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Color name
HEX #4A3F0F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3F0F it is the complementary color #B5C0F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3F0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A3F0F shade: #4F3F0A, #60511D, #716330, #827543 and #938756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3F0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A3F0F shade: #4A3F0F, #392D00, #281B00, #170900 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A3F0F shade: #473D0E, #472D0E, #471E0E, #470E0E and #470E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A3F0F shade: #473D0E, #43470E, #33470E, #24470E and #14470E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A3F0F shade matches the following richer shades: #473D0E, #4E4107 and #554600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A3F0F shade: #473D0E, #403815, #39341C, #323023 and #2B2B2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A3F0F shade: #471D0E, #472D0E, #473C0E, #44470E and #34470E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A3F0F shade: #030200, #252007, #473D0E, #6A5A15 and #8C771C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A3F0F shade: #4A3F0F, #0E470E and #250E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A3F0F shade: #4A3F0F, #0E473C and #3C0E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A3F0F shade: #4A3F0F, #0E470E, #0E1A47 and #470E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A3F0F shade: #4A3F0F, #0E471F, #0E1A47 and #470E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

Complementary color

CMYK 25 / 20 / 0 / 6

HEX #B5C0F0

RGB 181 192 240

HSL 228.81, 0.66%, 0.83%

LAB 78.35, 6.48, -25.02

 

CMYK 0 / 20 / 87 / 69

HEX #4F3F0A

RGB 79 63 10

HSL 46.09, 0.78%, 0.17%

LAB 27.41, 0.96, 32.51

 

CMYK 0 / 16 / 70 / 62

HEX #60511D

RGB 96 81 29

HSL 46.57, 0.54%, 0.25%

LAB 34.92, -0.49, 31.92

 

CMYK 0 / 12 / 58 / 56

HEX #716330

RGB 113 99 48

HSL 47.08, 0.4%, 0.32%

LAB 42.23, -1.51, 30.66

 

CMYK 0 / 10 / 48 / 49

HEX #827543

RGB 130 117 67

HSL 47.62, 0.32%, 0.39%

LAB 49.34, -2.27, 29.29

 

CMYK 0 / 8 / 41 / 42

HEX #938756

RGB 147 135 86

HSL 48.2, 0.26%, 0.46%

LAB 56.29, -2.86, 27.97

 

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

CMYK 0 / 21 / 100 / 78

HEX #392D00

RGB 57 45 0

HSL 47.37, 1%, 0.11%

LAB 19, 0.29, 27.15

 

CMYK 0 / 33 / 100 / 84

HEX #281B00

RGB 40 27 0

HSL 40.5, 1%, 0.08%

LAB 10.81, 2.98, 16.19

 

CMYK 0 / 61 / 100 / 91

HEX #170900

RGB 23 9 0

HSL 23.48, 1%, 0.05%

LAB 3.41, 3.78, 5.18

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 14 / 80 / 72

HEX #473D0E

RGB 71 61 14

HSL 49.47, 0.67%, 0.17%

LAB 25.89, -1.75, 29.05

 

CMYK 0 / 37 / 80 / 72

HEX #472D0E

RGB 71 45 14

HSL 32.63, 0.67%, 0.17%

LAB 21.01, 8.64, 24.04

 

CMYK 0 / 58 / 80 / 72

HEX #471E0E

RGB 71 30 14

HSL 16.84, 0.67%, 0.17%

LAB 16.99, 18.28, 19.37

 

CMYK 0 / 80 / 80 / 72

HEX #470E0E

RGB 71 14 14

HSL 0, 0.67%, 0.17%

LAB 13.74, 26.87, 15.23

 

CMYK 0 / 80 / 80 / 72

HEX #470E0E

RGB 71 14 14

HSL 0, 0.67%, 0.17%

LAB 13.74, 26.87, 15.23

 

CMYK 0 / 14 / 80 / 72

HEX #473D0E

RGB 71 61 14

HSL 49.47, 0.67%, 0.17%

LAB 25.89, -1.75, 29.05

 

CMYK 6 / 0 / 80 / 72

HEX #43470E

RGB 67 71 14

HSL 64.21, 0.67%, 0.17%

LAB 28.72, -9.95, 31.67

 

CMYK 28 / 0 / 80 / 72

HEX #33470E

RGB 51 71 14

HSL 81.05, 0.67%, 0.17%

LAB 27.41, -17.7, 29.95

 

CMYK 49 / 0 / 80 / 72

HEX #24470E

RGB 36 71 14

HSL 96.84, 0.67%, 0.17%

LAB 26.49, -24.07, 28.71

 

CMYK 72 / 0 / 80 / 72

HEX #14470E

RGB 20 71 14

HSL 113.68, 0.67%, 0.17%

LAB 25.82, -29.21, 27.83

 

CMYK 0 / 14 / 80 / 72

HEX #473D0E

RGB 71 61 14

HSL 49.47, 0.67%, 0.17%

LAB 25.89, -1.75, 29.05

 

CMYK 0 / 17 / 91 / 69

HEX #4E4107

RGB 78 65 7

HSL 49.01, 0.84%, 0.17%

LAB 27.89, -0.95, 34.08

 

CMYK 0 / 18 / 100 / 67

HEX #554600

RGB 85 70 0

HSL 49.41, 1%, 0.17%

LAB 30.19, -0.69, 39.09

 

CMYK 0 / 14 / 80 / 72

HEX #473D0E

RGB 71 61 14

HSL 49.47, 0.67%, 0.17%

LAB 25.89, -1.75, 29.05

 

CMYK 0 / 13 / 67 / 75

HEX #403815

RGB 64 56 21

HSL 48.84, 0.51%, 0.17%

LAB 23.58, -1.7, 22.73

 

CMYK 0 / 9 / 51 / 78

HEX #39341C

RGB 57 52 28

HSL 49.66, 0.34%, 0.17%

LAB 21.62, -1.96, 15.95

 

CMYK 0 / 4 / 30 / 80

HEX #323023

RGB 50 48 35

HSL 52, 0.18%, 0.17%

LAB 19.69, -1.75, 8.67

 

CMYK 0 / 0 / 2 / 83

HEX #2B2B2A

RGB 43 43 42

HSL 60, 0.01%, 0.17%

LAB 17.5, -0.24, 0.65

 

CMYK 0 / 59 / 80 / 72

HEX #471D0E

RGB 71 29 14

HSL 15.79, 0.67%, 0.17%

LAB 16.75, 18.89, 19.07

 

CMYK 0 / 37 / 80 / 72

HEX #472D0E

RGB 71 45 14

HSL 32.63, 0.67%, 0.17%

LAB 21.01, 8.64, 24.04

 

CMYK 0 / 15 / 80 / 72

HEX #473C0E

RGB 71 60 14

HSL 48.42, 0.67%, 0.17%

LAB 25.57, -1.12, 28.74

 

CMYK 4 / 0 / 80 / 72

HEX #44470E

RGB 68 71 14

HSL 63.16, 0.67%, 0.17%

LAB 28.82, -9.44, 31.79

 

CMYK 27 / 0 / 80 / 72

HEX #34470E

RGB 52 71 14

HSL 80, 0.67%, 0.17%

LAB 27.49, -17.24, 30.04

 

CMYK 0 / 33 / 100 / 99

HEX #030200

RGB 3 2 0

HSL 40, 1%, 0.01%

LAB 0.57, -0.02, 0.85

 

CMYK 0 / 14 / 81 / 85

HEX #252007

RGB 37 32 7

HSL 50, 0.68%, 0.09%

LAB 12.23, -1.57, 15.23

 

CMYK 0 / 14 / 80 / 72

HEX #473D0E

RGB 71 61 14

HSL 49.47, 0.67%, 0.17%

LAB 25.89, -1.75, 29.05

 

CMYK 0 / 15 / 80 / 58

HEX #6A5A15

RGB 106 90 21

HSL 48.71, 0.67%, 0.25%

LAB 38.6, -1.42, 39.59

 

CMYK 0 / 15 / 80 / 45

HEX #8C771C

RGB 140 119 28

HSL 48.75, 0.67%, 0.33%

LAB 50.51, -1.6, 49.27

 

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

CMYK 80 / 0 / 80 / 72

HEX #0E470E

RGB 14 71 14

HSL 120, 0.67%, 0.17%

LAB 25.66, -30.59, 27.6

 

CMYK 48 / 80 / 0 / 72

HEX #250E47

RGB 37 14 71

HSL 264.21, 0.67%, 0.17%

LAB 10.28, 26.08, -31.13

 

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

CMYK 80 / 0 / 15 / 72

HEX #0E473C

RGB 14 71 60

HSL 168.42, 0.67%, 0.17%

LAB 26.52, -21, 1.44

 

CMYK 15 / 80 / 0 / 72

HEX #3C0E47

RGB 60 14 71

HSL 288.42, 0.67%, 0.17%

LAB 14, 31.43, -24.92

 

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

CMYK 80 / 0 / 80 / 72

HEX #0E470E

RGB 14 71 14

HSL 120, 0.67%, 0.17%

LAB 25.66, -30.59, 27.6

 

CMYK 80 / 63 / 0 / 72

HEX #0E1A47

RGB 14 26 71

HSL 227.37, 0.67%, 0.17%

LAB 11.18, 13.27, -29.74

 

CMYK 0 / 80 / 0 / 72

HEX #470E47

RGB 71 14 71

HSL 300, 0.67%, 0.17%

LAB 16.05, 34.22, -21.54

 

CMYK 0 / 15 / 80 / 71

HEX #4A3F0F

RGB 74 63 15

HSL 48.81, 0.66%, 0.17%

LAB 26.86, -1.39, 29.66

 

CMYK 80 / 0 / 56 / 72

HEX #0E471F

RGB 14 71 31

HSL 137.89, 0.67%, 0.17%

LAB 25.86, -28.21, 18.86

 

CMYK 80 / 63 / 0 / 72

HEX #0E1A47

RGB 14 26 71

HSL 227.37, 0.67%, 0.17%

LAB 11.18, 13.27, -29.74

 

CMYK 0 / 80 / 24 / 72

HEX #470E36

RGB 71 14 54

HSL 317.89, 0.67%, 0.17%

LAB 15.06, 31.21, -11.11

 

Description

Color code: HEX #4A3F0F | qconv.com Color code: HEX #4A3F0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 63 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 63 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 80 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 80% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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