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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A4C3D it is the complementary color #B5B3C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A4C3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A4C3D shade: #4F4C38, #605E4B, #71705E, #828271 and #939484

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A4C3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A4C3D shade: #4A4C3D, #393A2A, #282817, #171604 and #060400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A4C3D shade: #4A4C3D, #4C4A3D, #4C463D, #4C423D and #4C3E3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A4C3D shade: #4A4C3D, #464C3D, #424C3D, #3E4C3D and #3D4C40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A4C3D shade matches the following richer shades: #4A4C3D, #525732, #5A6226, #626D1B and #6B7810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A4C3D shade: #4A4C3D, #424148, #3A3653, #312B5E and #291F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A4C3D shade: #4C463D, #4C4A3D, #4A4C3D, #464C3D and #424C3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A4C3D shade: #1D1E18, #34352A, #4A4C3D, #60634F and #767A61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A4C3D shade: #4A4C3D, #3D4C42 and #483D4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A4C3D shade: #4A4C3D, #3D4A4C and #4C3D4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A4C3D shade: #4A4C3D, #3D4C42, #3F3D4C and #4C3D47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A4C3D shade: #4A4C3D, #3D4C46, #3F3D4C and #4C3D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

Complementary color

CMYK 7 / 8 / 0 / 24

HEX #B5B3C2

RGB 181 179 194

HSL 248, 0.11%, 0.73%

LAB 73.52, 3.59, -7.36

 

CMYK 0 / 4 / 29 / 69

HEX #4F4C38

RGB 79 76 56

HSL 52.17, 0.17%, 0.26%

LAB 32.07, -2.5, 12.37

 

CMYK 0 / 2 / 22 / 62

HEX #605E4B

RGB 96 94 75

HSL 54.29, 0.12%, 0.34%

LAB 39.58, -2.77, 11.21

 

CMYK 0 / 1 / 17 / 56

HEX #71705E

RGB 113 112 94

HSL 56.84, 0.09%, 0.41%

LAB 46.85, -2.99, 10.16

 

CMYK 0 / 0 / 13 / 49

HEX #828271

RGB 130 130 113

HSL 60, 0.07%, 0.48%

LAB 53.92, -3.17, 9.22

 

CMYK 1 / 0 / 11 / 42

HEX #939484

RGB 147 148 132

HSL 63.75, 0.07%, 0.55%

LAB 60.82, -3.32, 8.34

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 2 / 0 / 28 / 77

HEX #393A2A

RGB 57 58 42

HSL 63.75, 0.16%, 0.2%

LAB 23.88, -3.69, 9.84

 

CMYK 0 / 0 / 43 / 84

HEX #282817

RGB 40 40 23

HSL 60, 0.27%, 0.12%

LAB 15.65, -3.42, 11.22

 

CMYK 0 / 4 / 83 / 91

HEX #171604

RGB 23 22 4

HSL 56.84, 0.7%, 0.05%

LAB 6.91, -2.65, 8.66

 

CMYK 0 / 33 / 100 / 98

HEX #060400

RGB 6 4 0

HSL 40, 1%, 0.01%

LAB 1.13, -0.03, 1.7

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 0 / 3 / 20 / 70

HEX #4C4A3D

RGB 76 74 61

HSL 52, 0.11%, 0.27%

LAB 31.28, -1.75, 8.08

 

CMYK 0 / 8 / 20 / 70

HEX #4C463D

RGB 76 70 61

HSL 36, 0.11%, 0.27%

LAB 30.04, 0.76, 6.34

 

CMYK 0 / 13 / 20 / 70

HEX #4C423D

RGB 76 66 61

HSL 20, 0.11%, 0.27%

LAB 28.82, 3.31, 4.61

 

CMYK 0 / 18 / 20 / 70

HEX #4C3E3D

RGB 76 62 61

HSL 4, 0.11%, 0.27%

LAB 27.62, 5.89, 2.89

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 8 / 0 / 20 / 70

HEX #464C3D

RGB 70 76 61

HSL 84, 0.11%, 0.27%

LAB 31.37, -5.6, 8.11

 

CMYK 13 / 0 / 20 / 70

HEX #424C3D

RGB 66 76 61

HSL 100, 0.11%, 0.27%

LAB 31.03, -7.31, 7.59

 

CMYK 18 / 0 / 20 / 70

HEX #3E4C3D

RGB 62 76 61

HSL 116, 0.11%, 0.27%

LAB 30.71, -8.97, 7.1

 

CMYK 20 / 0 / 16 / 70

HEX #3D4C40

RGB 61 76 64

HSL 132, 0.11%, 0.27%

LAB 30.71, -8.73, 5.18

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 6 / 0 / 43 / 66

HEX #525732

RGB 82 87 50

HSL 68.11, 0.27%, 0.27%

LAB 35.68, -8.63, 20.83

 

CMYK 8 / 0 / 61 / 62

HEX #5A6226

RGB 90 98 38

HSL 68, 0.44%, 0.27%

LAB 39.66, -12.59, 32.41

 

CMYK 10 / 0 / 75 / 57

HEX #626D1B

RGB 98 109 27

HSL 68.05, 0.6%, 0.27%

LAB 43.67, -15.76, 41.81

 

CMYK 11 / 0 / 87 / 53

HEX #6B7810

RGB 107 120 16

HSL 67.5, 0.76%, 0.27%

LAB 47.75, -18, 49.4

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 8 / 10 / 0 / 72

HEX #424148

RGB 66 65 72

HSL 248.57, 0.05%, 0.27%

LAB 27.86, 2.04, -4.09

 

CMYK 30 / 35 / 0 / 67

HEX #3A3653

RGB 58 54 83

HSL 248.28, 0.21%, 0.27%

LAB 24.2, 9.27, -16.97

 

CMYK 48 / 54 / 0 / 63

HEX #312B5E

RGB 49 43 94

HSL 247.06, 0.37%, 0.27%

LAB 20.78, 17.52, -29.69

 

CMYK 61 / 70 / 0 / 59

HEX #291F69

RGB 41 31 105

HSL 248.11, 0.54%, 0.27%

LAB 17.79, 27.61, -41.8

 

CMYK 0 / 8 / 20 / 70

HEX #4C463D

RGB 76 70 61

HSL 36, 0.11%, 0.27%

LAB 30.04, 0.76, 6.34

 

CMYK 0 / 3 / 20 / 70

HEX #4C4A3D

RGB 76 74 61

HSL 52, 0.11%, 0.27%

LAB 31.28, -1.75, 8.08

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 8 / 0 / 20 / 70

HEX #464C3D

RGB 70 76 61

HSL 84, 0.11%, 0.27%

LAB 31.37, -5.6, 8.11

 

CMYK 13 / 0 / 20 / 70

HEX #424C3D

RGB 66 76 61

HSL 100, 0.11%, 0.27%

LAB 31.03, -7.31, 7.59

 

CMYK 3 / 0 / 20 / 88

HEX #1D1E18

RGB 29 30 24

HSL 70, 0.11%, 0.11%

LAB 10.96, -1.9, 3.96

 

CMYK 2 / 0 / 21 / 79

HEX #34352A

RGB 52 53 42

HSL 65.45, 0.12%, 0.19%

LAB 21.74, -2.79, 6.81

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 3 / 0 / 20 / 61

HEX #60634F

RGB 96 99 79

HSL 69, 0.11%, 0.35%

LAB 41.18, -5.05, 10.99

 

CMYK 3 / 0 / 20 / 52

HEX #767A61

RGB 118 122 97

HSL 69.6, 0.11%, 0.43%

LAB 50.26, -6.16, 13.21

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 20 / 0 / 13 / 70

HEX #3D4C42

RGB 61 76 66

HSL 140, 0.11%, 0.27%

LAB 30.77, -8.29, 3.99

 

CMYK 5 / 20 / 0 / 70

HEX #483D4C

RGB 72 61 76

HSL 284, 0.11%, 0.27%

LAB 27.4, 8.02, -7.34

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 20 / 3 / 0 / 70

HEX #3D4A4C

RGB 61 74 76

HSL 188, 0.11%, 0.27%

LAB 30.43, -4.66, -2.93

 

CMYK 0 / 20 / 3 / 70

HEX #4C3D4A

RGB 76 61 74

HSL 308, 0.11%, 0.27%

LAB 27.76, 9.19, -5.45

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 20 / 0 / 13 / 70

HEX #3D4C42

RGB 61 76 66

HSL 140, 0.11%, 0.27%

LAB 30.77, -8.29, 3.99

 

CMYK 17 / 20 / 0 / 70

HEX #3F3D4C

RGB 63 61 76

HSL 248, 0.11%, 0.27%

LAB 26.49, 4.47, -8.8

 

CMYK 0 / 20 / 7 / 70

HEX #4C3D47

RGB 76 61 71

HSL 320, 0.11%, 0.27%

LAB 27.65, 8.54, -3.64

 

CMYK 3 / 0 / 20 / 70

HEX #4A4C3D

RGB 74 76 61

HSL 68, 0.11%, 0.27%

LAB 31.72, -3.87, 8.66

 

CMYK 20 / 0 / 8 / 70

HEX #3D4C46

RGB 61 76 70

HSL 156, 0.11%, 0.27%

LAB 30.89, -7.37, 1.59

 

CMYK 17 / 20 / 0 / 70

HEX #3F3D4C

RGB 63 61 76

HSL 248, 0.11%, 0.27%

LAB 26.49, 4.47, -8.8

 

CMYK 0 / 20 / 13 / 70

HEX #4C3D42

RGB 76 61 66

HSL 340, 0.11%, 0.27%

LAB 27.48, 7.51, -0.6

 

Description

Color code: HEX #4A4C3D | qconv.com Color code: HEX #4A4C3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 76 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 76 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 20 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 20% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Search Engine Optimi...
Link: http://www.firstfound.co.uk

13% - the Fictional Realm
Link: http://fictionalrealm.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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