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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A6186 it is the complementary color #B59E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A6186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A6186 shade: #4F6181, #607394, #7185A7, #8297BA and #93A9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A6186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A6186 shade: #4A6186, #394F73, #283D60, #172B4D and #06193A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A6186 shade: #4A6186, #4A5186, #534A86, #644A86 and #744A86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A6186 shade: #4A6186, #4A5186 and #4A4A86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A6186 shade matches the following richer shades: #4A6186, #395D97, #2859A8, #1755B9 and #0651CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A6186 shade: #4A6186, #5B6575, #6C6965, #7C6D54 and #8D7143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A6186 shade: #4A8186, #4A7186, #4A6186, #4A5186 and #534A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A6186 shade: #2C3B51, #3B4E6C, #4A6186, #5874A1 and #728AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A6186 shade: #4A6186, #7B4A86 and #79864A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A6186 shade: #4A6186, #864A61 and #61864A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A6186 shade: #4A6186, #7B4A86, #866F4A and #55864A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A6186 shade: #4A6186, #864A7F, #866F4A and #4A8651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

Complementary color

CMYK 0 / 13 / 33 / 29

HEX #B59E79

RGB 181 158 121

HSL 37, 0.29%, 0.59%

LAB 66.26, 2.91, 22.47

 

CMYK 39 / 25 / 0 / 49

HEX #4F6181

RGB 79 97 129

HSL 218.4, 0.24%, 0.41%

LAB 40.89, 1.8, -20.05

 

CMYK 35 / 22 / 0 / 42

HEX #607394

RGB 96 115 148

HSL 218.08, 0.21%, 0.48%

LAB 48.12, 1.43, -20.2

 

CMYK 32 / 20 / 0 / 35

HEX #7185A7

RGB 113 133 167

HSL 217.78, 0.23%, 0.55%

LAB 55.15, 1.11, -20.38

 

CMYK 30 / 19 / 0 / 27

HEX #8297BA

RGB 130 151 186

HSL 217.5, 0.29%, 0.62%

LAB 62.02, 0.84, -20.6

 

CMYK 28 / 18 / 0 / 20

HEX #93A9CD

RGB 147 169 205

HSL 217.24, 0.37%, 0.69%

LAB 68.74, 0.6, -20.83

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 50 / 31 / 0 / 55

HEX #394F73

RGB 57 79 115

HSL 217.24, 0.34%, 0.34%

LAB 33.35, 2.49, -23.25

 

CMYK 58 / 36 / 0 / 62

HEX #283D60

RGB 40 61 96

HSL 217.5, 0.41%, 0.27%

LAB 25.66, 3.36, -23.29

 

CMYK 70 / 44 / 0 / 70

HEX #172B4D

RGB 23 43 77

HSL 217.78, 0.54%, 0.2%

LAB 17.67, 4.68, -23.41

 

CMYK 90 / 57 / 0 / 77

HEX #06193A

RGB 6 25 58

HSL 218.08, 0.81%, 0.13%

LAB 9.32, 6.87, -23.61

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 45 / 40 / 0 / 47

HEX #4A5186

RGB 74 81 134

HSL 233, 0.29%, 0.41%

LAB 36.1, 12.01, -30.6

 

CMYK 38 / 45 / 0 / 47

HEX #534A86

RGB 83 74 134

HSL 249, 0.29%, 0.41%

LAB 34.92, 19.05, -32.42

 

CMYK 25 / 45 / 0 / 47

HEX #644A86

RGB 100 74 134

HSL 266, 0.29%, 0.41%

LAB 36.61, 24.12, -29.64

 

CMYK 13 / 45 / 0 / 47

HEX #744A86

RGB 116 74 134

HSL 282, 0.29%, 0.41%

LAB 38.43, 29.15, -26.65

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 45 / 40 / 0 / 47

HEX #4A5186

RGB 74 81 134

HSL 233, 0.29%, 0.41%

LAB 36.1, 12.01, -30.6

 

CMYK 45 / 45 / 0 / 47

HEX #4A4A86

RGB 74 74 134

HSL 240, 0.29%, 0.41%

LAB 34.14, 16.55, -33.71

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 62 / 38 / 0 / 41

HEX #395D97

RGB 57 93 151

HSL 217.02, 0.45%, 0.41%

LAB 39.47, 5.96, -35.65

 

CMYK 76 / 47 / 0 / 34

HEX #2859A8

RGB 40 89 168

HSL 217.03, 0.62%, 0.41%

LAB 38.59, 12.1, -47.24

 

CMYK 88 / 54 / 0 / 27

HEX #1755B9

RGB 23 85 185

HSL 217.04, 0.78%, 0.41%

LAB 38.17, 19.83, -57.99

 

CMYK 97 / 60 / 0 / 21

HEX #0651CA

RGB 6 81 202

HSL 217.04, 0.94%, 0.41%

LAB 38.18, 28.5, -67.89

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 22 / 14 / 0 / 54

HEX #5B6575

RGB 91 101 117

HSL 216.92, 0.13%, 0.41%

LAB 42.48, -0.01, -10.26

 

CMYK 0 / 3 / 6 / 58

HEX #6C6965

RGB 108 105 101

HSL 34.29, 0.03%, 0.41%

LAB 44.56, 0.38, 2.66

 

CMYK 0 / 12 / 32 / 51

HEX #7C6D54

RGB 124 109 84

HSL 37.5, 0.19%, 0.41%

LAB 46.79, 1.81, 16.15

 

CMYK 0 / 20 / 52 / 45

HEX #8D7143

RGB 141 113 67

HSL 37.3, 0.36%, 0.41%

LAB 49.35, 4.94, 29.54

 

CMYK 45 / 4 / 0 / 47

HEX #4A8186

RGB 74 129 134

HSL 185, 0.29%, 0.41%

LAB 50.54, -16.76, -8.4

 

CMYK 45 / 16 / 0 / 47

HEX #4A7186

RGB 74 113 134

HSL 201, 0.29%, 0.41%

LAB 45.62, -7.76, -15.84

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 45 / 40 / 0 / 47

HEX #4A5186

RGB 74 81 134

HSL 233, 0.29%, 0.41%

LAB 36.1, 12.01, -30.6

 

CMYK 38 / 45 / 0 / 47

HEX #534A86

RGB 83 74 134

HSL 249, 0.29%, 0.41%

LAB 34.92, 19.05, -32.42

 

CMYK 46 / 27 / 0 / 68

HEX #2C3B51

RGB 44 59 81

HSL 215.68, 0.3%, 0.25%

LAB 24.51, 0.59, -15.27

 

CMYK 45 / 28 / 0 / 58

HEX #3B4E6C

RGB 59 78 108

HSL 216.73, 0.29%, 0.33%

LAB 32.83, 1.41, -19.66

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 45 / 28 / 0 / 37

HEX #5874A1

RGB 88 116 161

HSL 216.99, 0.29%, 0.49%

LAB 48.43, 2.33, -27.39

 

CMYK 36 / 22 / 0 / 31

HEX #728AB1

RGB 114 138 177

HSL 217.14, 0.29%, 0.57%

LAB 57.01, 1.19, -23.26

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 8 / 45 / 0 / 47

HEX #7B4A86

RGB 123 74 134

HSL 289, 0.29%, 0.41%

LAB 39.29, 31.39, -25.24

 

CMYK 10 / 0 / 45 / 47

HEX #79864A

RGB 121 134 74

HSL 73, 0.29%, 0.41%

LAB 53.61, -14.81, 30.63

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 0 / 45 / 28 / 47

HEX #864A61

RGB 134 74 97

HSL 337, 0.29%, 0.41%

LAB 39.29, 28.46, -2.23

 

CMYK 28 / 0 / 45 / 47

HEX #61864A

RGB 97 134 74

HSL 97, 0.29%, 0.41%

LAB 51.93, -24.49, 28.17

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 8 / 45 / 0 / 47

HEX #7B4A86

RGB 123 74 134

HSL 289, 0.29%, 0.41%

LAB 39.29, 31.39, -25.24

 

CMYK 0 / 17 / 45 / 47

HEX #866F4A

RGB 134 111 74

HSL 37, 0.29%, 0.41%

LAB 48.17, 3.73, 23.96

 

CMYK 37 / 0 / 45 / 47

HEX #55864A

RGB 85 134 74

HSL 109, 0.29%, 0.41%

LAB 51.24, -28.9, 27.14

 

CMYK 45 / 28 / 0 / 47

HEX #4A6186

RGB 74 97 134

HSL 217, 0.29%, 0.41%

LAB 40.78, 1.86, -23.28

 

CMYK 0 / 45 / 5 / 47

HEX #864A7F

RGB 134 74 127

HSL 307, 0.29%, 0.41%

LAB 40.41, 33.58, -19.12

 

CMYK 0 / 17 / 45 / 47

HEX #866F4A

RGB 134 111 74

HSL 37, 0.29%, 0.41%

LAB 48.17, 3.73, 23.96

 

CMYK 45 / 0 / 40 / 47

HEX #4A8651

RGB 74 134 81

HSL 127, 0.29%, 0.41%

LAB 50.8, -31.43, 22.61

 

Description

Color code: HEX #4A6186 | qconv.com Color code: HEX #4A6186 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 97 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 97 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 28 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 28% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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