37%, 0.46%

LAB 57.82, -20.78, -12.52

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 70 / 0 / 67 / 30

HEX #36B33B

RGB 54 179 59

HSL 122.4, 0.54%, 0.46%

LAB 64.44, -57.3, 49.66

 

CMYK 82 / 0 / 79 / 22

HEX #23C629

RGB 35 198 41

HSL 122.21, 0.7%, 0.46%

LAB 70.11, -67.52, 61.76

 

CMYK 93 / 0 / 89 / 15

HEX #10D917

RGB 16 217 23

HSL 122.09, 0.86%, 0.46%

LAB 75.94, -75.18, 71.1

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 35 / 0 / 33 / 45

HEX #5C8D5E

RGB 92 141 94

HSL 122.45, 0.21%, 0.46%

LAB 54.17, -26.61, 19.98

 

CMYK 9 / 0 / 8 / 52

HEX #6F7A70

RGB 111 122 112

HSL 125.45, 0.05%, 0.46%

LAB 50.06, -6.16, 4.07

 

CMYK 0 / 21 / 1 / 49

HEX #826781

RGB 130 103 129

HSL 302.22, 0.12%, 0.46%

LAB 47.02, 15.61, -10.31

 

CMYK 0 / 44 / 1 / 42

HEX #955493

RGB 149 84 147

HSL 301.85, 0.28%, 0.46%

LAB 45.41, 36.76, -23.34

 

CMYK 27 / 0 / 54 / 37

HEX #75A049

RGB 117 160 73

HSL 89.66, 0.37%, 0.46%

LAB 61.14, -29.69, 40.23

 

CMYK 41 / 0 / 54 / 37

HEX #5EA049

RGB 94 160 73

HSL 105.52, 0.37%, 0.46%

LAB 59.89, -37.93, 38.44

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 54 / 0 / 38 / 37

HEX #49A063

RGB 73 160 99

HSL 137.93, 0.37%, 0.46%

LAB 59.4, -40.16, 24.06

 

CMYK 54 / 0 / 23 / 37

HEX #49A07B

RGB 73 160 123

HSL 154.48, 0.37%, 0.46%

LAB 59.88, -35.25, 11.46

 

CMYK 55 / 0 / 53 / 59

HEX #2F6831

RGB 47 104 49

HSL 122.11, 0.38%, 0.3%

LAB 39.12, -31.26, 25.25

 

CMYK 55 / 0 / 52 / 48

HEX #3C843F

RGB 60 132 63

HSL 122.5, 0.38%, 0.38%

LAB 49.28, -37.63, 30.34

 

CMYK 54 / 0 / 53 / 37

HEX #49A04C

RGB 73 160 76

HSL 122.07, 0.37%, 0.46%

LAB 59.05, -43.87, 35.72

 

CMYK 48 / 0 / 46 / 29

HEX #5EB561

RGB 94 181 97

HSL 122.07, 0.37%, 0.54%

LAB 66.74, -43.73, 34.78

 

CMYK 37 / 0 / 36 / 24

HEX #7AC27D

RGB 122 194 125

HSL 122.5, 0.37%, 0.62%

LAB 72.36, -36.63, 27.8

 

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

CMYK 54 / 13 / 0 / 37

HEX #498CA0

RGB 73 140 160

HSL 193.79, 0.37%, 0.46%

LAB 54.77, -15.44, -17.12

 

CMYK 0 / 54 / 34 / 37

HEX #A04969

RGB 160 73 105

HSL 337.93, 0.37%, 0.46%

LAB 43.15, 39.58, -1.08

 

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

CMYK 53 / 54 / 0 / 37

HEX #4C49A0

RGB 76 73 160

HSL 242.07, 0.37%, 0.46%

LAB 35.67, 26.05, -47.05

 

CMYK 0 / 53 / 54 / 37

HEX #A04C49

RGB 160 76 73

HSL 2.07, 0.37%, 0.46%

LAB 42.95, 34.55, 18.32

 

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

CMYK 54 / 13 / 0 / 37

HEX #498CA0

RGB 73 140 160

HSL 193.79, 0.37%, 0.46%

LAB 54.77, -15.44, -17.12

 

CMYK 0 / 54 / 2 / 37

HEX #A0499D

RGB 160 73 157

HSL 302.07, 0.37%, 0.46%

LAB 45.18, 47.7, -29.56

 

CMYK 0 / 41 / 54 / 37

HEX #A05E49

RGB 160 94 73

HSL 14.48, 0.37%, 0.46%

LAB 46.92, 24.7, 23.53

 

CMYK 54 / 0 / 52 / 37

HEX #4AA14D

RGB 74 161 77

HSL 122.07, 0.37%, 0.46%

LAB 59.42, -43.87, 35.67

 

CMYK 54 / 29 / 0 / 37

HEX #4972A0

RGB 73 114 160

HSL 211.72, 0.37%, 0.46%

LAB 46.96, -0.52, -29.16

 

CMYK 0 / 54 / 2 / 37

HEX #A0499D

RGB 160 73 157

HSL 302.07, 0.37%, 0.46%

LAB 45.18, 47.7, -29.56

 

CMYK 0 / 25 / 54 / 37

HEX #A07849

RGB 160 120 73

HSL 32.41, 0.37%, 0.46%

LAB 53.37, 9.91, 31.68

 

Description

Color code: HEX #4AA14D | qconv.com Color code: HEX #4AA14D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 161 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 161 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 52 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 52% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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