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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A2CB3 it is the complementary color #B5D34C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A2CB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A2CB3 shade: #4F2CAE, #603EC1, #7150D4, #8262E7 and #9374FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A2CB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A2CB3 shade: #4A2CB3, #391AA0, #28088D, #17007A and #060067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A2CB3 shade: #4A2BB4, #6F2BB4, #932BB4, #B42BB0 and #B42B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A2CB3 shade: #4A2BB4 and #2B2BB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A2CB3 shade matches the following richer shades: #4A2BB4, #4019C6 and #3507D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A2CB3 shade: #4A2BB4, #543DA2, #5E5090, #68627E and #72746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A2CB3 shade: #2B57B4, #2B32B4, #492BB4, #6D2BB4 and #922BB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A2CB3 shade: #2E1B72, #3C2393, #4A2BB4, #5B3ACF and #775BD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A2CB3 shade: #4A2CB3, #B42B7B and #44B42B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A2CB3 shade: #4A2CB3, #B4492B and #2BB449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A2CB3 shade: #4A2CB3, #B42B7B, #96B42B and #2BB464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A2CB3 shade: #4A2CB3, #B42B52, #96B42B and #2BB48D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

Complementary color

CMYK 14 / 0 / 64 / 17

HEX #B5D34C

RGB 181 211 76

HSL 73.33, 0.61%, 0.56%

LAB 80.14, -28.63, 61.28

 

CMYK 55 / 75 / 0 / 32

HEX #4F2CAE

RGB 79 44 174

HSL 256.15, 0.6%, 0.43%

LAB 30.69, 47.95, -63.55

 

CMYK 50 / 68 / 0 / 24

HEX #603EC1

RGB 96 62 193

HSL 255.57, 0.51%, 0.5%

LAB 37.45, 46.68, -63.66

 

CMYK 47 / 62 / 0 / 17

HEX #7150D4

RGB 113 80 212

HSL 255, 0.61%, 0.57%

LAB 44.24, 45.31, -63.55

 

CMYK 44 / 58 / 0 / 9

HEX #8262E7

RGB 130 98 231

HSL 254.44, 0.73%, 0.65%

LAB 50.98, 43.98, -63.35

 

CMYK 41 / 54 / 0 / 2

HEX #9374FA

RGB 147 116 250

HSL 253.88, 0.93%, 0.72%

LAB 57.65, 42.73, -63.12

 

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

CMYK 64 / 84 / 0 / 37

HEX #391AA0

RGB 57 26 160

HSL 253.88, 0.72%, 0.36%

LAB 24.15, 49.67, -65.95

 

CMYK 72 / 94 / 0 / 45

HEX #28088D

RGB 40 8 141

HSL 254.44, 0.89%, 0.29%

LAB 18.13, 49.38, -64.25

 

CMYK 81 / 100 / 0 / 52

HEX #17007A

RGB 23 0 122

HSL 251.31, 1%, 0.24%

LAB 13.15, 46.3, -60.54

 

CMYK 94 / 100 / 0 / 60

HEX #060067

RGB 6 0 103

HSL 243.5, 1%, 0.2%

LAB 9.14, 40.79, -54.87

 

CMYK 59 / 76 / 0 / 29

HEX #4A2BB4

RGB 74 43 180

HSL 253.58, 0.61%, 0.44%

LAB 30.59, 49.5, -67.31

 

CMYK 38 / 76 / 0 / 29

HEX #6F2BB4

RGB 111 43 180

HSL 269.78, 0.61%, 0.44%

LAB 34.81, 55.1, -60.24

 

CMYK 18 / 76 / 0 / 29

HEX #932BB4

RGB 147 43 180

HSL 285.55, 0.61%, 0.44%

LAB 39.96, 61.72, -51.64

 

CMYK 0 / 76 / 2 / 29

HEX #B42BB0

RGB 180 43 176

HSL 301.75, 0.61%, 0.44%

LAB 45.03, 67.72, -40.86

 

CMYK 0 / 76 / 23 / 29

HEX #B42B8B

RGB 180 43 139

HSL 317.96, 0.61%, 0.44%

LAB 43.2, 62.35, -21.54

 

CMYK 59 / 76 / 0 / 29

HEX #4A2BB4

RGB 74 43 180

HSL 253.58, 0.61%, 0.44%

LAB 30.59, 49.5, -67.31

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 59 / 76 / 0 / 29

HEX #4A2BB4

RGB 74 43 180

HSL 253.58, 0.61%, 0.44%

LAB 30.59, 49.5, -67.31

 

CMYK 68 / 87 / 0 / 22

HEX #4019C6

RGB 64 25 198

HSL 253.53, 0.78%, 0.44%

LAB 29.06, 61.08, -80.51

 

CMYK 75 / 97 / 0 / 15

HEX #3507D8

RGB 53 7 216

HSL 253.21, 0.94%, 0.44%

LAB 29.07, 69.39, -91

 

CMYK 59 / 76 / 0 / 29

HEX #4A2BB4

RGB 74 43 180

HSL 253.58, 0.61%, 0.44%

LAB 30.59, 49.5, -67.31

 

CMYK 48 / 62 / 0 / 36

HEX #543DA2

RGB 84 61 162

HSL 253.66, 0.45%, 0.44%

LAB 33.63, 35.84, -51.53

 

CMYK 35 / 44 / 0 / 44

HEX #5E5090

RGB 94 80 144

HSL 253.13, 0.29%, 0.44%

LAB 38.08, 21.31, -33.46

 

CMYK 17 / 22 / 0 / 51

HEX #68627E

RGB 104 98 126

HSL 252.86, 0.13%, 0.44%

LAB 43.04, 8.58, -14.77

 

CMYK 2 / 0 / 7 / 55

HEX #72746C

RGB 114 116 108

HSL 75, 0.04%, 0.44%

LAB 48.45, -2.35, 4.15

 

CMYK 76 / 52 / 0 / 29

HEX #2B57B4

RGB 43 87 180

HSL 220.73, 0.61%, 0.44%

LAB 38.94, 18.41, -53.77

 

CMYK 76 / 72 / 0 / 29

HEX #2B32B4

RGB 43 50 180

HSL 236.93, 0.61%, 0.44%

LAB 29.64, 42.24, -68.96

 

CMYK 59 / 76 / 0 / 29

HEX #492BB4

RGB 73 43 180

HSL 253.14, 0.61%, 0.44%

LAB 30.5, 49.37, -67.47

 

CMYK 39 / 76 / 0 / 29

HEX #6D2BB4

RGB 109 43 180

HSL 268.91, 0.61%, 0.44%

LAB 34.55, 54.76, -60.67

 

CMYK 19 / 76 / 0 / 29

HEX #922BB4

RGB 146 43 180

HSL 285.11, 0.61%, 0.44%

LAB 39.81, 61.52, -51.9

 

CMYK 60 / 76 / 0 / 55

HEX #2E1B72

RGB 46 27 114

HSL 253.1, 0.62%, 0.28%

LAB 18.27, 33.89, -46.83

 

CMYK 59 / 76 / 0 / 42

HEX #3C2393

RGB 60 35 147

HSL 253.39, 0.62%, 0.36%

LAB 24.54, 41.89, -57.31

 

CMYK 59 / 76 / 0 / 29

HEX #4A2BB4

RGB 74 43 180

HSL 253.58, 0.61%, 0.44%

LAB 30.59, 49.5, -67.31

 

CMYK 56 / 72 / 0 / 19

HEX #5B3ACF

RGB 91 58 207

HSL 253.29, 0.61%, 0.52%

LAB 37.4, 52.04, -71.91

 

CMYK 45 / 58 / 0 / 16

HEX #775BD7

RGB 119 91 215

HSL 253.55, 0.61%, 0.6%

LAB 47.38, 41.14, -60.15

 

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

CMYK 0 / 76 / 32 / 29

HEX #B42B7B

RGB 180 43 123

HSL 324.96, 0.61%, 0.44%

LAB 42.55, 60.37, -12.73

 

CMYK 62 / 0 / 76 / 29

HEX #44B42B

RGB 68 180 43

HSL 109.05, 0.61%, 0.44%

LAB 65, -56.06, 56.42

 

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

CMYK 0 / 59 / 76 / 29

HEX #B4492B

RGB 180 73 43

HSL 13.14, 0.61%, 0.44%

LAB 45.14, 41.78, 39.09

 

CMYK 76 / 0 / 59 / 29

HEX #2BB449

RGB 43 180 73

HSL 133.14, 0.61%, 0.44%

LAB 64.67, -57.86, 43.69

 

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

CMYK 0 / 76 / 32 / 29

HEX #B42B7B

RGB 180 43 123

HSL 324.96, 0.61%, 0.44%

LAB 42.55, 60.37, -12.73

 

CMYK 17 / 0 / 76 / 29

HEX #96B42B

RGB 150 180 43

HSL 73.14, 0.61%, 0.44%

LAB 68.97, -28.35, 61.61

 

CMYK 76 / 0 / 44 / 29

HEX #2BB464

RGB 43 180 100

HSL 144.96, 0.61%, 0.44%

LAB 65.02, -53.75, 30.75

 

CMYK 59 / 75 / 0 / 30

HEX #4A2CB3

RGB 74 44 179

HSL 253.33, 0.61%, 0.44%

LAB 30.67, 48.7, -66.59

 

CMYK 0 / 76 / 54 / 29

HEX #B42B52

RGB 180 43 82

HSL 342.92, 0.61%, 0.44%

LAB 41.28, 56.38, 11.03

 

CMYK 17 / 0 / 76 / 29

HEX #96B42B

RGB 150 180 43

HSL 73.14, 0.61%, 0.44%

LAB 68.97, -28.35, 61.61

 

CMYK 76 / 0 / 22 / 29

HEX #2BB48D

RGB 43 180 141

HSL 162.92, 0.61%, 0.44%

LAB 65.81, -45.05, 9.76

 

Description

Color code: HEX #4A2CB3 | qconv.com Color code: HEX #4A2CB3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 44 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 44 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 75 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 75% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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