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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A7A06 it is the complementary color #B585F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A7A06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A7A06 shade: #4F7A01, #608C14, #719E27, #82B03A and #93C24D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A7A06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A7A06 shade: #4A7A06, #396800, #285600, #174400 and #063200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A7A06 shade: #497905, #697905, #796B05, #794B05 and #792C05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A7A06 shade: #497905, #2A7905, #0B7905, #05791F and #05793E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A7A06 shade matches the following richer shades: #497905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A7A06 shade: #497905, #476F10, #46651A, #445A24 and #42502E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A7A06 shade: #796A05, #6A7905, #4B7905, #2C7905 and #0D7905

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A7A06 shade: #1A2A02, #315203, #497905, #61A107 and #79C809

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A7A06 shade: #4A7A06, #05794B and #790579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A7A06 shade: #4A7A06, #054B79 and #79054B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A7A06 shade: #4A7A06, #05794B, #340579 and #790534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A7A06 shade: #4A7A06, #05796E, #340579 and #790511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

Complementary color

CMYK 27 / 47 / 0 / 2

HEX #B585F9

RGB 181 133 249

HSL 264.83, 0.91%, 0.75%

LAB 64.51, 41.33, -51.44

 

CMYK 35 / 0 / 99 / 52

HEX #4F7A01

RGB 79 122 1

HSL 81.32, 0.98%, 0.24%

LAB 46.42, -31.54, 50.78

 

CMYK 31 / 0 / 86 / 45

HEX #608C14

RGB 96 140 20

HSL 82, 0.75%, 0.31%

LAB 53.27, -32.47, 52.85

 

CMYK 28 / 0 / 75 / 38

HEX #719E27

RGB 113 158 39

HSL 82.69, 0.6%, 0.39%

LAB 59.99, -33.13, 53.57

 

CMYK 26 / 0 / 67 / 31

HEX #82B03A

RGB 130 176 58

HSL 83.39, 0.5%, 0.46%

LAB 66.6, -33.57, 53.31

 

CMYK 24 / 0 / 60 / 24

HEX #93C24D

RGB 147 194 77

HSL 84.1, 0.49%, 0.53%

LAB 73.1, -33.84, 52.57

 

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

CMYK 45 / 0 / 100 / 59

HEX #396800

RGB 57 104 0

HSL 87.12, 1%, 0.2%

LAB 39.19, -31.99, 44.89

 

CMYK 53 / 0 / 100 / 66

HEX #285600

RGB 40 86 0

HSL 92.09, 1%, 0.17%

LAB 32.05, -30.3, 38.96

 

CMYK 66 / 0 / 100 / 73

HEX #174400

RGB 23 68 0

HSL 99.71, 1%, 0.13%

LAB 24.69, -28.29, 32.48

 

CMYK 88 / 0 / 100 / 80

HEX #063200

RGB 6 50 0

HSL 112.8, 1%, 0.1%

LAB 17.08, -25.67, 23.97

 

CMYK 40 / 0 / 96 / 53

HEX #497905

RGB 73 121 5

HSL 84.83, 0.92%, 0.25%

LAB 45.77, -33.31, 49.27

 

CMYK 13 / 0 / 96 / 53

HEX #697905

RGB 105 121 5

HSL 68.28, 0.92%, 0.25%

LAB 47.87, -19.73, 51.82

 

CMYK 0 / 12 / 96 / 53

HEX #796B05

RGB 121 107 5

HSL 52.76, 0.92%, 0.25%

LAB 45.07, -4.49, 50.28

 

CMYK 0 / 38 / 96 / 53

HEX #794B05

RGB 121 75 5

HSL 36.21, 0.92%, 0.25%

LAB 36.19, 14.4, 43.67

 

CMYK 0 / 64 / 96 / 53

HEX #792C05

RGB 121 44 5

HSL 20.17, 0.92%, 0.25%

LAB 29.1, 31.91, 38.54

 

CMYK 40 / 0 / 96 / 53

HEX #497905

RGB 73 121 5

HSL 84.83, 0.92%, 0.25%

LAB 45.77, -33.31, 49.27

 

CMYK 65 / 0 / 96 / 53

HEX #2A7905

RGB 42 121 5

HSL 100.86, 0.92%, 0.25%

LAB 44.49, -43.26, 47.69

 

CMYK 91 / 0 / 96 / 53

HEX #0B7905

RGB 11 121 5

HSL 116.9, 0.92%, 0.25%

LAB 43.88, -48.5, 46.94

 

CMYK 96 / 0 / 74 / 53

HEX #05791F

RGB 5 121 31

HSL 133.45, 0.92%, 0.25%

LAB 43.95, -47.38, 39.27

 

CMYK 96 / 0 / 49 / 53

HEX #05793E

RGB 5 121 62

HSL 149.48, 0.92%, 0.25%

LAB 44.31, -42.97, 24.4

 

CMYK 40 / 0 / 96 / 53

HEX #497905

RGB 73 121 5

HSL 84.83, 0.92%, 0.25%

LAB 45.77, -33.31, 49.27

 

CMYK 40 / 0 / 96 / 53

HEX #497905

RGB 73 121 5

HSL 84.83, 0.92%, 0.25%

LAB 45.77, -33.31, 49.27

 

CMYK 36 / 0 / 86 / 56

HEX #476F10

RGB 71 111 16

HSL 85.26, 0.75%, 0.25%

LAB 42.38, -29.12, 43.74

 

CMYK 31 / 0 / 74 / 60

HEX #46651A

RGB 70 101 26

HSL 84.8, 0.59%, 0.25%

LAB 39.04, -24.08, 36.93

 

CMYK 24 / 0 / 60 / 65

HEX #445A24

RGB 68 90 36

HSL 84.44, 0.43%, 0.25%

LAB 35.34, -18.31, 28.06

 

CMYK 18 / 0 / 43 / 69

HEX #42502E

RGB 66 80 46

HSL 84.71, 0.27%, 0.25%

LAB 32.02, -12.31, 18.25

 

CMYK 0 / 12 / 96 / 53

HEX #796A05

RGB 121 106 5

HSL 52.24, 0.92%, 0.25%

LAB 44.78, -3.92, 50.06

 

CMYK 12 / 0 / 96 / 53

HEX #6A7905

RGB 106 121 5

HSL 67.76, 0.92%, 0.25%

LAB 47.94, -19.27, 51.91

 

CMYK 38 / 0 / 96 / 53

HEX #4B7905

RGB 75 121 5

HSL 83.79, 0.92%, 0.25%

LAB 45.88, -32.54, 49.4

 

CMYK 64 / 0 / 96 / 53

HEX #2C7905

RGB 44 121 5

HSL 99.83, 0.92%, 0.25%

LAB 44.55, -42.75, 47.76

 

CMYK 89 / 0 / 96 / 53

HEX #0D7905

RGB 13 121 5

HSL 115.86, 0.92%, 0.25%

LAB 43.9, -48.31, 46.96

 

CMYK 38 / 0 / 95 / 84

HEX #1A2A02

RGB 26 42 2

HSL 84, 0.91%, 0.09%

LAB 14.84, -14.46, 20.54

 

CMYK 40 / 0 / 96 / 68

HEX #315203

RGB 49 82 3

HSL 85.06, 0.93%, 0.17%

LAB 31.1, -24.85, 37.31

 

CMYK 40 / 0 / 96 / 53

HEX #497905

RGB 73 121 5

HSL 84.83, 0.92%, 0.25%

LAB 45.77, -33.31, 49.27

 

CMYK 40 / 0 / 96 / 37

HEX #61A107

RGB 97 161 7

HSL 84.94, 0.92%, 0.33%

LAB 59.93, -41.69, 60.85

 

CMYK 40 / 0 / 96 / 22

HEX #79C809

RGB 121 200 9

HSL 84.82, 0.91%, 0.41%

LAB 73.15, -49.26, 71.67

 

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

CMYK 96 / 0 / 38 / 53

HEX #05794B

RGB 5 121 75

HSL 156.21, 0.92%, 0.25%

LAB 44.54, -40.28, 17.36

 

CMYK 0 / 96 / 0 / 53

HEX #790579

RGB 121 5 121

HSL 300, 0.92%, 0.25%

LAB 28.26, 55.75, -34.59

 

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

CMYK 96 / 38 / 0 / 53

HEX #054B79

RGB 5 75 121

HSL 203.79, 0.92%, 0.25%

LAB 30.51, -1.05, -31.61

 

CMYK 0 / 96 / 38 / 53

HEX #79054B

RGB 121 5 75

HSL 323.79, 0.92%, 0.25%

LAB 25.81, 49.45, -8.32

 

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

CMYK 96 / 0 / 38 / 53

HEX #05794B

RGB 5 121 75

HSL 156.21, 0.92%, 0.25%

LAB 44.54, -40.28, 17.36

 

CMYK 57 / 96 / 0 / 53

HEX #340579

RGB 52 5 121

HSL 264.31, 0.92%, 0.25%

LAB 16.6, 45.86, -54.09

 

CMYK 0 / 96 / 57 / 53

HEX #790534

RGB 121 5 52

HSL 335.69, 0.92%, 0.25%

LAB 25.02, 47.31, 6.23

 

CMYK 39 / 0 / 95 / 52

HEX #4A7A06

RGB 74 122 6

HSL 84.83, 0.91%, 0.25%

LAB 46.16, -33.35, 49.4

 

CMYK 96 / 0 / 9 / 53

HEX #05796E

RGB 5 121 110

HSL 174.31, 0.92%, 0.25%

LAB 45.4, -30.9, -2.04

 

CMYK 57 / 96 / 0 / 53

HEX #340579

RGB 52 5 121

HSL 264.31, 0.92%, 0.25%

LAB 16.6, 45.86, -54.09

 

CMYK 0 / 96 / 86 / 53

HEX #790511

RGB 121 5 17

HSL 353.79, 0.92%, 0.25%

LAB 24.37, 45.5, 28.85

 

Description

Color code: HEX #4A7A06 | qconv.com Color code: HEX #4A7A06 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 122 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 122 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 95 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 95% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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