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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A76FB it is the complementary color #B58904. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A76FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A76FB shade: #4F76F6, #6088FF, #719AFF, #82ACFF and #93BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A76FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A76FB shade: #4A76FB, #3964E8, #2852D5, #1740C2 and #062EAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A76FB shade: #4B76FB, #4E4BFB, #7E4BFB, #AD4BFB and #DD4BFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A76FB shade: #4B76FB and #4B4BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A76FB shade matches the following richer shades: #4B76FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A76FB shade: #4B76FB, #597EEC, #6885DD, #778DCE and #8694BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A76FB shade: #4BD5FB, #4BA6FB, #4B77FB, #4E4BFB and #7D4BFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A76FB shade: #043FEF, #2258FA, #4B76FB, #7395FC and #9BB4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A76FB shade: #4A76FB, #F24BFB and #BDFB4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A76FB shade: #4A76FB, #FB4B77 and #77FB4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A76FB shade: #4A76FB, #F24BFB, #FBCF4B and #53FB4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A76FB shade: #4A76FB, #FB4BCF, #FBCF4B and #4BFB77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

Complementary color

CMYK 0 / 24 / 98 / 29

HEX #B58904

RGB 181 137 4

HSL 45.08, 0.96%, 0.36%

LAB 59.64, 6.76, 63.99

 

CMYK 68 / 52 / 0 / 4

HEX #4F76F6

RGB 79 118 246

HSL 225.99, 0.9%, 0.64%

LAB 53.25, 27.49, -68.24

 

CMYK 62 / 47 / 0 / 0

HEX #6088FF

RGB 96 136 255

HSL 224.91, 1%, 0.69%

LAB 59.26, 22.25, -63.47

 

CMYK 56 / 40 / 0 / 0

HEX #719AFF

RGB 113 154 255

HSL 222.68, 1%, 0.72%

LAB 64.84, 14.72, -54.53

 

CMYK 49 / 33 / 0 / 0

HEX #82ACFF

RGB 130 172 255

HSL 219.84, 1%, 0.75%

LAB 70.5, 8, -45.52

 

CMYK 42 / 25 / 0 / 0

HEX #93BEFF

RGB 147 190 255

HSL 216.11, 1%, 0.79%

LAB 76.22, 2.03, -36.53

 

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

CMYK 75 / 57 / 0 / 9

HEX #3964E8

RGB 57 100 232

HSL 225.26, 0.79%, 0.57%

LAB 46.72, 30.99, -71.04

 

CMYK 81 / 62 / 0 / 16

HEX #2852D5

RGB 40 82 213

HSL 225.43, 0.68%, 0.5%

LAB 40.06, 33.86, -71.13

 

CMYK 88 / 67 / 0 / 24

HEX #1740C2

RGB 23 64 194

HSL 225.61, 0.79%, 0.43%

LAB 33.44, 37.18, -70.99

 

CMYK 97 / 74 / 0 / 31

HEX #062EAF

RGB 6 46 175

HSL 225.8, 0.93%, 0.35%

LAB 26.98, 40.84, -70.4

 

CMYK 70 / 53 / 0 / 2

HEX #4B76FB

RGB 75 118 251

HSL 225.34, 0.96%, 0.64%

LAB 53.4, 28.69, -70.77

 

CMYK 69 / 70 / 0 / 2

HEX #4E4BFB

RGB 78 75 251

HSL 241.02, 0.96%, 0.64%

LAB 43.68, 54.66, -86.65

 

CMYK 50 / 70 / 0 / 2

HEX #7E4BFB

RGB 126 75 251

HSL 257.39, 0.96%, 0.64%

LAB 47.54, 60.92, -80.17

 

CMYK 31 / 70 / 0 / 2

HEX #AD4BFB

RGB 173 75 251

HSL 273.41, 0.96%, 0.64%

LAB 52.82, 68.98, -71.34

 

CMYK 12 / 70 / 0 / 2

HEX #DD4BFB

RGB 221 75 251

HSL 289.77, 0.96%, 0.64%

LAB 59.31, 78.31, -60.54

 

CMYK 70 / 53 / 0 / 2

HEX #4B76FB

RGB 75 118 251

HSL 225.34, 0.96%, 0.64%

LAB 53.4, 28.69, -70.77

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFB

RGB 75 75 251

HSL 240, 0.96%, 0.64%

LAB 43.5, 54.36, -86.95

 

CMYK 70 / 53 / 0 / 2

HEX #4B76FB

RGB 75 118 251

HSL 225.34, 0.96%, 0.64%

LAB 53.4, 28.69, -70.77

 

CMYK 70 / 53 / 0 / 2

HEX #4B76FB

RGB 75 118 251

HSL 225.34, 0.96%, 0.64%

LAB 53.4, 28.69, -70.77

 

CMYK 62 / 47 / 0 / 7

HEX #597EEC

RGB 89 126 236

HSL 224.9, 0.79%, 0.64%

LAB 55.18, 20.75, -59.54

 

CMYK 53 / 40 / 0 / 13

HEX #6885DD

RGB 104 133 221

HSL 225.13, 0.63%, 0.64%

LAB 57.02, 14.56, -48.18

 

CMYK 42 / 32 / 0 / 19

HEX #778DCE

RGB 119 141 206

HSL 224.83, 0.47%, 0.64%

LAB 59.37, 8.91, -36

 

CMYK 30 / 23 / 0 / 25

HEX #8694BF

RGB 134 148 191

HSL 225.26, 0.31%, 0.64%

LAB 61.66, 5.02, -23.93

 

CMYK 70 / 15 / 0 / 2

HEX #4BD5FB

RGB 75 213 251

HSL 192.95, 0.96%, 0.64%

LAB 79.64, -25.14, -29.35

 

CMYK 70 / 34 / 0 / 2

HEX #4BA6FB

RGB 75 166 251

HSL 208.98, 0.96%, 0.64%

LAB 66.32, -0.05, -50.1

 

CMYK 70 / 53 / 0 / 2

HEX #4B77FB

RGB 75 119 251

HSL 225, 0.96%, 0.64%

LAB 53.66, 28.07, -70.36

 

CMYK 69 / 70 / 0 / 2

HEX #4E4BFB

RGB 78 75 251

HSL 241.02, 0.96%, 0.64%

LAB 43.68, 54.66, -86.65

 

CMYK 50 / 70 / 0 / 2

HEX #7D4BFB

RGB 125 75 251

HSL 257.05, 0.96%, 0.64%

LAB 47.44, 60.77, -80.33

 

CMYK 98 / 74 / 0 / 6

HEX #043FEF

RGB 4 63 239

HSL 224.94, 0.97%, 0.48%

LAB 37.5, 53.32, -90.18

 

CMYK 86 / 65 / 0 / 2

HEX #2258FA

RGB 34 88 250

HSL 225, 0.96%, 0.56%

LAB 44.55, 43.21, -84.72

 

CMYK 70 / 53 / 0 / 2

HEX #4B76FB

RGB 75 118 251

HSL 225.34, 0.96%, 0.64%

LAB 53.4, 28.69, -70.77

 

CMYK 54 / 41 / 0 / 1

HEX #7395FC

RGB 115 149 252

HSL 225.11, 0.96%, 0.72%

LAB 63.48, 17.11, -55.03

 

CMYK 38 / 29 / 0 / 1

HEX #9BB4FC

RGB 155 180 252

HSL 224.54, 0.94%, 0.8%

LAB 73.96, 8.78, -38.39

 

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

CMYK 4 / 70 / 0 / 2

HEX #F24BFB

RGB 242 75 251

HSL 296.93, 0.96%, 0.64%

LAB 62.4, 82.59, -55.43

 

CMYK 25 / 0 / 70 / 2

HEX #BDFB4B

RGB 189 251 75

HSL 81.14, 0.96%, 0.64%

LAB 91.83, -43.74, 73.82

 

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 53 / 0 / 70 / 2

HEX #77FB4B

RGB 119 251 75

HSL 105, 0.96%, 0.64%

LAB 88.65, -66.13, 69.57

 

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

CMYK 4 / 70 / 0 / 2

HEX #F24BFB

RGB 242 75 251

HSL 296.93, 0.96%, 0.64%

LAB 62.4, 82.59, -55.43

 

CMYK 0 / 18 / 70 / 2

HEX #FBCF4B

RGB 251 207 75

HSL 45, 0.96%, 0.64%

LAB 84.81, 2.25, 68.31

 

CMYK 67 / 0 / 70 / 2

HEX #53FB4B

RGB 83 251 75

HSL 117.27, 0.96%, 0.64%

LAB 87.65, -74.17, 68.23

 

CMYK 71 / 53 / 0 / 2

HEX #4A76FB

RGB 74 118 251

HSL 225.08, 0.96%, 0.64%

LAB 53.36, 28.56, -70.84

 

CMYK 0 / 70 / 18 / 2

HEX #FB4BCF

RGB 251 75 207

HSL 315, 0.96%, 0.64%

LAB 61.69, 78.1, -31.82

 

CMYK 0 / 18 / 70 / 2

HEX #FBCF4B

RGB 251 207 75

HSL 45, 0.96%, 0.64%

LAB 84.81, 2.25, 68.31

 

CMYK 70 / 0 / 53 / 2

HEX #4BFB77

RGB 75 251 119

HSL 135, 0.96%, 0.64%

LAB 87.88, -70.82, 50.18

 

Description

Color code: HEX #4A76FB | qconv.com Color code: HEX #4A76FB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 118 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 118 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 53 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 53% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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