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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A43A6 it is the complementary color #B5BC59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A43A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A43A6 shade: #4F43A1, #6055B4, #7167C7, #8279DA and #938BED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A43A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A43A6 shade: #4A43A6, #393193, #281F80, #170D6D and #06005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A43A6 shade: #4A44A6, #6544A6, #8044A6, #9A44A6 and #A64497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A43A6 shade: #4A44A6 and #4444A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A43A6 shade matches the following richer shades: #4A44A6, #3A31B9, #2A1ECC and #1A0BDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A43A6 shade: #4A44A6, #5B5793, #6B6980, #7B7C6D and #8C8F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A43A6 shade: #4472A6, #4457A6, #4A44A6, #6444A6 and #7F44A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A43A6 shade: #302C6B, #3D3889, #4A44A6, #5F58BB and #7B76C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A43A6 shade: #4A43A6, #A6448C and #64A644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A43A6 shade: #4A43A6, #A64A44 and #44A64A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A43A6 shade: #4A43A6, #A6448C, #9FA644 and #44A65E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A43A6 shade: #4A43A6, #A6446E, #9FA644 and #44A67B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

Complementary color

CMYK 4 / 0 / 53 / 26

HEX #B5BC59

RGB 181 188 89

HSL 64.24, 0.42%, 0.54%

LAB 73.88, -16.35, 48.59

 

CMYK 51 / 58 / 0 / 37

HEX #4F43A1

RGB 79 67 161

HSL 247.66, 0.41%, 0.45%

LAB 34.5, 30.81, -49.54

 

CMYK 47 / 53 / 0 / 29

HEX #6055B4

RGB 96 85 180

HSL 246.95, 0.39%, 0.52%

LAB 41.66, 29.33, -49.23

 

CMYK 43 / 48 / 0 / 22

HEX #7167C7

RGB 113 103 199

HSL 246.25, 0.46%, 0.59%

LAB 48.68, 28.06, -48.94

 

CMYK 40 / 44 / 0 / 15

HEX #8279DA

RGB 130 121 218

HSL 245.57, 0.57%, 0.66%

LAB 55.57, 26.96, -48.69

 

CMYK 38 / 41 / 0 / 7

HEX #938BED

RGB 147 139 237

HSL 244.9, 0.73%, 0.74%

LAB 62.32, 26, -48.49

 

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

CMYK 61 / 67 / 0 / 42

HEX #393193

RGB 57 49 147

HSL 244.9, 0.5%, 0.38%

LAB 27.22, 33.29, -52.93

 

CMYK 69 / 76 / 0 / 50

HEX #281F80

RGB 40 31 128

HSL 245.57, 0.61%, 0.31%

LAB 20, 35.37, -52.97

 

CMYK 79 / 88 / 0 / 57

HEX #170D6D

RGB 23 13 109

HSL 246.25, 0.79%, 0.24%

LAB 13.07, 37.1, -52.24

 

CMYK 93 / 100 / 0 / 65

HEX #06005A

RGB 6 0 90

HSL 244, 1%, 0.18%

LAB 7.02, 36.97, -49.7

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 39 / 59 / 0 / 35

HEX #6544A6

RGB 101 68 166

HSL 260.2, 0.42%, 0.46%

LAB 37.21, 36.66, -48.05

 

CMYK 23 / 59 / 0 / 35

HEX #8044A6

RGB 128 68 166

HSL 276.73, 0.42%, 0.46%

LAB 40.37, 43.36, -42.81

 

CMYK 7 / 59 / 0 / 35

HEX #9A44A6

RGB 154 68 166

HSL 292.65, 0.42%, 0.46%

LAB 43.88, 50.16, -37.02

 

CMYK 0 / 59 / 9 / 35

HEX #A64497

RGB 166 68 151

HSL 309.18, 0.42%, 0.46%

LAB 44.91, 50.75, -26.33

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 59 / 59 / 0 / 35

HEX #4444A6

RGB 68 68 166

HSL 240, 0.42%, 0.46%

LAB 34.22, 29.62, -53.03

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 69 / 74 / 0 / 27

HEX #3A31B9

RGB 58 49 185

HSL 243.97, 0.58%, 0.46%

LAB 30.88, 45.96, -69.86

 

CMYK 79 / 85 / 0 / 20

HEX #2A1ECC

RGB 42 30 204

HSL 244.14, 0.74%, 0.46%

LAB 28.85, 59.7, -84.42

 

CMYK 88 / 95 / 0 / 13

HEX #1A0BDF

RGB 26 11 223

HSL 244.25, 0.91%, 0.46%

LAB 28.87, 69.81, -95.42

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 38 / 41 / 0 / 42

HEX #5B5793

RGB 91 87 147

HSL 244, 0.26%, 0.46%

LAB 39.83, 16.91, -32.53

 

CMYK 16 / 18 / 0 / 50

HEX #6B6980

RGB 107 105 128

HSL 245.22, 0.1%, 0.46%

LAB 45.34, 5.87, -12.45

 

CMYK 1 / 0 / 12 / 51

HEX #7B7C6D

RGB 123 124 109

HSL 64, 0.06%, 0.46%

LAB 51.53, -3.23, 8.07

 

CMYK 2 / 0 / 37 / 44

HEX #8C8F5A

RGB 140 143 90

HSL 63.4, 0.23%, 0.46%

LAB 58, -9.73, 27.86

 

CMYK 59 / 31 / 0 / 35

HEX #4472A6

RGB 68 114 166

HSL 211.84, 0.42%, 0.46%

LAB 47, 0.36, -32.64

 

CMYK 59 / 48 / 0 / 35

HEX #4457A6

RGB 68 87 166

HSL 228.37, 0.42%, 0.46%

LAB 39.24, 17.35, -44.94

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 40 / 59 / 0 / 35

HEX #6444A6

RGB 100 68 166

HSL 259.59, 0.42%, 0.46%

LAB 37.11, 36.43, -48.22

 

CMYK 23 / 59 / 0 / 35

HEX #7F44A6

RGB 127 68 166

HSL 276.12, 0.42%, 0.46%

LAB 40.25, 43.1, -43.02

 

CMYK 55 / 59 / 0 / 58

HEX #302C6B

RGB 48 44 107

HSL 243.81, 0.42%, 0.3%

LAB 21.91, 21.06, -36.37

 

CMYK 55 / 59 / 0 / 46

HEX #3D3889

RGB 61 56 137

HSL 243.7, 0.42%, 0.38%

LAB 28.45, 26.19, -44.74

 

CMYK 55 / 59 / 0 / 35

HEX #4A44A6

RGB 74 68 166

HSL 243.67, 0.42%, 0.46%

LAB 34.69, 30.77, -52.26

 

CMYK 49 / 53 / 0 / 27

HEX #5F58BB

RGB 95 88 187

HSL 244.24, 0.42%, 0.54%

LAB 42.76, 29.41, -51.55

 

CMYK 38 / 41 / 0 / 22

HEX #7B76C7

RGB 123 118 199

HSL 243.7, 0.42%, 0.62%

LAB 53.27, 21.61, -41.6

 

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

CMYK 0 / 59 / 16 / 35

HEX #A6448C

RGB 166 68 140

HSL 315.92, 0.42%, 0.46%

LAB 44.43, 48.97, -20.46

 

CMYK 40 / 0 / 59 / 35

HEX #64A644

RGB 100 166 68

HSL 100.41, 0.42%, 0.46%

LAB 62, -39.12, 43.39

 

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

CMYK 0 / 55 / 59 / 35

HEX #A64A44

RGB 166 74 68

HSL 3.67, 0.42%, 0.46%

LAB 43.39, 37.47, 22.1

 

CMYK 59 / 0 / 55 / 35

HEX #44A64A

RGB 68 166 74

HSL 123.67, 0.42%, 0.46%

LAB 60.78, -47.82, 38.76

 

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

CMYK 0 / 59 / 16 / 35

HEX #A6448C

RGB 166 68 140

HSL 315.92, 0.42%, 0.46%

LAB 44.43, 48.97, -20.46

 

CMYK 4 / 0 / 59 / 35

HEX #9FA644

RGB 159 166 68

HSL 64.29, 0.42%, 0.46%

LAB 65.8, -16.05, 48.71

 

CMYK 59 / 0 / 43 / 35

HEX #44A65E

RGB 68 166 94

HSL 135.92, 0.42%, 0.46%

LAB 61.05, -44.78, 28.88

 

CMYK 55 / 60 / 0 / 35

HEX #4A43A6

RGB 74 67 166

HSL 244.24, 0.42%, 0.46%

LAB 34.44, 31.4, -52.65

 

CMYK 0 / 59 / 34 / 35

HEX #A6446E

RGB 166 68 110

HSL 334.29, 0.42%, 0.46%

LAB 43.31, 44.72, -3.82

 

CMYK 4 / 0 / 59 / 35

HEX #9FA644

RGB 159 166 68

HSL 64.29, 0.42%, 0.46%

LAB 65.8, -16.05, 48.71

 

CMYK 59 / 0 / 26 / 35

HEX #44A67B

RGB 68 166 123

HSL 153.67, 0.42%, 0.46%

LAB 61.6, -39.09, 13.84

 

Description

Color code: HEX #4A43A6 | qconv.com Color code: HEX #4A43A6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 67 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 67 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 60 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 60% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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