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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A954C it is the complementary color #B56AB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A954C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A954C shade: #4F9547, #60A75A, #71B96D, #82CB80 and #93DD93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A954C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A954C shade: #4A954C, #398339, #287126, #175F13 and #064D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A954C shade: #4A964C, #5C964A, #71964A, #85964A and #96924A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A954C shade: #4A964C, #4A9660, #4A9675, #4A9689 and #4A8E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A954C shade matches the following richer shades: #4A964C, #37A83A, #25BA29, #13CC18 and #01DE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A954C shade: #4A964C, #5C845D, #6E726E, #805F7F and #924D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A954C shade: #71964A, #5D964A, #4A964B, #4A965F and #4A9674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A954C shade: #2E5F30, #3C7A3E, #4A964C, #5BAE5D and #76BB78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A954C shade: #4A954C, #4A8596 and #964A67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A954C shade: #4A954C, #4B4A96 and #964B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A954C shade: #4A954C, #4A8596, #964A95 and #965A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A954C shade: #4A954C, #4A6E96, #964A95 and #96714A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

Complementary color

CMYK 0 / 41 / 1 / 29

HEX #B56AB3

RGB 181 106 179

HSL 301.6, 0.34%, 0.56%

LAB 55.47, 41.03, -26.26

 

CMYK 47 / 0 / 52 / 42

HEX #4F9547

RGB 79 149 71

HSL 113.85, 0.35%, 0.43%

LAB 55.7, -38.18, 34.22

 

CMYK 43 / 0 / 46 / 35

HEX #60A75A

RGB 96 167 90

HSL 115.32, 0.3%, 0.5%

LAB 62.39, -38.1, 32.91

 

CMYK 39 / 0 / 41 / 27

HEX #71B96D

RGB 113 185 109

HSL 116.84, 0.35%, 0.58%

LAB 68.98, -37.92, 31.63

 

CMYK 36 / 0 / 37 / 20

HEX #82CB80

RGB 130 203 128

HSL 118.4, 0.42%, 0.65%

LAB 75.46, -37.71, 30.41

 

CMYK 33 / 0 / 33 / 13

HEX #93DD93

RGB 147 221 147

HSL 120, 0.52%, 0.72%

LAB 81.85, -37.47, 29.25

 

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

CMYK 56 / 0 / 56 / 49

HEX #398339

RGB 57 131 57

HSL 120, 0.39%, 0.37%

LAB 48.76, -38.89, 32.8

 

CMYK 65 / 0 / 66 / 56

HEX #287126

RGB 40 113 38

HSL 118.4, 0.5%, 0.3%

LAB 41.85, -38.47, 34.08

 

CMYK 76 / 0 / 80 / 63

HEX #175F13

RGB 23 95 19

HSL 116.84, 0.67%, 0.22%

LAB 34.83, -37.37, 34.87

 

CMYK 92 / 0 / 100 / 70

HEX #064D00

RGB 6 77 0

HSL 115.32, 1%, 0.15%

LAB 27.7, -35.26, 35.05

 

CMYK 51 / 0 / 49 / 41

HEX #4A964C

RGB 74 150 76

HSL 121.58, 0.34%, 0.44%

LAB 55.88, -39.41, 31.81

 

CMYK 39 / 0 / 51 / 41

HEX #5C964A

RGB 92 150 74

HSL 105.79, 0.34%, 0.44%

LAB 56.67, -33.98, 34.01

 

CMYK 25 / 0 / 51 / 41

HEX #71964A

RGB 113 150 74

HSL 89.21, 0.34%, 0.44%

LAB 57.86, -26.27, 35.74

 

CMYK 11 / 0 / 51 / 41

HEX #85964A

RGB 133 150 74

HSL 73.42, 0.34%, 0.44%

LAB 59.25, -18.2, 37.74

 

CMYK 0 / 3 / 51 / 41

HEX #96924A

RGB 150 146 74

HSL 56.84, 0.34%, 0.44%

LAB 59.47, -8.86, 38.33

 

CMYK 51 / 0 / 49 / 41

HEX #4A964C

RGB 74 150 76

HSL 121.58, 0.34%, 0.44%

LAB 55.88, -39.41, 31.81

 

CMYK 51 / 0 / 36 / 41

HEX #4A9660

RGB 74 150 96

HSL 137.37, 0.34%, 0.44%

LAB 56.2, -36.05, 21.45

 

CMYK 51 / 0 / 22 / 41

HEX #4A9675

RGB 74 150 117

HSL 153.95, 0.34%, 0.44%

LAB 56.64, -31.7, 10.28

 

CMYK 51 / 0 / 9 / 41

HEX #4A9689

RGB 74 150 137

HSL 169.74, 0.34%, 0.44%

LAB 57.15, -26.86, -0.37

 

CMYK 51 / 5 / 0 / 41

HEX #4A8E96

RGB 74 142 150

HSL 186.32, 0.34%, 0.44%

LAB 55.08, -19.22, -10.9

 

CMYK 51 / 0 / 49 / 41

HEX #4A964C

RGB 74 150 76

HSL 121.58, 0.34%, 0.44%

LAB 55.88, -39.41, 31.81

 

CMYK 67 / 0 / 65 / 34

HEX #37A83A

RGB 55 168 58

HSL 121.59, 0.51%, 0.44%

LAB 60.89, -53.39, 46.22

 

CMYK 80 / 0 / 78 / 27

HEX #25BA29

RGB 37 186 41

HSL 121.61, 0.67%, 0.44%

LAB 66.27, -63.68, 58.09

 

CMYK 91 / 0 / 88 / 20

HEX #13CC18

RGB 19 204 24

HSL 121.62, 0.83%, 0.44%

LAB 71.82, -71.41, 67.37

 

CMYK 100 / 0 / 97 / 13

HEX #01DE07

RGB 1 222 7

HSL 121.63, 0.99%, 0.44%

LAB 77.44, -77.46, 74.27

 

CMYK 51 / 0 / 49 / 41

HEX #4A964C

RGB 74 150 76

HSL 121.58, 0.34%, 0.44%

LAB 55.88, -39.41, 31.81

 

CMYK 30 / 0 / 30 / 48

HEX #5C845D

RGB 92 132 93

HSL 121.5, 0.18%, 0.44%

LAB 51.35, -22.26, 16.73

 

CMYK 4 / 0 / 4 / 55

HEX #6E726E

RGB 110 114 110

HSL 120, 0.02%, 0.44%

LAB 47.59, -2.34, 1.68

 

CMYK 0 / 26 / 1 / 50

HEX #805F7F

RGB 128 95 127

HSL 301.82, 0.15%, 0.44%

LAB 44.67, 19.24, -12.68

 

CMYK 0 / 47 / 1 / 43

HEX #924D90

RGB 146 77 144

HSL 301.74, 0.31%, 0.44%

LAB 43.41, 39.04, -24.68

 

CMYK 25 / 0 / 51 / 41

HEX #71964A

RGB 113 150 74

HSL 89.21, 0.34%, 0.44%

LAB 57.86, -26.27, 35.74

 

CMYK 38 / 0 / 51 / 41

HEX #5D964A

RGB 93 150 74

HSL 105, 0.34%, 0.44%

LAB 56.72, -33.63, 34.08

 

CMYK 51 / 0 / 50 / 41

HEX #4A964B

RGB 74 150 75

HSL 120.79, 0.34%, 0.44%

LAB 55.86, -39.55, 32.32

 

CMYK 51 / 0 / 37 / 41

HEX #4A965F

RGB 74 150 95

HSL 136.58, 0.34%, 0.44%

LAB 56.18, -36.23, 21.98

 

CMYK 51 / 0 / 23 / 41

HEX #4A9674

RGB 74 150 116

HSL 153.16, 0.34%, 0.44%

LAB 56.61, -31.93, 10.81

 

CMYK 52 / 0 / 49 / 63

HEX #2E5F30

RGB 46 95 48

HSL 122.45, 0.35%, 0.28%

LAB 35.94, -27.58, 21.84

 

CMYK 51 / 0 / 49 / 52

HEX #3C7A3E

RGB 60 122 62

HSL 121.94, 0.34%, 0.36%

LAB 45.94, -33.4, 26.73

 

CMYK 51 / 0 / 49 / 41

HEX #4A964C

RGB 74 150 76

HSL 121.58, 0.34%, 0.44%

LAB 55.88, -39.41, 31.81

 

CMYK 48 / 0 / 47 / 32

HEX #5BAE5D

RGB 91 174 93

HSL 121.45, 0.34%, 0.52%

LAB 64.39, -42.22, 33.84

 

CMYK 37 / 0 / 36 / 27

HEX #76BB78

RGB 118 187 120

HSL 121.74, 0.34%, 0.6%

LAB 70, -35.51, 27.25

 

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

CMYK 51 / 11 / 0 / 41

HEX #4A8596

RGB 74 133 150

HSL 193.42, 0.34%, 0.44%

LAB 52.32, -14.36, -15.06

 

CMYK 0 / 51 / 31 / 41

HEX #964A67

RGB 150 74 103

HSL 337.11, 0.34%, 0.44%

LAB 41.78, 35.24, -2.03

 

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

CMYK 50 / 51 / 0 / 41

HEX #4B4A96

RGB 75 74 150

HSL 240.79, 0.34%, 0.44%

LAB 35.19, 21.93, -41.79

 

CMYK 0 / 50 / 51 / 41

HEX #964B4A

RGB 150 75 74

HSL 0.79, 0.34%, 0.44%

LAB 41.23, 31.27, 15.13

 

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

CMYK 51 / 11 / 0 / 41

HEX #4A8596

RGB 74 133 150

HSL 193.42, 0.34%, 0.44%

LAB 52.32, -14.36, -15.06

 

CMYK 0 / 51 / 1 / 41

HEX #964A95

RGB 150 74 149

HSL 300.79, 0.34%, 0.44%

LAB 43.58, 42.79, -27.37

 

CMYK 0 / 40 / 51 / 41

HEX #965A4A

RGB 150 90 74

HSL 12.63, 0.34%, 0.44%

LAB 44.65, 22.88, 19.71

 

CMYK 50 / 0 / 49 / 42

HEX #4A954C

RGB 74 149 76

HSL 121.6, 0.34%, 0.44%

LAB 55.56, -38.98, 31.41

 

CMYK 51 / 27 / 0 / 41

HEX #4A6E96

RGB 74 110 150

HSL 211.58, 0.34%, 0.44%

LAB 45.37, -1.08, -25.73

 

CMYK 0 / 51 / 1 / 41

HEX #964A95

RGB 150 74 149

HSL 300.79, 0.34%, 0.44%

LAB 43.58, 42.79, -27.37

 

CMYK 0 / 25 / 51 / 41

HEX #96714A

RGB 150 113 74

HSL 30.79, 0.34%, 0.44%

LAB 50.44, 9.62, 27.22

 

Description

Color code: HEX #4A954C | qconv.com Color code: HEX #4A954C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 149 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 149 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 49 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 49% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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