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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A392B it is the complementary color #B5C6D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A392B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A392B shade: #4F3926, #604B39, #715D4C, #826F5F and #938172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A392B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A392B shade: #4A392B, #392718, #281505, #170300 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A392B shade: #49392B, #49302B and #492B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A392B shade: #49392B, #49412B, #49492B, #41492B and #39492B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A392B shade matches the following richer shades: #49392B, #533821, #5C3718, #66360E and #6F3505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A392B shade: #49392B, #403A34, #363B3E, #2D3B47 and #233C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A392B shade: #492B2D, #49302B, #49392B, #49412B and #49492B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A392B shade: #15100C, #2F251C, #49392B, #634D3A and #7D6149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A392B shade: #4A392B, #36492B and #2C2B49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A392B shade: #4A392B, #2B4939 and #392B49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A392B shade: #4A392B, #36492B, #2B3C49 and #3F2B49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A392B shade: #4A392B, #2C492B, #2B3C49 and #482B49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

Complementary color

CMYK 15 / 7 / 0 / 17

HEX #B5C6D4

RGB 181 198 212

HSL 207.1, 0.26%, 0.77%

LAB 79.02, -2.92, -8.95

 

CMYK 0 / 28 / 52 / 69

HEX #4F3926

RGB 79 57 38

HSL 27.8, 0.35%, 0.23%

LAB 25.95, 7.01, 15.62

 

CMYK 0 / 22 / 41 / 62

HEX #604B39

RGB 96 75 57

HSL 27.69, 0.25%, 0.3%

LAB 33.59, 6.07, 14.11

 

CMYK 0 / 18 / 33 / 56

HEX #715D4C

RGB 113 93 76

HSL 27.57, 0.2%, 0.37%

LAB 40.99, 5.37, 12.81

 

CMYK 0 / 15 / 27 / 49

HEX #826F5F

RGB 130 111 95

HSL 27.43, 0.16%, 0.44%

LAB 48.19, 4.81, 11.67

 

CMYK 0 / 12 / 22 / 42

HEX #938172

RGB 147 129 114

HSL 27.27, 0.13%, 0.51%

LAB 55.19, 4.35, 10.65

 

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

CMYK 0 / 32 / 58 / 78

HEX #392718

RGB 57 39 24

HSL 27.27, 0.41%, 0.16%

LAB 17.4, 6.26, 13.21

 

CMYK 0 / 48 / 88 / 84

HEX #281505

RGB 40 21 5

HSL 27.43, 0.78%, 0.09%

LAB 8.98, 7.8, 11.55

 

CMYK 0 / 87 / 100 / 91

HEX #170300

RGB 23 3 0

HSL 7.83, 1%, 0.05%

LAB 2.23, 6.18, 3.46

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 34 / 41 / 71

HEX #49302B

RGB 73 48 43

HSL 10, 0.26%, 0.23%

LAB 22.67, 10.65, 7.8

 

CMYK 0 / 41 / 41 / 71

HEX #492B2B

RGB 73 43 43

HSL 0, 0.26%, 0.23%

LAB 21.28, 13.93, 5.86

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 11 / 41 / 71

HEX #49412B

RGB 73 65 43

HSL 44, 0.26%, 0.23%

LAB 27.77, -0.39, 14.69

 

CMYK 0 / 0 / 41 / 71

HEX #49492B

RGB 73 73 43

HSL 60, 0.26%, 0.23%

LAB 30.29, -5.37, 17.97

 

CMYK 11 / 0 / 41 / 71

HEX #41492B

RGB 65 73 43

HSL 76, 0.26%, 0.23%

LAB 29.57, -9.1, 16.9

 

CMYK 22 / 0 / 41 / 71

HEX #39492B

RGB 57 73 43

HSL 92, 0.26%, 0.23%

LAB 28.93, -12.69, 15.94

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 33 / 60 / 67

HEX #533821

RGB 83 56 33

HSL 27.6, 0.43%, 0.23%

LAB 26.09, 9.07, 19.07

 

CMYK 0 / 40 / 74 / 64

HEX #5C3718

RGB 92 55 24

HSL 27.35, 0.59%, 0.23%

LAB 26.94, 13.37, 25.78

 

CMYK 0 / 47 / 86 / 60

HEX #66360E

RGB 102 54 14

HSL 27.27, 0.76%, 0.23%

LAB 28.1, 18.27, 32.62

 

CMYK 0 / 52 / 95 / 56

HEX #6F3505

RGB 111 53 5

HSL 27.17, 0.91%, 0.23%

LAB 29.25, 22.75, 37.91

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 9 / 19 / 75

HEX #403A34

RGB 64 58 52

HSL 30, 0.1%, 0.23%

LAB 24.84, 1.39, 4.67

 

CMYK 13 / 5 / 0 / 76

HEX #363B3E

RGB 54 59 62

HSL 202.5, 0.07%, 0.23%

LAB 24.51, -1.37, -2.58

 

CMYK 37 / 17 / 0 / 72

HEX #2D3B47

RGB 45 59 71

HSL 207.69, 0.22%, 0.23%

LAB 24.13, -2.26, -9.22

 

CMYK 57 / 26 / 0 / 68

HEX #233C51

RGB 35 60 81

HSL 207.39, 0.4%, 0.23%

LAB 24.27, -2.69, -15.69

 

CMYK 0 / 41 / 38 / 71

HEX #492B2D

RGB 73 43 45

HSL 356, 0.26%, 0.23%

LAB 21.33, 14.22, 4.57

 

CMYK 0 / 34 / 41 / 71

HEX #49302B

RGB 73 48 43

HSL 10, 0.26%, 0.23%

LAB 22.67, 10.65, 7.8

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 11 / 41 / 71

HEX #49412B

RGB 73 65 43

HSL 44, 0.26%, 0.23%

LAB 27.77, -0.39, 14.69

 

CMYK 0 / 0 / 41 / 71

HEX #49492B

RGB 73 73 43

HSL 60, 0.26%, 0.23%

LAB 30.29, -5.37, 17.97

 

CMYK 0 / 24 / 43 / 92

HEX #15100C

RGB 21 16 12

HSL 26.67, 0.27%, 0.06%

LAB 5.03, 1.31, 2.58

 

CMYK 0 / 21 / 40 / 82

HEX #2F251C

RGB 47 37 28

HSL 28.42, 0.25%, 0.15%

LAB 15.55, 3.05, 7.77

 

CMYK 0 / 22 / 41 / 71

HEX #49392B

RGB 73 57 43

HSL 28, 0.26%, 0.23%

LAB 25.31, 4.76, 11.41

 

CMYK 0 / 22 / 41 / 61

HEX #634D3A

RGB 99 77 58

HSL 27.8, 0.26%, 0.31%

LAB 34.53, 6.34, 14.81

 

CMYK 0 / 22 / 42 / 51

HEX #7D6149

RGB 125 97 73

HSL 27.69, 0.26%, 0.39%

LAB 43.35, 7.85, 18.02

 

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

CMYK 26 / 0 / 41 / 71

HEX #36492B

RGB 54 73 43

HSL 98, 0.26%, 0.23%

LAB 28.7, -13.98, 15.6

 

CMYK 40 / 41 / 0 / 71

HEX #2C2B49

RGB 44 43 73

HSL 242, 0.26%, 0.23%

LAB 18.99, 9.02, -18.51

 

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

CMYK 41 / 0 / 22 / 71

HEX #2B4939

RGB 43 73 57

HSL 148, 0.26%, 0.23%

LAB 28.31, -15.4, 6.09

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

CMYK 26 / 0 / 41 / 71

HEX #36492B

RGB 54 73 43

HSL 98, 0.26%, 0.23%

LAB 28.7, -13.98, 15.6

 

CMYK 41 / 18 / 0 / 71

HEX #2B3C49

RGB 43 60 73

HSL 206, 0.26%, 0.23%

LAB 24.41, -2.97, -10.14

 

CMYK 14 / 41 / 0 / 71

HEX #3F2B49

RGB 63 43 73

HSL 280, 0.26%, 0.23%

LAB 21.08, 15.77, -15.1

 

CMYK 0 / 23 / 42 / 71

HEX #4A392B

RGB 74 57 43

HSL 27.1, 0.26%, 0.23%

LAB 25.43, 5.24, 11.6

 

CMYK 40 / 0 / 41 / 71

HEX #2C492B

RGB 44 73 43

HSL 118, 0.26%, 0.23%

LAB 28.05, -18.03, 14.62

 

CMYK 41 / 18 / 0 / 71

HEX #2B3C49

RGB 43 60 73

HSL 206, 0.26%, 0.23%

LAB 24.41, -2.97, -10.14

 

CMYK 1 / 41 / 0 / 71

HEX #482B49

RGB 72 43 73

HSL 298, 0.26%, 0.23%

LAB 22.25, 19.14, -13.18

 

Description

Color code: HEX #4A392B | qconv.com Color code: HEX #4A392B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 57 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 57 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 42 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 42% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - Muebles Baratos Onli...
Link: http://www.atrapamuebles.com

13% - Bei uns - GMV_Verein...
Link: http://www.gmv-buchholz.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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